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Utility regulators hosted annual conference in Minneapolis with money from entities they oversee

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Utility regulators hosted annual conference in Minneapolis with money from entities they oversee


Minnesota’s utility regulators hosted a record more than 600 people in downtown Minneapolis last week for an annual regional conference, but some of the sponsors helping to pay for the event are also at the whim of the regulators’ rulings.

That financial relationship at the center of the Mid-America Regulatory Conference (MARC) has some energy advocacy groups feeling uneasy about what they worry is a conflict of interest. But the lead organizer of this year’s event, Katie Sieben, the DFL chair of the Minnesota Public Utilities Commission (PUC), argued the gathering helps commissioners foster connection and make stronger decisions, not blur the lines between government and business.

This year, most of the sponsors for the conference that wrapped last week either have regular business before the PUC, participate in major cases or represent those that do. That includes: unions; trade groups for power developers; trade groups that represent electric and gas companies; prominent local environmental nonprofits; and several law firms that help businesses navigate the regulatory system.

“It creates an optics and public trust issue that could be particularly damaging to commissions that are doing their jobs in good faith and trying to invite diverse voices to the table as the Minnesota PUC has begun to do,” said Karlee Weinmann, a Minnesota-based researcher for the national advocacy group Energy and Policy Institute that is broadly critical of influence from utilities and fossil fuel interests. “It gives the impression that access can be bought.”

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Sponsorships are commonplace for MARC and other utility regulator associations but still periodically draw criticism, including MARC’s event last year in Michigan.

Sieben, however, said she deliberately worked to highlight voices from tribes, unions, diversity and equity advocates and consumer groups during the four-day Minneapolis conference, which MARC has put on since the 1950s. She said the conference broke no ethics rules and it is good for regulators to meet during an “increasingly complex” energy transition.

“Our access as regulators is not for sale,” Sieben said. “I stand by the decisions that the Minnesota Public Utilities Commission have made since I’ve been the chair of the commission, and the public interest is always what we’re striving for, and I think that we have protected and will continue to protect [it].”

Big spenders

Top sponsors in Minneapolis were Google, regulatory consulting firm AESL and three unions: the International Brotherhood of Electrical Workers, the Laborers’ International Union of North America (LIUNA) and the International Union of Operating Engineers Local 49. Each chipped in at least $20,000, though there were sponsorships as low as $1,500. Signage on booths, TV displays, hotel key cards and flower arrangements promoted sponsors around the Renaissance Hotel.

MARC bans entities it directly regulates from sponsoring the event, including utility companies such as Xcel Energy or CenterPoint Energy in Minnesota since the PUC oversees their rates and business. Trade groups representing utility companies were sponsors, however, including Edison Electric Institute and the American Gas Association.

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Kevin Pranis, marketing manager for LIUNA in Minnesota, said “MARC provided a unique opportunity to show other states what organized labor can contribute, and that’s why you saw so many unions step forward. We’re ready to be at the table and tired of being on the menu.”

Beyond sponsors, MARC’s other income comes from registration fees for the event, which top out at $775 for the general rate. Minnesota’s biggest electric and gas utilities had several people sign up for the conference — registrations that would add up to thousands of dollars — as did environmental groups, energy developers and state officials.

MARC, made up of utility regulators in 14 states from Minnesota to Texas, rotates its annual conference among member states. The event is the nonprofit’s moneymaker, bringing in a net profit of $92,480 last year and $103,350 in 2022.

That cash funds the conference itself, as well as other basics like audits and the salary of a part-time executive coordinator. It also pays for travel stipends — $500 this year — for commissioners to attend the conference.

MARC also covers travel, hotels and food for members who attend a commissioners-only meeting typically held in January in warm-weather states such as Texas or Oklahoma. In Houston this year, the stipend was up to $1,000. Sieben said MARC tends to prioritize cities with direct flights and less risk of disruptive winter storms. MARC also sometimes pays for commissioners to attend trainings on utility rates.

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Coming together

The Minneapolis conference included substantive panels on energy topics such as electrifying transportation, data centers, the Inflation Reduction Act, building a workforce, equity and affordability. This year, panels featured regulators from the state and federal level, utility executives and industry leaders, including Xcel President Ryan Long, U.S. Sen. Tina Smith and Lower Sioux Indian Community President Robert Larsen.

MARC organized tours of big or notable energy facilities. And there was entertainment, including a walking tour of downtown Minneapolis, a Minnesota Twins game and a reception with food and drinks that LIUNA hosted and featured Sieben.

Weinmann, helping a consumer advocate group in a case about Xcel gas rates at the PUC, said it’s helpful for regulators to be on the cutting edge of hard topics during a challenging transition away from fossil fuels. She also said Minnesota is better than other commissions in being more inclusive of underrepresented voices in debates about utility rates and power projects.

Larsen praised the PUC’s steps to work with tribes during a keynote panel for the event. Sieben said it was good for other states to hear about how Minnesota incorporates tribal voices and other perspectives, such as an Xcel foreman who spoke on a panel about the benefits of the company’s massive Becker solar project as the huge coal plant next door retires.

Pranis also said the the PUC is “increasingly recognized as a national leader in efforts to bring the priorities and voices of working families into regulatory decisions that have historically been dominated by energy companies and environmental advocates.”

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Still, John Farrell, a critic of the regulated monopoly system for power companies and co-director of the Institute for Local Self-Reliance, said not everyone has the opportunity to be high-level financial sponsors for events like MARC. Weinmann said state legislators could approve more funding to cover events with utility regulators.

Donors are “getting decisions that are the basis for whether or not their business is successful or not, and here they are having a financial relationship with their regulators outside of that,” Farrell said. “It’s really bothersome.”



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Minneapolis, MN

Ellison, Minneapolis, St. Paul update lawsuit against Operation Metro Surge with new data

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Ellison, Minneapolis, St. Paul update lawsuit against Operation Metro Surge with new data


(ABC 6 News) – Minnesota Attorney General Keith Ellison and Minneapolis and Saint Paul updated their lawsuit over Operation Metro Surge with new survey data on economic harm.

Researchers at the University of California San Diego conducted two surveys tied to the amended lawsuit. The lawsuit says the federal operation violated the Constitution and caused lasting economic damage.

The first survey was done between February and March and included nearly 1,400 residents. It found workers lost more than $240 million in wages during the operation.

A separate newly released survey of about 900 businesses found more than $600 million in lost revenue. The updated lawsuit from Keith Ellison and the cities of Minneapolis and Saint Paul adds that new data to its claims.

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Minneapolis, MN

Prince’s legacy still shines in downtown Minneapolis 10 years after his death

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Prince’s legacy still shines in downtown Minneapolis 10 years after his death


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Minneapolis, MN

10 years later, our Prince superfan shares his Prince Pilgrimage

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10 years later, our Prince superfan shares his Prince Pilgrimage


April 21, 2016.

Ten years later, that day still doesn’t seem real to me.

I was sitting in the newsroom of The Montclair Times in the early afternoon when word came that Prince had died.

I was incredulous. One of my musical heroes was gone. No way.

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I was skeptical because I am a reporter. But also because it was Prince — a superstar so secretive and controlling of his music and public image that you could imagine he would have to give his permission to let the world know of his demise.

As the day passed, videos showed grieving fans standing outside his home and music studio complex, Paisley Park, not far from his beloved Minneapolis. That’s when the reality dawned on me.

Prince Rogers Nelson had gone 2 the afterworld at only 57 years old.

He was gone so young — he had so much more music in him to record, release and perform in public for an adoring audience. He died alone after collapsing in an elevator at his complex.

Those things made me sad.

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But I was also annoyed at myself. For not being a better aficionado of his music — by never seeing him in person and not collecting every piece of music he ever recorded.

After a few days of listening to the radio and online to “Purple Rain” and “1999” being played ad nauseam, I also heard lesser-known cuts like the heartbreakingly melancholic and sadly appropriate “Sometimes It Snows In April.”

When I heard the depressing reports that he died due to an accidental fentanyl overdose, I resolved to pay proper tribute to The Purple One.

I would go to Minnesota on a Prince Pilgrimage.

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‘Nothing Compares 2 U’

April to June 2016.

I said I would go to Minneapolis, to Prince’s home ground, to pay my respects to him. I didn’t think I would go through with booking a ticket on United Airlines from Newark for the weekend before his birthday.

I had used up most of my vacation days and had one to spare, but not another to stay through Prince’s actual born day. Just my luck.

At least I was fulfilling a commitment to an artist I adore.

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I wouldn’t say I was a fanatic for his Royal Badness (one of the many nicknames he carried in his lifetime). But he’s one of the few musicians who really moved me.

I heard his music growing up in the 1980s in Jersey City as a matter of course when the radio dial was set on R&B or pop music stations like KISS-FM and Z-100.

When Prince’s sixth studio album, “Purple Rain,” was released in the summer of 1984, it was a revolution that pushed the rising star into the stratosphere.

I couldn’t go anywhere without hearing the screeching guitar and chanting of Prince that provided the intro to “When Doves Cry,” or the rhythmic strumming of the guitar and the clashing electric drums that start off the album’s title song.

However, it was watching “Purple Rain,” the movie, that put me on the Prince Express. It didn’t matter that he couldn’t act to the satisfaction of critics or that the plot seemed corny. I was just absolutely enthralled by him and his band, The Revolution, tearing through numbers that were a mélange of funk, rock and new wave, while in a musical rivalry with another badass, Morris Day, and his group.

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My 13-year-old self also developed a crush on the leading lady, Apollonia Kotero, for her sultry voice and because she stripped nude to purify herself in the waters of Lake Minnetonka. It blew my mind then (and still blows my mind now).

Prince would remain in the background of my music listening as the years passed.

If it wasn’t his voice, it was the voice of others singing his songs, because he was as adept a songwriter as he was a performer. “I Feel for You” (Chaka Khan), “Manic Monday” (The Bangles) and “Nothing Compares 2 U” (Sinéad O’Connor) are some of the major hits that came from his pen.

The first vinyl album I ever got, in my teens was “Around the World in a Day,” his 1985 anti-commercial and purposely obscured follow-up to “Purple Rain.”

In college and afterward, whenever I had a few bucks in my pocket, I bought various albums on CD: “Diamonds and Pearls,” “The Black Album,” “The Gold Experience” and “Rave Un2 the Joy Fantastic,” and “Lovesexy” on cassette. I paid for a ticket to watch what may be Spike Lee’s worst movie, “Girl 6,” in part to hear Prince’s music.

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But it wasn’t just Prince’s virtuoso musicianship that made me a believer. It was also his personality, confounding and infuriating at the same time, that intrigued me.

I chatted with NYU classmates about how he slept no more than two hours a day because he worked so hard in the studio, playing all the instruments and producing every track. Yet he looked like he hadn’t aged a minute.

You would hear stories of him boosting artists that he admired by having them play on his albums and in concert. Then you would hear stories of his unkindness and controlling nature toward his bandmates and others in his inner circle.

He was a man who attained a level of stardom that demanded he bask in the spotlight at all times. Then there was the man who operated in secrecy and would alternate between the public, large-scale appearances and his surprise late-night concerts at small venues.

He was a true Gemini.

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In the late spring of 2016, I was taking in all of who Prince was, as he was no longer among us mere mortals, while preparing to pay homage to him.

‘MPLS’ and ‘Uptown’

June 3 to 5, 2016.

“Rock ‘n’ Roll Is Alive! (And It Lives in Minneapolis)”

Prince’s 1993 song popped into my head as the United Airlines plane landed at Minneapolis-Saint Paul International Airport around 10:30 p.m. on June 3.

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In the morning, my Prince Pilgrimage was underway as I took a bus near my hotel toward downtown Minneapolis.

While on the bus, I could see out my window why he spent nearly his entire life in or near this city, and created songs like “MPLS” and “Uptown” that presented his hometown to the world.

The widest boulevards I have ever seen outside of Paris. The streets where you saw yards with no fences and many trees. The heat normally expected in late spring was tempered by the Minnesota coolness.

I had an itinerary of the stops I needed to make on a sunny Saturday.

First Avenue and 7th Street Entry was a Greyhound bus depot converted into two music venues starting in the early 1970s. On the wall outside, a giant painted gold star etched with the name PRINCE. Only fitting, as the “Purple Rain” movie was filmed inside First Avenue.

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539 North Newton Ave. in the northern part of Minneapolis is where a teenage Mr. Nelson lived with his dad for a short time until he was thrown out.

When I stopped by to view the three-bedroom house, an African American couple was chatting up a man standing outside the house. After they were done, it was my turn to engage Maurice Phillips, Prince’s former bodyguard, who married his boss’ sister Tyka.

I went into reporter mode to get the inside scoop from him on my favorite recording artist.

What was Prince like? “He’s just a normal kind of guy like us. He put on his pants the same kind of way.”

Are there other thoughts about Prince you want to share? “No. But I know Prince is looking down. I got to get done with this yard work.”

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Later, I made my way to the Parkway Theater in South Minneapolis for what I thought was the best way to mourn the man: “This Thing Called Life — The Prince Tribute.”

Julius Collins, on lead vocals, was backed by members of Prince’s 1990’s band, the New Power Generation, along with other singers and instrumentalists. They regaled attendees with renditions of Prince songs while photos and videos of him played on a screen behind them.

Collins’ voice boomed as he sang, “Good times were rolling/She started dancing in the streets,” (“Uptown”), “Do I believe in God?/Do I believe in me? — Controversy” (“Controversy”), and “Police ain’t got no gun/You don’t have to run” (“DMSR”).

It was the perfect end to day one of the pilgrimage. I got back to my hotel in the late evening to have a meal and prepare for day two.

I should have skipped the takeout from the nearby fast-casual joint, because the resulting heartburn had me down for the count  — and nixed plans to visit the last stop on the pilgrimage: Paisley Park.

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Yet I had a Plan B for the following day, so I wouldn’t let Prince down.

At 2000 Fourth Avenue South in Minneapolis is Electric Fetus, the iconic record store where Prince reportedly made his last public appearance and last music purchases five days before he died.

On my shopping list was his shopping list:

  • Stevie Wonder, “Talking Book.”
  • Chambers Brothers, “The Time Has Come.”
  • Joni Mitchell, “Hejira.”
  • The Swan Silvertones, “Inspirational Gospel Classics.”
  • Missing Persons, “The Best Of Missing Persons.”
  • Santana, “Santana IV.”

I got only three of those CDs, as the others were (unsurprisingly) sold out. I couldn’t have regrets, because, in a weird way, it was the closest to being there when he was there, the closest I would ever get to meeting him.

His famous opening line to “Let’s Go Crazy” also came to mind: “Dearly beloved. We are gathered here today to get through this thing called ‘life.’”

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RIP Prince (June 7, 1958-April 21, 2016).

Ricardo Kaulessar covers race, immigration, and culture for NorthJersey.com. For unlimited access to the most important news from your local community, please subscribe or activate your digital account today.

Email: kaulessar@northjersey.com

Twitter/X: @ricardokaul



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