Dallas, TX
Like it or not, Dallas Cowboys coach Mike McCarthy is gaining ground for a contract extension from Jerry Jones
Late Sunday night in the Dallas Cowboys locker room, as players reveled in a 26-24 win over the Tampa Bay Buccaneers, head coach Mike McCarthy was making his way through a jovial scene when he spotted Dallas Cowboys owner Jerry Jones near an entrance. Earlier in the day, the two had shared a conversation steeped in disappointment when they’d learned the Cowboys had been eliminated from the playoffs by a Washington Commanders win. But now, as McCarthy approached Jerry, the tenor of the day had changed.
Jerry smiled. And when McCarthy held out his hand for a shake, the owner instead opened his arms and drew his head coach into a hug. He then took a few moments speaking to McCarthy, one hand on the coach’s shoulder and another gently tapping him in the chest with a fist. As the dialogue subsided, Jones patted McCarthy on the shoulder a few times and pumped his fist. All of this, perhaps not by coincidence, unfolded in front of a “Sunday Night Football” camera that was televising the emotional exchange to whatever portion of the Cowboys’ audience that was still watching.
If you were going to gauge what’s going on with the Cowboys’ head coach and the franchise’s owner right now, this was a worthwhile snippet of video for two reasons: First, it’s clearly something that Jerry — still keenly aware of optics and the power of theater — wanted people to see. Whether it was a public display of pride or affection that McCarthy had earned or Jones just wanted to staple an image to his words that night, he knew where the moment would go. In a word, everywhere. And the second reason the moment matters? Jerry knows it’s coming in the midst of a time when the primary conversation about McCarthy is one of his job status, a situation Jerry created when he chose to make his head coach go into the final year of his contract with no discernible public mandate on how an extension could be achieved.
Let’s be honest about this joyous but complicated embrace as it moves forward: both of these men created it. Jerry by letting McCarthy play out this string of games with no clarity on what could be next for the Cowboys’ coaching staff. And McCarthy by arguably saving his best coaching for the portion of the season when there was nothing more to clinch other than the dignity of not quitting.
Make no mistake, that’s what we saw unfold last night. McCarthy showcased a locker room that is still galvanized despite having lost a postseason aim. They gutted it out with a massive spate of injuries on the offensive line and backup quarterback in Cooper Rush, not to mention wideout CeeDee Lamb, who played through a painful shoulder issue Sunday. Join that with a shorthanded defense that battered a good Buccaneers offense and literally ripped a win away in the final moments of Sunday night, when cornerback DaRon Bland pulled a fumble from the belly of Tampa running back Rashaad White. It was a moment that encapsulated a number of big-play stands on both sides of the ball, definitively halting a game-winning drive that seemed very achievable for quarterback Baker Mayfield.
The resounding feeling? The Cowboys’ playoff hopes are dead, but the attitude toward the remaining schedule is anything but buried. Instead, a narrative about culture is unfurling — about whether there is actually some kind of underlying strength Dallas can display in the final weeks of the season that say something about this team and coach. Maybe it’s enough to fulfill the hopes of the franchise cornerstones, including Lamb, quarterback Dak Prescott and edge rusher Micah Parsons, who have all (in some fashion) endorsed a McCarthy return in 2025. Surely, Jerry has heard that message, leaving him to look for reasons to keep McCarthy that goes beyond the three straight 12-win seasons that preceded 2024.
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Afterward, Jerry was effusive in his praise of the effort in the win over the Buccaneers — making clear that it had stoked something emotional inside him.
“Those guys came out and played as though they were fighting in the championship game to go to the Super Bowl,” Jones said afterward. “I can’t tell you how proud I am of them and the coaching staff. It really shows me something.”
For his part, McCarthy tried to put a fine point on what that something was.
“I just think that [effort] shows you who they are,” McCarthy said. “I think everybody says the coach is always talking highly of the locker room — well, this is what I’m talking about. When I talk about, ‘It’s a great locker room,’ this is the definition of it. This is what a great locker room looks like. And it’s a mixture of men from all over the country, all over the world and different personalities. Obviously in circumstances [out of the playoffs] that we’ve discussed at length already. But when it came time to play, they played their asses off and I can’t tell you how proud I am.”
Of course, this peak of sorts — winning four of the last five games, getting to 7-8 with a chance at finishing the season at 9-8 — comes with measuring that goes beyond just a great locker room. There are fair questions to be asked about where this locker room culture was during a brutal five-game losing streak from mid-October to mid-November. It was an expanse that saw Dallas get obliterated in three of those games, against the Detroit Lions (a 47-9 loss), Philadelphia Eagles (34-6) and Houston Texans (34-10). And it wasn’t that long ago that Jerry was openly questioning some parts of the Dallas scheme, while also spiraling into sometimes odd postgame diatribes that lacked a cohesive connection to the here and now.
Those were the days of Bill Belichick possibly being the next Cowboys coach, and they weren’t that long ago. But times can also change quickly with Jerry. He rides Everest-ian highs after wins and Death Valley lows after losses. All of which typically result in McCarthy’s own roller coaster when it comes to his future employment.
Right now, the Cowboys are winning again — even if it’s too little and too late when it comes to the postseason. But as the victories have begun to stack onto the ledger and the support of vital players has ebbed into the public (and Jerry’s) consciousness, the disappointment has also started to soften where it matters. You hear it in Jerry’s words. You see it in the arms and embrace between an owner and head coach that seemed to be an intentional message to the fan base.
Things are changing. A 9-8 finish and the positive feedback of his players has Mike McCarthy pointed toward the one thing Jerry has avoided offering him thus far.
A contract extension.
FIFA World Cup 2026 isn’t the only international competition in Dallas this summer. The Dallas International Piano Competition, hosted by the Dallas Chamber Symphony, will present its final round of competition on June 23 at Moody Performance Hall in the Dallas Arts District. The finals will feature three finalists, each playing a concerto with the Dallas Chamber Symphony.
The orchestra established its international instrument competitions in 2012, only one year after its founding. Every other year, the orchestra hosts a piano competition. Next year, the competition will feature violinists. The competition has grown significantly throughout the years.
“We had 172 applicants this year. So, that’s an increase. It continues to increase, especially since the pandemic. The events have really bounced back. It’s kind of going full steam ahead since things generally paused during the pandemic. We’ve got top-notch applicants,” said Richard McKay, Dallas Chamber Symphony’s Artistic and Music Director. “In all, we’re just really happy that the level of the competition continues to increase year after year.”
Mitch Lazorko Mitch Lazorko During the final round of the competition, three finalists will play a concerto with the Dallas Chamber Symphony.
Like the World Cup, the competitors are from around the world.
“I think we had applicants from roughly 20 different countries. And many of them already have a home base in the United States, even though they’re from elsewhere. So, maybe they have recently graduated from an American conservatory or currently enrolled and looking to start a career,” McKay said.
With the World Cup in town, this year’s Dallas International Piano Competition is a different experience for the pianists.
“FIFA has really been a complexifier this year for us, because we have all these people traveling to Dallas at the same time that everyone else is traveling to Dallas. They’re all needing to stay in Dallas at the same time everyone else is staying in Dallas. They’re going to experience busy traffic and events happening constantly so I’m sure their experience is quite a bit different from a normal year, but we’re making it through. We’ve got everyone lined up. we’ve got what they need to be successful during the competition places to stay and a great orchestra to perform with. So, all the hard work’s been done. Now it’s just time to make a great concert,” McKay said.
The competition began quarterfinals on June 18 at Murchison Performing Arts Center in Denton. The jury for the final round of the competition at Moody Performance Hall consists of James Giles, coordinator of the piano program and director of music performance graduate studies at Northwestern University’s Bienen School of Music; Elinor Freer, the Associate Professor of Piano and Chamber Music at the Eastman School of Music; and Alexandre Moutouzkine, the co-head of the piano department at Manhattan School of Music. The audience will have a say as well when they get to vote for an audience favorite.
“They love voting on the Audience Choice Award. That’s for sure. People love that. It’s always interesting to see if there’s a difference between what the jury selects for the top prize, and who the audience selects for the top prize. Sometimes there’s agreement, sometimes there’s not. So, it’s always fun to watch and see,” McKay said.
With two intermissions, the final round of the competition has a different atmosphere to the orchestra’s other concerts.
“There’s a long intermission in between each concerto. So, people are up and about talking a lot more and they’re getting drinks more. And this just makes the event feel more relaxed and fun. It’s more conversational all night long,” McKay said.
Preparing for the final round of competition is a different process for the orchestra.
“They have to learn about 12 different concertos, because that’s what’s in play at the start of the competition. And then as the results come in for the competition, we start narrowing down the three concertos that will be performed at the concert. So, we’re sending out messages to our orchestra, letting them know, which ones they don’t have to practice any longer. They will find out the results of semifinals on Friday afternoon so they’ll have the weekend to focus on the actual three that they will end up performing. And then rehearsals on that start on Monday,” McKay said.
Mitch Lazorko
Mitch Lazorko Adam Jackson was the top prize winner at the Dallas International Piano Competition in 2024.
Jim Stopher will guest-conduct the final round, with McKay, a trained pianist, sitting in the audience knowing what those competitors are experiencing.
“As someone who’s played in competitions before, I think the best thing you can possibly do is play your music as you intend and just as intentionally as you possibly can,” McKay said. “It’s very easy when performing in a competition, to adjust or to conform to your idea of what you think will help you be most successful in one venue or arena, as opposed to just maximizing what you do well and what really fits you. Each person’s going to know best how they best make music and how they can most successfully perform very well and I would advise they all do that because it’s a comfort you feel afterwards, having done what it is you intended to do in the way that you intended to do it, even if the chips don’t quite fall the right way for you, it’s hard to regret doing that. It’s hard to have any regrets when you did the best you could and you did your job as well as you knew how and exactly as you want it to. That always feels good.”
Learn more: Dallas Chamber Symphony
Drivers both human and autonomous across the North Texas region experienced heavy flooding, with several becoming trapped along roadways that had filled with several inches of rainwater. FOX 4’s Shaun Rabb has more on the waterlogged morning.
Dallas Parks and Recreation will distribute 25,000 all-access passes that give Dallas teens free admission to cultural and recreational attractions across the city throughout July.
Passes will be available beginning June 29 on a first-come, first-served basis at City of Dallas recreation centers.
The program, now entering its fifth year, is open to Dallas residents ages 13 to 17. City leaders say the initiative, which launched in 2021, helps promote positive engagement opportunities for teens and reduce crime during the summer months.
Teens must register in person and provide proof of Dallas residency to receive a pass.
The city says the program is made possible through partnerships with local cultural, recreational, and entertainment organizations.
Participating attractions include:
- African American Museum
- Bahama Beach
- Bath House Cultural Center
- Latino Cultural Center
- South Dallas Cultural Center
- Oak Cliff Cultural Center
- Dallas Museum of Arts
- Community Art Pop Up Cultural
- Dallas Arboretum
- Dallas Holocaust and Human Rights Museum
- Dallas Park and Recreation Summer Fitness
- Dallas Zoo
- Frontiers of Flight Museum
- Golf Dallas
- Reunion Tower
- Shakespeare of Dallas
- State Fair of Texas
- Southern Skates Roller Rink
- Texas Discover Garden
- The Sixth Floor Museum At Dealey Plaza
- Trinity River Audubon
A full list of participating attractions and recreation centers distributing passes is available at DallasParks.org
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