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'It's a dream': Joseph brothers couldn't pass up opportunity to play together with Blues

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'It's a dream': Joseph brothers couldn't pass up opportunity to play together with Blues

From Bob, Barclay and Bill Plager to Brian, Rich and Ron Sutter, the St. Louis Blues are no strangers to having brothers on their roster.

In July, they added another family tree to their franchise history, making a trade with the Ottawa Senators for forward Mathieu Joseph, 27, and then signing free-agent defenseman Pierre-Olivier Joseph, 25, his brother.

As with all siblings, they have great reverence for one another, but there’s also the expected rivalry.

Plenty of examples of both popped up when the Joseph brothers sat down with The Athletic for an hour-long Zoom call recently.

You’ll learn a lot more about them, including which numbers they’ll be wearing this season and why. And you’ll also pick up on the fact they can hardly contain their excitement about this opportunity.

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So sit back and enjoy our chat with the newest Blues brothers!

Note: The conversation has been edited lightly for length and clarity.


Jeremy: It’s really nice to meet you guys! Thanks for doing this! So where are you? What city? Whose house?

Mathieu: We’re in Brossard (Quebec, Canada). We’ve lived together in the summer for about three years now, and we’ve enjoyed it.

Pierre-Olivier: In the past, we’d only see each other for three months the whole year in the summer, so we were like, “We might as well stay together.” But now, I feel like we’re going to get our own places if we’re going to see each other all the time, haha!

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Jeremy: I was going to ask about that. What are your living arrangements going to be like in St. Louis?

Pierre-Olivier: We’re going to live together. We’ve talked to a couple guys about renting their house. I played with Chad Ruhwedel in Pittsburgh and his wife is from St. Louis, so they have a house there, but Kasperi Kapanen is living there now. So no luck so far, but we’ll keep looking.

Jeremy: What have you heard about St. Louis?

Mathieu: I played with Brady Tkachuk in Ottawa and we actually went to his place in St. Louis for dinner last year, so I got to see a little bit of the area. Brady loves going back when he can, and honestly, every guy we’ve been talking to with the Blues loves playing there. I remember my first game in St. Louis. I was impressed with the song the crowd sings in the third period …

Jeremy: Country Roads?

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Mathieu: Yeah, that’s it! I thought that was pretty cool the first time I saw it. I can tell the fans love their team, love the organization and love the city, so I’m definitely excited to be part of the community.

Jeremy: OK, Pierre … should I call you Pierre?

Mathieu: Never! Haha! It’s just P.O.

Pierre-Olivier: Actually, I got to the point where I don’t even care anymore.

Jeremy: Well P.O., tell me something good about living with your brother and something annoying.

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Pierre-Olivier: Where do I start on the last one? No, it’s been good. He’s someone that I’ve been looking up to for so long. We work out together, we’re on the ice together, we’re on the golf course together. Everything we do is pretty much together. So it’s not really living with my brother, it’s living with my best buddy. He knows me by heart. He knows when to give me some motivation, and he knows when to give me some space.

Mathieu: I do get annoying, though. I talk too much, so sometimes I’ll say something and he doesn’t want to talk. I’ll just give him a face like “I get it.” But no, it’s been so easy. We don’t get on each other’s nerves very often and we share responsibility very well in the house. He’s a great cook!

Jeremy: P.O., what do you cook?

Pierre-Olivier: Anything and everything. Honestly, it just depends on what we have in the fridge. My crepes are something that I usually cook for us on Sunday. I do barbecue. Actually, Matt’s been pretty good this summer helping out on the barbecue side of the game.

Mathieu: I’ve been learning barbecue this year …

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Pierre-Olivier: It’s nice not to be the only one cooking.

Jeremy: So growing up, did you guys ever play on the same team, and did you ever dream about playing on the same NHL team one day?

Pierre-Olivier: Back then, playing on the same team at any level wasn’t possible because of our ages. So every year, it was just trying to get to the next level.

Mathieu: I remember being mad one year in junior hockey. I was playing with the Saint John Sea Dogs in the Quebec Major Junior Hockey League. That was P.O.’s junior hockey draft year, and he was projected to go in the second or third round. He wasn’t taken in the second round, so when the third round rolled around, I’m like, “Saint John is going to pick him up and we’re going to play together.” But Saint John picked someone else, and then in the fifth round, he got picked by Charlottetown. I was super happy for him, but I remember being disappointed that Saint John didn’t draft him. That was the first time where I thought maybe we had a chance to play with one another. But then when we both got drafted in the NHL, we were like, “Wow, that would be cool if we could find a place that we could play together.”

Pierre-Olivier: We were even thinking about the possibility of it happening at the end of our careers in Europe, when we’re 37, 38 years old, haha!

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Jeremy: So Mathieu got drafted by the Tampa Bay Lightning in the fourth round of the 2015 NHL Draft, and then won a Stanley Cup in 2021. P.O., what was it like watching that?

Pierre-Olivier: Yeah, it was a little bit of a s— show because of COVID. We were quarantining in Montreal and the next thing you know Mathieu is going into the Stanley Cup Final against Montreal. Tampa was up three games to one and headed back home for Game 5, and our parents couldn’t go because of work. They asked me if I wanted to go and I said, “Yeah!” But I remember there was a tropical storm in Tampa and flights were getting canceled. The only one available was from Montreal to L.A., then L.A. to Orlando (Fla.), and then drive 2 ½ hours to Tampa. I left at 6:30 p.m. and I got to Matt’s place at 10 a.m. the next day. I slept all day long, but then I had the chance to see him win the Cup. I had the chills, and that was a life memory that’s never going away. But at the same time, I was mad at him that he won it right in my face.

Mathieu: Hopefully we win it together one day!

Jeremy: So Mathieu, P.O. got drafted by the Arizona Coyotes in the first round of the 2017 NHL Draft and then traded to the Pittsburgh Penguins in 2019 in the Phil Kessel deal. How much have you been pulling for him?

Mathieu: I was probably more happy that he got drafted than when I got drafted. When he got to the NHL, I was trying to help him out with some things. With me being a forward and him being a defenseman, it was easy to talk about our game because what a forward sees and what a defenseman sees are different perspectives.

Pierre-Olivier: We got the NHL app a few years ago and we watch each other’s games when we can. But sometimes with the app, the state you’re in doesn’t allow you to watch his game …

Mathieu: Or we’d be playing at the same time. I guess it’ll be easier to watch his games this year, ha! But no, it’s been fun to follow each other’s careers. I’ve had some ups and downs that he’s helped me with, and I’ve helped him, too.

Jeremy: What’s something specific that you helped each other with during your career?

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Mathieu: For me, the hardest part of the NHL is that it’s such a routine. It’s the same day every day. So if it’s not going well, it’s the same day that’s not going well. We both are guys that don’t really take life too seriously. We’re here to have fun, but sometimes I get away from that. I’ve had some downs that I felt like I couldn’t get out of and P.O. always has the right words. I always say he’s a really good therapist because all our friends ask him for advice because he’s such a good listener.

Pierre-Olivier: For me, sometimes I’m too careless in what I do, and he knows what I’m capable (of). He’s always there to remind me and push me. It might be lifting a little bit two pounds heavier in the gym that pushes me to be a more competitive person. That’s something I’ve learned a lot from him.

Mathieu: I’ve got to say, too, he’s a very generous guy and thinks about a lot of people before him. In this league, you want to be a good teammate and feel like you’re family. But selfishly, you also have to think a little bit about yourself — how I perform and how I need to be better. Sometimes P.O. forgets about that part, being too unselfish. I tell him, “You’ve got to shoot the puck.” Like I said, you don’t want to bother other teammates.

Pierre-Olivier: But at the same time, it bothers people that I’m not being more selfish.

Mathieu: Exactly! So sometimes I have to remind him, “I know you’re a good guy, but you’ve got to think about how you want to play well.” That’s going to build confidence and help everything else.

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Jeremy: So where and when was the first NHL game that you played against each other?

Mathieu: It was in Pittsburgh last year.

Pierre-Olivier: Once the game started, it was Pittsburgh against Ottawa and not us against each other. But I could constantly hear him talking and talking …

Mathieu: He didn’t answer me once …

Pierre-Olivier: Because I know how he is. He’s just trying to get into my head. Playing tennis back when we were 12 years old, it was the same thing — just yapping.

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Jeremy: Tell me about the high-sticking penalty in that game. P.O., you hit Mathieu with your stick, but you also got yourself, and you both went to the penalty box. What happened?

Pierre-Olivier: I saw him coming, but when I tried to get out of the way, I hit him in the face and then hit myself. We turned around and the referee saw both of us with our hands in our face. I was bleeding, but I didn’t want the ref to see that because then they would have reviewed it and they would have taken away the penalty on Mathieu. When I went into the penalty box, my towel was completely full of blood, but I had to hide it. He was a little mad.

Mathieu: It was so funny!

Jeremy: The reaction of your parents (Frantzi and France Joseph), who were at the game, was priceless. What did you think when you saw the video?

Pierre-Olivier: It was funny. The camera was perfectly on them at the right moment and it showed their personality. They know it’s part of the game, so as long as we’re not dropping the gloves, they know how competitive we are.

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Jeremy: What’s it been like for your parents to watch you go through this journey together?

Mathieu: It’s been pretty cool. They get asked all the time, “Did you know your two kids were going to play in the NHL?” No, they just wanted us to work as hard as we could.

Pierre-Olivier: I remember they sat us down one time and said, “If you guys are going to play at a competitive level, we are ready to help you, but are you ready to do it for yourselves?”

Mathieu: They said, “We’re not going to push you guys to do it. But if you’re giving us 50 percent, then we’re not going to do that. We’re not going to spend that much money on it. You’re wasting time, and we would like for you to do something else.” I remember my mom asking P.O. when he got drafted to the NHL, “Do you still like hockey?” I’m like, “He just got drafted 23rd overall!”

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Pierre-Olivier: I’m like, “Yeah, I’m pretty sure I like it.”

Jeremy: So Mathieu, you were traded to the Blues on July 2, and then P.O. signed with the team on July 3. How did all of this go down behind the scenes?

Pierre-Olivier: I started talking to different teams on July 1 and St. Louis was one of them. Then on July 2, we were sitting on the couch watching tennis on TV and Matt got a text from Ottawa telling him to call them.

Mathieu: I knew I was getting traded way before then, though.

Pierre-Olivier: But he didn’t know it was going to be St. Louis. So he’s got the phone on speaker and they tell him it’s the Blues. Well, he knew I was talking to St. Louis, too, so he gave me a little wink. So I talked to my agent and told him that it would be special playing with Mathieu and whatever offer was on the table from the Blues, I would just take it. My agent asked me about pushing it a little bit, but I told him that the chance I had was not going to happen often. So in a matter of 30 seconds, I was with Pittsburgh and he was with Ottawa, and the next thing you know we’re both in St. Louis.

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Mathieu: We gave each other a big hug! Then we called our parents and said, “Sit down together, we’ve got something to tell you!” My dad was super happy, and my mom had a little bit of tears, knowing they won’t have two opposite jerseys now.

Jeremy: So what was that like, Mathieu, knowing that P.O. picked the Blues to make it happen?

Mathieu: To even know there was a possibility, I was so excited. I was pinching myself, like, “Oh my gosh, this is actually happening.”

Pierre-Olivier: Last week, the Blues sent us some new gear. We had two practices that day, and it was cool when we put both of our bags in the trunk and they were both “St. Louis Blues.” We love the colors already, and it’s fun to see Mathieu in the same logo as me.

Mathieu: No one knows yet, but we’ve actually picked our numbers.

Jeremy: Can we break some news here?

Mathieu: Of course! Our family number is No. 7 because our dad wore No. 7 his entire life. So I picked 71.

Pierre-Olivier: I went with the double seven, No. 77.

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Jeremy: Nice! When you get your last name stitched on the back of both jerseys, are you going to get “Joseph” or your first initial and Joseph?

Mathieu: That’s a good question! He’s saying, “Are you going to have M. Joseph and P.O. Joseph?” When there’s two names that are the same on the team, you have the option. Like the Sedins wore “H. Sedin” and “D. Sedin.”

Pierre-Olivier: That’s true! I didn’t even think about that.

(Editor’s note: After this interview, the Blues announced that the brothers will both wear just “Joseph” on their jerseys this season. 

Jeremy: OK, I want to tell Blues fans what kind of players they’re getting in you guys. P.O., tell me about Mathieu, and vice versa.

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Pierre-Olivier: They’re getting a fast skater, a competitive player, a guy who loves to play defensively, but I know he’s talented enough to put points on the board. But mainly a guy, they’re getting someone who plays with passion and plays for his teammates. He has a lot of character and that definitely helps the people around him work harder and become better players.

Mathieu: One of his biggest assets, his hockey IQ, is above average. He has good instinct offensively, and when he has confidence, he’s extremely fast and super dangerous on the ice. He’s an extremely smart player and how he outsmarts the opponent was annoying when I was playing against him. He’s also been very well-liked everywhere he’s been, and he brings tons of positivity around the room.

Jeremy: So when I’m watching practice and there’s an intense battle in the corner, am I going to know right away who it is without looking at the numbers?

Mathieu: 100 percent!

Pierre-Olivier: If we’re on different teams in camp, it’s going to be a compete level that’s as high as possible. It’s been that way since I was born. It’s going to be a continuation of pushing each other on and off the ice.

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Mathieu: I’m so excited to have someone work with me on my game before and after practice. To be able to do it with my brother, it’s going to help each other for sure.

Jeremy: Does it seem real yet?

Pierre-Olivier: It’s a dream! I don’t think we’ll really comprehend it until we’re on the same ice together and being in front of the fans in St. Louis.

Mathieu: Hopefully we can help the Blues be a competitive team with our performance and our personalities. I told my dad, “Hopefully we can have a good season and enjoy it in St. Louis and play a couple of years there!”

(Photo of Mathieu Joseph with the Senators and Pierre-Olivier Joseph with the Penguins in January 2023: Joe Sargent / NHLI via Getty Images)

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Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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