Connect with us

Northeast

CNN parent Warner Bros. Discovery must hand over financial info if subpoenaed as defamation trial looms

Published

on

CNN parent Warner Bros. Discovery must hand over financial info if subpoenaed as defamation trial looms

FIRST ON FOX – A Delaware court ordered on Friday that CNN parent company Warner Bros. Discovery has to hand over detailed financial documents if subpoenaed in support of a Plaintiff’s high-stakes defamation lawsuit, or else the company must offer a “sworn declaration” that they do not exist. 

U.S. Navy veteran Zachary Young alleges that CNN smeared his security consulting company, Nemex Enterprises Inc., by implying it illegally profited when helping people flee Afghanistan during the Biden administration’s military withdrawal from the country in 2021. Young believes CNN “destroyed his reputation and business” during a segment on “The Lead with Jake Tapper.” 

A Florida judge previously agreed with Young’s legal team that CNN should hand over sensitive financial information that the cable network presented to its parent company, Warner Bros. Discovery, in order to determine CNN’s net worth. However, Young’s attorneys say that they have not received the appropriate documents and filed a motion to compel in Delaware, where Warner Bros. Discovery is based. 

CNN FACES DEFAMATION SUIT OVER AFGHANISTAN WITHDRAWAL STORY: ‘EVIDENCE OF ACTUAL MALICE’

Plaintiff Zachary Young’s photo was aired by CNN during the segment in question.  (CNN/Screenshot)

Advertisement

Young’s attorneys, Blake Bennett and Joe Delich, said that Warner Bros. Discovery has “not been able to complete financial discovery” related to cash flow statements and balance sheets. 

“It’s simply inconceivable that Warner Bros. Discovery is incapable of providing cashflow and balance sheet information for its wholly owned subsidiary,” Delich told Judge Lynne Parker. 

“Warner Bros. Discovery has produced some documents but has not produced any information about cashflow, or any kind of balance sheet information,” he continued. “We know that Warner Bros. Discovery has the ability to do this.”

Delich then explained that Warner Bros. Discovery prepares consolidated financial statements publicly filed with the SEC.

“In order to prepare consolidated financial statements, there must be something to consolidate,” Delich said. 

Advertisement

DEFAMATION LAWSUIT AGAINST CNN COULD EXPOSE COMPANY’S FINANCIAL SECRETS AS COURT SEEKS TO EXPOSE NET WORTH

CNN host Jake Tapper and correspondent Alex Marquardt during the segment at the center of a defamation lawsuit.  (CNN/Screenshot)

Jennifer Ying, representing Warner Bro. Discovery, argued the plaintiff’s team filed a “premature motion” ahead of the subpoena return date, and the subpoena didn’t specify cash flow statements and balance sheets. Ying also said Warner Bro. Discovery has “repeatedly” explained the documents don’t exist.

“If it doesn’t exist, we can’t be compelled to produce anything,” Ying said. 

“We have told them twice now that such information does not exist,” she continued. “They have refused to accept that. We cannot create information that simply does not exist.”

Advertisement

Judge William Henry, who is presiding over the case in Florida, previously ordered that CNN is obligated to “produce whatever is within its possession, custody or control” but said there is nothing in the law that would require a CNN executive to produce a sworn statement or declaration claiming the documents don’t exist. 

Judge Lynne Parker disagreed and said Young’s attorneys need to file a new subpoena specifying cash flow statements and balance sheets, and CNN’s parent company will be held accountable if the information is not promptly handed over. 

An Afghan burqa-clad woman searches for recyclable materials amid plastic waste at a garbage dump on the outskirts of Mazar-i-Sharif on September 28, 2024. (Photo by Atif Aryan / AFP) (Photo by ATIF ARYAN/AFP via Getty Images) (Photo by ATIF ARYAN/AFP via Getty Images)

“Well, CNN does not have to provide a sworn declaration, but Warner Bros. does. You’re going to subpoena Warner Brothers requesting these two specific things, and they’re either going to produce documents or they’re going to give you a sworn declaration that it does not exist,” Judge Parker said. 

“Issue the subpoena right away,” she continued. “They have 20 days from the date of issuance to respond.”  

Advertisement

A civil trial is scheduled to begin on Jan. 6 in front of Judge Henry in the Circuit Court for Bay County, Florida. 

The CNN segment at the center of the suit, which was shared on social media and also repackaged for CNN’s website, began with Tapper informing viewers that CNN correspondent Alex Marquardt found “Afghans trying to get out of the country face a black market full of promises, demands of exorbitant fees, and no guarantee of safety or success.”

CNN ACCUSED OF WITHHOLDING CRITICAL DOCUMENTS NEEDED TO DETERMINE VALUE AHEAD OF DEFAMATION TRIAL

CNN host Jake Tapper. (CNN)

Tapper tossed to Marquardt, who said “desperate Afghans are being exploited” and need to pay “exorbitant, often impossible amounts” to flee the country. Marquardt then singled out Young, putting a picture of his face on the screen and saying his company was asking for $75,000 to transport a vehicle of passengers to Pakistan or $14,500 per person to end up in the United Arab Emirates.

Advertisement

“Prices well beyond the reach of most Afghans,” Marquardt told viewers. 

No other people or companies were named other than Young, who alleged that CNN, using the terms “black market,” “exploit” and “exorbitant,” inaccurately painted him as a bad actor preying on desperate people. 

Internal communications between CNN employees that were revealed during the discovery process have indicated editors were concerned about the segment but aired it anyway. Other internal communications revealed CNN employees used profanities and disparaging language when privately discussing Young. 

Editor’s Note: This article’s headline was updated to make clear Warner Bros. Discovery would be compelled to hand over relevant financial information if subpoenaed by the plaintiff, or else prove they didn’t exist.

Advertisement

Read the full article from Here

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

New York

‘Every Child Walking by Stared at My New Purple Hair’

Published

on

‘Every Child Walking by Stared at My New Purple Hair’

Dear Diary:

It was April Fools’ Day, and the weather kept changing from sunny to drizzle, as if the gusty wind was moving the sun back and forth behind a cloud.

I put my jacket on and off as I walked along Prospect Park. The trees were still bare, but spring was slowly awakening with yellow forsythias, and every child walking by stared at my new purple hair, hungry for color.

A guy in the bike lane yelled, “Hey!”

I turned to him.

Advertisement

“Sorry,” he said, pointing to someone else. “I’m talking to this guy.”

“But you actually look familiar,” I said.

“So do you,” he said, laughing.

I entered the park to hear pop music near the band shell. Two people with a portable speaker were dancing.

I wanted to join the party, but I realized that I hear the music, so I’m in the party. I danced along from a distance.

Advertisement

From high above, hundreds of blackbirds swooped down like falling peppercorn into the black-and-white woods ahead. As I got closer, I saw specks of tiny green buds emerging on each tree limb.

I left the park, passing three people who had converged because their dogs could not contain their joy. The people laughed like old friends, but within seconds they had walked off separate ways.

As I passed Seeley Street, I overheard a friend through the open window, cheering on a drum student.

I laughed. I should be getting home before the possible rain, I thought, but today, everywhere was home.

— Mare Berger

Advertisement

Dear Diary:

It was around 1960, and my mother, my sister and I were in the bargain basement at the S. Klein department store on Union Square.

My sister, 13, was trying on winter coats in the aisle between the bins and discussing two final options with my mother when a woman riding the escalator up to the ground floor weighed in.

“Take the red!” she called out.

We took the red. I miss S. Klein’s.

Advertisement

— David Hammond


Dear Diary:

I woke up to my alarm at 2:45 on a Saturday morning, then maneuvered trains and city blocks through darkness to an unremarkable warehouse in Brooklyn.

Inside was a cathedral of music. Hips gyrated, and arms exalted rhythm. Fog embraced kissers, dancers, exhilaration, prayer, meditation, community.

I found my intention and connected with my spirit and the energy of bodies around me, alone and together, holding friends as family and strangers as friends.

Advertisement

I departed at 8:45 a.m. to a cold, golden morning, feeling lighter, freer, learned and loved.

A shopkeeper opening up for the day called out from behind me, his question nearly drowned out by the morning traffic.

“Hey, what’s happening over there?” he asked.

“Just a little dance party,” I replied. “Nothing crazy.”

— Carlie Cattelona

Advertisement

Dear Diary:

I ride my bicycle 99 percent of the time. It’s just me and the city. I move fast enough to keep things interesting, but slowly enough to catch the weather changing or feel the mood of the people on the sidewalks.

Every so often, I have to take the train. On very rare occasions, it’s me, the train and my bike, a combination no one ever seems thrilled to encounter.

Because I know this, I try to shrink myself into an apologetic bicycle origami project once I’m on the train. I fold. I hover. I whisper “sorry” to people who haven’t even seen me yet.

On one such evening, I was trying to avoid anyone’s shins while hauling my bike up a flight of stairs after getting off the train, when I felt someone close behind me.

Advertisement

Terrified that I’d clipped someone, I whipped around to see a smiling woman who had one hand casually gripping the back of my bike.

“I got you,” she said, like we were old friends moving a couch.

I told her I had it under control.

“Two hands are better than one,” she said. “I got you.”

So we climbed the stairs together: me, my bike and a total stranger, moving in perfect, unspoken coordination. At the top, she let go, nodded and vanished into the crowd.

Advertisement

— Evan Abel


Dear Diary:

Years ago, our nanny would take our son and daughter to the Central Park Zoo, where they could be set free from their stroller.

It was safe because the children loved the zoo and always stayed in the nanny’s sight and because the zoo’s walls meant there was no way they could leave.

One spring day when I was not working, I decided to accompany them all on a walk through the park, with the kids in their stroller.

Advertisement

As we passed the zoo, a guard at the entrance beckoned our nanny over and had a deep consultation with her.

She was laughing when she came back.

“He wanted to know who was that strange woman walking with me,” she said.

— Georgia Raysman

Read all recent entries and our submissions guidelines. Reach us via email diary@nytimes.com or follow @NYTMetro on Twitter.

Advertisement

Illustrations by Agnes Lee

Continue Reading

Boston, MA

Workers at the ICA in Boston opt to unionize – The Boston Globe

Published

on

Workers at the ICA in Boston opt to unionize – The Boston Globe


Employees at the Institute of Contemporary Art / Boston are gearing up for contract negotiations with the Seaport museum after quietly opting to unionize last month.

Just over 90 employees, in roles ranging from visitor services to development to curation, are now being represented by the UAW Local 2110, a New York-based union, as they prepare to go to the bargaining table, seeking better pay and other job protections.

The ICA voluntarily recognized the union shortly after the workers went to museum leadership in early April, said Maida Rosenstein, UAW Local 2110’s director of organizing. That meant the employees could sidestep a formal election through the National Labor Relations Board and instead conduct a card-counting process.

“That all happened quite quickly,” said Rosenstein.

Advertisement

“Our experience with getting voluntary recognition was that the ICA was reasonable about the process,” she added. “So hopefully that will continue through the bargaining process.”

The next step, Rosenstein said, is for the workers to elect a bargaining committee from among their ranks, and then draw up some specific proposals. “We’re hopeful of being able to be negotiating this summer,” she said.

In a statement, the ICA’s director, Nora Burnett Abrams, who stepped into the top job last May, noted that “our exceptional staff are at the heart of what makes the museum so special.”

“We are voluntarily recognizing our employees’ choice to be represented by a union and view the decision to organize as an expression of their deep dedication to the institution,” Burnett Abrams said. “We look forward to working collaboratively and in good faith with Local UAW 2110 toward a collective agreement.”

The ICA is just the latest local institution to see labor action among its workforce. UAW Local 2110 also represents employees at the MFA Boston, who voted to unionize in 2020 and secured compensation increases and other benefit improvements when they ratified their first contract in 2022. Workers at MASS MoCa in North Adams, the Emily Dickinson Museum in Amherst, and the Portland Museum of Art in Maine are also represented by UAW Local 2110.

Advertisement

Carter Seggev, a 28-year-old events coordinator at the museum, said seeing the MFA go through its own unionization process served as something of a blueprint for the ICA workers.

“It has been a very helpful beginner example, to sort of be like, ‘Oh, yeah, they can do it,’ and especially that scale,” he said.

Rosenstein said a chief concern among workers is improving pay, which is currently “very slightly above minimum wage at the entry level,” she said. Other concerns include protections against layoffs and other “health and safety” provisions, such as adequate rest and seating for visitor-facing employees.

For Seggev, who earns $50,000 a year at the museum, better pay is only one piece of the puzzle. He wants more transparency from museum leadership into policy decisions — and a greater say in the institution’s future.

“I like the ICA a lot. It’s a fun workplace, and I would love to have more of a voice in making sure that everyone is being considered and everyone’s needs are being taken into account,” he said. “For me personally, that’s been the biggest driving force.”

Advertisement

He added that, since workers went public with their organizing efforts, he’s been happy with leadership’s willingness to talk with workers about their aims. He was also encouraged by the museum’s voluntary recognition of the union.

“I know that is a very rare thing, and so far, the communication has been very positive,” he said. “I think everyone’s sort of looking forward to working together to make the ICA better.”

The ICA, which has been housed in a gleaming glass building perched on the waterfront since 2006, had an operating surplus of about $800,000 in the fiscal year that ended in June 2025, according to its latest publicly released financial statements. That was up more than a quarter-million dollars from the previous year.


Dana Gerber can be reached at dana.gerber@globe.com. Follow her @danagerber6.





Source link

Advertisement
Continue Reading

Pittsburg, PA

Panini A. Chowdhury: How much did Pittsburgh buy with its national introduction?

Published

on

Panini A. Chowdhury: How much did Pittsburgh buy with its national introduction?






Source link

Continue Reading
Advertisement

Trending