Jeff Hanna, Nitty Gritty Dirt Band founder and de facto leader, is tucked into a nondescript booth at El Palenque, a 30-years-plus local restaurant in a Nashville strip mall, talking about “Nashville Skyline,” a pensive track from their EP, “Night After Night.” The family-owned Mexican restaurant is the kind of place he’s gravitated toward since starting a jug band with friends in Long Beach before migrating to Los Angeles’ folk/rock scene.

Threaded with fiddle, piano and lead vocal by his son Jaime, “Nashville Skyline” is an elegy for Nashville’s rapacious gentrification as well as a love lost to time. The metaphor isn’t lost on the elder Hanna, who recognizes what’s been lost with a dignity and sweetness.

“It’s more reflective,” he allows. “But [capturing moments is] what we do best.”

For the dark-haired 78-year-old, this scene’s played out countless times across a career that’s spanned a number of genres related to folk, pop and country: meeting a journalist to talk about the band’s singular brand of American music. Yet little about the NGDB’s sound has changed across six decades.

Beyond “Mr. Bojangles,” written by Jerry Jeff Walker, and “The House at Pooh Corner,” written by Kenny Loggins, the regulars of the Troudadour/Ash Grove clubs would have pop success as the ‘70s became the ‘80s with “Make a Little Magic,” featuring Nicolette Larson, and “Viola! An American Dream,” with vocals from Linda Ronstadt. But it was the multi-generational and genre-bridging Grammy-nominated “Will the Circle Be Unbroken,” recorded with Nashville royalty Roy Acuff, Maybelle Carter and Earl Scruggs among many others, that grounded the band’s future as a mainstream country act in the ‘80s and ‘90s, as well as what’s become Americana.

“Will the Circle Be Unbroken, Vol. 2” (1989) and “Will the Circle Be Unbroken, Vol. 3” (2004) continued that trend. Both brought home Grammys, while featuring Rosanne Cash and John Hiatt, Johnny Cash, Willie Nelson and Tom Petty, Randy Scruggs, John Prine, Bruce Hornsby, Dwight Yoakam and Hanna’s son Jaime. Also, a wunderkind dobro player named Jerry Douglas.

Hanna talks animatedly about Douglas’ production on their five-song EP: “Like a lot of guys who came up in the second wave of bluegrass after Bill Monroe, Flatt & Scruggs, the Stanley Brothers, Jerry’s part of a progressive musical heritage with New Grass Revival, Tony Rice and New South where genre- and cultural-crossing makes you super open-minded, so what we do is very fluid for him.”

The Grammy-winning dobro icon/master — Douglas receives name-billing as part of Alison Krauss & Union Station — has history with the Dirt Band. Beyond playing on “Long Hard Road,” their first country No. 1, Douglas has loved their music since “seeing them in Mole Lake, Wisconsin, at a festival on an Indian Reservation.”

“It was 1973, I was 19 and playing with the Country Gentlemen. Everybody was smoking; there was even a paraquat-testing booth. The Vietnam War was happening. But ‘Will the Circle Be Unbroken’ was out; they had Vassar Clements playing with them — and the honesty of their music stuck out.”

That honesty and being in the moment carried the Dirt Band across cultural upheavals, changing technology and tastes by allowing songs and their sheer joy of playing to define a career marked by over 100 shows a year, scattered recorded projects that featured songs by Marshall Crenshaw, Steve Goodman, Bruce Springsteen and 2022’s “Dirt Does Dylan.”

“I feel really good about ‘Night After Night ‘as a moment in time,” Hanna says. “It’s a good combination of what we do, where we are. It’s a little reflective, but I love the way the songs flow together … and as much as I wanted to be (Don) Henley in ’75, I made my peace with that for something that’s truer.”

Truer means blending founder Jimmie Fadden (drummer/writer/harmonica), 40-years-plus member Bob Carpenter (keyboards/vocals) and longtime pal Jim Photoglo (bass/vocals) with stand-out next-gen players multi-instrumentalist Ross Holmes (Mumford + Sons, Bruce Hornsby) and Hanna’s son, guitarist/vocalist Jaime (the Mavericks, Gary Allen). Hanna says, “Jaime’s one of my best friends in the world and we share a lot of music, but his chops are substantial. I sometimes look over, hearing him play what were my solos and smile. He’s got the three T’s in electric guitar: tone, taste and timing.”

Beyond the EP’s romping Paul Kennerly/Daniel Tashian title track ruminating on love lost’s impact, a poignant sense of reckoning with the passage of time and loss of places that matter is tempered with grace and acceptance. Featuring prominent acoustic guitar picking, Fadden’s signature harmonica and lyrics stained with philosophical nostalgia, the project gilds the band’s current Farewell Tour celebrating 60 years of music-making that rooted when “Buy for Me the Rain” became a regional Los Angeles hit.

Douglas concurs about the fingers-on-strings magic. “We recorded all this at Oceanway, sitting in a circle, running the songs and looking at each other. It’s a little more organic than some projects; we didn’t do 20 takes, but created dynamics … I’ve played music my whole life, and this was one endorphin rush after another.”

That rush can’t be machined or algorithmed. Both Country Music Hall of Fame Chief Executive Kyle Young and Americana Music Assn. Executive Director Jed Hilly point to the Dirt Band as a groundbreaking influence.

Young enthuses, “I grew up in Nashville, and it took them to show me Nashville’s musical history and heritage; I was listening to everything but country. That first ‘Circle,’ you can’t overemphasize its impact enough,” while Hilly raves, “They were legendary when I was 10 years old in Vermont, going to the Craftsberry Fiddle and Banjo Contest! It was Neil Young’s ‘Harvest,’ [Grateful Dead’s ‘Working Man’s Dead,’ Doc Watson and ‘Circle.’]”

Hilly continues, “I’ve heard T Bone Burnett talk about ‘Oh Brother,’ how great music cuts through. But the Dirt Band? They were pivotal, like John Prine, who just made his music … reaching into the past, but bringing it to the present so it’s very current. And the happiness onstage? No one’s like them.”

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And there’s Darius Rucker, a contemporary country star and leader of ubiquitous ‘90s rock/roots Hootie & the Blowfish, who emailed, “I learned so much about the true roots of country and how to apply it when we started making records in college.

“They were a great pop band, and ‘Circle’ was such an important moment for bringing old-school country and bluegrass artists — Maybelle Carter, Roy Acuff, Doc Watson, and Merle Travis — into the room with ‘hippie kids’ … It allowed for country and California rock to come together. “

Laughing when the praise is shared, Hanna demurs. “The amount of eye rolls you get from saying ‘Farewell Tour,’ because it’s so abused. But the rigors of touring, especially with travel the way it is … Fadden’s always been one to remind us how grateful we are when it’s three hours of sleep, the food choices aren’t so good and something’s lost, because we are.

“We’ve never stopped making music,” Hanna continues. “Sometimes we were the Toot Uncommons with Steve Martin, or playing as Linda Ronstadt’s back-up band for a minute, but it was always great music. Even when record company people would suggest something to make us ‘cool with the kids,’ we knew, and don’t have too many cringe moments.

“With ‘Night After Night,’ I got to co-write most of this record with my son, my wife (Nashville Songwriter Hall of Famer Matraca Berg) and friends like Mac McAnally. Jaime brought us some cool songs, too. Everybody played great. We had the same kind of fun we did when we started. Sixty years in, what more is there?”

Movie Name :  Annagaru Vostaru
Streaming Date : Jan 28, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.5/5
Starring : Karthi, Krithi Shetty, Sathyaraj, Rajkiran, Anand Raj, Shilpa Manjunath and Others
Director : Nalan Kumarasamy
Producer : K.E.Gnanavelraja
Music Director : Santhosh Narayanan
Cinematographer  : George C. Williams Isc
Editor : Vetre Krishnan

Related Links : Trailer

Karthi’s Pongal release Vaa Vaathiyaar has shockingly arrived on Amazon Prime Video within two weeks of its theatrical release. What’s even more startling is that the Telugu dubbed version, Annagaru Vostaru, skipped the theatrical release and headed to OTT directly. Let’s see how the movie is.

Story:

Set in a fictional place, Ramarao (Karthi) is born at the exact time of Sr. NTR’s death. His grandfather (Rajkiran), a devoted fan of Sr. NTR, firmly believes Ramarao to be his idol’s reincarnation and raises him with strong moral values.

However, as Ramarao grows up and becomes a cop, he chooses the opposite path. Ramarao gets suspended after threatening a movie producer for a bribe. One day, his grandfather learns about Ramarao’s true nature, leading to a life-changing situation for the protagonist. What happens next forms the crux of the story.

Plus Points:

The movie has a very interesting idea that instantly grabs our attention. What if an iconic star, worshipped by people like a demigod, comes back to deal with evil forces and becomes the saviour of the masses? This is the core idea on which Annagaru Vostaru is based.

Karthi is one of those rare actors who never goes wrong with his performances, even when the films themselves aren’t entirely satisfactory. He performs to the tee and tries his best to hold the film together with his charismatic screen presence. Some moments in the first half are engaging, and the interval episode leaves a fairly good impact.

Minus Points:

A good concept alone isn’t enough to make a successful film. There needs to be a gripping screenplay to keep the audience hooked, and this is where Annagaru Vostaru falters. The narration is largely underwhelming due to the lack of a proper structure. The characters, especially the antagonists and the female lead, aren’t introduced properly.

As a result, it becomes difficult to connect with the proceedings, despite Karthi giving it his all. The second half, in particular, leaves a lot to be desired. The narrative turns repetitive and predictable, and by the time the film reaches the climax, it runs out of steam. Apart from Karthi, the rest of the cast doesn’t get scope to shine.

Additionally, there is very little chance for the film to work with Telugu audiences. OTT platforms lately have been releasing only a single version of multilingual films, swapping audio tracks for the same visual file. While this strategy may work for some films, it defeats the very purpose of movies like Vaa Vaathiyaar/Annagaru Vostaru.

We are told about NTR in the dialogues, but what we see on screen is MGR, clearly meant for Tamil audiences, making the overall experience underwhelming. It is surprising that a platform like Prime Video did not consider this crucial aspect.

Technical Aspects:

Music composed by Santosh Narayanan turns out to be one of the weakest links of Annagaru Vostaru. Not even a single song is catchy, and the background score, which was expected to be quirky, largely misses the mark. George C. Williams’ cinematography is good, and the production values are neat. However, the editing could have been much better.

Director Nalan Kumarasamy, who earlier delivered an impressive film like Soodhu Kavvum, comes up with a fascinating idea for Annagaru Vostaru, but his screenplay is ineffective and uneven. It is disappointing to see a good idea not reach its full potential, and Annagaru Vostaru unfortunately falls into that category.

Verdict:

On the whole, Annagaru Vostaru (Vaa Vaathiyaar) has an interesting premise, but due to its underwhelming screenplay, the film fails to leave the desired impact. Karthi shines as Ramarao, brilliantly portraying a cinematic, Robin Hood–esque superhero, but the narration by director Nalan Kumarasamy doesn’t pack a punch. While a few moments in the first half are decent, the second half turns tiresome due to repetition. Hence, Annagaru Vostaru ends up being far from satisfactory.

123telugu.com Rating: 2.5/5
Reviewed by 123telugu Team 

Melissa Gilbert has returned to social media to some extent amid an “extraordinarily difficult time” stemming from the child sex abuse case involving her husband Timothy Busfield.

The “Little House on the Prairie” alumna, 61, spoke out on Monday, issuing a statement of gratitude and reflection to the Instagram page of her lifestyle brand, Modern Prairie. She made her Instagram comeback after seemingly deactivating her personal account earlier this month, when allegations against her husband became public.

“This season has reminded me, very clearly, how important it is to slow down, prioritize what truly matters, and allow ourselves moments of rest,” she captioned a photo of herself sitting pensively on a couch. “Stepping back from the noise, the news, and even our daily responsibilities from time to time gives us space to recharge, reflect and find our center again.”

Earlier this month, a New Mexico judge issued a warrant for Emmy winner Busfield, 68, on two felony counts of criminal sexual contact with a minor and a single count of child abuse. An affidavit accuses Busfield of inappropriately touching two child actors, who are brothers, during his time as an actor, director and producer on the Fox drama “The Cleaning Lady.”

According to the complaint, one child actor said Busfield first touched his “private areas” multiple times on set when he was 7 years old. The actor said that, when he was 8 years old, Busfield touched him inappropriately again several times, according to the affidavit. The complaint also detailed a police interview with Busfield in which he suggested that the boys’ mother might have sought “revenge” on the director for “not bringing her kids back for the final season.”

Amid the allegations against Busfield, Gilbert’s Modern Prairie issued a statement on Instagram distancing itself from the disturbing claims. “Modern Prairie unequivocally condemns abuse in all forms and remains committed to values of safety, integrity, and respect.” the statement said.

Busfield turned himself in to law enforcement on Jan. 13, denying the “horrible” allegations and asserting: “I did not do anything to those little boys.” A publicist for Gilbert at the time said the actor would not comment on her husband’s case, denounced “any purported statements” and said that she was focused on caring for her and Busfield’s family. Busfield has three adult children from two previous marriages and is the stepfather to Gilbert’s two adult sons from her two previous marriages.

Busfield, known for his roles on “The West Wing” and “Thirtysomething,” was jailed at the Metropolitan Detention Center in Albuquerque but was granted release on his own recognizance on Jan. 20. At the hearing, to determine whether Busfield would be released pending trial, Gilbert could be seen crying and saying, “Thank you, God” upon the judge’s decision.

Gilbert thanked her Modern Prairie community for their patience and “for helping me feel safer, more grounded, and deeply held,” amid the scrutiny surrounding her family.

“I’ll be easing back into things thoughtfully and with care — moving forward one step at a time,” she said. “More to come and so much gratitude always.”