Lifestyle
'I want to write myself into existence,' says 'Colored Television' author
Danzy Senna says her first novel, Caucasia, was met with acclaim. “But one of the things I kept hearing from publishers was: Don’t do this again. Don’t keep writing about mixed-ness. … it’s that idea that you’re a predicament. You’re not a world.” Her latest novel is Colored Television.
Dustin Snipes/Penguin Random House
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Dustin Snipes/Penguin Random House
When Donald Trump attacked Kamala Harris’ biracial identity earlier this summer, writer Danzy Senna wasn’t surprised.
“She was Indian all the way, and then all of a sudden she made a turn and she went- she became a Black person,” Trump said, falsely characterizing the way Harris has spoken about her biracial background.
This is nothing new, Senna explains: “He’s articulating the relationship of America to mixed race people and the hostility, the suspicion and the kind of bewilderment with which we’ve been faced with, historically.”
Senna’s mother, who is white, is from a prominent Boston family. Her father, who is Black, grew up in an orphanage in a small Alabama town. Senna has explored her own racial identity in both fiction and in the memoir, Where Did You Sleep Last Night? She notes that when she was born in 1970, “there was no ‘mixed-race’ category.”
“You were either going to identify as white … or you were going to identify as Black,” she says. “And there was no doubt in my mind or my family’s mind that I was going to identify as Black. … My father … really wanted to impress upon us our Black identity.”

Senna’s new novel, Colored Television, tells the story of a writer named Jane who’s devastated when the book she’s been working on for 10 years — a novel about how the meaning of being biracial has changed over generations — is rejected by her publisher. Without publication, Jane won’t get tenure at the university where she teaches, which means not having enough money to get by. The only solution she sees is to pitch an idea for a TV series.
“Some of my impulse to be a writer comes from that feeling that I want to write myself into existence,” Senna says. “I want to write the worlds that I’ve lived in, and the people I’ve been in the world with, into existence because I never see them.”
Colored Television
Penguin Random House
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Penguin Random House
Interview highlights
On her parents getting married in 1968, one year after the Supreme Court’s landmark Loving v. Virginia decision
They were part of a whole wave of the first marriages to come out of this huge political change. Their marriage was filled with all this symbolism and hope for the future and the sort of integration of American society and the kind of movement beyond these incredibly strict laws of segregation. …
What it meant was also that I grew up with … other mixed people around me who were also born out of the exact same moment in the exact same political movement. And so I’ve never been able to kind of separate the politics of the moment in which I was born from the personal, like those things are so intertwined for me, and the history is so clear.
On whether her parents saw their marriage as a political statement
I don’t think that you could be a white woman of a certain class — my mother’s a blond, blue-eyed, white woman who grew up the daughter of a Harvard professor in Cambridge and has this lineage that goes back to the earliest Americans, and also the slave-trading Americans — I don’t think you could be her and marry a Black man without that seeming like an incredibly potent political gesture at that time. And then there was the class issue of my father being first from an orphanage and then from a very poor family in the South and then the housing projects in Boston. … For him to marry someone of my mother’s background was a huge class leap and … crossing all sorts of lines.
I think people … Black and white people get married nowadays and it’s so common and can be sort of seen as “We just fell in love,” but at that time you were really breaking all of those laws, even those that had already been dismantled were still in place in people’s minds. I remember my mother went to the courthouse to get some paperwork for the marriage and in Boston, where interracial couples hadn’t been illegal at that time … [and] the woman said to her, “Wait, I have to go in the back and see if this is legal that you two are getting married.” And there were constant experiences that we had in the world that really brought home to all of us that we were a radical statement in the culture as a family. Just merely existing as a family was a radical statement at that time.
On how publishers reacted to her writing about biracial people
When I first started publishing was in the ‘90s with my first novel [Caucasia], and there really wasn’t anything like that. And that was a novel about a young girl of mixed race and racial passing. I had, like, eight rejections from agents when I first sent it out. And they would say, “This is too specific. … I don’t recognize this family, and I don’t understand this character’s identity, and they’re strange to me.” And finally, I found an agent who really loved it and sold it.
When I published that book, it was met with a lot of acclaim. And I had this really great experience in terms of my first novel. But one of the things I kept hearing from publishers was. “Don’t do this again. Don’t keep writing about mixed-ness,” like, “It’s time to graduate on to something new and just leave that behind.” And, it was almost as if they thought that mixed-ness was a plot and not a world and not a people, not a geography. …
And I find that so interesting, because I never hear people say that to white authors who write about, say, a particular world of white people. And I actually don’t hear it as much about Black authors who write about Blackness or Black worlds or race. But when I write about my people, it’s considered somehow … a “very special episode” that I shouldn’t do again. I think part of the reason that I find that so telling is that it’s that idea that you’re a predicament. You’re not a world. I think of it as: This is the world I write from. This is the geography and the culture that I write from, and it’s interracial America, it’s mulatto America.
On why she uses the term “mulatto”
I use the word mulatto a lot in my work, and I have sort of rejected the more politically correct term of “biracial” or “multiracial,” mainly because it’s meaningless and vague, and it could describe any two or three mixes that one could be. But mulatto — as problematic as the word is, and it comes out of slavery and the sort of pseudoscientific ideas of race, as problematic as it is — it’s the only word that really describes this very specific experience of being Black and white and being that mixture in America, which is, singular, and I think an important distinction from the other mixes.
On how writing for television compares to writing novels
I wrote a pilot for a show that was based on my work. I wrote an original pilot for a limited series that is still out there being shopped around. … What I felt writing scripts is, I really like it. It’s very interesting and sort of technical-feeling compared to writing novels. And I will continue to do it because it’s a nice break between books, and it kind of can pay … to get a new stove in your kitchen, like there’s actual financial benefits to doing it. But I think my soul is in the page and in writing novels. Being in control of the entire universe that I’m writing is really what feeds me on a much deeper level. And so I will never kind of fully abandon the written word. It just feeds me in a whole other way, but unfortunately doesn’t literally feed me or my children.
Sam Briger and Joel Wolfram produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
Nearly half of Americans surveyed don’t know what America 250 commemorates
People visit the Liberty Bell on the eve of Independence Day in Philadelphia on July 3, 2025. The crack in this symbol of U.S. freedom echoes the paradox between national pride and civic ignorance revealed in a new national poll.
Juan Mabromata/AFP/Getty Images
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Juan Mabromata/AFP/Getty Images
A new national poll reveals a striking paradox in public sentiment ahead of America’s 250th anniversary: a disconnect between Americans’ strong patriotic pride and their lack of civic knowledge.
According to a survey from the libertarian Cato Institute think tank of more than 2,000 U.S. adults conducted in late June, 86% of respondents said they are grateful to be American and 70% believe the nation’s founding principles remain relevant.
However, nearly half of Americans (46%) don’t know that America’s 250th anniversary commemorates the adoption of the Declaration of Independence.
This civic ignorance extends to basic governance: Nearly 60% do not know the main purpose of the U.S. Constitution is to limit government power, and do not know why the colonies declared independence from Great Britain.
Furthermore, the report highlights deep anxieties about the future of American liberty.
The majority of those surveyed believe the country has strayed from its founding principles, and more than half fear the U.S. could cease to be a free country within the next 50 years, citing corruption and the abuse of power as primary threats. The majority of both Republicans and Democrats share these fears.
The concerns are especially pronounced among Gen Z respondents, who exhibited both the lowest levels of civic knowledge and the least favorable views of the nation’s founders. The majority of Gen Z failed to cite the adoption of the Declaration of Independence as the source of the 250th anniversary.
“The lack of civic knowledge is a great disaster,” said Coe Professor of History and American Studies and Professor of Political Science Emeritus at Stanford University Jack Rakove. “Any democratic system of government to succeed requires having an informed electorate.”
The Pulitzer Prize-winning authority on the drafting of the Constitution and the Declaration of Independence blamed the problem on the fragmented media landscape and schools prioritizing STEM subjects over civics and history.
“Our educational system is highly decentralized. So the idea that you could have one clean, neat, sweeping educational reform that will cope with the problem is hard,” Rakove said. “And of course, and we do live in this disaggregated information environment where people pick the sources they like. If you assume that a Democratic society depends upon well-rounded deliberation of being exposed to the views of other people, the information environment itself is not conducive to the underlying foundation of Democratic debate.”
Lifestyle
L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything
Unpacking my third suitcase in our new West Hollywood home, a sharp pain shot through my chest. I felt dizzy and short of breath before sprawling out on our mattress, which was still covered in plastic.
“What’s wrong?” David asked.
An hour later, on a gurney in the emergency room at Cedars-Sinai, I waited to be admitted overnight. What a great start to our new life — back in L.A. after seven years in New York City — David sleeping alone at our apartment while I was to keep close to the paddles and operating room in case what had just happened was a heart attack.
I was 33, practicing yoga and exercising almost daily. A few months earlier, my New York doctor noticed I had high blood pressure, and I was feeling terrible, so something clearly was going on. Was an artery blocked? Nope, the tests revealed; physically, I was fine. What had happened was a panic attack.
“Your health will be better in L.A.,” David had promised before returning to L.A.
Now I took no pleasure in his being wrong.
After growing up in Temple City (hardly L.A.), I went on a high school trip to the Big Apple and knew it was where I needed to be.
Exactly five years later, the time to escape California arrived after a miserable breakup from a three-year relationship with a guy that I hid entirely from my family. I was desperate and depressed, down 15 pounds from not eating much, my diet consisting largely of cigarettes and red wine. At the Archstone, my Studio City apartment, I did ecstasy alone on a Wednesday. One has to take a good look at himself when he’s in his bedroom, by himself, rolling, and so I decided it was time to start over in New York.
On the other side of the country, I thought it was normal to hook up with a new guy every third night. Which I suppose, for a gay man who’d spent the first 27 years of his life denying his sexuality to a family he feared wouldn’t understand, it was. My self-esteem was in the gutter, though you wouldn’t have known it from the outside.
After a three-digit number of hookups on Grindr, I met David, a guy who lived on the same Manhattan corner as I did. We did what people do on Grindr and hooked up a couple of times.
But one morning, we bumped into each other on 9th Avenue. I left our short chat feeling uplifted by how smiley and polite he was in daylight and while we were sober. That night, we went on our first date, and the rest is history. But I hid what I assumed wouldn’t be well-received.
“Let’s move back to L.A.,” he said after four years of life together in New York.
“I’m really not ready,” I said. I loved living in New York and never, ever expected to leave. He understood, but he wanted to return to “the coast.” I knew that in a healthy relationship, it couldn’t be just what I wanted. So eventually, we packed up and moved to an apartment on North Flores Street in West Hollywood.
And now, I was in the hospital.
After having to cancel the welcome home party our L.A. friends had planned for us, and being released from Cedars, my life fell apart. But being the one who kept everything together, I kept it together better than most would, at least in the presence of others.
I’m fine, I told myself, but I worried my heart was broken, and there was something medically wrong with it. To heal it, I’d need to accept truths that I didn’t want to.
Growing up was devastatingly hard for me. Being gay and misunderstood, with the unacknowledged pain of it kept inside, was quite literally eating me alive. Being back in L.A. meant being near my past. I told my mom I was gay before leaving for New York. She said she still loved and accepted me, but to this day, the struggle has never been discussed or acknowledged. I knew I was a disappointment to my family.
I went to Westwood what felt like 70 times, and after visiting a bunch of UCLA’s specialists, I found myself in the office of a neurosurgeon who took one look at me and said, “You don’t belong here. What you’re suffering from is plain old anxiety, and you’re going to have to work with your therapist on this.”
“I have been,” I said, “and it’s not helping.” But before I finished, he had walked out the door.
Before long, the panic attacks got so bad, I could hardly drive. David chauffeured me, under the palm trees and bright sun, around as much as his schedule allowed, and when he couldn’t, I made the best of it, lugging my laptop with me for the hour-long trek to yoga-teacher training at Equinox in the South Bay, using that extra time in the back of an Uber to write.
For almost my entire adult life, I’d been in therapy, but it was couples therapy with David where I felt supported enough to admit, first to myself, that I’d been terrified of being fully myself. I was afraid he’d leave me if he saw the real me. Secretly I had been keeping a lifetime of pain bottled up inside because of fear — I didn’t want to risk losing him by being too emotional or having too many feelings.
Three months after that therapy session, the pandemic arrived, and being together 100% of the time for the next year, I let him in fully. He didn’t run — instead, he proposed.
It’s been eight years since that neurologist, and six since I’ve been able to fully drive again. And here in L.A., in a city characterized by its distance, I have, with David, built a close chosen family that supports and fully understands me.
Now, I feel “at home” at our Spanish-style Hancock Park house, the one we bought because we wanted to start a family of our own, only after L.A. allowed me to heal and live peacefully, and now, anxiety free.
Had David not dragged me back, I wouldn’t have learned what I did about myself, my story of origin and living a life that’s so beautiful and that’s so true to me.
And certainly, we wouldn’t be bringing our baby daughter, Lucy, named after Lucille Ball (who’s more Hollywood?), home in mid-July by way of surrogacy.
The author is a writer and coach who helps established business owners build lives that feel as good as they look. He lives in Hancock Park. He’s on Instagram: @iammattgerlach.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
To be or not to be a parent : It’s Been a Minute
Could you see your life just as easily with children as without?
What if you’re not cut out for parenthood? What if you grow lonely in your old age? Or what if you have a loving partner, but you disagree on this choice? Deciding between parenthood and a child-free life requires clarity about your fears and deepest desires — no easy task. This episode, psychotherapist and author of the book, The Baby Decision, Merle Bombardieri, helps us get clear. She discusses minimizing regret, normalizing feeling ‘stuck’ and why waiting to have a baby at 38 may be best.
Want more about the decision to have kids?
Many women don’t want kids. And for good reason.
Why are people freaking out about the birth rate?
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Additional support for this episode came from Alexis Williams. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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