Connect with us

Culture

American men can’t win Olympic cross-country skiing medals — or can they?

Published

on

American men can’t win Olympic cross-country skiing medals — or can they?

Ever since Jessie Diggins started collecting Olympic medals and crystal globes and staking her claim as the world’s top cross-country skier, she has made it clear that she wants her legacy to be something more than wins and appearances on podiums.

She wants to spawn a new generation of top American skiers, even among the men, who have yet to achieve the success that American women have.

Diggins could be on the cusp of doing that — with a major assist from Ben Ogden and Gus Schumacher, a couple of 24-year-olds who just might be on the verge of taking American cross-country skiing where it hasn’t been before.

These are the boys who have grown up watching Diggins’ every move, seeing her collect trophies and medals and, because of that, believing they could one day, too. These are the boys who are landing on podiums and fist-bumping Norwegians and Swedes at the end of races.

They hear half-drunk Scandinavians chant their names as they whiz by them on snowy tracks through the forests of Europe, especially Ogden. His mustache and full-gas-from-the-start style have caught the imagination of Nordic skiing fans in the sport’s spiritual centers in northern and central Europe. In American skiing circles, he gets compared to Steve Prefontaine, the mustachioed track star of the 1970s who ran like Ogden skis, with a caution-to-the-wind fearlessness that can hurt your lungs to watch.

Advertisement

It wasn’t long ago, like maybe even the summer before last, that Ogden, a 6-foot-4 Vermonter, would turn sheepish when people would ask him what he did for a living. Sometimes he would tell a half-truth, focusing on his studies as a part-time graduate student in mechanical engineering at the University of Vermont, as if racing on the World Cup circuit was a side hustle.

Not anymore.

“I’m just like, ‘I’m a skier, I’m a professional skier,’ straight up,” Ogden said during an interview this fall in New York, a couple of weeks before he and Schumacher headed to Europe for nearly five months. “I’m a lot more proud.”

After winning the coveted green bib as the fastest skier 23 and under during the 2022-23 season, Ogden got his first career podium in the first stage of last season’s Tour de Ski, a multi-race event that began with a sprint in Toblach, Italy, but COVID-19 and mononucleosis cut his season short. This season, he had the top qualification time in the sprint in Lillehammer, Norway, in early December, finished 15th overall in the Tour de Ski earlier this month and on Friday earned his second career World Cup podium with a third-place finish in the 10-kilometer skate race in Les Rousses, France.

As for Schumacher, last February the rugged Alaskan thrilled some 40,000 fans who lined the course of the 10-kilometer World Cup race in Minnesota, where he became the youngest American ever to win a World Cup and the first American male to win a distance event since 1983. He has three top-10 finishes already this season and is 12th in the distance standings.

Advertisement

“We used to celebrate top 30 (finishes), and the top 20 was crazy because you finish in the top 20, you get paid,” Schumacher said, sitting next to Ogden in a club chair at a midtown Manhattan hotel. “Now it’s top 10, because you finish top 10, you could have been on the podium, for sure. Depending how things go, you can win.”


Ben Ogden, left, and Gus Schumacher give the Americans a shot to end what will be a 50-year drought since the only U.S. Olympic medal in men’s cross-country skiing. (Michael Loccisano / Getty Images)

In all, six American Nordic skiers landed on the podium during the 2023-24 season, including Ogden, Schumacher and Diggins, who won the crystal globe for the overall title for a second time in the past four seasons.

As recently as 2018, the U.S. was looking for its first Olympic medal in cross-country skiing since Bill Koch won the silver in the 30-kilometer race in 1976. That was the lone American cross-country medal until Diggins started collecting them, first with Kikkan Randall in a team sprint in 2018 and then in two individual races four years later.

At 33, Diggins has won so many of the big prizes in her sport. She could retire tomorrow and call it an epic career. During a conference call with reporters before the season, she said being a part of the U.S. team, which largely spends the winter traveling and living together because it can’t go home between races, plays a major role in her decision to keep coming back.

“I love what I do, and I love who I do it with,” Diggins said. “It is hard to be on the road for four months. The idea of doing this together with this team and going after relay podiums and (the) Nations Cup, things like that when we group together, that to me is so exciting.”

Advertisement

In years past, and even in other sports, some men could resist seeing a female champion as a role model. On the U.S. Nordic team, Diggins functions as a team captain, big sister, den mother and chief glitter application officer. During Schumacher’s first few years on the World Cup, Diggins put him up in the house she would rent during the Christmas break.

He and Ogden are feeling a little more grown up after last season, the first when they felt empowered enough to start making some decisions for themselves, figuring out what might work best for them as individuals. They got COVID-19 at the same time in January. After their period of isolation ended but before they were ready to start competing and training again, they decided to head to Spain for a few days of warmth and sun on the beaches near Valencia rather than hunkering down in chilly Switzerland.

They’ve even discussed doing that again this season as a kind of midseason break that their European competitors get every few weeks when they head home.

“Just to, like, get away from the racing scene a little bit,” Schumacher said.

Gus Schumacher

“We used to celebrate top 30 (finishes),” Gus Schumacher says of his progression in the sport. “Now it’s top 10, because you finish top 10, you could have been on the podium.” (Maja Hitij / Getty Images)

As skiers, Ogden and Schumacher come at the sport from opposite ends. Ogden excels in shorter races. He’s never really seen a race where he doesn’t want to burn from the beginning. Schumacher is better at longer distances. He specializes in pacing, in thinking his way through races.

Advertisement

“I think I made good progress by being a patient racer,” he said. “I like to look around during a distance race, take in my surroundings and think — which is not to say you don’t do that,” he said, as he turned to Ogden.

Ogden immediately interrupted.

“No, I don’t,” he said.

As they have improved, their peer groups have shifted some. It is the nature of cross-country skiing, with so much time spent battling with competitors on sometimes woodsy, isolated trails that you end up being most friendly with the people you finish with.

At first, beyond the U.S. team, they were most friendly with the lesser skiing nations. Then they got pretty friendly with the Swedes. Now they are getting to know the vaunted Norwegians, the kings of the sport.

Advertisement

Ogden’s father, who introduced him to cross-country, died during the 2023 offseason. When the season started up again, Norway’s Johannes Klaebo, pretty much the world’s best skier, was among the first to approach him and offer his condolences.

“That was pretty incredible,” Ogden said.

The relationship between the Norwegians and the U.S. cross-country team is a funny one. The Norwegians are constantly telling the Americans how they want them to excel, because they see the U.S. as a huge potential market. They know American success will be good for the sport. They got to witness that firsthand with the throngs of cross-country enthusiasts who greeted them in Minnesota, which produced some of the biggest crowds the sport had seen.

“Then we win and it’s like a national crisis for them and they fire their wax techs,” Schumacher said, only half-joking.

Like everyone this season, their eyes get big when they think about the world championships in February in Trondheim, Norway, the biggest event ahead of the 2026 Olympics in Italy. Can they medal in the relays or the team sprint there? Maybe. More individual podiums would be great, too.

Advertisement

Mostly, though, they want to make their presence felt. They want to be a part of the conversation and feel like every time they race, they can win.

“We want to be someone that people are looking out for,” Ogden said. “We do that for other people. Right now that’s becoming us.”

go-deeper

GO DEEPER

Jessie Diggins talks cross-country skiing’s most grueling test: the Tour de Ski

(Top photo of Ben Ogden racing during the Tour de Ski earlier this month: Grega Valancic / VOIGT / Getty Images)

Advertisement

Culture

Try This Quiz and See How Much You Know About Jane Austen

Published

on

Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

Continue Reading

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

on

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

Advertisement

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

Advertisement

By ‘A Lady’

Jane Austen’s House, Chawton, England

Advertisement

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Advertisement

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

Advertisement

An Iconic Accessory

Advertisement

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Advertisement

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Advertisement

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

Advertisement

A Lady Unmasked

Advertisement

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Advertisement

Tony Cenicola/The New York Times

Advertisement

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Advertisement

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

Advertisement

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Advertisement

Aunt Jane

Advertisement

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Advertisement

Steve Parsons/Associated Press

Advertisement

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

Advertisement

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Advertisement

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

Advertisement

The Austen Industrial Complex

Advertisement

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Advertisement

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Advertisement

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Advertisement

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

Advertisement

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Advertisement

Peter Flude for The New York Times

Advertisement

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

Advertisement

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Advertisement

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Advertisement

Austen 101

Tony Cenicola/The New York Times

Advertisement

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

Advertisement

Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

Advertisement

Continue Reading

Culture

I Think This Poem Is Kind of Into You

Published

on

I Think This Poem Is Kind of Into You

Advertisement

A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

Advertisement

“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

Advertisement

We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

Advertisement

Louise Glück in 1975.

Gerard Malanga

Advertisement

But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

Advertisement

“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

Advertisement

Continue Reading

Trending