Lifestyle
My house didn’t burn but ash from the L.A. fires fell in my yard. Can I eat from my garden? Is my soil safe?
• Unlike ash from vegetation fires, ash from burning buildings usually contains many toxins from melted plastics, electronics and other common household items.
• Multiple federal, state and local agencies are working to clean up more than 16,000 homes and other structures damaged or destroyed in Pacific Palisades and Altadena; at present, it appears people who didn’t have fire damage need to clean their own ash.
• Testing your soil might be the best way to determine if it’s safe. In the meantime, wash garden vegetables thoroughly before eating and carefully remove as much ash as possible without making it airborne.
In the world of wildfires, there are basically two kinds of ash: the good kind from burned vegetation that enriches the soil and the very bad ash from urban wildfires that’s created when everyday items like plastics, electronics, couches and tires burn along with people’s offices, homes and stores.
“Ash from a chaparral [vegetation] fire is clean; it contains nutrients like phosphorous and potassium that can be beneficial,” said Garn Wallace, a biochemist and soil scientist whose business, Wallace Laboratories in El Segundo, has been testing California soils since 1990. “But ash from a home that burned risks having heavy metals that came from the construction materials or were used in the paint or furniture. And ash from that house could be toxic.”
Therefore, multiple federal, state and local agencies, including the federal Environmental Protection Agency and state Department of Toxic Substances Control, are working to clean up more than 16,000 homes and other structures in Pacific Palisades and Altadena and have been tasked with assessing, removing and disposing of hazardous materials such as ash around those burned-up structures.
Because of the danger from toxins, Los Angeles County has prohibited residents from cleaning up properties that were damaged or destroyed in burn areas “until a hazardous materials inspection is completed by an approved government agency.”
But what about residents whose homes didn’t burn but whose yards and gardens still got a coating of ash? At present, there don’t appear to be any cleanup programs or prohibitions for properties with ash contamination but no other fire damage. In other words, it appears you’ll have to handle those kinds of cleanups yourself.
It’s best to carefully corral and dispose of ash on your property to keep your household safe. Pets can track potentially toxic ash into the house or lick it off their paws; children can get it on their hands and clothes and even in their mouths. And every time you work in your garden you’re potentially exposing yourself to toxins in the ash such as heavy metals including lead or VOCs (volatile organic compounds) like benzene, a carcinogen that can create serious health issues after long-term exposure.
With this in mind, here are answers from health, soil and gardening experts who’ve studied the subject when it comes to navigating the task of cleaning up ash and other toxins.
How can I protect myself when I work around ash from recent L.A.-area wildfires?
Whether you work with a professional to clean up your yard or take on the matter yourself, you need to stay safe.
At a minimum, wear an N95 mask and sturdy gloves before working in a yard doused with ash to protect yourself from inhaling or absorbing potentially toxic metals or chemicals. Safer still is wearing safety goggles, long pants, long-sleeve shirts and boots to minimize contact with eyes and skin. Remove your boots and clothing at the door and clean them thoroughly so you don’t track ash into the house or leave it on furniture.
Since young children tend to put everything in their mouths, it’s best to keep them and their toys inside until the ash has been removed. The same goes for pets; keep them indoors as much as possible, and when they do go outside, be sure to wipe off their feet and coats so they don’t track it inside or ingest it by licking their paws.
Do everything to keep the ash from going airborne
The Los Angeles County Department of Public Health issued an emergency order Jan. 10 prohibiting the use of leaf blowers and other power air blowers countywide. That order was revised Jan. 23 to prohibit use of those types of blowers in Palisades and Eaton wildfire perimeter areas only.
However, the county’s health department still recommends that people outside the burn areas consider alternatives to the use of power air blowers for removing ash, such as “gentle sweeping followed by wet mopping or HEPA vacuums” so the particles don’t become airborne and easily inhaled.
Massive plumes of smoke from burning homes and buildings have dropped layers of potentially toxic ash around Los Angeles, spread farther by many days of heavy Santa Ana winds.
(Robert Gauthier / Los Angeles Times)
What’s the best way to remove ash from yards in non-fire areas?
If you’re dealing with ash problems outside the burn areas, researchers recommend dampening the ash first and then either gently sweeping or shoveling as much as possible into plastic bags that can be tightly closed and put in the garbage. Remember to wear personal protective gear while doing this so you don’t inhale the dust.
Gardeners with raised beds who had a lot of urban wildfire ash should consider removing the top six inches of soil as well and disposing of it in plastic bags in the trash. Then add fresh soil to the beds, Wallace said.
Do not put the ash or contaminated soil into green bins or compost piles because it could contain toxins, or at the very least, high alkalinity that could be harmful to plants. Also, make sure the ash is tightly contained in a plastic bag — even double-bagged — so it can’t spill out of the trash and become airborne.
If you have a shop vac with a HEPA filter that can suck — not blow — the ash into a plastic bag, you can try using that on impermeable surfaces such as driveways or patios, or even in garden beds. Just make sure the vacuum doesn’t send the ash flying.
Is it safe for me to eat produce from a garden that was covered in ash?
Yes, as long as you can remove the ash by washing the produce thoroughly, according to Dr. Gina Solomon, chief of the Division of Occupational, Environmental and Climate Medicine at UC San Francisco.
Researchers at UC Cooperative Extension of Sonoma County, who studied the effects of wildfire on soil and produce, recommend removing outer leaves and peels in addition to giving any ash-covered produce a thorough washing.
After a series of urban wildfires in 2017, UC Cooperative Extension of Sonoma County studied the effects of smoke on soil, produce, chickens and egg production in areas that were not adjacent to burned structures.
Dense gray wildfire smoke from the Palisades and Eaton fires blanketed downtown Los Angeles as well as Los Angeles County on Jan. 9, prompting school closures and triggering air quality advisories across the region.
(Allen J. Schaben / Los Angeles Times)
The department created a webinar and website about its findings, concluding that there was “low concern of health impacts from ingesting produce exposed to the Santa Rosa urban wildfire smoke of 2017.” They determined that the benefits of growing and eating fresh leafy greens such as kale outweighed any long-term cancer risk.
The Sonoma County researchers also concluded that produce must be thoroughly washed before it’s eaten. This is particularly important for produce like root vegetables, which have direct contact with the ground. Peeling vegetables such as carrots or potatoes and removing outer leaves of lettuce or spinach will help remove any contaminants that might be clinging to the food.
Gardeners can soak their produce in a solution of one cup white vinegar to nine cups clean water to better remove the ash and then rinse the produce thoroughly under running water to remove the vinegar.
If the food is too delicate for a good washing — say, tender lettuce leaves — “then it might be time to discard that produce “and take a trip to the farmer’s market or grocery store [to buy a replacement],” Solomon said, especially for people who are more vulnerable to toxins such as children, people who are pregnant or people with underlying health issues.
Wallace had one proviso: If the fruit or vegetables have been scorched or damaged by fire, it’s possible toxins or heavy metals have embedded in the food, and it should be discarded. “If the leaves are still green and the plant looks healthy, the produce should be fine,” even if it’s dusted with ash, “but if it’s scorched, it could contain metals that won’t wash off,” he said.
Don’t eat fruits and vegetables that have been scorched in the urban wildfires, such as these lemons roasted in the Eaton fire, because they could be contaminated by toxic smoke, biochemist Garn Wallace said.
(Jeanette Marantos / Los Angeles Times)
How will ash affect my plants?
Ashy coatings can stunt growth by blocking sunlight to the plant. Wash ash off your plants with a garden hose as soon as possible or hope for a good rain to keep the plants healthy. (On a side note, Solomon said ash is corrosive, so it’s a good idea to rinse it off your vehicles as soon as possible too to keep it from damaging the finish.)
When washing off your plants, try to keep the water on your soil. That might add more contaminants to your soil, but it’s better than spreading the toxins by flushing it down drains or gutters, according to the South Coast Air Quality Management District.
Is my soil safe for planting a new vegetable garden?
This question is harder to answer, said Wallace, whose lab is one of the few in Southern California that tests for heavy metals in soil as well as nutrients and alkaline levels. (Labs that perform similar tests include Alluvial Soil Lab in Anaheim, Pinnacle Laboratory in Lawndale, Vert Environmental in Placentia, LA Testing in Huntington Beach and Babcock Laboratories in Riverside.)
A light dusting of ash probably won’t do much damage to your soil, said Wallace, but a thick layer could raise the alkaline levels above eight, making it difficult for plants to grow, and lace the soil with heavy metals such as lead. In that case, the safest bet is to test your soil to see if its PH is too high (that means an alkalinity over eight), or if it’s tainted with contaminants.
Test prices range between $100 and $200, depending on what the tests entail. Wallace Laboratories, for instance, charges $100 to test for PH levels, salinity, fertility (nutrients in the soil) and trace heavy metals such as lead and arsenic. One two- to three-cup sample of ash can provide information about soil contamination for an entire neighborhood, Wallace said. “The results should not vary much from house to house,” he said.
Wallace said officials are most likely to find high levels of lead in the ash because many of the buildings that burned, especially in the Eaton fire, were old enough to have used lead-based paints.
Like most large cities, many parts of Los Angeles already have issues with lead contamination in the soil, he said. “Up until the late 1950s, the city had people incinerate their trash in their backyard. Every older home in West L.A. has an incinerator footprint where it burned trash, and it’s full of lead,” Wallace said. Also, lead was used in paints and gasoline for automobiles until the 1970s.
The bad news about lead is that it binds to soil particles, he said. “It will not wash away.” The hopeful news is that lead doesn’t move much, he said. It tends to stay near the surface, in the top six inches of the soil, so it’s relatively easy to remove.
Wallace said he tested his soil when he purchased his house in Westwood many decades ago and discovered it had lead contamination. He had hired contractors to install a swimming pool. But he instructed them to first scrape about six inches of soil off his entire yard and dispose of it, then dig an additional two feet in the pool area and use that soil to create planting beds around his yard.
He also regularly adds compost to his planting beds, he said, because studies have shown that those organic materials can dilute lead in the soil.
Tim Becker, horticulture director for the Theodore Payne Foundation, said he tested the soil in his West Adams yard a few years ago and discovered it had lead concentrations of around 65 parts per million, near the state limit of 80 parts per million. But after researching lead contamination, he decided to go ahead and plant some vegetables.
Wildfire smoke from the Palisades and Eaton fires blanketed Los Angeles County with soot and ash, as seen from the Kenneth Hahn State Recreational Area in Ladera Heights on Jan. 8.
(Allen J. Schaben / Los Angeles Times)
Research such as this 2016 study by the University of Washington indicates the risk of lead poisoning is low in urban gardens because, with the exception of root vegetables, plants take little lead into their stems and leaves. “Runner beans, tomatoes, peppers, cucumbers … those things are still safe to eat,” Becker said. “But I don’t plant root vegetables like carrots or beets, nothing could cause cross contamination of the soil or consuming soil directly.”
Becker said his bigger concern is about children playing in contaminated soil. “Consumption of soil [by children] is the biggest risk for lead,” he said. “You have to do your homework and decide what’s right for you. You can always raise food in potting soil in containers or raised beds.”
What else can I do to improve my soil quality?
Research has shown that certain plants such as yarrow, mugwort and sunflowers can draw heavy metals and other contaminants from the soil in a process known as phytoremediation.
After all this oppressive smoke and gray ash, this sounds like an easy and excellent balm for many local communities. Tall rows of cheerful sunflowers can provide badly needed food and refuge for insects and birds while magically and majestically improving the soil.
Lifestyle
The Nerve Center of This Art Fair Isn’t Painting. It’s Couture.
The art industry is increasingly shaped by artists’ and art businesses’ shared realization that they are locked in a fierce struggle for sustained attention — against each other, and against the rest of the overstimulated, always-online world. A major New York art fair aims to win this competition next month by knocking down the increasingly shaky walls between contemporary art and fashion.
When visitors enter the Independent art fair on May 14, they will almost immediately encounter its open-plan centerpiece: an installation of recent couture looks from Comme des Garçons. It will be the first New York solo presentation of works by Rei Kawakubo, the brand’s founder and mastermind, since a lauded 2017 survey exhibition at the Metropolitan Museum of Art’s Costume Institute.
Art fairs have often been front and center in the industry’s 21st-century quest to capture mindshare. But too many displays have pierced the zeitgeist with six-figure spectacles, like Maurizio Cattelan’s duct-taped banana and Beeple’s robot dogs. Curating Independent around Comme des Garçons comes from the conviction that a different kind of iconoclasm can rise to the top of New York’s spring art scrum.
Elizabeth Dee, the founder and creative director of Independent, said that making Kawakubo’s work the “nerve center” of this year’s edition was a “statement of purpose” for the fair’s evolution. After several years at the compact Spring Studios in TriBeCa, Independent will more than double its square footage by moving to Pier 36 at South Street, on the East River. Dee has narrowed the fair’s exhibitor list, to 76, from 83 dealers in 2025, and reduced booth fees to encourage a focus on single artists making bold propositions.
“Rei’s work has been pivotal to thinking about how my work as a curator, gallerist and art fair can push boundaries, especially during this extraordinary move toward corporatization and monoculture in the art world in the last 20 years,” Dee said.
Kawakubo’s designs have been challenging norms since her brand’s first Paris runway show in 1981, but her work over the last 13 years on what she calls “objects for the body” has blurred borders between high fashion and wearable sculpture.
The Comme des Garçons presentation at Independent will feature 20 looks from autumn-winter 2020 to spring-summer 2025. Forgoing the runway, Kawakubo is installing her non-clothing inside structures made from rebar and colored plastic joinery.
Adrian Joffe, the president of both Comme des Garçons International and the curated retailer Dover Street Market International (and who is also Kawakubo’s husband), said in an interview that Kawakubo’s intention was to create a sculptural installation divorced from chronology and fashion — “a thing made new again.”
Every look at Independent was made in an edition of three or fewer, but only one of each will be for sale on-site. Prices will be about $9,000 to $30,000. Comme des Garçons will retain 100 percent of the sales.
Asked why she was interested in exhibiting at Independent, the famously elusive Kawakubo said via email, “The body of work has never been shown together, and this is the first presentation in New York in almost 10 years.” Joffe added a broader philosophical motivation. “We’ve never done it before; it was new,” he said. Also essential was the fair’s willingness to embrace Kawakubo’s vision for the installation rather than a standard fair booth.
Kawakubo began consistently engaging with fine art decades before such crossovers became commonplace. Since 1989, she has invited a steady stream of contemporary artists to create installations in Comme des Garçons’s Tokyo flagship store. The ’90s brought collaborations with the artist Cindy Sherman and performance pioneer Merce Cunningham, among others.
More cross-disciplinary projects followed, including limited-release direct mailers for Comme des Garçons. Kawakubo designs each from documentation of works provided by an artist or art collective.
The display at Independent reopens the debate about Kawakubo’s proper place on the continuum between artist and designer. But the issue is already settled for celebrated artists who have collaborated with her.
“I totally think of Rei as an artist in the truest sense,” Sherman said by email. “Her work questions what everyone else takes for granted as being flattering to a body, questions what female bodies are expected to look like and who they’re catering to.”
Ai Weiwei, the subject of a 2010 Comme des Garçons direct mailer, agreed that Kawakubo “is, in essence, an artist.” Unlike designers who “pursue a sense of form,” he added, “her design and creation are oriented toward attitude” — specifically, an attitude of “rebellion.”
Also taking this position is “Costume Art,” the spring exhibition at the Costume Institute. Opening May 10, the show pairs individual works from multiple designers — including Comme des Garçons — with artworks from the Met’s holdings to advance the argument made by the dress code for this year’s Met gala: “Fashion is art.”
True to form, Kawakubo sometimes opts for a third way.
“Rei has often said she’s not a designer, she’s not an artist,” Joffe said. “She is a storyteller.”
Now to find out whether an art fair sparks the drama, dialogue and attention its authors want.
Lifestyle
They set out to elevate karaoke in L.A. — and opened a glamorous lounge that pulls out all the stops
Brothers Leo and Oliver Kremer visited karaoke spots around the globe and almost always had the same impression.
“The drinks weren’t always great, the aesthetics weren’t always so glamorous, the sound wasn’t always awesome and the lights were often generic,” says Leo, a former bassist of the band Third Eye Blind.
As devout karaoke fans, they wanted to level up the experience. So they dreamed up Mic Drop, an upscale karaoke lounge in West Hollywood that opens Thursday. It’s located inside the original Larrabee Studios, a historic 1920s building formerly owned by Carole King and her ex-husband, Gerry Goffin — and the spot where King recorded some of her biggest hits. Third Eye Blind band members Stephan Jenkins and Brad Hargreaves are investors of the new venue.
Inside the two-story, 6,300-square-foot venue with 13 private karaoke rooms and an electrifying main stage, you can feel like a rock star in front of a cheering audience. Want to check it out? Here are six things to know.
The Kremer brothers hired sculptor Shawn HibmaCronan to create an 8-foot-tall disco-themed microphone for their karaoke lounge.
1. Take your pick between a private karaoke experience or the main stage
A unique element of Mic Drop is that it offers both private karaoke rooms and a main stage experience for those who wish to sing in front of a crowd. The 13 private rooms range from six- to 45-person capacity. Each of the karaoke rooms are named after a famous recording studio such as Electric Lady, Abbey Road, Shangri La and of course, Larrabee Studios. There is a two-hour minimum on all rentals and hourly rates depend on the room size and day of the week.
But if you’re ready to take the center stage, it’s free to sing — at least technically. All you have to do is pay a $10 fee at the door, which is essentially a token that goes toward your first drink. Then you can put your name on the list with the KJ (karaoke jockey) who keeps the crowd energized throughout the night and even hits the stage at times.
Harrison Baum, left, of Santa Monica, and Amanda Stagner, 27, of Los Angeles, sing in one of the 13 private karaoke rooms.
2. Thumping, high sound quality was a top priority
As someone who toured the world playing bass for Third Eye Blind, top-tier sound was a nonnegotiable for Leo. “Typically with karaoke, the sound is kind of teeny, there’s not a lot of bass and the vocal is super hot and sitting on top too much,” he says. To combat this, he and his brother teamed up with Pineapple Audio, an audio visual company based in Chicago, to design their crisp sound system. They also installed concert-grade speakers and custom subwoofers from a European audio equipment manufacturer called Celto, and bought gold-plated Sennheiser wireless microphones, which they loved so much that they had an 8-foot-tall replica made for their main room. Designed by artist Shawn HibmaCronan, the “macrophone,” as they call it, has roughly 30,000 mirror tiles. “It spins and throws incredible disco light everywhere,” says Leo.
Karaoke jockeys Sophie St. John, 27, second from left, and Cameron Armstrong, 30, right, get the crowd involved with their song picks at Mic Drop.
3. A concert-level performance isn’t complete without good stage lighting and a haze machine
Each karaoke room features a disco ball and dynamic lighting that syncs up with whatever song you’re singing, which makes you feel like you are a professional performer. There’s also a haze machine hidden under the leather seats. Meanwhile, the main stage is concert-ready with additional dancing lasers and spotlights.
Brett Adams, left, of Sherman Oaks, and Patrick Riley of Studio City sing karaoke together inside a private lounge at Mic Drop.
4. The song selection is vast, offering classics and new hits
One of the worst things that can happen when you go to karaoke is not being able to find the song you want to sing. At Mic Drop, the odds of this happening are slim to none. The venue uses a popular karaoke service called KaraFun, which has a catalog of more than 600,000 songs (and adds 400 new tracks every month), according to its website. Take your pick from country, R&B, jazz, rap, pop, love duets and more. (Two newish selections I spotted were Raye’s “Where Is my Husband” and Olivia Dean’s “Man I Need,” which both released late last year.) In the private karaoke rooms, there’s also a fun feature on Karafun called “battle mode,” which allows you and your crew of up to 20 people to compete in real time. KaraFun also has an entertaining music trivia game, which I tested out with the founders and came in second place.
The design inspiration for Mic Drop was 1920s music lounges and 1970s disco culture, says designer Amy Morris.
5. The interiors are inspired by 1920s music lounges mixed with ‘70s disco vibes
A disco ball hangs from the ceiling.
If you took the sophisticated aesthetic of 1920s music lounges and mixed it with the vibrant and playful era of 1970s disco culture, you’d find Mic Drop.
When you walk into the lounge, the first thing you’ll see is a bright red check-in desk that resembles a performer’s dressing room with vanity lights, several mirrors and a range of wigs. “So much of karaoke is about getting into character and letting go of the day, so we had the idea to sell the wigs,” says Oliver. As you continue into the lounge, the focal point is the stage, which is adorned with zebra-printed carpet and dramatic, red velvet curtains. For seating, slide into the red velvet banquettes or plop onto a gold tiger velvet stool. Upstairs, you’ll find the intimate karaoke studios, which are decorated with red velvet walls and brass, curved doorways that echo the building’s deco arches, says Mic Drop’s interior designer, Amy Morris of the Morris Project.
Sarah Rothman, center, of Oakland, and friend Rachel Bernstein, left, of Los Angeles, wait at the bar.
6. You can order nontraditional karaoke bites as you wait for your turn to sing
While Mic Drop offers some of the food you’d typically find at a karaoke lounge such as tater tots, truffle popcorn and pizza, the venue has some surprising options as well. For example, a 57 gram caviar service (served with chips, crème fraîche and chives) and shrimp cocktail from Santa Monica Seafood. For their pizza program, the Kremer brothers teamed up with Avalou’s Italian Pizza Company, which is run by Louis Lombardi who starred in “The Sopranos.” He’s the brainchild behind my favorite dish, the Fuhgeddaboudit pizza, which is made with pastrami, pickles and mustard. It might sound repulsive, but trust me.
As for the cheeky cocktails, they are all named after famous musicians and songs such as the Pink Pony Club (a tart cherry pomegranate drink with vodka named after Chappell Roan), Green Eyes (a sake sour with kiwi and melon named after Green Day) and Megroni Thee Stallion (an elevated negroni named after Megan Thee Stallion).
Lifestyle
You’re Invited! (No, You’re Not.) It’s the Latest Phishing Scam.
When John Lantigua, a retired journalist in Miami Beach, checked his email one recent morning, he was glad to see an invitation.
“It was like, ‘Come and share an evening with me. Click here for details,’” Mr. Lantigua said.
It appeared to be a Paperless Post invitation from someone he once worked with at The Palm Beach Post, a man who had left Florida for Mississippi and liked to arrange dinners when he was back in town.
Mr. Lantigua, 78, clicked the link. It didn’t open.
He clicked a second time. Still nothing.
He didn’t realize what was going on until a mutual friend who had received the same email told him it wasn’t an invitation at all. It was a scam.
Phishing scams have long tried to frighten people into clicking on links with emails claiming that their bank accounts have been hacked, or that they owe thousands of dollars in fines, or that their pornography viewing habits have been tracked.
The invitation scam is a little more subtle: It preys on the all-too-human desire to be included in social gatherings.
The phishy invitations mimic emails from Paperless Post, Evite and Punchbowl. What appears to be a friendly overture from someone you know is really a digital Trojan horse that gives scammers access to your personal information.
“I thought it was diabolical that they would choose somebody who has sent me a legitimate invitation before,” Mr. Lantigua said. “He’s a friend of mine. If he’s coming to town, I want to see him.”
Rachel Tobac, the chief executive of SocialProof Security, a cybersecurity firm, said she noticed the scam last holiday season.
“Phishing emails are not a new thing,” Ms. Tobac said, “but every six months, we get a new lure that hijacks our amygdala in new ways. There’s such a desire for folks to get together that this lure is interesting to people. They want to go to a party.”
Phishing scams involve “two distinct paths,” Ms. Tobac added. In one, the recipient is served a link that turns out to be dead, or so it seems. A click activates malware that runs silently as it gleans passwords and other bits of personal information. In all likelihood, this is what happened when Mr. Lantigua clicked on the ersatz invitation link.
Another scam offers a working link. Potential victims who click on it are asked to provide a password. Those who take that next step are a boon to hackers.
“They have complete control of your email and, in turn, your entire digital life,” Ms. Tobac said. “They can reset your password for your dog’s Instagram account. They can take over your bank account. Change your health insurance.”
Digital invitation platforms are trying to combat the scam by publishing guides on how to spot fake invitations. Paperless Post has also set up an email account — phishing@paperlesspost.com — for users to submit messages for verification. The company sends suspicious links to the Anti-Phishing Working Group, a nonprofit that maintains a database monitored by cybersecurity firms. Flagged links are rendered ineffective.
The scammers’ new strategy of exploiting the desire for connection is infuriating, said Alexa Hirschfeld, a founder of Paperless Post. “Life can be isolating,” Ms. Hirschfeld said. “When it looks like you’re getting an invitation from someone you know, your first instinct is excitement, not skepticism.”
Olivia Pollock, the vice president of brand for Evite, said that fake invitations tended to be generic, promising a birthday party or a celebration of life. Most invitations these days tend to have a specific focus — mahjong gatherings or book club talks, for instance. “The devil is in the details,” Ms. Pollock said.
Because scammers don’t know how close you are with the people in your contact list, fake invitations may also seem random. “They could be from your business school roommate you haven’t spoken to in 10 years,” Ms. Hirschfeld said.
Alyssa Williamson, who works in public relations in New York, was leaving a yoga class recently when she checked her phone and saw an invitation from a college classmate.
“I assumed it was an alumni event,” Ms. Williamson, 30, said. “I clicked on it, and it was like, ‘Enter your email.’ I didn’t even think about it.”
Later that day, she received texts from friends asking her about the party invitation she had just sent out. Her response: What party?
“The thing is, I host a lot of events,” she said. “Some knew it was fake. Others were like, ‘What’s this? I can’t open it.’”
Andrew Smith, a graduate student in finance who lives in Manhattan, received what looked like a Punchbowl invitation to “a memory making celebration.” It appeared to have come from a woman he had dated in college. He received it when he was having drinks at a bar on a Friday night — “a pretty insidious piece of timing,” he said.
“The choice of sender was super clever,” Mr. Smith, 29, noted. “This was somebody that would probably get a reaction from me.”
Mr. Smith seized on the phrase “memory making celebration” and filled in the blanks. He imagined that someone in his ex-girlfriend’s immediate family had died. Perhaps she wanted to restart contact at this difficult moment.
Something saved him when he clicked a link and tried to tap out his personal information — his inability to remember the password to his email account. The next day, he reached out to his ex, who confirmed that the invitation was fake.
“It didn’t trigger any alarm bells,” Mr. Smith said. “I went right for the click. I went completely animal brain.”
The new scam comes with an unfortunate side effect, a suspicion of invitations altogether. It’s enough to make a person antisocial.
“Don’t invite me to anything,” Mr. Lantigua, the retired journalist, said, only half-joking. “I’m not coming.”
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