Lifestyle
Questlove charts 50 years of SNL musical hits (and misses)
“Pretty much any Saturday that The Roots aren’t touring and they’re taping, I’m in the audience watching,” Questlove says of SNL.
Eugene Gologursky/Getty Images North America
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Eugene Gologursky/Getty Images North America
By his own account, Grammy-winning musician and The Roots bandleader Ahmir “Questlove” Thompson has been involved with Saturday Night Live in every possible role — except for the one that he wants most.
“I’ve been a punchline on ‘Weekend Update.’ I’ve been part of a Timothée Chalamet sketch. I’ve been mentioned in monologues,” he says. “I’m a part of that ecosystem almost in every way but the one way I want to be, which is musical guest. … The Roots are working on their 17th album right now, so I’m still hanging on to my dream.”
Now, as SNL marks its 50th anniversary, Questlove has a new documentary, highlighting the musical guests and music comedy sketches featured over the decades. Ladies & Gentlemen… 50 Years of SNL Music is the work of a storied musician and filmmaker who remembers watching the show when he was a kid growing up in Philly.

“I was there from the very, very beginning,” Questlove says. “[There] was nothing like it. I know that’s the cliché that you’re going to hear a lot about this 50th anniversary, but there was truly nothing like it on television.”
One change he’s noticed over the years, both on SNL and on The Tonight Show Starring Jimmy Fallon, where he’s bandleader, is that today’s musical guests are more likely to be lip-syncing than their predecessors were. He calls it the “post-Thriller effect,” whereby musicians feel pressure to dance and perform perfectly every time.
“The Thriller effect is, it must be perfect,” he says. “And I’m kind of from the school of warts and all. Like, I love seeing the warts. I love seeing the pimples, the mistakes. To me, that’s the human touch. And I think people need to trust that more. But, you know, things don’t have to be Instagram filter perfect 24/7.”
Part 2 of Fresh Air‘s interview with Questlove, about his other documentary on Hulu, SLY LIVES! (aka The Burden of Black Genius), will air in coming weeks.
Interview highlights
On the documentary portraying things going wrong or not as planned
That’s the thing about SNL is there’s a risk factor involved. And usually it starts with “no.” Like Eddie Murphy talks about, I did not want to do hot tub with James Brown. Justin Timberlake goes on and on about trying to convince Beyoncé to do this “Single Ladies” sketch. Like, everything starts [with] “no.” And it’s, like, “Wow, you almost talked yourself out of history.” And I’m trying to get people in the mind state that, oftentimes we get in our own heads about why something won’t work. And sometimes you just got to take a risk and you never know. This might be part of the American fiber, the history of it.
YouTube
On a 2004 incident in which Ashlee Simpson was shown to be lip syncing on SNL
Ashlee Simpson had a sore throat and was a little iffy about her singing, so she opted to lip-sync instead. And her drummer, who’s controlling on the music, accidentally plays the wrong song for the second song.
They could have just patiently just stopped the song and started all over again as if nothing happened. But she infamously does a weird dance and runs offstage, kind of humiliated, and they go to commercial. It just so happens that Oz Rodriguez, my co-director of this documentary, said that they also have the audio recording of the production room, like what was happening at the time. And for me, it was so hilarious to hear the producers and the directors inside of the control room. To me, it sounds like a bunch of teenagers that stole their parents’ car in San Francisco and the brakes just give out in a San Francisco hill going down 100 mph. Like, what do we do? Oh no! You get to see what’s under the trunk. And that, to me, is the most fascinating part of SNL, how it’s able to happen every week without fail.
On SNL introducing America to rap
Saturday Night Live is the first time that America and the world will get to see what hip-hop culture is. The very first rap performance on TV is when Deborah Harry hosts the show in 1981 and brings on Funky 4 + 1. … There were other popular groups at the time, like there was Grandmaster Flash and the Furious Five and The Sugarhill Gang, both [with], like, platinum hits and really music- and culture-changing songs at the time. But she took a liking to this group because it was similar to Blondie, a band that had a woman in the lead of it. …
For me, that’s such an SNL move where those first 10 years, they weren’t about who’s the most popular person to bring ratings? And it was always like the cool factor, like, who’s the most popular person now? Who’s the person under that person that we could give a boost to? And that’s like a prime example of how SNL always had their finger in the pulse of who’s next. And as a result, come 20 years later, a lot of those first-time acts … like them getting Run-D.M.C. before Run-D.M.C. was Run-D.M.C or them getting Prince before Prince was Prince, or the Talking Heads or Devo, whoever. A lot of those risks that they took in the first 10 to 15 years, those guys will wind up being, like, the household names and the fiber of the mainstream once SNL becomes the mainstream, instead of the underground. So Deborah Harry using her power to bring attention to a culture that no one knew about like that is a prime moment of the SNL effect and how it builds American entertainment culture.
On the un-hummable SNL theme song
It’s the most iconic, nondescript theme song. Pretty much any Saturday that The Roots aren’t touring and they’re taping, I’m in the audience, watching, and that, to me, is one of the most humorous things ever. Like, you know it when you hear it, you know, that’s SNL. It’s a feeling. It’s almost like it’s the last theme that offers a feeling, but not any evidence of it. It’s like trying to put water in your pocket or something like that. It’s abundant, but it’s whatever you want it to be. … I admire the fact that SNL, for 50 years, has been able to provide a feeling without necessarily melodic evidence to it.
On musical guests at The Tonight Show being consumed with nerves
I’m really big on micro meditation and just sitting in a quiet room for, like, 10 minutes before I go on, because sometimes you have to just calm yourself down so that you can really focus on what you have to do. But a lot of times, artists are in their own heads and they often talk themselves out of the magic, because when you’re worrying, you’re almost praying for something bad to happen — that’s my definition of worrying. “I hope I don’t mess up.” You’re basically saying, “Hey, I would like to mess up,” just subconsciously. So as a result, most artists will stall, take their time, be an hour late, be two hours late, not show up at all, hijack their career in the name of fear. And as always, once you do it, then it’s, like, that’s all it was? No big deal. But I’m used to it, because I’ve been doing this for a couple of decades. Oftentimes, I’ll pull an artist to the side and just be, like, “OK, I want you to listen to my voice. I want you to inhale. Exhale.” I do that a lot to them, especially the new artists that are nervous and scared.
Ann Marie Baldonado and Anna Bauman produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
Sunday Puzzle: Pet theory
On-air challenge
Today’s puzzle is called “Pet Theory.” Every answer is a familiar two-word phrase or name in which the first word start starts PE- and the second word starts T-. (Ex. What walkways at intersections carry –> PEDESTRIAN TRAFFIC)
1. Chart that lists all the chemical elements
2. Place for a partridge in “The 12 Days of Christmas”
3. Male voyeur
4. What a coach gives a team during halftime in the locker room
5. Set of questions designed to reveal your traits
6. Something combatants sign to end a war
7. Someone who works with you one-on-one with physical exercises
8. Member of the Who
9. Incisors, canines, and premolars that grow in after you’re a baby
10. Nadia Comaneci was the first gymnast to score this at the Olympics
11. What holds the fuel in a British car
Last week’s challenge
Last week’s challenge was a numerical one from Ed Pegg Jr., who runs the website mathpuzzle.com. Take the nine digits — 1, 2, 3, 4, 5, 6, 7, 8, 9. You can group some of them and add arithmetic operations to get 2011 like this: 1 + 23 ÷ 4 x 5 x 67 – 8 + 9. If you do these operations in order from left to right, you get 2011. Well, 2011 was 15 years ago. Can you group some of the digits and add arithmetic symbols in a different way to make 2026? The digits from 1 to 9 need to stay in that order. I know of two different solutions, but you need to find only one of them.
Challenge answer
12 × 34 × 5 – 6 – 7 + 8 – 9 [or] 1 + 2 + 345 × 6 – 7 × 8 + 9
Winner
Daniel Abramson of Albuquerque, N.M.
This week’s challenge
This week’s challenge comes from listener Ward Hartenstein. Think of a well-known couple whose names are often said in the order of _____ & _____. Seven letters in the names in total. Combine those two names, change an E to an S, and rearrange the result to name another famous duo who are widely known as _____ & _____.
If you know the answer to the challenge, submit it below by Thursday, January 15 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
Lifestyle
Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93
After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.
(Dania Maxwell / Los Angeles Times)
Orchid expert Paul Francis Gripp, a renowned orchid breeder, author and speaker who traveled the world in search of unusual varieties for his nursery, Santa Barbara Orchid Estates, died in a Santa Barbara hospice center on Jan. 2 after a short illness. He was 93.
In a Facebook post on Jan. 4, Gripp’s sister, Toni Gripp Brink, said her brother died “after suffering a brain hemorrhage and loss of consciousness in his longtime Santa Barbara home. He was surrounded by his loving family, day and night, for about a week in a Santa Barbara hospice before he passed.”
Gripp was renowned in the orchid world for his expertise, talks and many prize-winning hybrids such as the Santa Barbara Sunset, a striking Laelia anceps and Laeliocattleya Ancibarina cross with rich salmon, peach and magenta hues that was bred to thrive outside in California’s warmer climes.
In a 2023 interview, Gripp’s daughter, Alice Gripp, who owns and operates the business also known as SBOE with her brother, Parry, said Santa Barbara Sunset is still one of the nursery’s top sellers.
Santa Barbara Sunset is one of the most popular orchids that Paul Gripp bred at his famed orchid nursery, Santa Barbara Orchid Estates a.k.a. SBOE.
(Dania Maxwell / Los Angeles Times)
Gripp was a popular speaker, author and avid storyteller who talked about his experiences searching for orchids in the Philippines, Myanmar (then known as Burma), India, the high Andes, Mexico, Guatemala, Brazil, New Guinea and other parts of the world, fostering exchanges with international growers and collecting what plants he could to propagate, breed and sell in his Santa Barbara nursery.
“Working in orchids has been like living in a dream,” Gripp said in a 2023 interview. “There’s thousands of different kinds, and I got to travel all over to find things people would want. But the first orchid I found? It was in Topanga Creek, Epipactis gigantea, our native orchid, and you can still find them growing in [California’s] streams and canyons today.”
Gripp was “one of the last orchid people who went looking for these plants in situ — where they occurred in nature,” said Lauris Rose, one of his former employees who is now president of the Santa Barbara International Orchid Show and owner of Cal-Orchid Inc., a neighboring nursery that she started with her late husband James Rose, another SBOE employee who died in January 2025.
These days, Rose said in an interview on Thursday, orchids are considered “something to enhance the beauty of your home,” but when she and her husband first began working with Gripp in the 1970s, “they were something that totally captivated your interest and instilled a wanderlust spirit that made you want to explore the species in the plant kingdom, as they grew in nature, not as produced in various colors from laboratories.”
She said Gripp’s charm and self-deprecating demeanor also helped fuel his success. “People flocked for the experience of walking around that nursery and learning things from him,” Rose said in a 2023 interview.
“Paul lectured all over the world, teaching people about different species of orchids in a very accessible way,” Rose said. “He didn’t act like a professor. He got up there with anecdotes like, ‘One time I climbed up this tree trying to reach a plant in another tree, and all these red ants infested my entire body, so I had to take off all my clothes and rub all these ants off my body.’ A lot of people’s lectures are boring as dirt, but Paul could command a room. He had charisma, and it was infectious.”
Gripp was born on Oct. 18, 1932, in Greater Los Angeles and grew up in Topanga Canyon. He went to Santa Monica College and then UCLA, where he earned a degree in horticulture, and worked as a gardener on weekends, primarily for Robert J. Chrisman, a wealthy Farmers Insurance executive and hobbyist orchid grower who lived in Playa del Rey.
After college, Gripp served a stint in the Navy after the Korean War, and when he got out, he called Chrisman, his old boss, who invited him to come to Santa Barbara and manage the orchid nursery he was starting there.
After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.
(Dania Maxwell / Los Angeles Times)
The nursery opened in 1957, with Gripp as its manager, and 10 years later, after Chrisman died, he purchased SBOE from the Chrisman family.
In 1986, Gripp and his then-wife, Anne Gripp, divorced. In the settlement, Gripp got their cliff-side Santa Barbara home with its breathtaking views of the Pacific Ocean, and his former wife got the nursery. When Anne Gripp died, her children Parry and Alice inherited the nursery and took over its operation in 1994, Alice Gripp said in 2023.
Gripp officially retired from the nursery, but he was a frequent helper several times a week, weeding, dividing plants, answering customer questions and regaling them with his orchid-hunting stories.
“Paul loves plants, but what he loves most in life is teaching other people about orchids,” Alice Gripp said in 2023. “He chats with them, and I try to take their money.”
Gripp wasn’t a huge fan of the ubiquitous moth orchids (Phalaenopsis) sold en masse in most grocery store floral departments, but he was philosophical about their popularity.
They’re good for indoor plants, he said in 2023, but don’t expect them to live very long. “A house is a house, not a jungle,” he said, “so there’s a 99% chance they’re going to die. But they’re pretty cheap [to buy], so it works out pretty good.”
“He used to say, ‘I’m an orchid man. I love every orchid equally,’ and he does,” his daughter said in 2023. “I don’t know if he would run into a burning building to save a Phalaenopsis from Trader Joe’s, but he told me once, ‘I’ve never thrown out a plant.’ And that’s probably true. When he was running things, the aisles were so crammed people were always knocking plants off the benches because they couldn’t walk through.”
Gripp is survived by his children and his second wife, Janet Gripp, as well as his sister Toni Gripp Brink. In a post on the nursery’s website on Jan. 5, the Gripp family asked for privacy.
“We are still very much grieving Paul’s sudden passing,” the message read. “If you would like to share your memories of Paul, please send them by mail or email for us to read in the days to come. We will welcome your remembrances and gather these into a scrapbook to keep at SBOE. We appreciate your understanding of our need for peaceful reflection at this time. In the coming weeks, we will announce our plans for honoring and remembering Paul with our orchid friends.”
Lifestyle
Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69
Actor TK Carter arrives for the premiere of “The LA Riot” at the Tribeca Film Festival, Monday, April 25, 2005, in New York.
Mary Altaffer/AP
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Mary Altaffer/AP
DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film “The Thing” and “Punky Brewster” on television, has died at the age of 69.
Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff’s Department.
Police did not disclose a cause of death or other details, but said no foul play was suspected.
Thomas Kent “T.K.” Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.
He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter’s 1982 horror classic, “The Thing.” He also had a recurring role in the 1980s sitcom “Punky Brewster.”
Other big-screen roles include “Runaway Train” in 1985, “Ski Patrol” in 1990 and “Space Jam” in 1996.
“T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres,” his publicist, Tony Freeman, said in a statement. “He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike.”
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