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NHL goalies are better than ever. What are the best scorers doing to regain an edge?

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NHL goalies are better than ever. What are the best scorers doing to regain an edge?

When it comes to stopping a scorer in a one-on-one situation, NHL goalies are better than they’ve ever been.

The league-wide save percentage has dipped in recent years — steadily declining from .910 in 2019-20 to .900 this season — as offensive strategies improve and shooters find ways to beat goalies with screens, deflections and backdoor plays. Beating a goaltender with a clean shot has become incredibly difficult.

Listen to the dressing room conversations after a team is shut out. You’ll hear players and coaches parrot the same reasons for the lack of goals.

“We needed more bodies in front of the net.”

“We didn’t get in the goalie’s eyes enough.”

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“Goalies are too good nowadays. If they see the shot, they stop it.”

To an extent, these commonly-used phrases are true. Modern goalies are such good skaters that they’re usually in excellent position, giving shooters very little net to shoot at. They’ve trained their entire lives, specializing in reading shots, so it takes something truly exceptional to get the puck past them when they have their feet set and clear vision of the shot.

In response, today’s elite scorers are finding ways to use these goalies’ reads against them. They pick up on the clues goalies are using to predict shot locations, and then give the netminder false information in an attempt to fool them. Being an elite scorer is becoming less about who can shoot the puck the hardest, or even the most accurately, and more about who can conceal their true intentions and mislead the opposition with deception.

We’ll look at specific examples of these subtle acts of deception, and why they’re so effective, by examining four of the league’s craftiest goal-scorers: Sidney Crosby, Nikita Kucherov, William Nylander and Kyle Connor.

First, it’s important to understand how goalies react to shots. The term “lightning-quick reflexes” is often overstated. Yes, these netminders have exceptional reaction time, but the human body has limitations. A study by Harvard University showed that the average human reaction time is 220 milliseconds, and the average recognition reaction time is 384 milliseconds.

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An 80-mph shot from the point (55 feet away from the net) reaches the goalie in less than 470 milliseconds. A shot of the same speed from the middle of the slot (20 feet away from the net) reaches the goalie in 170 milliseconds.

That means on most shots from in close, a goalie doesn’t have the time to actually see where the puck is being shot and then react to its flight. Most of the time, they are reading the shooter’s body language and stick blade to predict where the shot is going. After seeing thousands and thousands of shots over their lifetimes, goalies become incredible at it, giving the illusion that they’re actually reacting to the puck. The truth is, if a shooter simulated a shot without an actual puck, the goalie would still know where the “shot” was heading in most instances.

On this goal Crosby scored on March 11, he took the way Vegas Golden Knights goalie Ilya Samsonov read the blade of his stick and used it to his advantage.

Crosby is as crafty as they come, and has plenty of time and space on this play. The deception is so subtle that it’s difficult to notice without slow motion, but watch how Crosby opens his stick blade wide just before releasing the shot. Everything about this release tells Samsonov that Crosby is likely shooting high to the blocker side, but with a quick flick of the wrist, Crosby turns down the toe of his stick blade at the last moment and rifles a low shot just inside Samsonov’s left skate.

If you look closely, you can even see Samsonov’s blocker flinch to his right, where he anticipated the shot would go. The minor weight transfer that a goalie makes when leaning into a blocker save means that his opposite leg will typically be slower getting to the ice, which is why Crosby shot to the short side. It’s a simple-looking goal with a lot happening beneath the surface.

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Kucherov uses a similar form of deception, especially on breakaways. This goal he scored against the Penguins on Jan. 12 is a great example of a move he often uses to beat goalies in one-on-one situations.

Kucherov fans his stick blade open, very similar to Crosby in the previous clip, and doesn’t close the toe until midway through the release. Because the change is so late, he regularly leaves goalies flashing their blocker way out to their side, only for Kucherov to curl the puck inside, underneath their armpit, like he does to Tristan Jarry on this play.

The initial deke to pull the puck outside of his body is crucial because it gets the goalie off-angle. When Kucherov had the puck directly in front of him, Jarry was perfectly on angle with the line from the puck to the center of the net running straight through the middle of his chest. That quickly changed when Kucherov pulled the puck outside, giving an edge to the shooter.

You can see how much room there is to the short side after Kucherov pulls the puck outside, and it’s probably why goalies throw their blocker out so aggressively when he shoots. They can sense that they’re off the angle and expect the puck to go between their blocker and the post. Instead of shooting at that opening, Kucherov anticipates the goalie’s next move and shoots where the next opening will be.

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He’d pulled the same move the night before against Devils goalie Jacob Markstrom. Markstrom stabs his blocker out aggressively, only for Kucherov to tuck the puck inside it with his late toe curl.

Kucherov has mastered this trick to the point where it feels almost unfair to the goalie. It’s his go-to move on breakaways. Part of what makes it so effective is his speed. Few players approach these situations at the speed Kucherov does, which only makes it more difficult for the goalie to read him.

Here he is scoring on Columbus’ Elvis Merzlikins and Philadelphia’s Ivan Fedotov with the same move on March 4 and March 17. It’s no coincidence that every one of these goalies over-extends their blocker. Kucherov is baiting them into it with slight manipulation of his stick blade, combined with the fact that the deke gets the goalies off their angle.

There’s a reason Kucherov has outscored his expected goals metrics in nine of the last 10 seasons, according to Evolving-Hockey. Expected goals models are based on how often players score on a shot given the location and several other factors, but it doesn’t account for shooting skill, which Kucherov has in abundance.

Elite scorers use more than just the stick blade to mislead goalies. Maple Leafs star Nylander has been duping netminders with a kicking motion that he uses quite often. Here’s an example of him using a high kick with his trail leg on this overtime winner against the Devils on Jan. 16.

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This move isn’t unique to Nylander. It’s a standard off-leg shot with the left leg (in Nylander’s case because he’s right-handed) hiking into the air to gain leverage and add velocity to the snap shot. It’s a technique mostly used when skating in stride, because it allows for a quicker release, and more often than not it’s used on high shots, such as the one Nylander beat Markstrom with on this play.

Here’s where it starts to get tricky. Nylander has realized that goalies are reading the off-leg snap shots, and is now starting to turn that against them. On this goal – which also happened to come against New Jersey – Nylander kicks the leg up, but shoots the puck along the ice.

You can see Devils goalie Jake Allen react as if the shot is going high-glove. Not only does Nylander kick his leg, his follow-through is mimicking a high shot. If Allen had correctly read that it was going to be a low shot, he would’ve driven his knees into the ice and sealed his butterfly. Instead, he reaches his glove out and his left pad is late to seal, and that’s exactly where Nylander scores.

Up in Winnipeg, Connor is having another excellent season. He’s one of the most under-appreciated scorers in the league, with at least 30 goals in all eight of his full NHL seasons (excluding the shortened 2020-21 season, when he still almost hit the mark).

Connor’s biggest weapon is a ridiculously fast release that is tough for goalies to read. He uses a CCM Ribcor stick with a P92 “Sakic” curve, named after Avalanche Hall of Famer Joe Sakic. It’s the most iconic stick curve and the most popular among NHL players, with a bit of an open toe to promote higher shots.

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One of the biggest keys for Connor is the 85 flex in the stick shaft. It’s not the flimsiest stick in the NHL, but it’s on the more flexible side. That allows him to whip the puck at high velocity without putting a ton of weight or pressure into the stick. His upright shooting style gives goaltenders little warning that a shot is coming, and it regularly catches them off-guard.

He did it Monday night against Vancouver, casually zipping a shot by Canucks goalie Thatcher Demko in transition.

There’s very little shoulder dip or forward body lean prior to the shot, which makes it difficult for Demko to anticipate. It’s also a bit out of rhythm, which is a difficult concept to describe but makes a shot feel as though it’s coming out of nowhere for the goalie. In this instance, Connor shoots off of his outside (right) leg, which is typically accompanied by a lowering of the upper body as the player jumps from his inside to outside leg, building energy and leverage.

Demko has some of the best footwork of any goalie in the NHL, and yet Connor still catches him between shuffles. Shooting the puck just a half beat before the goalie expects it can make all the difference.

Connor also uses more obvious forms of deception to maximize his quick release and catch goalies off guard, like this no-look shot that tricked San Jose goalie Alexandar Georgiev on Dec. 17.

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Georgiev knows there are several passing threats on the backside of the play (both Cole Perfetti in the low slot and Mark Scheifele near the far post) so he’s already hyper-aware of a cross-seam pass. When Connor glances to the middle of the ice as he loads his stick for the shot, it clearly throws the goalie off. Georgiev doesn’t cheat positionally by flattening out along his goal line. He’s still square to the puck, but he shifts his weight onto his left leg to prepare for a lateral explosion across the crease in the event of a pass.

Because of that, when Connor shoots high to the short side, Georgiev makes an awkward looking stab at the puck with his glove without even dropping into the butterfly. The reason the save attempt looks so strange is Georgiev’s weight transfer is not where it would normally be due to the threat of the pass, amplified by Connor’s head fake.

With the skill and intelligence of the modern goaltender, shooters are relying more and more on deception. The days of winding up and ripping shots past the goalie with sheer velocity are long gone. Lateral passing plays, deflections and screens will still be the most efficient way to score, but when a shooter faces a goalie mano a mano, deception is king.

(Illustration: Will Tullos / The Athletic; Photos: Mark LoMoglio, Mark Blinch, Daniel Bartel, Jaylynn Nash / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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