Culture
WNBA players say the troubling side of its rise is racism and threats
As the WNBA has reached wildly successful highs this season in viewership and attendance, players say the boom long coveted throughout women’s basketball has come with unfortunate consequences. During these playoffs, athletes who would normally be focused on winning have instead shared a swell of complaints of being targeted with racist, misogynistic, homophobic and threatening attacks.
The rise in harassment, players say, has taken a mental toll. Some question how the league has considered their well-being as it has managed an influx of attention that followed the college stardom of Caitlin Clark and Angel Reese into the pros.
A few players have made more drastic moves, deactivating some of their social media accounts or heavily limiting their engagement, despite the clear and often critical income potential that comes from marketing directly to fans.
Phoenix Mercury center Brittney Griner said fans have voiced racist taunts at her and others. Reese said AI-generated nude images of her have circulated online.
Connecticut Sun guard DiJonai Carrington shared on Instagram a graphic email sent to her with threats of violence and a racist slur, following a moment during the first game of the playoffs in which Carrington inadvertently poked one of Clark’s eyes. Carrington’s partner, NaLyssa Smith, who plays with Clark on the Indiana Fever, wrote on X that Carrington has even been followed.
Alyssa Thomas said she and her Sun teammates had faced the most intense racist bullying she has encountered in 11 WNBA seasons as they faced the Fever and ended Clark’s rookie season.
“With more exposure, we’re seeing more of those people come out and say their words online,” Sky forward Brianna Turner said. “They talk their talk, but I highly doubt they’re watching any games or any content. They’re just there to spread hate and be messy online when they couldn’t care less about what happens in the WNBA or about any players, either.”
Yall can clown me all you want im never gonna stop advocating for respecting players. Respectfully, feel free mute or block if that’s a trigger for you. Please protect your peace
— Brianna Turner (@_Breezy_Briii) September 22, 2024
The troubling messages have been at odds with the welcoming environment the league and its players — the majority of whom are Black and many in the LGBTQ+ community — sought to create over the past three decades. As it fought for financial stability and credibility with media and fans since its 1996 inception, the WNBA has increasingly considered itself a haven for inclusivity.
Some players say that environment has been stained by new factions of fans bringing toxicity to the sport, treating the WNBA and its players as fodder for culture-war arguments during a polarizing period in American society.
“I appreciate the new eyes,” Sky forward Isabelle Harrison said. “But if this comes with hate and bigotry and racism and even people who look like me bashing me, keep it offline because it’s so hurtful, and you don’t know how that affects people.”
That dimension has added a complexity to the developing play and rivalry of Clark, who is White, and Reese, who is Black. Clark won Rookie of the Year honors and guided the Fever to the playoffs. Reese’s season ended in early September with a wrist injury, but not until she had already set WNBA records for consecutive double-doubles and rebounds in a season.
Fever forward Aliyah Boston said some people are simply being opportunistic. “It’s easy to attach yourself to the Fever because we have a lot of attention around us right now, and it’s so easy to say, ‘Well, I’m a Fever fan, I’m an A.B. fan, I’m a Caitlin fan and just (spew) hate off of that — and that’s never OK,” she said.
Tension bubbled early this season as some fans and sports commentators accused veteran WNBA players of feeling jealous of Clark’s stardom and claimed she was being targeted in games. Even though that notion was widely dismissed by players, fouls on Clark quickly became hot topics to debate — with conversations devolving into personal insults or worse.
A Chicago Tribune op-ed likened a hard foul on Clark by Sky guard Chennedy Carter to “assault,” and an Indiana congressman wrote an open letter to the WNBA commissioner airing his grievances about the foul. Charles Barkley lambasted WNBA players for being “petty” and “jealous” of Clark’s popularity, while Sheryl Swoopes, on multiple occasions, seemed to downplay Clark’s accolades. ESPN personality Pat McAfee apologized for calling Clark a “White b—-” on his show during a segment in which he mused about her stardom and her race.
“It is discouraging that we’re losing the conversation around the skill of these players and it’s being overshadowed by the politicized nature of their presence,” said Ajhanai Keaton, an assistant professor of sports management at UMass Amherst.
The scrutiny of Clark throughout the season frequently went beyond her play and her comments about games.
Her social media presence is mostly limited to retweets of Iowa and Fever posts, with some sharing of content from her commercial sponsors. She recently created a buzz by liking a Taylor Swift Instagram post that endorsed Kamala Harris for president, although Clark did not formally endorse Harris herself and simply encouraged voting in the November presidential election when asked to explain her action.
She denounced the use of her name to push divisive agendas online, calling it “disappointing” and “unacceptable.” “Those aren’t fans,” she said Friday. “Those are trolls, and it’s a real disservice to the people in our league, the organization, the WNBA.”
Still, much of the conversation carries on regardless of her participation.
“She’s trying to get her bearings and develop her game and take her game to the next level and be on this bigger stage,” New York Liberty forward Jonquel Jones said earlier this season. “And she’s really handling it well. It’s the fan base that’s going crazy and making it a race war and all this other stuff.”
The league released a statement last week condemning online harassment of players. But commissioner Cathy Engelbert previously faced criticism, including from the players association, for lauding the league’s rivalries when asked in a CNBC interview about “menacing” comments players receive.
“The league should have taken a stance a long time ago, and not waited for it to get this kind of deep, and this far on what’s tolerated and what’s not,” Liberty guard Sabrina Ionescu said.
Sun guard DiJonai Carrington said she’s been targeted with threatening messages this season. (Elsa / Getty)
Las Vegas Aces guard Chelsea Gray, when asked how the league could have protected players throughout the season, said: “Probably make a statement earlier than what they did.”
The WNBA’s recent statement mentioned involving law enforcement when necessary to protect players. The league monitors online threats and works with teams and arenas on safety issues, and with local law enforcement, when necessary. It employs security in each market to help players. All 12 teams also have dedicated security who travel with them to games.
The Chicago Sky introduced a partnership this season with an app company that uses AI to shield players from directly seeing negative posts about them on their phones. Before the start of the season, the WNBA provided information and resources to players about mental health as part of a routine annual meeting.
Liberty forward Breanna Stewart, who said she has reported some messages to team officials, wants the league to host more sessions focused on dealing with internet harassment. “There could be probably more training,” she said. “What should you do if you get those messages?”
Some players said they have removed social media apps — especially X — to avoid attacks, but that can come at a cost. Endorsement deals often hinge on engagement with fans online. A robust following on social media can become a key source of income. That’s especially important in a league with a mean player salary of about $110,000 this season, according to HerHoopStats — a figure well below what most male professional athletes make in top North American leagues.
Sparks guard Zia Cooke said she deactivated her X account earlier this season to avoid negative comments but remained on TikTok and Instagram because of potential additional earnings. “If it were really up to me, I would deactivate all of my accounts just because I’m trying to stay mentally locked in as far as basketball and finding my way in this game,” she said.
Boston said she deleted some of her social media accounts to avoid vitriolic criticism as the Fever got off to a 1-8 start this season.
The spread of legalized sports betting in the United States has also become a prompt for fans sending angry messages to WNBA players. Dream wing Rhyne Howard said she has received threatening messages about her “messing up random parlays” after poor performances, a complaint similarly heard in men’s leagues.
But often, WNBA players said, attacks against them feel much more personal, focused on their racial and sexual identities rather than their basketball abilities.
“Our world is so polarized based on race,” said professor Ketra Armstrong, the University of Michigan’s director of the Center for Race and Ethnicity in Sport. “When people talk about race, oftentimes it privileges whiteness, and when they talk about gender, it privileges maleness. This is not unique to sport, this is not unique to Caitlin Clark. It’s the way of the world and it’s been that way in every domain, be it in politics, be it in business, be it in social movements and civil rights.”
Reese, who has more than 4 million followers on Instagram and more than 600,000 on X, has kept a steady stream of engagement even as she has been frequently criticized. She said she occasionally needs to take breaks from social media to avoid vitriol and that she leans on robust support from people around her.
“We’re still human,” Reese said, adding: “Sometimes we do have to take some time away.”
— The Athletic’s Grace Raynor and Sabreena Merchant contributed to this report.
(Illustration: Dan Goldfarb / The Athletic; Photo: iStock)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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