Entertainment
Lady Gaga confirms engagement to Michael Polansky after Olympics opening ceremony
Lady Gaga is reportedly engaged to tech investor Michael Polansky — and, according to one report, has been for months.
While in Paris for the 2024 Summer Olympics, where she performed during the opening ceremony on Friday, the music superstar is said to have introduced Polansky as her fiancé to French Prime Minister Gabriel Attal.
Representatives for the “Born This Way” singer did not immediately respond Monday to The Times’ requests for comment.
2024 Paris Summer Olympic Games
People reported Monday that the couple got engaged “several months” ago, but chose to share the news only within their inner circle at the time. Polansky — chief executive of the Parker Group, which oversees the business and charitable interests of Napster founder and Facebook investor Sean Parker — is said to have popped the question ahead of Gaga’s 38th birthday party in March.
However, the Oscar and Grammy winner reportedly chose not to wear her engagement ring in the immediate aftermath to avoid being photographed with it on. But that only last a short while, as she sparked engagement rumors when she was spotted wearing the sparkler in April.
“They’re great together. He’s excited and supportive of her career. He can’t stand being in the spotlight, but lets her shine. He has his own business priorities that she’s supportive of,” a source told People on Monday.
The engagement rumors reignited Sunday when the French PM posted a TikTok video featuring the singer and her groom-to-be at the Olympic Games. In it, Gaga can be heard introducing Polansky as “my fiancé” while they watched a swimming event at the Paris Aquatic Centre.
“Thank you Lady Gaga for your stunning performance at the opening ceremony. It was breathtaking,” Attal captioned the clip, which has been liked more than 70,000 times.
Gaga, real name Stefani Germanotta, and Polansky were first linked in December 2019 after they were spotted kissing at a New Year’s Eve bash in Las Vegas. They took their PDA-filled romance public a few weeks later after Super Bowl LIV in Miami.
Gaga was previously engaged to “Chicago Fire” actor Taylor Kinney, but the two ended their five-year relationship in 2016.
Aside from her engagement, Gaga made headlines this weekend for her performance along the Seine River, paying tribute to French ballerina and singer Zizi Jeanmaire with her rendition of “Mon Truc en Plumes.”
Ahead of the Olympics opening ceremony, the “A Star Is Born” actor was rumored to be performing, even though she was not listed on a program provided to the media in advance, the Associated Press reported. AP also first reported the news that she had prerecorded her number, which was then played during the live broadcast, due to the inclement weather in the French capital.
Her surprise showing during the ceremony was the only performance that “for safety reasons, we had to pre-record late in the afternoon,” Olympic and Paralympic opening ceremony choreographer Maud le Pladec told Variety. “[O]nce we knew for sure that it was going to rain — we had minute-by-minute updates, we had never watched the weather forecast so closely in our lives.
“We assessed that it was going to be too dangerous for performers, even with a few drops of rain. [Gaga] wanted to do it absolutely so we preferred to pre-record it rather than cancel it,” Le Pladec said. “The soil would have been slippery. She was wearing heels, very near the water, there were stairs… We had to be extremely cautious.”
Accompanied by a troupe of eight dancers carrying pink-feather fans and clad in custom Dior costumes, Gaga sang in French and danced, ascending and descending a riverside flight of stairs during the upbeat, cabaret-inspired performance. She briefly played piano too.
“I feel so completely grateful to have been asked to open the Paris @Olympics 2024 this year. I am also humbled to be asked by the Olympics organizing committee to sing such a special French song — a song to honor the French people and their tremendous history of art, music, and theatre,” she wrote on Instagram after the show.
“Although I am not a French artist, I have always felt a very special connection with French people and singing French music — I wanted nothing more than to create a performance that would warm the heart of France, celebrate French art and music, and on such a momentous occasion remind everyone of one of the most magical cities on earth — Paris,” she added, listing all the ways in which she drew from French culture to “put a modern twist on a French classic.”
“I rehearsed tirelessly to study a joyful French dance, brushing up on some old skills — I bet you didn’t know I used to dance at a 60’s French party on the lower east side when I was first starting out! I hope you love this performance as much as I do,” the “Joker: Folie à Deux” star wrote.
“And to everyone in France, thank you so much for welcoming me to your country to sing in honor of you — it’s a gift I’ll never forget! Congratulations to all the athletes who are competing in this year’s Olympic Games! It is my supreme honor to sing for you and cheer you on!! Watching the Olympic Games always makes me cry! Your talent is unimaginable. Let the games begin!”
Movie Reviews
Jeremy Schuetze’s ‘ANACORETA’ (2022) – Movie Review – PopHorror
PopHorror had the chance to check out Anacoreta (2022) ahead of its streaming release! Does this meta-horror flick provide interesting story telling or is it a confusing mess.
Let’s have a look…
Synopsis
A group of friends heads to a secluded woodland cabin for a weekend getaway, planning to film an experimental horror movie. As the shoot progresses, the project begins to fall apart—until a real and terrifying presence emerges from the darkness.
Anacoreta is directed by Jeremy Schuetze. It was written by Jeremy Schuetze and Matt Visser. The film stars Antonia Thomas (Bagman 2024), Jesse Stanley (Raf 2019), Jeremy Schuetze (Jennifer’s Body 2009), and Matt Visser (A Lot Like Christmas 2021)
My Thoughts
Antonia Thomas delivered an outstanding performance as the female lead in Anacoreta. It was remarkable to watch her convey such a wide range of emotions with authenticity and depth. I was continually impressed by her ability to switch seamlessly between different dialects. I absolutely loved her delivery of the dialogue of telling The Scorpion and the Frog fable.
Anacoreta employs a distinctive, meta-horror style of storytelling. The narrative follows a group of friends creating a “scripted reality” horror film, and as the plot unfolds, the boundary between their staged production and their actual lives becomes increasingly blurred. This was interesting, but at the same time frustrating as a viewer.

Check out Anacoreta on Prime Video and let us know your thoughts!
Entertainment
Todd Meadows, ‘Deadliest Catch’ deckhand, dies at 25
Todd Meadows, a crewmember on one of the fishing vessels featured on the long-running reality series “Deadliest Catch,” has died. He was 25.
Rick Shelford, the captain of the Aleutian Lady, announced in a Monday post on Facebook and Instagram that Meadows died Feb. 25. He called it “the most tragic day in the history of the Aleutian Lady on the Bering Sea.”
“We lost our brother,” Shelford wrote in his lengthy tribute. “Todd was the newest member of our crew, he quickly became family. His love for fishing and his strong work ethic earned everyone’s respect right away. His smile was contagious, and the sound of his laughter coming up the wheelhouse stairs or over the deck hailer is something we will carry with us always.
“He worked hard, loved deeply, and brought joy to those around him,” he added. “Todd will forever be part of this boat, this crew, and this brotherhood. Though we lost him far too soon, his legacy will live on through his children and in every memory we carry of him.”
A fundraiser set up in Meadows’ name described the deckhand from Montesano, Wash., as a father to “three amazing little boys” who died “while doing what he loved — crabbing out on Alaskan waters.”
According to the Associated Press, Meadows died after he was reported to have fallen overboard around 170 miles north of Dutch Harbor, Alaska.
“He was recovered unresponsive by the crew approximately ten minutes later,” Chief Petty Officer Travis Magee, a spokesperson with the Coast Guard’s Arctic District, told the AP. The Coast Guard is investigating the incident.
Meadows was a first-year cast member of “Deadliest Catch,” the Discovery Channel reality series that follows crab fishermen navigating the perilous winds and waves of the Bering Sea during the Alaskan king crab and snow crab fishing seasons. The show debuted in 2005. No episodes from Meadows’ season has aired.
Deadline reported that the show was in production on its 22nd season when the incident occurred, with the Shelford-led Aleutian Lady being the last of the vessels still out at sea at the time. Production has subsequently concluded, per the outlet.
“We are deeply saddened by the tragic passing of Todd Meadows,” a Discovery Channel spokesperson said in a statement that has been widely circulated. “This is a devastating loss, and our hearts are with his loved ones, his crewmates, and the entire fishing community during this incredibly difficult time.”
Meadows is the latest among “Deadliest Catch” cast members who have died. Previous deaths include Phil Harris, a captain of one of the ships featured on the show, who died after suffering a stroke while filming the show’s sixth season in 2010. Todd Kochutin, a crew member of the Patricia Lee, died in 2021 from injuries he sustained while aboard the fishing vessel, according to an obituary. Other cast members have died from substance abuse or natural causes.
Movie Reviews
‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
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