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Shannen Doherty, 'Beverly Hills, 90210' bad girl who battled cancer for years, dies at 53

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Shannen Doherty, 'Beverly Hills, 90210' bad girl who battled cancer for years, dies at 53

Shannen Doherty, the quintessential ’90s rebel who starred in the TV mega-hits “Beverly Hills, 90210” and “Charmed,” has died after a nearly decade-long battle with cancer. She was 53.

Doherty died Saturday, the Associated Press reported. Last June, the actor revealed her cancer had spread to her brain and in November, to her bones.

Her publicist, Leslie Sloane, announced the news in a statement to People magazine.

“It is with a heavy heart that I confirm the passing of actress Shannen Doherty,” Sloane said.

“On Saturday, July 13, she lost her battle with cancer after many years of fighting the disease,” Sloane continued. “The devoted daughter, sister, aunt and friend was surrounded by her loved ones as well as her dog, Bowie. The family asks for their privacy at this time so they can grieve in peace.”

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The “90210” star first went public with her breast cancer diagnosis in 2015, when she filed a lawsuit against her former management firm for breach of contract and negligence. She stated that the firm had let her health insurance lapse in 2014 and that she couldn’t re-enroll in insurance benefits until 2015.

By March 2015, doctors discovered “invasive breast cancer metastatic to at least one lymph node,” which she said had the chance to spread while she was unable to visit a doctor due to the insurance lapse.

In 2017, the actor shared in an emotional Instagram post that the disease had gone into remission. “As every single one of my fellow cancer family knows, the next five years is crucial. Reoccurrences happen all the time. … So with a heart that is certainly lighter, I wait.”

Four years after Doherty’s initial diagnosis, while shooting Fox’s revival of “Beverly Hills, 90210,” she was diagnosed with Stage 4 breast cancer but kept it quiet for nearly a year.

“My cancer came back,” Doherty revealed on “Good Morning America” in February 2020. “It’s a bitter pill to swallow in a lot of ways. There are days where I say, why me? And then I go, well, why not me? Who else besides me deserves this? None of us do.”

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In June 2023, the actor shared an intimate look at the reality of cancer in a video taken at Cedars-Sinai Medical Center in Los Angeles. A crying Doherty wore a radiotherapy mask as she underwent her first radiation treatment, revealing that the cancer had spread to her brain.

“My fear is obvious. I am extremely claustrophobic and there was a lot going on in my life,” she captioned the video. “This is what cancer can look like.”

By November 2023, Doherty revealed that the cancer had spread to her bones. “I don’t want to die,” she told People four days before Thanksgiving. “I’m not done with living. I’m not done with loving. I’m not done with creating. I’m not done with hopefully changing things for the better. I’m just not — I’m not done.”

Doherty was born into a Southern Baptist family in Memphis, Tenn., on April 12, 1971, the youngest of Tom and Rosa Doherty’s two children. Her family moved to the affluent Palos Verdes Peninsula in Los Angeles County when she was 6, but Doherty credited her early-onset self-assurance to gender disparities she witnessed in the South during the 1970s.

“I saw how women were treated,” she told People in 1992. “And I wasn’t going to be treated like that.”

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With the family settled on the West Coast, Doherty performed in a church play at age 10 — and in an only-in-L.A. moment, a Hollywood agent attended that play (he was a friend of the director). He saw potential in the young Doherty. Within weeks, she made her commercial debut for a telephone company.

“My parents weren’t very enthusiastic about me going into show business, but I was,” Doherty told the Orange County Register in 1995.

She landed her first major role at 11, when Michael Landon hired her to play the courageous and spirited Jenny Wilder on “Little House on the Prairie.” “That show changed my life,” Doherty told the outlet, adding that Landon advised her at the time never to let anyone walk all over her, and to be a strong woman.

Shannen Doherty starred as Heather Duke in the 1988 movie “Heathers.”

(Archive Photos / Getty Images)

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As she entered her teen years, Doherty’s raven locks and casual moxie made her an easy choice for “bad girl”-type roles, such as Heather Duke — her first major film role, in the 1988 dark comedy “Heathers.” But it was her portrayal of the fiercely driven Beverly Hills transplant Brenda Walsh on Aaron Spelling’s pop-culture phenomenon “Beverly Hills, 90210” that catapulted her to stardom.

At a time when programming aimed at the teen demographic was relatively wholesome and uncontroversial, the Fox series about privileged young people living in one of the country’s most expensive ZIP codes was laying the foundation for the teen drama genre as we now know it, with its then-revolutionary exploration of the social and sexual drama of high school life. It would go on to air for 10 seasons and spawn the successful spinoff “Melrose Place,” the CW reboot “90210” and, later, a 2019 meta revival, “BH90210,” featuring most of the cast playing heightened versions of their real-life personas as they work to get a reboot of the prime-time soap off the ground.

But it’s hard to overstate the very ’90s fan mania that surrounded the series in its early years, and how it shaped the way Doherty navigated her considerable fame. The angsty teen drama starred Doherty alongside Tori Spelling, Jason Priestley, Luke Perry, Brian Austin Green, Jennie Garth, Gabrielle Carteris and Ian Ziering. The cast of worship-ready teen idols and Doherty, in particular, were plum targets for tabloid fodder.

“The teen heartthrobs of Fox’s ‘Beverly Hills, 90210’ … garnered the biggest cheers and screams from the teen fans who lined the streets,” The Times said in a 1991 Emmys red carpet story. “Jason Priestley and Shannen Doherty … arrived together hand in hand and were attacked en masse by the photographers, as was their costar Luke Perry.”

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The cast of 90210 teen soap stars piled on the floor smiling.

Clockwise from top right: “90210” stars Luke Perry, Shannen Doherty, Jason Priestley, Gabrielle Carteris, Tori Spelling, Brian Austin Green, Jennie Garth and Ian Ziering.

(Fox Broadcasting Co.)

But while her TV character was dealing with issues like having sex for the first time and failing driver’s ed, Doherty was earning an off-camera reputation as a reckless party girl, spending late hours with co-star Tori Spelling at clubs including Hollywood’s since-closed Roxbury. She butted heads on the set with co-star Jennie Garth, who later in life would remain her friend.

“Out of control!” screamed the headline on the cover of People magazine in June 1993, teasing to a Doherty story inside.

“Since debuting on ‘90210’ in 1990, Doherty has left a trail of bad debts, trashed homes, exhausted friendships and wasted relationships,” the story said. “When challenged, say several people who know her, she is likely to respond with a menacing, ‘You don’t know who you’re f—ing with!’ ”

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In her early 20s and at the height of newfound fame, Doherty’s romantic flings and flops played out in the tabloids too. In early 1993, she was briefly engaged to cosmetics heir Dean Jay Factor before a messy publicized split months later. In October of the same year, she tied the knot with Ashley Hamilton, the son of actor George Hamilton, after knowing him for a few weeks. They divorced six months later.

But the people who worked closely with the “90210” star dismissed the noise and sang the actor’s praises. Priestley, who played Doherty’s twin brother, Brandon, told People in 1992 that all the stories about his castmate were grossly exaggerated. “She’s a very intelligent young woman who isn’t afraid to speak her mind,” he said.

Aaron Spelling described her to the outlet as “the best young actress I’ve seen in a long time,” adding that she was an honest person who wore her emotions on her sleeve. “If you ask her a direct question, she’ll give you a direct answer.”

And her co-star Tori Spelling, who portrayed Donna Martin on the soap, echoed her father’s sentiments but noted that Doherty’s reputation “hurts her feelings a bit.”

Doherty left “90210” in 1994 amid rumors of an acrimonious fallout with executive producer Spelling, but like many of the other assertions about the star, Spelling insisted they weren’t true and hired her to star as a benevolent witch in the CW supernatural series “Charmed” four years later.

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“I tell ya the truth, all those stories about Shannen were so overblown,” Spelling told The Times in 1998. “Was she late on the set a couple of times? Sure, but who isn’t? Shannen was not fired from ‘90210.’ She had received some TV movie offers, and we sat down and talked about it, and she made the decision. If I had a problem with her, why would I hire her for ‘Charmed’?”

Alyssa Milano, Holly Marie Combs, Shannen Doherty pose.

Alyssa Milano, Holly Marie Combs, Shannen Doherty from the TV show “Charmed” in 1999.

(Getty Images / Getty Images)

Doherty played Prue Halliwell from 1998 to 2001, with Alyssa Milano and Holly Marie Combs co-starring on the sister-witches show that ran into 2006. Doherty’s character was killed off at the end of Season 3, again amid rumors of bad blood on the set.

“There was too much drama on the set and not enough passion for the work,” she told “Entertainment Tonight” after leaving the show.

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Doherty appeared on the cover of Playboy magazine’s March 1994 issue and, again, almost a decade later in December 2003. By then she described her life as much more subdued. She became an avid animal rights activist and a valued supporter of the Sea Shepherd Conservation Society. She relished being a homebody, had a penchant for interior design and spent time horseback riding. She also continued to star in various television and film projects.

“I wish I had conducted myself better on occasion and been more private, but I would rather live my life to the fullest than constantly conduct myself in a certain way to gain approval from others,” she told Playboy in 2003. “I’ve always been outspoken about my opinions, and there’s something to be said for having the courage to just live your life. I have regrets but no apologies.”

The “Charmed” star went on to marry professional poker player Rick Salomon in 2002, but the marriage was annulled nine months later. On Oct. 15, 2011, she married celebrity photographer Kurt Iswarienko in a lavish Malibu ceremony. After 11 years of marriage, and several years into her cancer battles, they announced their divorce in 2023.

Five years after she was first diagnosed with breast cancer, Doherty reflected on her ongoing battle and strength of spirit.

“I try to treasure all the small moments that most people don’t really see or take for granted,” Doherty said in the October 2020 issue of Elle. “The small things are magnified for me. We have this endless well within us, and it’s just about continuing to dig in that well for the strength to face adversity — and so that we can also see all the beauty.”

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Doherty is survived by her mother, Rosa Doherty, and older brother, Sean Doherty.

Movie Reviews

‘Night Nurse’ Review: A Caretaker Explores Her Kink for Elder Abuse in the Year’s Strangest Erotic Thriller

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‘Night Nurse’ Review: A Caretaker Explores Her Kink for Elder Abuse in the Year’s Strangest Erotic Thriller

There are any number of erotic thrillers in which rich old men are robbed blind and/or left for dead, but Georgia Bernstein’s admirably bizarre “Night Nurse” might be the first movie of its kind where elder abuse is the source — and possible subject— of its erotic thrills. If there are others, I’m not sure I want to know.

But this woozy debut feature doesn’t rely on its audience being turned on by the relationship between a nubile caretaker and her dementia-addled patient. Their psychosexual bond, meanwhile, hinges on cold-calling vulnerable old people under the guise of a grandchild in financial distress. (“I’m in trouble, nana, send me $10,000 or I’ll be left to rot in jail!” That sort of thing). With its slim wisp of a premise stretched into a Strickland-esque dreamscape that substitutes kink for conflict, the film itself hardly seems convinced by its own wrinkled lust — all desperate kisses and non-touching poses of subservience. More important to Bernstein is what that lust reveals about her characters’ deepest needs, specifically how their need to care and be cared for can be as easily perverted as any other form of desire. 

The Five-Star Weekend series stars D'Arcy Carden as Brooke, Regina Hall as Dru-Ann, Chloë Sevigny as Tatum, Jennifer Garner as Hollis, Gemma Chan as Gigi, shown here posing for a photo

As moody and weightless as the noir-accented score that blows through the movie like a curlicue gust of wind in an old cartoon (credit to musicians Sam Clapp and Steven Jackson), “Night Nurse” lacks the pulse required for its stray feelings to come alive. Still, the film ambiently taps into the latent eroticism of teasing out the distance between how you see yourself and who you really are. Bernstein plays with that distance like a telephone cord wrapped around her fingers, and Eleni — played by the excellent newcomer Cemre Paksoy, powerfully helpless — only frays even more as the receiver is brought near the hook. “Everything I did before today wasn’t me,” the nurse tells co-worker Mona (Eleonore Hendricks) after starting a new job at an Illinois retirement home. “It was somebody else.” 

What she did before today remains unexplored (specifically, what she did to get herself fired from her last gig), but I’m guessing she’s probably changed less than she thought. There’s a faraway flicker in her eyes the moment she catches the vibe between Mona and Douglas (a ribald and elusive Bruce McKenzie), a white-haired seventysomething who shows early signs of dementia but still commands an undiminished sexual energy. “I’m not an invalid,” he coos as Mona bathes him in the tub, to which she replies, “yes, you are,” in a supplicant tone that hints at a rich history of power games between them. 

Later that same night, Douglas will force Eleni to call a stranger, pretend that she’s their granddaughter, and ask for money — he’ll wrap the phone cord around the nurse’s body as she talks and shove her against the wall as they kiss. She’s into it. So into it that he has to clarify the terms of his whole deal: “If you’re looking for a pogo stick, I’m really not your guy.” But Eleni isn’t looking for anything to bounce on. She just wants to be needed, and maybe to need someone in return. Someone who will see her for who she really is and allow her the fantasy of pretending she isn’t being herself when she cons vulnerable strangers out of their money — when she exploits how enthralled those strangers are by the care they have for their loved ones.

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“Night Nurse” doesn’t belabor the psychology, as Bernstein prefers to express her story through heavy-lidded suggestion. Somnambulating from the moment it starts, the film moves through a series of beautifully arranged poses that stretch their latent meaning thin across the surface (Lidia Nikonova’s cinematography lacquers every shot with a seductive dreaminess). We see Douglas smoking in a lawn chair with Mona and Eleni curled around his feet. Eleni riding in the backseat of a convertible as the wind blows through her curls. The full staff of nurses — all of them under Douglas’ sway — stumbling around his condo in a state of zonked out bliss as they roll on the prescription drugs they’ve stolen from the residents. 

Once you’ve seen one shot of this movie, you’ve practically seen them all, at least until things escalate during a rushed and unsatisfying third act that forces Eleni into an honest confrontation with herself. People will do just about anything to feel needed — they’ll give whatever degree of care allows them to receive it in return. “Night Nurse” understands that desire, but remains far too numb to treat it. 

Grade: C+

The Independent Film Company will relase “Night Nurse” in theaters on Friday, July 10.

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Lucas Museum to give free annual passes to South L.A. neighbors, host community preview day

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Lucas Museum to give free annual passes to South L.A. neighbors, host community preview day

The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.

The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.

Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.

“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”

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The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.

The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.

More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.

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Movie Reviews

Movie review: Supergirl is a blast

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Movie review: Supergirl is a blast

Last year’s “Superman” ended with Iggy Pop singing “Because I’m a punk rocker, yes I am” — an ironic coda for a superlatively square hero. But it rings straightforwardly true for Superman’s cousin.

Milly Alcock’s Kara Zor-El, or Supergirl, sports not a spandex suit but a Blondie T-shirt. When we meet her in Craig Gillespie’s “Supergirl,” she’s been on an interstellar bender for days. She’s more Courtney Love than Clark Kent.

Nonchalant and sarcastic, Kara is also a little Han Solo-ish, you might say, given that she moves capriciously through the galaxy in her junky spaceship while getting in fights in extraterrestrial bars. She’s a welcome, jagged riff on more buttoned-up superheroes, and Alcock is terrific in the role. If only “Supergirl” was as good as she is.

While the latest DC release, and second under James Gunn’s stewardship, has its moments, “Supergirl” struggles to match Kara’s punk-rock energy with an equally spirited supporting cast and story.

Skepticism seems to have gathered for “Supergirl” ahead of its release. Many fans have argued it wasn’t the right next step for DC Universe. But I’m not so sure. Alcock’s breezy cameo in “Superman” was one of that movie’s highlights. Handing the follow-up to her, and her faithful floating dog Krypto, strikes me as an extremely natural next step. When in doubt, follow the dog.

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And much of “Supergirl” is winning. It resides almost entirely in space, touching down only momentarily on Earth. In its consistently creative production design, clever needle drops and underdog story arc, “Supergirl” resides a little closer to Gunn’s “Guardians of the Galaxy” movies than other DC entries. Its outer space is filled with cosmic detritus, mean characters and cute critters. Seth Rogen as the voice of a tiny alien co-piloting a space bus is an inspired concoction, as is a shabbier sci-fi realm with rest stops along the intergalactic highway.

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