Culture
Adapting the Twists and Turns of ‘Conclave’
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The screenwriter Peter Straughan has become adept at taking well known — and beloved — books and adapting them for the big and small screens. He was first nominated for an Oscar for his screenplay of the 2011 film “Tinker Tailor Soldier Spy,” based on the classic John le Carré spy novel, and then adapted Hilary Mantel’s “Wolf Hall” trilogy into an award-winning season of television, with an adaptation of the third novel coming out soon. Now he has been nominated for a second Oscar: for his screenplay for “Conclave,” based on Robert Harris’s political thriller set in the secret world of a papal election.
“It’s almost like mosaic work,” Straughan tells Gilbert Cruz, the editor of The New York Times Book Review, about adapting books. “You have all these pieces; sometimes they’re going to be laid out in a very similar order to the book, sometimes a completely different order. Sometimes you’re going to deconstruct and rebuild completely.”
In the third episode of our special series devoted to Oscar-nominated films adapted from books, Cruz talks with Straughan about his process of translating a book to the screen, and about the moments in ‘‘Conclave” that he found most exciting to adapt.
We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com.
Culture
Video: How Much Do You Know About Romance Books?
Let’s play romance roulette. No genre has dominated the books world in the last few years. Like romance, it accounts for the biggest percentage of book sales, their avid fan bases. Everyone has been talking about romance as a Book Review editor and as a fan of the genre myself, I put together a to z glossary of 101 terms that you should know if you want to understand the world of romance are cinnamon roll. You may think a cinnamon roll is a delicious breakfast treat, but in a romance novel, this refers to a typically male character who is so sweet and tender and precious that you just want to protect him and his beautiful heart from the world. Ooh, a rake. This is basically the Playboy of historical romance. He defies societal rules. He drinks, he gambles. He’s out on the town all night and is a very prolific lover with a bit of a reputation as a ladies’ man. FEI these are super strong, super sexy, super powerful, immortal, fairy like creatures. One of my favorite discoveries in terms that I learned was stern brunch daddy. A lot of daddy’s usually a male love interest who seems very intimidating and alpha, but then turns out to be a total softie who just wants to make his love interest brunch. I think there’s a misconception that because these books can follow these typical patterns, that they can be predictable and boring. But I think what makes a really great romance novel is the way that these writers use the tropes in interesting ways, or subvert them. If you can think of it, there’s probably a romance novel about it. Oops, there’s only one bed. This is one of my personal favorite tropes is a twist on forced proximity. Characters find themselves in very close quarters, where inevitably sparks start to fly. Why choose is the porkulus dose of the romance world. Sometimes the best way to resolve a love triangle is by turning it into a circle, where everyone is invited to play. Oops, we lost one spice level. There’s a really wide spectrum. You can range from really low heat or no spice, what might also be called kisses. Only then you start to get into what we call closed door or fade to Black. These books go right up to the moment of intimacy, and then you get into what we call open door, which is more explicit. And sometimes these can get very high heat or spicy and even start verging into kink. There’s one thing that almost every romance novel has in common. It’s that no matter what the characters get up to in the end, it ends with a happily ever after. I say almost every romance novel. Sometimes you’re just happy for now.
Culture
Romance Glossary: An A-Z Guide of Tropes and Themes to Find Your Next Book
From cinnamon rolls to stern brunch daddies, here are 101 terms you
should know to understand the popular literary genre.
Apron tugger. Shadow daddy. Wallflower. Fae. Sometimes it can feel as if romance novels come with their own special language — one you must learn in order to achieve maximum swoon. If you’re a dedicated reader, this terminology can help you pinpoint exactly which books will be your speed; if you’re new to the game, they can overwhelm you like so much overdressed word salad.
Whether you’re a superfan or a casual reader, if you’re genre-curious or you just want to understand why people keep talking about “spice” at the bookstore, here are 101 terms you should know. If you see something that strikes your fancy, we’ve got recommendations for books that show off these terms at their best. With any luck, you’ll find something to fall in love with — which, after all, is the whole point.
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Culture
Try This Quiz on Passionate Lines From Popular Literature
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of memorable lines. This week’s installment is all about love, highlighting lines about attraction and relationships from popular novels and short stories published in the late 20th century. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you want to experience the entire work in context.
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