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'Kidnapped' tells the historical horror story of an abducted Jewish child

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'Kidnapped' tells the historical horror story of an abducted Jewish child

Enea Sala (center) plays the young Edgardo in Kidnapped: The Abduction of Edgardo Mortara.

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We’re living through days of powerful, often violent religious feeling — stories that might have felt like old dead history now take on a stinging new relevance.

That’s the case with Kidnapped: The Abduction of Edgardo Mortara, the ferocious true story of a young Jewish boy forcibly taken from his parents by emissaries of the Pope in 1858. It was made by Marco Bellocchio, the great Italian filmmaker who first burst on the scene 59 years ago with his scorched-earth debut Fists in the Pocket.

Now 84 but still far from mellow, Bellocchio takes us back to the 19th century to tell a historical horror story steeped in Roman Catholic antisemitism.

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The action begins in 1850s Bologna, which was then under the rule of the unpopular and highly conservative Pope Pius IX. The just-born Edgardo is the sixth son of a Jewish Bolognese family, whose housemaid, unbeknownst to them, baptizes the baby to save his soul.

When the Church’s inquisitor in Bolgona learns of this baptism six years later, he declares Edgardo a Christian. And because it’s illegal for non-Christians to raise a Christian child, he grabs the 6-year-old boy away from his agonized parents and ships him to Rome. There, as he yearns for his mother, Edgardo’s put into a boarding school for the children of converted Jews, where he’s surrounded by images of the crucifixion.

Naturally Edgardo’s parents are shattered and do everything they can to get him back — even waging a huge international PR campaign. Going to Rome, they make heartrending appeals to stony-faced priests who say they understand their sadness but can do nothing to alleviate it. After all, they are helping the boy become a proper Christian.

To avoid seeming politically weak, Pius IX refuses the world’s calls for Edgardo’s freedom. In fact, he doubles down on the kidnapping, personally guiding the boy’s Catholic education and having him baptized a second time.

Although Kidnapped is a straightforward historical drama about religious oppression, Edgardo’s tale is filled with startling twists and turns, especially when, in 1860, nationalist rioters overthrow Pius IX’s rule in Bologna. With new people in charge, the Bologna inquisitor is arrested for the kidnapping and we see how Edgardo has fallen through one of the trap doors of history. Had he simply been born a few years later, he wouldn’t have been taken from his Jewish home and forcibly made a Christian.

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Even as the rebels go after the pope, we keep worrying about Edgardo’s fate in Rome. What happens to a young Jewish boy who’s cut off from his family and trained not just to be a good Catholic but to become a priest? What core of the original Edgardo remains? Who does he become as he moves into manhood? The answers are unsettling.

Now, at moments Kidnapped feels old-fashioned. Yet Bellocchio never falls into boring costume drama realism. Working in a painterly style, he pushes things toward the operatic — laying on surging music and endowing Edgardo with innocent good looks that border on the angelic. Actor Paolo Pierobon plays Pope Pius as a kind of opera buffa figure, hammy in a Marlon Brando sort of way — at once silly and creepy and sinister. In one of the film’s best scenes, Edgardo has a hallucinatory encounter with a crucifix that directly answers the falsehood that the Jews killed Christ.

Like me, Bellocchio was raised a Roman Catholic and is clearly appalled by the Church’s cruelty to the Mortara family and to all Jews, whom they treated as inferiors who must literally kiss the pope’s feet for decent treatment. He wants us to be appalled and angry, too.

Yet what gives the movie its timely resonance is not merely its depiction of antisemitism but what it shows about the dangerous politics of religious belief. Although religion officially deals in timeless universal truths, Kidnapped reminds us that these timeless universals are always bound up with historical questions of power. And where there’s power, there will be abuse.

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Nearly half of Americans surveyed don’t know what America 250 commemorates

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Nearly half of Americans surveyed don’t know what America 250 commemorates

People visit the Liberty Bell on the eve of Independence Day in Philadelphia on July 3, 2025. The crack in this symbol of U.S. freedom echoes the paradox between national pride and civic ignorance revealed in a new national poll.

Juan Mabromata/AFP/Getty Images


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A new national poll reveals a striking paradox in public sentiment ahead of America’s 250th anniversary: a disconnect between Americans’ strong patriotic pride and their lack of civic knowledge.

According to a survey from the libertarian Cato Institute think tank of more than 2,000 U.S. adults conducted in late June, 86% of respondents said they are grateful to be American and 70% believe the nation’s founding principles remain relevant.

However, nearly half of Americans (46%) don’t know that America’s 250th anniversary commemorates the adoption of the Declaration of Independence.

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This civic ignorance extends to basic governance: Nearly 60% do not know the main purpose of the U.S. Constitution is to limit government power, and do not know why the colonies declared independence from Great Britain.

Furthermore, the report highlights deep anxieties about the future of American liberty.

The majority of those surveyed believe the country has strayed from its founding principles, and more than half fear the U.S. could cease to be a free country within the next 50 years, citing corruption and the abuse of power as primary threats. The majority of both Republicans and Democrats share these fears.

The concerns are especially pronounced among Gen Z respondents, who exhibited both the lowest levels of civic knowledge and the least favorable views of the nation’s founders. The majority of Gen Z failed to cite the adoption of the Declaration of Independence as the source of the 250th anniversary.

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“The lack of civic knowledge is a great disaster,” said Coe Professor of History and American Studies and Professor of Political Science Emeritus at Stanford University Jack Rakove. “Any democratic system of government to succeed requires having an informed electorate.”

The Pulitzer Prize-winning authority on the drafting of the Constitution and the Declaration of Independence blamed the problem on the fragmented media landscape and schools prioritizing STEM subjects over civics and history.

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L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything

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L.A. Affairs: He wanted L.A. I wanted New York. A panic attack changed everything

Unpacking my third suitcase in our new West Hollywood home, a sharp pain shot through my chest. I felt dizzy and short of breath before sprawling out on our mattress, which was still covered in plastic.

“What’s wrong?” David asked.

An hour later, on a gurney in the emergency room at Cedars-Sinai, I waited to be admitted overnight. What a great start to our new life — back in L.A. after seven years in New York City — David sleeping alone at our apartment while I was to keep close to the paddles and operating room in case what had just happened was a heart attack.

I was 33, practicing yoga and exercising almost daily. A few months earlier, my New York doctor noticed I had high blood pressure, and I was feeling terrible, so something clearly was going on. Was an artery blocked? Nope, the tests revealed; physically, I was fine. What had happened was a panic attack.

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“Your health will be better in L.A.,” David had promised before returning to L.A.

Now I took no pleasure in his being wrong.

After growing up in Temple City (hardly L.A.), I went on a high school trip to the Big Apple and knew it was where I needed to be.

Exactly five years later, the time to escape California arrived after a miserable breakup from a three-year relationship with a guy that I hid entirely from my family. I was desperate and depressed, down 15 pounds from not eating much, my diet consisting largely of cigarettes and red wine. At the Archstone, my Studio City apartment, I did ecstasy alone on a Wednesday. One has to take a good look at himself when he’s in his bedroom, by himself, rolling, and so I decided it was time to start over in New York.

On the other side of the country, I thought it was normal to hook up with a new guy every third night. Which I suppose, for a gay man who’d spent the first 27 years of his life denying his sexuality to a family he feared wouldn’t understand, it was. My self-esteem was in the gutter, though you wouldn’t have known it from the outside.

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After a three-digit number of hookups on Grindr, I met David, a guy who lived on the same Manhattan corner as I did. We did what people do on Grindr and hooked up a couple of times.

But one morning, we bumped into each other on 9th Avenue. I left our short chat feeling uplifted by how smiley and polite he was in daylight and while we were sober. That night, we went on our first date, and the rest is history. But I hid what I assumed wouldn’t be well-received.

“Let’s move back to L.A.,” he said after four years of life together in New York.

“I’m really not ready,” I said. I loved living in New York and never, ever expected to leave. He understood, but he wanted to return to “the coast.” I knew that in a healthy relationship, it couldn’t be just what I wanted. So eventually, we packed up and moved to an apartment on North Flores Street in West Hollywood.

And now, I was in the hospital.

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After having to cancel the welcome home party our L.A. friends had planned for us, and being released from Cedars, my life fell apart. But being the one who kept everything together, I kept it together better than most would, at least in the presence of others.

I’m fine, I told myself, but I worried my heart was broken, and there was something medically wrong with it. To heal it, I’d need to accept truths that I didn’t want to.

Growing up was devastatingly hard for me. Being gay and misunderstood, with the unacknowledged pain of it kept inside, was quite literally eating me alive. Being back in L.A. meant being near my past. I told my mom I was gay before leaving for New York. She said she still loved and accepted me, but to this day, the struggle has never been discussed or acknowledged. I knew I was a disappointment to my family.

I went to Westwood what felt like 70 times, and after visiting a bunch of UCLA’s specialists, I found myself in the office of a neurosurgeon who took one look at me and said, “You don’t belong here. What you’re suffering from is plain old anxiety, and you’re going to have to work with your therapist on this.”

“I have been,” I said, “and it’s not helping.” But before I finished, he had walked out the door.

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Before long, the panic attacks got so bad, I could hardly drive. David chauffeured me, under the palm trees and bright sun, around as much as his schedule allowed, and when he couldn’t, I made the best of it, lugging my laptop with me for the hour-long trek to yoga-teacher training at Equinox in the South Bay, using that extra time in the back of an Uber to write.

For almost my entire adult life, I’d been in therapy, but it was couples therapy with David where I felt supported enough to admit, first to myself, that I’d been terrified of being fully myself. I was afraid he’d leave me if he saw the real me. Secretly I had been keeping a lifetime of pain bottled up inside because of fear — I didn’t want to risk losing him by being too emotional or having too many feelings.

Three months after that therapy session, the pandemic arrived, and being together 100% of the time for the next year, I let him in fully. He didn’t run — instead, he proposed.

It’s been eight years since that neurologist, and six since I’ve been able to fully drive again. And here in L.A., in a city characterized by its distance, I have, with David, built a close chosen family that supports and fully understands me.

Now, I feel “at home” at our Spanish-style Hancock Park house, the one we bought because we wanted to start a family of our own, only after L.A. allowed me to heal and live peacefully, and now, anxiety free.

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Had David not dragged me back, I wouldn’t have learned what I did about myself, my story of origin and living a life that’s so beautiful and that’s so true to me.

And certainly, we wouldn’t be bringing our baby daughter, Lucy, named after Lucille Ball (who’s more Hollywood?), home in mid-July by way of surrogacy.

The author is a writer and coach who helps established business owners build lives that feel as good as they look. He lives in Hancock Park. He’s on Instagram: @iammattgerlach.

L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.

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To be or not to be a parent : It’s Been a Minute

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To be or not to be a parent : It’s Been a Minute

Could you see your life just as easily with children as without? 

What if you’re not cut out for parenthood? What if you grow lonely in your old age? Or what if you have a loving partner, but you disagree on this choice? Deciding between parenthood and a child-free life requires clarity about your fears and deepest desires — no easy task. This episode, psychotherapist and author of the book, The Baby Decision, Merle Bombardieri, helps us get clear. She discusses minimizing regret, normalizing feeling ‘stuck’ and why waiting to have a baby at 38 may be best. 

Want more about the decision to have kids? 

Many women don’t want kids. And for good reason.
Why are people freaking out about the birth rate?

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Additional support for this episode came from Alexis Williams. It was edited by Neena Pathak. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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