Movie Reviews
Film Review: Smile 2 – SLUG Magazine
Film Reviews
Smile 2
Director: Parker Finn
Paramount Pictures, Paramount Players, Temple Hill Entertainment
In Theaters: 10.18
The year is 2024, the wasteland is barren. Horror movie fans, critics and casual viewers crawl across the deserted land, begging the minds of Hollywood to give them an iconic and bloodthirst-quenching sleeper hit that’ll satisfy their undying craving for blood, guts and trauma. What did Hollywood give this poor, thirsty little bunch? Smile 2.
Smile 2 takes place six days after the events of the first film. Pop sensation Skye Riley (Naomi Scott, Aladdin) is about to embark on a massive world tour following a stint in the hospital after a horrific car crash that took the life of her actor boyfriend Paul Hudson (Ray Nicholson, Licorice Pizza). With the massive pressure of press, the tour and her back pain—that she can no longer be medicated for due to her history of substance abuse—Skye decides to call her dealer Lewis (Lukas Gage, The White Lotus) to get Vicodin. Following a series of erratic behaviors, Lewis kills himself in his apartment in front of Skye, leaving her as the new host for the smile curse/entity.
Smile 2 is, on a lot of technical levels, a decently made film. There’s interesting and creative cinematography, actors (especially Scott) giving their all and halfway decent writing. The ideas and themes that Finn plays with are interesting (mental illness represented through the smile entity), though they aren’t fully realized or used to the film’s advantage. Towards the end, the film also breaks the rules that the first and second movie established for the entity. This leads to an ending that is a little silly, especially with the film’s poor combination of practical effects and VFX that pale in comparison to the first film’s practical work (I’m forever obsessed with that video of the puppet made for Smile).
While this might be a hot take, I saw a lot of potential in the first Smile film. I liked its kind of controversial, nihilistic ending in terms of the mental illness/smile entity. It’s a hard truth that not all people make it out of that situation and it isn’t nearly talked about, or decently portrayed, enough. It’s almost refreshing. However, as I previously mentioned, the film somewhat sabotages itself by putting so much effort into a greatly clever setup, meaning its energy is spent up by the time the ending rolls around, leading to something that feels lackluster.
All that being said, it was certainly an entertaining watch, with clever jump scares that got audience members to physically jump, tension-cutting jokes that got chuckles, some cringey, memorable dialogue that had people wincing and a cameo from that dreamboat Kyle Gallner (Dinner in America). It also had a little dose of humorously obvious product placement. A memorably unmemorable little flick. I can’t wait to see where Parker Finn’s potential as a filmmaker takes him, especially outside of the Smile franchise, as he obviously has what it takes to be a memorable contributor to film. Whatever that is, maybe one day Finn will quench horror fans’ undying thirst and give his film the ending it deserves. –Yonni Uribe
Read more spooky reviews this Halloween season:
Film Review: Terrifier 3
Film Review: The Substance
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Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
Movie Reviews
‘I Swear’ Review – Heart Sans Sap, Cursing Aplenty
The sixth outing in the director’s chair for filmmaker Kirk Jones, I Swear dramatizes the real-life story of touretter John Davidson (played by Robert Aramayo). Tourette’s Syndrome, for those unfamiliar with the condition, is a nervous system disorder that causes various tics, the most prolific being erratic and explicit language. However, as I Swear expertly showcases, the syndrome is far more than ill-timed outbursts of curse words. Davidson’s story is one of societal frustration, finding your people (both with and without the condition), and using your voice to help others rise. The subject and subject matter are handled with absolute care and understanding under Kirk’s measured vision and Robert Aramayo’s BAFTA-winning performance.
The film kicks off with the greatest exclamation to democracy ever uttered (*%#! the Queen!), as a nervous John Davidson prepares himself before entering an awards ceremony hosted by Britain’s royal family. Right away, the film tells us what it is: a triumph over adversity that blends humor and human drama with education. It’s an important setup, as the film flashes back to Davidson’s 1980s youth, where we see his time as a star soccer recruit flatline as his condition takes hold. Davidson’s life spirals from there. Some aspects, like school bullying and accidental run-ins with authority figures, are expected but important to empathizing with young Davidson’s (young version, played with heart by Scott Ellis Watson) new everyday life. The more tragic, a complete meltdown of his family system, is unsettling if quick. His father (Steven Cree) is never given enough screen time to explore his alcohol coping tendencies. However, his mother Heather’s descent into easy fixes and blaming is crushing and convincing. Harry Potter series actress Shirley Henderson (Moaning Myrtle) gives a layered performance as Heather. Someone who loves her son, but also feels cursed by him as the entire family exits the picture. It’s bitter, she’s tired, and fills each conversation with ‘only medication and your mother can save you’ energy.
From there, the viewer and Davidson find refuge in a host of characters. Maxine Peake plays Dottie, the mother of a childhood friend and a retired mental health nurse. Screen vet Peter Mullan plays maintenance man Tommy Trotter. Together, they help Davidson build a life and an understanding of himself that carries the film forward into its second half. After that, the film is primarily a 3-actor show as director Kirk fills the screen with these tour-de-force performances. Peake and Mullan are great vessels to get the film’s main message across: patience, love, and a shared responsibility between the diagnosed and those who understand their struggle can help change the path for people quickly left behind by a normative world. Together, they are the soul of the movie, with the filmmakers clearly hoping the audience will follow their lead after they exit the theater (in my case, the beautiful Oriental Theater for the Milwaukee Film Festival). Both performances are perfectly warm and reflective and shouldn’t be left out in discussions of I Swear.
I say this because the movie is anchored by The Rings of Power actor Robert Aramayo, who leaves Elrond’s elf ears behind to bring an acute naturalism to his performance of main character John Davidson. Aramayo’s physicality and timing of the fitful Tourettes Syndrome never feel out of place or overplayed. In fact, the movie as a whole does an amazing job of never veering into sentimentality. While many moviegoers left with tissues dabbing their eyes, the filmmaking never felt like it was forcing that reaction out of audiences. It straddles the line between feel-good and reality with every story beat and lands squarely on the side of letting the real inform our feelings. Anyone with an ounce of empathy will grasp the film’s message and hopefully take it with them into life.
I Swear continues at the Milwaukee Film Festival on Tuesday, April 21st, and releases nationwide April 24th, 2026, courtesy of Sony Pictures Classics.
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