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The Wild Robot (2024) – Movie Review

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The Wild Robot (2024) – Movie Review

The Wild Robot, 2024.

Written and Directed by Chris Sanders.
Featuring the voice talents of Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Ving Rhames, Matt Berry, Boone Storm, Alexandra Novelle, Raphael Alejandro, Paul-Mikél Williams, and Eddie Park.

SYNOPSIS:

After a shipwreck, an intelligent robot called Roz is stranded on an uninhabited island. To survive the harsh environment, Roz bonds with the island’s animals and cares for an orphaned baby goose.

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Shipwrecked and wandering an island of animals, Universal Dynamics robot ROZZUM unit 7134 (voiced by Lupita Nyong’o) repeatedly asks if anyone needs assistance or tasks to be completed. All of them are frightened of the robot and have amusing ways of escaping or avoiding contact, but there is also a profound sense of loneliness within that search. As the circle of life has taught us, these animals also don’t even get along, merely tolerating one another, adding to that uneasy feeling of disconnection and sadness underneath the rapid-fire jokes. 

Written and directed by How to Train Your Dragon co-director Chris Sanders (and based on the acclaimed children’s book by Peter Brown), The Wild Robot uses that dynamic as a springboard to tell a breathtakingly animated and powerful story of parenting, acceptance, belonging, togetherness, differences, and the importance of kindness that succeeds at balancing elements of cleverly traditional animated humor with its serious themes. Typically, if an animated feature is a winner, that’s usually because it has something to offer kids and adults; this movie delivers both often simultaneously, with scenes and jokes taking on multiple meanings.

Soon after downloading a knowledge database to understand what the animals are saying to the robot (and about it), ROZZUM unit 7134 continues to have no luck connecting with other species but does accidentally stumble into a baby gosling (voiced by Kit Connor), inadvertently accumulating three tasks that position the robot as a mother. Aside from the brilliant idea of tapping into parenthood as an anxiety-laced checklist of things to do right and the perception that there is a “programming” to parenting right, it also makes for a child-friendly take on the familiar trope of robots becoming less analytical and more emotionally driven. As such, the robot begins using the shorthand name Roz.

Programmed to help humans live a more leisurely life, Roz naturally does not know the first thing about teaching a baby gosling how to eat, swim, or fly in preparation for migration, but fortuitously befriends a sly fox named Fink (voiced by Pedro Pascal) who sets aside his craving to eat the gosling seemingly sensing that the lonely and abandoned creature might be able to find a pair of friends in them. Together, they become glorified co-parents imparting wisdom in unique ways tailored to them; Roz is more clinical and naïve if gradually getting in touch with a human side, whereas Fink doles out some darkly funny tough love rooted in his abused past.

None of the lecturing comes easy since the baby gosling, eventually named Brightbill during a silly and sweet sequence where Fink explains to Roz what makes a name sound more personal and alive rather than a manufactured numbered object, was the runt of the litter and is the only surviving member of his family. This also means that several other animals, including geese, bully him for being defective and different. Again, throughout the admittedly funny banter between these creatures, no one seems to like each other, which Roz aims to change with kindness while encouraging Brightbill to behave similarly even in the face of antagonized, cruel bullying.

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During this, The Wild Robot also sets up a source of conflict that one presumes will arise during the third act. However, this is no ordinary film, disinterested in traditional story structure and more than willing to dive headfirst into devastating realities threatening to tear this makeshift family apart. Even the three tasks are completed relatively early, leaving Roz contemplating her sentience and where she belongs. This story is packed with ideas that don’t just move fast but ensure it maximizes the drama and comedy of each segment while sometimes tucking away powerful words of advice in short scenes.

At a certain point (and it’s not long into the film), The Wild Robot starts to feel like more than standard animation fare and an extraordinary audiovisual experience with heart, humor, and overwhelming emotion. Elevated by a tremendous score from Kris Bowers, a migration scene here is utterly spellbinding and lusciously animated. Yes, technically, animated films don’t have cinematography, but there is a team of animators working through how a scene should be shot and at what angle or with what color shadings, with every creative choice here coming out remarkably gorgeous. It’s the rare film that is so stunningly conceived and executed (taking advantage of multiple animation styles) that it’s hard to blame anyone for missing a piece of dialogue here and there from becoming so immersed and absorbed into the world.

For as appropriately wild as the film is structurally, Chris Sanders also knows how to harness and leverage individual ideas and themes into a satisfying whole. There is no denying that these themes are familiar, but here, the story is told with refreshing originality and a deep ensemble of voice performances, with quite a few of them demonstrating once again how silly it is that most major awards bodies and critics organizations deem them exempt from consideration, as if it’s not real acting. Lupita Nyong’o is putting out a range of emotions and breathing life into Roz as a fully-fledged character with hope, optimism, insecurities, a developing concept of love, and existential pondering. Every line delivery here reminds viewers how and why she is already an Oscar-winning talent. That’s not to say Kit Connor and Pedro Pascal don’t have heartstring-tugging moments revealing something deeper within performance and character; they are also exceptional.

From a base-level analysis of the story, it makes sense that The Wild Robot, published in 2016, has become an instant hit with children and adults alike. However, this isn’t just a great adaptation; it is an arresting piece of art that does the book justice and then some. Every image is overflowing with beauty, and emotion is bursting across every scene, including the funniest ones. Despite being lifted from a book, this is also wild and free, imaginative filmmaking that is unquestionably the work of true artists. 

Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

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Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

https://www.youtube.com/watch?v=embed/playlist

 

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UNTIL DAWN Review

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UNTIL DAWN Review
UNTIL DAWN is a horror movie based on a video game about a group of friends who find themselves trapped in a time loop, reliving the same night repeatedly with increasingly terrifying, fatal threats. One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town implied to be in Pennsylvania. This place of unimaginable horrors traps them all in a horrifying time loop where they’re murdered again and again. They must work together to survive without losing themselves in the never-ending time loop of gruesome murder.

UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot of UNTIL DAWN puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.

(HH, Pa, C, O, Ho, LLL, VVV, S, M):

Dominant Worldview and Other Worldview Content/Elements:

Strong humanist worldview that twists the concept of modern psychology into a supernatural hellscape with unexplained time loops and reoccurring nightmarish horror filled with excessive violence and gore, but with unexplained pagan supernatural elements (such as a storm circling a house, the appearance of more buildings, the time loop itself, and many more), the time loop perverts the laws of mortality and implies that the consequences of violence, murder, suicide, etc., don’t apply, the psychologist controlling the time loop discusses the situation with modern psychology in vague circles meant to confuse and disorient the nature of the reality in which the victims are trapped, religion or God is not explicitly discussed, but there’s an unexplained cross in front of a house that isn’t explained and a character references the belief that a possessed person cannot become possessed through contact but rather weakness of faith, and some occult content where one woman is a self-described psychic and is into “woo-woo” stuff as another character describes it, she tries to amplify her psychic abilities with help from the others by holding hands and meditation, and she often has strong feelings and seems to have a sense the others do not have, but no worship or symbols are shown, plus a girl dating a guy is said to have previously dated a girl as well as other men;

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Foul Language:

At least 101 obscenities (including 62 “f” words), two strong profanities mentioning the name of Jesus, and four light profanities;

Violence:

Very severe violence and gratuitous blood and gore throughout including but not limited to dead bodies, monsters, scarred masked psychopath, stabbing, beating, and people spontaneously exploding;

Sex:

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No sex shown, but a person puts on a VHS tape and a pornographic movie is heard playing briefly but not shown, and a woman is said to date a lot of people and one time dated another woman;

Nudity:

No nudity;

Alcohol Use:

No alcohol use;

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Smoking and/or Drug Use and Abuse:

No smoking or drugs; and,

Miscellaneous Immorality:

A psychologist is a callous antagonist whose motives are relatively unknown beyond having a morbid curiosity that led to awful experiments and playing games with other people, he purposely keeps people trapped for no known reason other than his sick and twisted observations that end in gruesome murder and unnecessary torture.

UNTIL DAWN is a horror movie based on a video game about a group of friends who find themselves trapped in a time loop, reliving the same night repeatedly with increasingly terrifying, fatal threats.
Advertisement

One year after her sister Melanie vanished without a trace, Clover and her friends look to find more information about her disappearance. Clues lead them to an abandoned mining town. This place of unimaginable horrors traps them all in a horrifying time loop where they will be murdered again and again.

UNTIL DAWN is nicely shot and paced well, with believable performances, but it has a strong humanist worldview overall with some occult elements is filled with gruesome violence, gore, lots of strong foul language, and a time loop that leads to an increasing amount of horrific murder and unacceptable immoral actions for survival.

The movie begins with a woman named Melanie clawing her way through the dirt with an unknown monster chasing after her. Digging her way out, she looks up to a masked psychopath standing over her with a scythe. She begs him, “No! Please not again. I can’t!” He fatally stabs her without a thought. It cuts to the main title, and an hourglass is shown with a ticking clock sound and unsettling music.

Cut to a group pf people in a red car driving up a winding mountain, an obvious nod to THE SHINING. It’s been one year after Clover’s sister Melanie vanished without a trace. The group consists of Max, Nina, Megan, Abe, and Clover. Shortly after their mother died, Melanie had decided to start a new life in New York. Clover decided to stay, which created tension between the sisters before Melanie left.

Clover and her friends are looking for more information about her disappearance. Their last stop is the last place she was seen in a video message taken in front of a middle-of-nowhere gas station. Megan, a proclaimed psychic, wants to join hands outside and see if they can feel any mystical energy regarding Melanie. Their attempt is cut short when an RV blares its horn and almost hits them, scaring them all.

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Clover goes inside the gas station for a cup of coffee while the others talk outside. Clover asks the man behind the register if he worked here last year. After confirming he’s been working there for years, she shows him a picture of Melanie from the video. He asks if she was missing and clarifies saying that Clover is not the first to come asking. When she asks if many people around here go missing, he says people “get in trouble” in Glore Valley. As their only lead, the group decides to go there and stick together.

Nervously driving to the valley in an increasingly dangerous storm, the group begins to question what they are doing. Suddenly the storm stops but is still raging behind them. They park in front of a house with a “Welcome Center” sign, with the storm circling around the area but leaving the house dry. Confused, they get out of the car and look around. Nina decides to see if there’s anyone inside so they can come up with a plan. Everyone goes in except Clover, who walks up to the strange rain wall.

Inside the house, they find a dated and dusty interior. The power and water don’t work, and they conclude that they are the first people to come there in years. There is a strange hourglass with a skull on the wall. Checking the guest book, Nina finds Melanie’s name signed multiple times, with increasingly shaky handwriting. In another room, Abe finds many missing posters with faces on a bulletin board and finds poster with Melanie’s face.

Outside, Clover thinks she sees a person in the rain. She also hears Melanie’s voice and runs after it. Concerned, Max calls after her and he pulls her back in. As Nina signs the guestbook, the sun suddenly sets and the clock starts ticking.

Inside the house now with the hourglass turned over, they try to understand what’s happening. The car is out in the rain now with someone revving the engine threateningly. Some of them go to the dark basement, where the lights don’t work. There is an eerie sense of dread as Abe goes to check out a noise, and Nina finds a scarred and masked psychopath standing in a room as the top half of Abe’s body falls to the ground.

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Hearing the commotion upstairs, the others go to see what happened and Max spots the killer. They run to hide, and the apparently invincible psychopath horrifically stabs each of them as they try to fight back. The sand in the hourglass runs back, as each character returns to where they were when Nina originally signed the book (she now signs it a second time). They remember what had just taken place, and how they were all murdered. Clearly stuck in this time loop escape room situation, they will now have to figure out how to escape this terrifying hellscape as the situations get worse with every loop.

UNTIL DAWN is nicely shot and paced well, with believable performances. However, the movie has a strong humanist worldview featuring gruesome violence, lots of strong foul language, and excessive gore. The violence includes psychopathic killers, people spontaneously exploding, stabbings, kidnapping, demonic possession, and more. The frequent dying over and over in the plot puts the sanctity of life into question. It forces the characters to conduct abhorrent and unacceptable immoral actions for survival.

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Movie Review – SHAKA: A STORY OF ALOHA

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Movie Review – SHAKA: A STORY OF ALOHA
SHAKA: A STORY OF ALOHA is shared with the audience by investigator Steve Sue in a calm and charming manner, but this documentary tells a powerful, positive and fascinating story. The “hang loose” thumb, pinky sign that originated in Hawaii and carries many meanings is the focus of this film. I just learned this gesture is called a “Shaka” and has a worldwide impact.  And, there are Shaka Contests.  Who knew? And how do you throw a Shaka? For me, […]
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