Shannen Doherty, the quintessential ’90s rebel who starred in the TV mega-hits “Beverly Hills, 90210” and “Charmed,” has died after a nearly decade-long battle with cancer. She was 53.
Doherty died Saturday, the Associated Press reported. Last June, the actor revealed her cancer had spread to her brain and in November, to her bones.
Her publicist, Leslie Sloane, announced the news in a statement to People magazine.
“It is with a heavy heart that I confirm the passing of actress Shannen Doherty,” Sloane said.
“On Saturday, July 13, she lost her battle with cancer after many years of fighting the disease,” Sloane continued. “The devoted daughter, sister, aunt and friend was surrounded by her loved ones as well as her dog, Bowie. The family asks for their privacy at this time so they can grieve in peace.”
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The “90210” star first went public with her breast cancer diagnosis in 2015, when she filed a lawsuit against her former management firm for breach of contract and negligence. She stated that the firm had let her health insurance lapse in 2014 and that she couldn’t re-enroll in insurance benefits until 2015.
By March 2015, doctors discovered “invasive breast cancer metastatic to at least one lymph node,” which she said had the chance to spread while she was unable to visit a doctor due to the insurance lapse.
In 2017, the actor shared in an emotional Instagram post that the disease had gone into remission. “As every single one of my fellow cancer family knows, the next five years is crucial. Reoccurrences happen all the time. … So with a heart that is certainly lighter, I wait.”
Four years after Doherty’s initial diagnosis, while shooting Fox’s revival of “Beverly Hills, 90210,” she was diagnosed with Stage 4 breast cancer but kept it quiet for nearly a year.
“My cancer came back,” Doherty revealed on “Good Morning America” in February 2020. “It’s a bitter pill to swallow in a lot of ways. There are days where I say, why me? And then I go, well, why not me? Who else besides me deserves this? None of us do.”
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In June 2023, the actor shared an intimate look at the reality of cancer in a video taken at Cedars-Sinai Medical Center in Los Angeles. A crying Doherty wore a radiotherapy mask as she underwent her first radiation treatment, revealing that the cancer had spread to her brain.
“My fear is obvious. I am extremely claustrophobic and there was a lot going on in my life,” she captioned the video. “This is what cancer can look like.”
By November 2023, Doherty revealed that the cancer had spread to her bones. “I don’t want to die,” she told People four days before Thanksgiving. “I’m not done with living. I’m not done with loving. I’m not done with creating. I’m not done with hopefully changing things for the better. I’m just not — I’m not done.”
Doherty was born into a Southern Baptist family in Memphis, Tenn., on April 12, 1971, the youngest of Tom and Rosa Doherty’s two children. Her family moved to the affluent Palos Verdes Peninsula in Los Angeles County when she was 6, but Doherty credited her early-onset self-assurance to gender disparities she witnessed in the South during the 1970s.
“I saw how women were treated,” she told People in 1992. “And I wasn’t going to be treated like that.”
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With the family settled on the West Coast, Doherty performed in a church play at age 10 — and in an only-in-L.A. moment, a Hollywood agent attended that play (he was a friend of the director). He saw potential in the young Doherty. Within weeks, she made her commercial debut for a telephone company.
“My parents weren’t very enthusiastic about me going into show business, but I was,” Doherty told the Orange County Register in 1995.
She landed her first major role at 11, when Michael Landon hired her to play the courageous and spirited Jenny Wilder on “Little House on the Prairie.” “That show changed my life,” Doherty told the outlet, adding that Landon advised her at the time never to let anyone walk all over her, and to be a strong woman.
Shannen Doherty starred as Heather Duke in the 1988 movie “Heathers.”
(Archive Photos / Getty Images)
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As she entered her teen years, Doherty’s raven locks and casual moxie made her an easy choice for “bad girl”-type roles, such as Heather Duke — her first major film role, in the 1988 dark comedy “Heathers.” But it was her portrayal of the fiercely driven Beverly Hills transplant Brenda Walsh on Aaron Spelling’s pop-culture phenomenon “Beverly Hills, 90210” that catapulted her to stardom.
At a time when programming aimed at the teen demographic was relatively wholesome and uncontroversial, the Fox series about privileged young people living in one of the country’s most expensive ZIP codes was laying the foundation for the teen drama genre as we now know it, with its then-revolutionary exploration of the social and sexual drama of high school life. It would go on to air for 10 seasons and spawn the successful spinoff “Melrose Place,” the CW reboot “90210” and, later, a 2019 meta revival, “BH90210,” featuring most of the cast playing heightened versions of their real-life personas as they work to get a reboot of the prime-time soap off the ground.
But it’s hard to overstate the very ’90s fan mania that surrounded the series in its early years, and how it shaped the way Doherty navigated her considerable fame. The angsty teen drama starred Doherty alongside Tori Spelling, Jason Priestley, Luke Perry, Brian Austin Green, Jennie Garth, Gabrielle Carteris and Ian Ziering. The cast of worship-ready teen idols and Doherty, in particular, were plum targets for tabloid fodder.
“The teen heartthrobs of Fox’s ‘Beverly Hills, 90210’ … garnered the biggest cheers and screams from the teen fans who lined the streets,” The Times said in a 1991 Emmys red carpet story. “Jason Priestley and Shannen Doherty … arrived together hand in hand and were attacked en masse by the photographers, as was their costar Luke Perry.”
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Clockwise from top right: “90210” stars Luke Perry, Shannen Doherty, Jason Priestley, Gabrielle Carteris, Tori Spelling, Brian Austin Green, Jennie Garth and Ian Ziering.
(Fox Broadcasting Co.)
But while her TV character was dealing with issues like having sex for the first time and failing driver’s ed, Doherty was earning an off-camera reputation as a reckless party girl, spending late hours with co-star Tori Spelling at clubs including Hollywood’s since-closed Roxbury. She butted heads on the set with co-star Jennie Garth, who later in life would remain her friend.
“Out of control!” screamed the headline on the cover of People magazine in June 1993, teasing to a Doherty story inside.
“Since debuting on ‘90210’ in 1990, Doherty has left a trail of bad debts, trashed homes, exhausted friendships and wasted relationships,” the story said. “When challenged, say several people who know her, she is likely to respond with a menacing, ‘You don’t know who you’re f—ing with!’ ”
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In her early 20s and at the height of newfound fame, Doherty’s romantic flings and flops played out in the tabloids too. In early 1993, she was briefly engaged to cosmetics heir Dean Jay Factor before a messy publicized split months later. In October of the same year, she tied the knot with Ashley Hamilton, the son of actor George Hamilton, after knowing him for a few weeks. They divorced six months later.
But the people who worked closely with the “90210” star dismissed the noise and sang the actor’s praises. Priestley, who played Doherty’s twin brother, Brandon, told People in 1992 that all the stories about his castmate were grossly exaggerated. “She’s a very intelligent young woman who isn’t afraid to speak her mind,” he said.
Aaron Spelling described her to the outlet as “the best young actress I’ve seen in a long time,” adding that she was an honest person who wore her emotions on her sleeve. “If you ask her a direct question, she’ll give you a direct answer.”
And her co-star Tori Spelling, who portrayed Donna Martin on the soap, echoed her father’s sentiments but noted that Doherty’s reputation “hurts her feelings a bit.”
Doherty left “90210” in 1994 amid rumors of an acrimonious fallout with executive producer Spelling, but like many of the other assertions about the star, Spelling insisted they weren’t true and hired her to star as a benevolent witch in the CW supernatural series “Charmed” four years later.
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“I tell ya the truth, all those stories about Shannen were so overblown,” Spelling told The Times in 1998. “Was she late on the set a couple of times? Sure, but who isn’t? Shannen was not fired from ‘90210.’ She had received some TV movie offers, and we sat down and talked about it, and she made the decision. If I had a problem with her, why would I hire her for ‘Charmed’?”
Alyssa Milano, Holly Marie Combs, Shannen Doherty from the TV show “Charmed” in 1999.
(Getty Images / Getty Images)
Doherty played Prue Halliwell from 1998 to 2001, with Alyssa Milano and Holly Marie Combs co-starring on the sister-witches show that ran into 2006. Doherty’s character was killed off at the end of Season 3, again amid rumors of bad blood on the set.
“There was too much drama on the set and not enough passion for the work,” she told “Entertainment Tonight” after leaving the show.
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Doherty appeared on the cover of Playboy magazine’s March 1994 issue and, again, almost a decade later in December 2003. By then she described her life as much more subdued. She became an avid animal rights activist and a valued supporter of the Sea Shepherd Conservation Society. She relished being a homebody, had a penchant for interior design and spent time horseback riding. She also continued to star in various television and film projects.
“I wish I had conducted myself better on occasion and been more private, but I would rather live my life to the fullest than constantly conduct myself in a certain way to gain approval from others,” she told Playboy in 2003. “I’ve always been outspoken about my opinions, and there’s something to be said for having the courage to just live your life. I have regrets but no apologies.”
The “Charmed” star went on to marry professional poker player Rick Salomon in 2002, but the marriage was annulled nine months later. On Oct. 15, 2011, she married celebrity photographer Kurt Iswarienko in a lavish Malibu ceremony. After 11 years of marriage, and several years into her cancer battles, they announced their divorce in 2023.
Five years after she was first diagnosed with breast cancer, Doherty reflected on her ongoing battle and strength of spirit.
“I try to treasure all the small moments that most people don’t really see or take for granted,” Doherty said in the October 2020 issue of Elle. “The small things are magnified for me. We have this endless well within us, and it’s just about continuing to dig in that well for the strength to face adversity — and so that we can also see all the beauty.”
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Doherty is survived by her mother, Rosa Doherty, and older brother, Sean Doherty.
Forget the “video game movie” curse;The Mortuary Assistantis a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.
What Makes It Work
The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.
Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.
The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.
Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.
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Nailed It
This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.
The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!
The Verdict
This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.
A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.
Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.
In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.
As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.
“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.
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He is seeking $35 million in damages.
Representatives for Live Nation were not immediately available for comment.
The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.
Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”
Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.
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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.
Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”
In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.
Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”
At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.
When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.