Culture
Giants’ record-setting Willy Adames deal shows Buster Posey means business
Buster Posey held the San Francisco Giants’ record for the largest contract in franchise history. In Posey’s first major move as the club’s president of baseball operations, he did not hesitate to smash it.
The Giants agreed to terms with free-agent shortstop Willy Adames on a seven-year, $182 million contract on Saturday, reshaping the left side of their infield for the remainder of the decade and signaling their resolve to remain aggressive as they seek to reestablish their relevance in the National League West. The agreement with Adames is pending a physical — more than a trifling detail given the medical issues that scuttled Carlos Correa’s $350 million contract following the 2022 season — and its guaranteed money would soar past Posey’s own nine-year, $167 million contract that he signed after winning the NL MVP Award in 2012.
With Adames and third baseman Matt Chapman, who signed a six-year, $150 million extension in September, the Giants have committed a third of a billion dollars to establish a solid offensive and defensive presence on the left side of their infield. Viewed together, those investments are not so different from the megadeals that the Texas Rangers gave to shortstop Corey Seager and second baseman Marcus Semien after the 2021 season — a $500 million bet that paid off when the Rangers won the first World Series title in franchise history two years later.
Adames, 29, earned 4.8 fWAR last season when he finished fourth in the majors with 112 RBIs, set career highs in home runs (32) and stolen bases (21), and led the Milwaukee Brewers to the NL Central title. Likely just as significant to Posey and the Giants, Adames was a respected leader in Milwaukee, praised for his durability and his ability to produce in the clutch. He was among the league’s best defenders at shortstop in 2023, and although several of his advanced metrics declined this past season, there’s little doubt that he represents an upgrade with the glove over the Giants’ internal options at the position.
Perhaps the most revealing aspect of the Giants’ stunning agreement, which came on the eve of baseball’s Winter Meetings in Dallas, is how it reflects on Posey, who had been something of a cipher in his brief tenure as a first-time baseball executive, filling out front-office positions and adding advisory voices but otherwise providing few specifics on how aggressive he would be at improving a team that finished 80-82 in 2024 while missing the postseason for the seventh time in eight seasons.
But Posey had been clear on one point: He identified acquiring a shortstop as the club’s top priority. And the Giants just agreed to sign the top shortstop on the free-agent market.
As a player, Buster Posey was a problem solver. (G Fiume / Getty Images)
Posey had a talent for cutting through the noise during his career behind the plate, tackling problems head-on, carving a direct path and avoiding the trap of overthinking. If his first major move as the Giants’ chief baseball architect is any indication, he will lean on those same attributes and impulses while seeking to close the sizable gap between his team and the Los Angeles Dodgers, San Diego Padres and Arizona Diamondbacks.
Identify problem. Fix problem.
Posey wasn’t sufficiently deterred by the fact that signing Adames, who had been extended a qualifying offer by the Brewers, will force the Giants to sacrifice their second- and fifth-round picks along with $1 million in international bonus money from their 2026 pool. Those are no small considerations for a franchise that also punted its second- and third-round picks in this past draft after signing Chapman and left-hander Blake Snell the previous offseason. The Giants wouldn’t have lost draft picks if they had pivoted from Adames to shortstop Ha-Seong Kim, a favorite of Giants manager Bob Melvin from their time together in San Diego but who will be continuing to rehab from offseason shoulder surgery on Opening Day.
But Adames was clearly the best shortstop on the market. And Posey kept it as simple as that.
“Ultimately, it’s a boring answer, but you just want complete baseball players,” Posey said at the GM Meetings in November. “You want guys who can do some of everything.”
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Top 45 MLB free agents for 2024-25 with contract predictions, team fits: Will Soto get $600M+?
Interestingly, Posey’s first major free-agent signing is a fellow CAA client. The Giants recently announced the hiring of Jeff Berry, Posey’s former agent and the former head of CAA’s baseball division, as a special advisor.
ESPN was the first to report the agreement. The Giants aren’t expected to announce it until late Sunday or Monday.
The addition of Adames would push Tyler Fitzgerald into a competition at second base with Casey Schmitt, Brett Wisely and potentially Marco Luciano if the organization’s former top prospect isn’t traded or moved to the outfield.
The biggest question becomes how aggressive the Giants will be to address their second major need: a pitching presence for a rotation that threw the fewest innings in the National League despite the fact that their opening-day ace, Logan Webb, threw the most on an individual basis. Several reports have linked the Giants to former Cy Young Award winner Corbin Burnes, a Bakersfield-area native who competed at Saint Mary’s College in Moraga and would give the Giants one of the best 1-2 punches in the league.
Before last season with the Baltimore Orioles, Burnes had spent his entire major-league career with the Brewers so the addition of Adames might be a selling point in any Giants’ attempt at a pursuit. Both players are very well known to Zack Minasian, the Giants’ newly elevated GM, who had been the scouting director in Milwaukee during his 14 seasons with the organization. Minasian had been one of the strongest voices to champion Burnes when the right-hander showed promise in the minor leagues, advising then-Brewers GM Doug Melvin to make the former fourth-round pick practically untouchable in trade discussions.
On a cash basis, the Giants spent $206 million on player salaries last season, exceeded the luxury tax threshold ($237 million) for the first time since 2018 and sustained operating losses that caused some discomfort among members of the ownership group. Their placeholder budget numbers for 2025 had called for a reduction in player payroll, which might still be achieved even if the club can win the bidding for Burnes — a market that is expected to exceed $200 million — as well as Adames.
Adding Adames’ $26 million average annual value would put the Giants’ estimated cash-basis payroll at roughly $170 million. If the Giants seek to trim in other areas, they could trade one or more of their arbitration-eligible players (LaMonte Wade Jr. and Camilo Doval among them). Or they could sign one of several second-tier starting pitchers who won’t come cheap — witness Luis Severino’s three-year, $67 million contract with the A’s — but would require a fraction of what it would take to land Burnes, who notably left CAA for the Boras Corporation in 2023 and whose potential signing also would cost the Giants their third- and sixth-round draft picks.
Or Posey could do what he demonstrated so often over his playing career: cut through the noise, go after the best player, and convince ownership to spend.
“I know we’ll be very diligent in our decision-making,” Posey said last month. “But something I’ve tried to inject with the group is for us not to be hamstrung from that potential fear of failure. It’s knowing that, ‘Hey, sometimes we’re going to have to risk media members saying this was a bad decision or a bad move.’ But if we feel convicted in it, then you have to be OK with it.”
(Top photo of Adames: Lachlan Cunningham / Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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