Lifestyle
'After Midnight' host Taylor Tomlinson is ready to joke about her bipolar II. Mostly
Taylor Tomlinson says her on stage presence isn’t a persona or a character: “It’s just the best version of me.”
Netflix
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Comic Taylor Tomlinson was just 16 when she caught the stand-up bug. That’s when she started performing at open mics in church basements in Orange County, Calif., where she grew up.
“It’s not a cool story,” Tomlinson says. “But … church audiences are very supportive — as long as you don’t say anything dark, edgy or blue.”
Over the years, Tomlinson’s material has shifted, with topics ranging from the perils of dating on apps to finding out she has bipolar II disorder. Though she was initially unsure about talking about her own mental health on stage, she says it’s helped her connect with the audience.

“I got such amazing feedback from people who had been struggling with their mental health, … how it made them feel seen and less alone and made them feel better about their own journey,” Tomlinson says.
Tomlinson describes her on-stage presence as “the sharpest, quickest, wittiest, most confident version” of herself: “When I started doing stand-up in high school, it felt like more of a persona, … like the version of myself that I knew I could be and wanted to become, but wasn’t yet,” she says. “And I think over the years, who I am off stage and who I am on stage have come together where I do feel that I am the same person everywhere.”
Earlier in the year, Tomlinson became the youngest ever late-night host. Her CBS show, After Midnight, has been described as a game show that centers on internet culture. Tomlinson also has three stand-up specials on Netflix: Quarter-Life Crisis, Look at You and Have It All. She’ll soon be traveling the country with her Save Me tour.
Interview highlights
On losing her mother to cancer when she was a child and how that affected her path to comedy
I’m not saying that everybody in comedy or any creative person has to come from this dark place and the only way you’re funny is if you have a darkness about you. I don’t think that’s true. But for me, that changed who I was and who I was going to become. And it changed my sense of humor. And it made me try really hard to prove myself in a way that I don’t think I would have if she were still alive. Because after you lose a parent, you’re still trying to impress them, and you’re still trying to be somebody that they would have liked and respected and loved and been proud of. And you’re hoping other people who knew them tell you that. …
I do rely on other people’s accounts of her, because there’s only so much you remember when you lose somebody at 8 years old. … Like my aunt has said to me, “Oh, your expressions on stage will remind me of her.” … And that means so much to me. And growing up, I wanted to be a writer before I wanted to be a comedian. And they would say, “Your mom was such a great writer.” And there’s so many ways I’m not like her. Like she was an extrovert. She was very bubbly. She was very charismatic. She was gorgeous. … I don’t think I shine brightly as she does and I, in a weird way, feel like my becoming a comedian and a professionally creative person and a writer is like my way of honoring the potential that was wasted by the universe taking her.
On why she left the church after her mom died

I had been told if you believe and pray and stay faithful, God will answer your prayers. And we had so many people praying for [my mom] and she believed she was going to get better. And so to watch your mom die of cancer, even while everybody gathers around her and lays hands on her and supports her and prays for her and then for them to turn around and go, “Well, God did heal her. He just healed her in a different way. She’s healed in heaven.” And I was like, whoa, OK. Like, the rewrite on that is crazy. It made me question everything. And slowly over the next 10 years, I felt like I was struggling to stay in it the whole time I was growing up, and I just felt like I was a bad Christian because I didn’t, in my heart, agree with everything.
On being diagnosed with bipolar II disorder
I tried so many antidepressants and they weren’t working for me, and I was having terrible side effects. … It was certainly a years-long process trying to find what worked for me.

Then when I finally did find what worked for me, I sort of worked backwards from that and was like, oh, this makes sense. … I had so much shame around that diagnosis when I first got it, and I was embarrassed that I felt ashamed because I’ve never judge anybody else who had it. But when it’s you, it’s somehow different, which is why I started writing jokes about it.
On deciding to joke about having bipolar
I remember my therapist said to me, “Maybe we don’t talk about this on stage.” And I was like, “I’ve already done it.” … Once you write one joke and it hits and you really like the joke, you’re like, well, it’s got to go in the act. … But when I filmed [Have It All], I felt great about those jokes and then in the months waiting for it to come out, I started panicking and was like, Oh no, I can’t un-share any of this.

Over the years, I’ve gotten better about editing myself and deciding what is going to go in the act and what I’m just going to keep private. But it’s a lot of trial and error. … The guiding light for me has been even if something kills on stage, do I feel good telling it every night, or do I dread that bit coming up? I have done jokes about very personal things that I took out of the act because I was dreading getting to that part of the hour every night, and I was like, ooh, that’s probably a sign that I’m not ready to talk about this yet. … I also run jokes by family members and friends before I do them, because a joke is not worth destroying a relationship, in my opinion.
Heidi Saman and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
‘Stranger Things’ is over, but did they get the ending right? : Pop Culture Happy Hour
Millie Bobby Brown in the final season of Stranger Things.
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After five seasons and almost ten years, the saga of Netflix’s Stranger Things has reached its end. In a two-hour finale, we found out what happened to our heroes (including Millie Bobby Brown and Finn Wolfhard) when they set out to battle the forces of evil. The final season had new faces and new revelations, along with moments of friendship and conflict among the folks we’ve known and loved since the night Will Byers (Noah Schnapp) first disappeared. But did it stick the landing?
To access bonus episodes and sponsor-free listening for Pop Culture Happy Hour, subscribe to Pop Culture Happy Hour+ at plus.npr.org/happy.
Lifestyle
JasonMartin Says Adin Ross Disrespecting Doechii Stops in 2026
JasonMartin
Adin Ross Disrespecting Doechii …
Will Not Be Tolerated!!!
Published
TMZ.com
JasonMartin is putting his foot down after hearing Adin Ross call Doechii a “bitch” one too many times … the culture’s not going for it in 2026!!!
TMZ Hip Hop caught up with JM in L.A. this week, and he says Adin being aggressively addressed is vital to preventing outsiders of Black culture from toeing the line in the future.
Adin Ross is lying about Doechii and one of the biggest Twitter Accounts is behind it… pic.twitter.com/VoAwGJefyV
— Mike Tee (@ItsMikeTee) January 5, 2026
@ItsMikeTee
Adin maintains Doechii targeted him on her new track, “Girl, Get Up,” when she blasted people labeling her “an industry plant” … and blamed Complex magazine for helping fuel the fire.
Joe Budden, Glasses Malone, Wack 100, and Top Dawg Entertainment execs have all chimed in on Adin’s comments, and Jason says it’s bigger than internet tough talk … and won’t allow Adin to hide behind religion or freedom of speech to drag Black women.
Adin went on to collaborate with Tekashi 6ix9ine and Cuff Em on an anti-Lil Tjay and Doechii song, but has since said he’ll stay out of the beef; his chat doesn’t matter to him, and it’s not that deep to him.
TMZ.com
War mongering isn’t Jason’s only goal this year. He released 5 albums — “A Hit Dog Gon Holla,“ “I Told You So,“ “Mafia Cafe,“ “O.T.,“ and “A Lonely Winter” — to close out the 4th quarter and just may be in the “Snowfall” reboot with his buddy, Buddy!!!
Lifestyle
‘Everything I knew burned down around me’: A journalist looks back on LA’s fires
A firefighter works as homes burn during the Eaton fire in the Altadena area of Los Angeles County, Calif., on Jan. 7, 2025.
Josh Edelson/AFP via Getty Images
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Josh Edelson/AFP via Getty Images
On New Year’s Eve 2024, journalist Jacob Soboroff was sitting around a campfire with a friend when he made an offhand comment that would come back to haunt him: The last thing he wanted to do in the new year, Soboroff said, was cover a story that would require donning a fire-safe yellow suit.
Just one week later, Soboroff was dressed in the yellow suit, reporting live from a street corner in Los Angeles as fire tore through the Pacific Palisades, the community where he was raised.
“This was a place that I could navigate with my eyes closed,” Soboroff says of the neighborhood. “Every hallmark of my childhood I was watching carbonize in front of me. … There were firefighters there and first responders and other journalists there, but it was an extremely lonely, isolating experience to be standing there as everything I knew burned down around me in real time.”

In his new book, Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster, Soboroff offers a minute-by-minute account of the catastrophe, told through the voices of firefighters, evacuees, scientists and political leaders. He says covering the wildfires was the most important assignment he’s ever undertaken.
“The experience of doing this is something that I don’t wish on anybody, but in a way I wish everybody could experience,” he says. “It’s given me insane reverence for our colleagues in the local news community here, who, I think, definitionally were exercising a public service in the street-level journalism that they were doing and are still doing. … It was actually beautiful to watch because they are as much a first responder on a frontline as anybody else.”
Interview highlights
On the experience of reporting from the fires
You’re choking with the smoke. And I almost feel guilty describing it from my vantage point because the firefighters would say things to me like: “My eyeballs were burning. We were laying flat on our stomach in the middle of the concrete street because it was so hot, it was the only way that we could open the hoses full bore and try to save anything that we could.” …
I could feel the heat on the back of my neck as we stood in front of these houses that I remember as the houses that cars and people would line up in front of for the annual Fourth of July parade or the road race that we would run through town. Trees were on fire behind us — we were at risk of structures falling at any given minute. It was pretty surreal because this is a place I had spent so much time as a child and going back to as an adult. … I had no choice but to just open my mouth and say what I saw to the millions of people that were watching us around the country.
On undocumented immigrants being central to rebuilding the city

These types of massive both humanitarian and natural disasters give us X-ray vision for a time into sort of the fissures that are underneath the surface in our society. And Los Angeles, in addition to being one of the most unequal cities between the rich and the poor, has more undocumented people than virtually any other city in the United States of America. Governor Newsom knew that with the policies of the incoming administration, some of the very people that would be responsible for the cleanup and the rebuilding of Los Angeles may end up in the crosshairs of national immigration policy. And I think that that was an understatement. …
Pablo Alvarado in the National Day Laborer Organizing Network said to me that often the first people into a disaster — the second responders after the first — are the day laborers. They went to Florida after Hurricane Andrew, to New Orleans after Katrina, and they’d be ready to go in Los Angeles. And I went out and I cleaned up Altadena and Pasadena with some of them in real time.
And only months later did this wide-scale immigration enforcement campaign begin … on the streets of LA as sort of the Petri dish, the guinea pig for expanding this across the country. And it’s not an exaggeration to say that the parking lots of Home Depots, where workers [were] looking to get involved in the rebuilding of Los Angeles, has been ground zero for that enforcement campaign.
On efforts to rebuild
The pace is slow and it’s sort of a hopscotch of development. And I think for people who do come back, for people who can afford to come back, it’s going to be a long road ahead. You’re going to have half the houses on your street under construction for years to come. And for people that do inhabit those homes, it’s going to an isolating experience. But there’s an effort underway to rebuild. …
There’s also a lot of for-sale signs. And that’s the sad reality of this, is that there are people who, whether it’s that they can’t afford to come back … or that they just can’t stomach it, I think, sadly, a lot people are not going to be returning to their homes.
On what the Palisades and Altadena look like today

They both look like very big construction sites in a way. There are still some facades, some ruins of the more historic buildings in the Palisades. … But mostly it’s just empty lots. And in Altadena, the same thing. If you drive by the hardware store, the outside is still there. But it’s a patchwork of empty lots. Homes now under construction. And lots and lots of workers. … There are still a handful of people who are living in both the Palisades and in Altadena, but for the most part, these are communities where you’ve got workers going in during the day and coming out at night. …
We have designed this community to be one that’s in the crosshairs of a fire just like the one we experienced and that we will certainly, certainly experience again, because nobody’s packing it up and leaving Los Angeles. People may not return to their communities after they’ve lost their homes, but the ship has sailed on living in the wildland urban interface in the second largest city in the country.
On seeing this story, personally, as his “most important assignment”
Jacob Soboroff is a correspondent for MS NOW, formerly MSNBC.
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Jason Frank Rothenberg/HarperCollins
I don’t think I realized at the time how badly I needed the connections that I made in the wake of the fire, both with the people who have lost homes and the firefighters, first responders who were out there, but also honestly with my own family, my immediate family, my wife and my kids, my mom and my dad and my siblings and myself. I think that this was a really hard year in LA, and I think in the wake of the fire, I was experiencing some level of despair as well. Then the ICE raids happened here and sort of turned our city upside down. And this book for me was just this amazing cathartic blessing of an opportunity to find community with people I don’t think I ever would have otherwise spent time with, and to reconnect with people who I hadn’t seen or heard from in forever.
Anna Bauman and Nico Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

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