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She gave her rent-controlled apartment a cottagecore update worthy of 'Little Women'

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She gave her rent-controlled apartment a cottagecore update worthy of 'Little Women'

As an avid collector of vintage decor, Catie Brown feels lucky she doesn’t have to cope with one of Los Angeles’ most common rental dilemmas: limited space.

“I wanted a two-bedroom apartment but didn’t think it was financially feasible,” Brown says of moving out on her own for the first time after graduating from Stanford.

In this series, we spotlight L.A. rentals with style. From perfect gallery walls to temporary decor hacks, these renters get creative, even in small spaces. And Angelenos need the inspiration: Most are renters.

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Out of all the apartments she looked at while searching for a place to live in 2022, Brown, now 27, fell in love with the one she initially dismissed — a nondescript ground-floor apartment in a two-story, 15-unit complex built around a swimming pool.

“It was much more appealing in person than in the Zillow photos,” Brown says. Other pluses: It was rent-controlled ($1,700 a month at that time and now $1,762) and had been vacant for months. “The property manager docked the rent a bit because it had been sitting for a while,” she says.

Catie Brown sits at her dining room table in her apartment
Records in a cabinet in a living room next to a dining room

Brown in her dining room, where she installed peel-and-stick wallpaper to make a statement. When she moves, she can remove it.

Located in Mid-City, bordering Culver City, Brown was impressed with its multiple bedrooms and hardwood floors, unlike the gray vinyl floors popular with L.A. landlords and scorned by renters. It was also a relatively easy commute to her job in downtown Los Angeles as a marketing coordinator and within walking distance of her gym, making it a practical and convenient choice.

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During the COVID-19 pandemic, Brown had to leave campus and move back in with her parents in Thousand Oaks, where she was once again living in her teenage bedroom. Like many people during the pandemic, she became obsessed with cottagecore design — a romantic trend that celebrates an idealized version of country living and evokes a simpler time. “I was very crafty as a kid, and the pandemic just emphasized that,” she says.

Brown’s apartment, which she likes to call her “Culver City cottage,” is filled with vintage finds and cherished treasures that are inspired, in part, by her love of historical novels and classic literature like “The Secret Garden,” “Anne of Green Gables” and “Little Women.”

Cottagecore appeals to her, she says, because it reminds her of her childhood dreams. “I’m an aspiring novelist, and it made me feel like a book character,” Brown says while offering a scone in her cozy living room. “I was ready to embrace this side of myself I’d always been a bit embarrassed of in the past.”

A living room with a couch, chair and assorted artworks

An Egyptian-themed souvenir Brown’s grandmother purchased at the King Tut exhibit serves as a side table in the living room.

As a “history nerd,” Brown likes to showcase things that illustrate the human experience, such as a thrifted recreation of a clock from the Titanic. Her personal connection? “The movie was released the year I was born,” she says.

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Brown has found that adhering to her vintage and cottagecore aesthetic allows her flexibility “as long as the treasures and art I choose to display stay within that,” she says. “The content itself can change, such as a movie poster being swapped out, so long as I choose a vintage style movie poster.”

It’s an aesthetic she has worked to bring into every room.

Bookshelves store books, movies, mementos and dolls

Stacks of books, movies, dolls and whimsical knicknacks are displayed on the bookshelves in Brown’s office.

“I’ve found a way to strike a balance so it feels cozy and welcoming but not overwhelmingly full,” she says. Brown also utilizes temporary ways of adding personality to her rental, such as the peel-and-stick floral wallpaper in the kitchen and dining room and installing shelves to display her vintage treasures.

In the living room, a gold Egyptian side table her grandmother purchased in the gift shop of the King Tut exhibit rests next to a cozy tufted couch. “My grandmother was passionate about history and museums, so my family passed down a few things of hers that were in storage,” she says. The walls display personal touches like an artwork she purchased in Provence, France, at her cousin’s wedding, hand-embroidered necklaces by Brown, botanical prints bought from vintage stores and a Venetian mask brought home from a trip to Italy.

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Traditional elements, like a faux fireplace and a tiny trove of potted plants outside her front door, add to her cottagecore aesthetic. “It’s not a cottage without a garden,” Brown says, smiling.

Assorted artworks on a wall above a white dresser

Assorted artworks in the entrance to the apartment hide a heating vent on the wall.

The second bedroom serves as an office where Brown is finishing her novel, which she describes as a “retelling of an Irish myth.” When asked if the story influenced her decor, she mentioned some subtle touches, such as artwork from Ireland, a sign she made in the Irish language and Belleek pottery.

Above her desk, she has installed film on the window to block the view of another apartment a few feet away. In addition to a reading corner and a craft table, she hopes to add a sewing area. “I love painting and crafting knickknacks,” she says, “it reminds me of my childhood, of the carefree joy of making things.”

A cottagecore rental home.
A white kitchen with floral wallpaper

Floral peel and stick floral wallpaper in the kitchen and dining room can be removed when Brown moves out.

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There is also a puzzle board, which Brown notes can help reduce stress and calm an anxious mind. “Sometimes I put it away, but I’m happier having it accessible,” she says.

Brown has several whimsical items in the primary bedroom, including crystals and treasures from her thrifting, like the Ladurée macaroon box she purchased in France for $15 and a tea tin that holds her curlers. She enjoys swapping out the botanical prints based on the season and uses a personal checklist when looking for antiques. “EBay, Facebook Marketplace, Etsy, Poshmark and Instagram,” she says. “I go down the list. The hunt is so much fun.”

Brown tries not to purchase new things, except for some knickknacks from Joann’s and Michaels (always on sale) and an Ikea pendant and shelving. She inherited many of her larger furnishings from her aunt, including her farmhouse-style dining room set, and enjoys looking for treasures at the Melrose Trading Post at Fairfax High School. Once, she drove an hour to Claremont to pick up a marble sculpture and has met people in parking lots to pick up her purchases. Some pieces have moved on: “I used to have a smaller cabinet for my record collection,” Brown says of the piece she purchased and later resold on Facebook Marketplace.

While Brown admits that living in a 1963 apartment contributes to its affordability — “No one can believe how much my rent is,” she says — it also adds charm. Yet even with the luxury of two bedrooms, space can become limited for such a passionate collector.

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“I can’t have any more cabinets,” she says firmly. “If I get more things, I’ll have to start releasing some books.”

Rooted in the present, Brown has made her apartment a home inspired by the past.

“I don’t want it to feel like I’m totally stepping back in time,” Brown says, “but it still has the coziness of a home from another era. When a friend of mine slept on the couch recently after the Palisades fire, he said this was the homiest apartment he could have evacuated to.”

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Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93

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Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93

After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.

(Dania Maxwell / Los Angeles Times)

Orchid expert Paul Francis Gripp, a renowned orchid breeder, author and speaker who traveled the world in search of unusual varieties for his nursery, Santa Barbara Orchid Estates, died in a Santa Barbara hospice center on Jan. 2 after a short illness. He was 93.

In a Facebook post on Jan. 4, Gripp’s sister, Toni Gripp Brink, said her brother died “after suffering a brain hemorrhage and loss of consciousness in his longtime Santa Barbara home. He was surrounded by his loving family, day and night, for about a week in a Santa Barbara hospice before he passed.”

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Gripp was renowned in the orchid world for his expertise, talks and many prize-winning hybrids such as the Santa Barbara Sunset, a striking Laelia anceps and Laeliocattleya Ancibarina cross with rich salmon, peach and magenta hues that was bred to thrive outside in California’s warmer climes.

In a 2023 interview, Gripp’s daughter, Alice Gripp, who owns and operates the business also known as SBOE with her brother, Parry, said Santa Barbara Sunset is still one of the nursery’s top sellers.

A vibrant orchid with salmon and peach-colored petals and a raspberry and deep-yellow throat.

Santa Barbara Sunset is one of the most popular orchids that Paul Gripp bred at his famed orchid nursery, Santa Barbara Orchid Estates a.k.a. SBOE.

(Dania Maxwell / Los Angeles Times)

Gripp was a popular speaker, author and avid storyteller who talked about his experiences searching for orchids in the Philippines, Myanmar (then known as Burma), India, the high Andes, Mexico, Guatemala, Brazil, New Guinea and other parts of the world, fostering exchanges with international growers and collecting what plants he could to propagate, breed and sell in his Santa Barbara nursery.

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“Working in orchids has been like living in a dream,” Gripp said in a 2023 interview. “There’s thousands of different kinds, and I got to travel all over to find things people would want. But the first orchid I found? It was in Topanga Creek, Epipactis gigantea, our native orchid, and you can still find them growing in [California’s] streams and canyons today.”

Gripp was “one of the last orchid people who went looking for these plants in situ — where they occurred in nature,” said Lauris Rose, one of his former employees who is now president of the Santa Barbara International Orchid Show and owner of Cal-Orchid Inc., a neighboring nursery that she started with her late husband James Rose, another SBOE employee who died in January 2025.

These days, Rose said in an interview on Thursday, orchids are considered “something to enhance the beauty of your home,” but when she and her husband first began working with Gripp in the 1970s, “they were something that totally captivated your interest and instilled a wanderlust spirit that made you want to explore the species in the plant kingdom, as they grew in nature, not as produced in various colors from laboratories.”

She said Gripp’s charm and self-deprecating demeanor also helped fuel his success. “People flocked for the experience of walking around that nursery and learning things from him,” Rose said in a 2023 interview.

“Paul lectured all over the world, teaching people about different species of orchids in a very accessible way,” Rose said. “He didn’t act like a professor. He got up there with anecdotes like, ‘One time I climbed up this tree trying to reach a plant in another tree, and all these red ants infested my entire body, so I had to take off all my clothes and rub all these ants off my body.’ A lot of people’s lectures are boring as dirt, but Paul could command a room. He had charisma, and it was infectious.”

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Gripp was born on Oct. 18, 1932, in Greater Los Angeles and grew up in Topanga Canyon. He went to Santa Monica College and then UCLA, where he earned a degree in horticulture, and worked as a gardener on weekends, primarily for Robert J. Chrisman, a wealthy Farmers Insurance executive and hobbyist orchid grower who lived in Playa del Rey.

After college, Gripp served a stint in the Navy after the Korean War, and when he got out, he called Chrisman, his old boss, who invited him to come to Santa Barbara and manage the orchid nursery he was starting there.

A  man in a blue jacket and cap bends over a table of sprouting young orchids.

After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.

(Dania Maxwell / Los Angeles Times)

The nursery opened in 1957, with Gripp as its manager, and 10 years later, after Chrisman died, he purchased SBOE from the Chrisman family.

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In 1986, Gripp and his then-wife, Anne Gripp, divorced. In the settlement, Gripp got their cliff-side Santa Barbara home with its breathtaking views of the Pacific Ocean, and his former wife got the nursery. When Anne Gripp died, her children Parry and Alice inherited the nursery and took over its operation in 1994, Alice Gripp said in 2023.

Gripp officially retired from the nursery, but he was a frequent helper several times a week, weeding, dividing plants, answering customer questions and regaling them with his orchid-hunting stories.

“Paul loves plants, but what he loves most in life is teaching other people about orchids,” Alice Gripp said in 2023. “He chats with them, and I try to take their money.”

Gripp wasn’t a huge fan of the ubiquitous moth orchids (Phalaenopsis) sold en masse in most grocery store floral departments, but he was philosophical about their popularity.

They’re good for indoor plants, he said in 2023, but don’t expect them to live very long. “A house is a house, not a jungle,” he said, “so there’s a 99% chance they’re going to die. But they’re pretty cheap [to buy], so it works out pretty good.”

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“He used to say, ‘I’m an orchid man. I love every orchid equally,’ and he does,” his daughter said in 2023. “I don’t know if he would run into a burning building to save a Phalaenopsis from Trader Joe’s, but he told me once, ‘I’ve never thrown out a plant.’ And that’s probably true. When he was running things, the aisles were so crammed people were always knocking plants off the benches because they couldn’t walk through.”

Gripp is survived by his children and his second wife, Janet Gripp, as well as his sister Toni Gripp Brink. In a post on the nursery’s website on Jan. 5, the Gripp family asked for privacy.

“We are still very much grieving Paul’s sudden passing,” the message read. “If you would like to share your memories of Paul, please send them by mail or email for us to read in the days to come. We will welcome your remembrances and gather these into a scrapbook to keep at SBOE. We appreciate your understanding of our need for peaceful reflection at this time. In the coming weeks, we will announce our plans for honoring and remembering Paul with our orchid friends.”

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Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69

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Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69

Actor TK Carter arrives for the premiere of “The LA Riot” at the Tribeca Film Festival, Monday, April 25, 2005, in New York.

Mary Altaffer/AP


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Mary Altaffer/AP

DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film “The Thing” and “Punky Brewster” on television, has died at the age of 69.

Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff’s Department.

Police did not disclose a cause of death or other details, but said no foul play was suspected.

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Thomas Kent “T.K.” Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.

He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter’s 1982 horror classic, “The Thing.” He also had a recurring role in the 1980s sitcom “Punky Brewster.”

Other big-screen roles include “Runaway Train” in 1985, “Ski Patrol” in 1990 and “Space Jam” in 1996.

“T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres,” his publicist, Tony Freeman, said in a statement. “He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike.”

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Kylie Jenner Shows Off Cleavage in Tight Leather Top While Promoting New Perfume

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Kylie Jenner Shows Off Cleavage in Tight Leather Top While Promoting New Perfume

Kylie Jenner
Cosmic Cleavage …
Flaunts Boobs While Pushing New Fragrance

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