Lifestyle
L.A. is one of the best places on the planet to grow weed outdoors. Here's how
If you’ve ever considered growing your own pot plant at home in Southern California but found the whole tents-and-timers-in-a-closet thing impossibly confusing or prohibitively intimidating (or both), the good news is that it doesn’t have to be either. That’s the takeaway from a series of workshops that have taken place at nurseries and gardening centers across L.A.
Motivated by a desire to demystify and destigmatize growing hemp and cannabis at home (and funded in part by a USDA grant), Emily Gogol (head gardener of Oregon-based Grow It From Home) and Penny Barthel (author of “The Cannabis Gardener” and Bay Area co-founder of the educational website Wondering About Weed) have been helping aspiring ganja greenthumbs across the Southland get their grow on since earlier this year. Their basic premise? A cannabis plant is as easy to grow — in your backyard garden or on your patio — as a tomato plant.
Emily Gogol, left, and Penny Barthel talk to aspiring cannabis gardeners during a workshop at C&S Garden Center in Lawndale. They have held a dozen local workshops since earlier this year, with the aim of demystifying and destigmatizing growing cannabis plants at home.
That was one of the surprising things I walked away with after catching one of the duo’s hourlong free workshops at C&S Garden Center in Lawndale one late April Saturday afternoon. There, surrounded by bags of fertilizer, shelves full of planters and every kind of leafy green plant imaginable, Gogol and Barthel offered pointers and answered questions for a group of 30 hobby gardeners who had come seeking guidance before growing their first pot plant in the natural SoCal sunlight.
Having experienced the whole lights-and-timers thing firsthand when I grew my first plant a few years back, I was intrigued by the garden-club feel of the duo’s approach as well as their efforts to move cannabis gardening from the exclusive, insular realm of basements and bro culture and put it in its rightful place: on the patio right next to the trellised tomatoes and cooking herbs. (As Gogol pointed out early in the workshop I attended, the whole reason most cannabis plants grown at home were traditionally indoors and out of sight was because of a half-century of pot prohibition.)
Even before I caught their late April workshop, I’d considered adding a plant to the greenery of my L.A. backyard. But something Gogol told the workshop attendees really sealed the deal for me: “You guys actually live in one of the best places on the planet to grow cannabis,” she said.
Once I heard that, I felt compelled (for journalistic purposes, if nothing else) to see just how easy it could be. Especially because, as I was soon to learn, I had not missed this season’s outdoor planting window. And as of this publication, neither have you, so if you’re a backyard gardener thinking about adding a pot plant to your plot or a weed head contemplating an adventure in hazy horticulture, here are five things that will help you successfully (and legally) get growing.
Home-grow enthusiast Christina Wong, wearing an appropriately themed pair of earrings, listens to the April 27 workshop presentation.
1. Know what’s legal where you live
Although it may be as easy to grow as tomatoes or zucchini, growing cannabis is different in one very important way: Under state law, you have to be age 21 (different regulations apply to medical marijuana patients), you’re limited to growing six plants per private residence and, most important, if you’re growing outdoors (that’s why you’re here, right?), the plants must be in a locked space that is not visible to the public. (In other words, the front yard is no-go; a fenced-in backyard or enclosed patio is a better bet.)
What you’ll need to know beyond that to keep your home grow legal depends on where in California you live because cities and counties can further restrict (or outright ban) personal-use cultivation. The cities of Los Angeles and West Hollywood don’t have additional regulations, while L.A. County’s ordinance (which applies to unincorporated areas of the county) has all kinds of specifics to keep in mind. These include a minimum distance from rear and side property lines (10 feet), maximum plant height (6 feet) and type of fencing (masonry or wood is OK; chain link is not).
If your eyes are starting to glaze over — and not in a good way — check out the county’s very helpful handout on the topic. For L.A. County residents, a good starting point to find out local laws is the database of rules and regulations compiled by the Los Angeles chapter of NORML (the National Organization for the Reform of Marijuana Laws) at lanorml.org.
A workshop attendee holds packets of cannabis seeds that Emily Gogol says can legally be purchased at C&S and a handful of other local gardening centers and nurseries.
2. Get the right seeds
“One of the differences from tomato [plants] that makes cannabis so special and fun — but also confusing — is that cannabis plants can be male or female,” Gogol said during the C&S workshop I attended. “And basically, when you grow cannabis for flower, you want them to be the female plants, so we’d encourage you to purchase female seeds — they’re called ‘feminized’ seeds.”
Another seed term to be on the lookout for, especially if you want to make the most of the SoCal sunlight, is “photoperiod,” which means the resulting plant will start to flower (i.e., start producing those tasty buds) when the amount of light drops below 12 hours each day. (There are also autoflower seeds whose resulting plants begin to flower after a set period of time regardless of the amount of light they receive.) Beyond that, what kind of seeds you buy depends a lot on what end product you’re hoping to harvest as well as what you can find.
This brings me to what might be the coolest thing (of many cool things) I took away literally and figuratively from the C&S workshop: an old-timey-looking seed packet no different from what you’d find at any garden center. Except, that is, for the bold letters THC in the upper left-hand corner of the front, an artfully drawn leafy green pot plant and the words “Afternoon Punch” (a cultivar described on the back with the words sweet, raspberry and hibiscus).
Inside the $45 packet were five feminized, photoperiod seeds from Gogol’s Oregon farm, and they can be purchased with no more hassle — or stigma — than anything else at C&S Garden Center. (Grow It From Home’s seeds also are available locally through Fig Earth Supply, Flora Grubb Gardens L.A. and International Garden Center as well as the C&S Nursery in the Baldwin Hills/Crenshaw neighborhood.)
While that may not seem like a big deal — especially in a place like Los Angeles, where seeds (and seedlings) have long been available in dispensaries (or surreptitiously via mail, arriving in unmarked packages) — Gogol and Barthel see being able to pick up cannabis seeds in the same place as any other gardening supplies as a game-changer when it comes to making patio pot growing more accessible to the kind of casual gardeners who would feel much more at ease in a nursery than a dispensary.
It’s also something that’s relatively new and uncharted territory, Gogol said, explaining that she is relying on a 2022 Drug Enforcement Administration letter (known as the Pennington letter) that clarified that cannabis seeds containing less than 0.03% THC (which they do) are legally classified as hemp and exempt from the Controlled Substances Act. “It’s legal,” Gogol said about making seeds available this way. “I’ve got a whole binder on [the topic].”
In an interview with The Times, Shane Pennington, the lawyer whose inquiry resulted in the DEA’s clarification, confirmed Gogol’s interpretation but added a note of caution. “Just because it’s not illegal under the federal Controlled Substances Act doesn’t mean that it’s legal for all purposes, under every other law in the United States or in every state or every jurisdiction in every state,” he said.
Emily Gogol, left, and Penny Barthel gesture toward a bag of Fox Farm’s Ocean Forest potting soil in response to a question about growing medium. “It’s what you would buy if you were going to grow a couple of tomatoes and maybe a miniature eggplant on a trellis on your patio,” she said.
3. Seek out the sun
Assuming you’re keeping legal requirements in mind, where’s the best outdoor place for your plant? “Where you get your sun is where you should grow your cannabis,” Barthel told attendees. “Even if it’s not in the ground.”
Gogol concurred, adding that “it’s better to grow in a container with full sun — eight to 12 hours a day — than in the ground in a shade situation.”
If you’re going the container route, Gogol suggested using one in the 10- to 15-gallon range (“terracotta, plastic, fabric — it doesn’t matter”) and to use a high-quality potting soil. “Something like [Fox Farm’s] Ocean Forest. It doesn’t say ‘cannabis’ on it. It doesn’t say ‘dank’ anything,” she said. “It’s what you would buy if you were going to grow a couple of tomatoes and maybe a miniature eggplant on a trellis on your patio.” (Another option, suggested in “The Cannabis Gardener,” Barthel’s book for beginners, is EB Stone’s Recipe 420 Potting Soil.)
Whether you’re growing in the ground or using a container, Barthel said, “You can’t go wrong by using compost.”
If it gets full sun and the right amount of water, this bit of legal-to-grow backyard greenery could be up to 5 feet tall by fall, according to workshop organizers.
4. Plant between 4/20 and Father’s Day
“When to start your seeds or get your [seedlings] is about controlling the size of the plant,” Gogol told workshop attendees. “So if you want a 5-foot-tall, human-size plant that’s going to yield bags and bags of flower — and be easy to harvest and take care of and manage and give you almost no trouble — we tell folks to start anytime after 4/20 and before Father’s Day. It’s really a window.”
Always the third Sunday in June, Father’s Day falls on June 16 this year, so this year’s window is only open for a few more weeks.
This was another one of the many things from the workshop that surprised me because I’d previously read — and taken as gospel — that seeds needed to be planted no later than Mother’s Day.
Examples of what could be grown “as easily as tomatoes” were passed around. According to the workshop organizers, getting photoperiod seeds planted in SoCal by Father’s Day has the potential to yield “bags and bags of flower.”
5. Don’t overwater
Gogol and Barthel said the No. 1 mistake budding gardeners make is overwatering their plant babies. “You want to water [your plants] as deeply and as infrequently as possible,” Gogol said. “If you’re growing in a container, put your hand in the soil and dig around. If it feels bone dry all the way down to finger length, then give it water. And if you’re watering in a container, you’ll want to water fully so the water flushes out the bottom of the pot for a little bit. In [Southern California] where it doesn’t get that hot, you can honestly water deeply once a week or maybe twice a week if you’re having a hot dry spell. But you want to err on the side of under-watering. It does not want wet feet — it’s not a hydrangea. Again, think of it like a tomato.”
Is growing weed in your garden — or on your patio — any more complicated than that? Gogol and Barthel assured us it’s not. Even so, I’ve barely scratched the surface of what both pot professionals covered in that hour-long workshop, so if you’re feeling canna-curious and want to pepper a pro with questions before the get-’em-in-the-ground window closes, you’ve got a handful of options. One is a June 3 online workshop (prices start at $5) or a handful of in-person workshops in the L.A. area in the run-up to Father’s Day and one on the day itself (the latter will include giveaway Father’s Day bouquets that incorporate cannabis foliage).
Additional information and free tickets are available at growitfromhome.com. (There are also four workshops scheduled for the Bay Area before the planting window closes.) Otherwise, these five pointers should at least get you started down the ganja garden path legally and logistically.
And who knows, if it really is as easy as growing tomatoes, in the fall I (and perhaps some of you) may be signing up for another one of their workshops — the one where they teach how to properly harvest all that backyard bounty.
Lifestyle
The Nerve Center of This Art Fair Isn’t Painting. It’s Couture.
The art industry is increasingly shaped by artists’ and art businesses’ shared realization that they are locked in a fierce struggle for sustained attention — against each other, and against the rest of the overstimulated, always-online world. A major New York art fair aims to win this competition next month by knocking down the increasingly shaky walls between contemporary art and fashion.
When visitors enter the Independent art fair on May 14, they will almost immediately encounter its open-plan centerpiece: an installation of recent couture looks from Comme des Garçons. It will be the first New York solo presentation of works by Rei Kawakubo, the brand’s founder and mastermind, since a lauded 2017 survey exhibition at the Metropolitan Museum of Art’s Costume Institute.
Art fairs have often been front and center in the industry’s 21st-century quest to capture mindshare. But too many displays have pierced the zeitgeist with six-figure spectacles, like Maurizio Cattelan’s duct-taped banana and Beeple’s robot dogs. Curating Independent around Comme des Garçons comes from the conviction that a different kind of iconoclasm can rise to the top of New York’s spring art scrum.
Elizabeth Dee, the founder and creative director of Independent, said that making Kawakubo’s work the “nerve center” of this year’s edition was a “statement of purpose” for the fair’s evolution. After several years at the compact Spring Studios in TriBeCa, Independent will more than double its square footage by moving to Pier 36 at South Street, on the East River. Dee has narrowed the fair’s exhibitor list, to 76, from 83 dealers in 2025, and reduced booth fees to encourage a focus on single artists making bold propositions.
“Rei’s work has been pivotal to thinking about how my work as a curator, gallerist and art fair can push boundaries, especially during this extraordinary move toward corporatization and monoculture in the art world in the last 20 years,” Dee said.
Kawakubo’s designs have been challenging norms since her brand’s first Paris runway show in 1981, but her work over the last 13 years on what she calls “objects for the body” has blurred borders between high fashion and wearable sculpture.
The Comme des Garçons presentation at Independent will feature 20 looks from autumn-winter 2020 to spring-summer 2025. Forgoing the runway, Kawakubo is installing her non-clothing inside structures made from rebar and colored plastic joinery.
Adrian Joffe, the president of both Comme des Garçons International and the curated retailer Dover Street Market International (and who is also Kawakubo’s husband), said in an interview that Kawakubo’s intention was to create a sculptural installation divorced from chronology and fashion — “a thing made new again.”
Every look at Independent was made in an edition of three or fewer, but only one of each will be for sale on-site. Prices will be about $9,000 to $30,000. Comme des Garçons will retain 100 percent of the sales.
Asked why she was interested in exhibiting at Independent, the famously elusive Kawakubo said via email, “The body of work has never been shown together, and this is the first presentation in New York in almost 10 years.” Joffe added a broader philosophical motivation. “We’ve never done it before; it was new,” he said. Also essential was the fair’s willingness to embrace Kawakubo’s vision for the installation rather than a standard fair booth.
Kawakubo began consistently engaging with fine art decades before such crossovers became commonplace. Since 1989, she has invited a steady stream of contemporary artists to create installations in Comme des Garçons’s Tokyo flagship store. The ’90s brought collaborations with the artist Cindy Sherman and performance pioneer Merce Cunningham, among others.
More cross-disciplinary projects followed, including limited-release direct mailers for Comme des Garçons. Kawakubo designs each from documentation of works provided by an artist or art collective.
The display at Independent reopens the debate about Kawakubo’s proper place on the continuum between artist and designer. But the issue is already settled for celebrated artists who have collaborated with her.
“I totally think of Rei as an artist in the truest sense,” Sherman said by email. “Her work questions what everyone else takes for granted as being flattering to a body, questions what female bodies are expected to look like and who they’re catering to.”
Ai Weiwei, the subject of a 2010 Comme des Garçons direct mailer, agreed that Kawakubo “is, in essence, an artist.” Unlike designers who “pursue a sense of form,” he added, “her design and creation are oriented toward attitude” — specifically, an attitude of “rebellion.”
Also taking this position is “Costume Art,” the spring exhibition at the Costume Institute. Opening May 10, the show pairs individual works from multiple designers — including Comme des Garçons — with artworks from the Met’s holdings to advance the argument made by the dress code for this year’s Met gala: “Fashion is art.”
True to form, Kawakubo sometimes opts for a third way.
“Rei has often said she’s not a designer, she’s not an artist,” Joffe said. “She is a storyteller.”
Now to find out whether an art fair sparks the drama, dialogue and attention its authors want.
Lifestyle
They set out to elevate karaoke in L.A. — and opened a glamorous lounge that pulls out all the stops
Brothers Leo and Oliver Kremer visited karaoke spots around the globe and almost always had the same impression.
“The drinks weren’t always great, the aesthetics weren’t always so glamorous, the sound wasn’t always awesome and the lights were often generic,” says Leo, a former bassist of the band Third Eye Blind.
As devout karaoke fans, they wanted to level up the experience. So they dreamed up Mic Drop, an upscale karaoke lounge in West Hollywood that opens Thursday. It’s located inside the original Larrabee Studios, a historic 1920s building formerly owned by Carole King and her ex-husband, Gerry Goffin — and the spot where King recorded some of her biggest hits. Third Eye Blind band members Stephan Jenkins and Brad Hargreaves are investors of the new venue.
Inside the two-story, 6,300-square-foot venue with 13 private karaoke rooms and an electrifying main stage, you can feel like a rock star in front of a cheering audience. Want to check it out? Here are six things to know.
The Kremer brothers hired sculptor Shawn HibmaCronan to create an 8-foot-tall disco-themed microphone for their karaoke lounge.
1. Take your pick between a private karaoke experience or the main stage
A unique element of Mic Drop is that it offers both private karaoke rooms and a main stage experience for those who wish to sing in front of a crowd. The 13 private rooms range from six- to 45-person capacity. Each of the karaoke rooms are named after a famous recording studio such as Electric Lady, Abbey Road, Shangri La and of course, Larrabee Studios. There is a two-hour minimum on all rentals and hourly rates depend on the room size and day of the week.
But if you’re ready to take the center stage, it’s free to sing — at least technically. All you have to do is pay a $10 fee at the door, which is essentially a token that goes toward your first drink. Then you can put your name on the list with the KJ (karaoke jockey) who keeps the crowd energized throughout the night and even hits the stage at times.
Harrison Baum, left, of Santa Monica, and Amanda Stagner, 27, of Los Angeles, sing in one of the 13 private karaoke rooms.
2. Thumping, high sound quality was a top priority
As someone who toured the world playing bass for Third Eye Blind, top-tier sound was a nonnegotiable for Leo. “Typically with karaoke, the sound is kind of teeny, there’s not a lot of bass and the vocal is super hot and sitting on top too much,” he says. To combat this, he and his brother teamed up with Pineapple Audio, an audio visual company based in Chicago, to design their crisp sound system. They also installed concert-grade speakers and custom subwoofers from a European audio equipment manufacturer called Celto, and bought gold-plated Sennheiser wireless microphones, which they loved so much that they had an 8-foot-tall replica made for their main room. Designed by artist Shawn HibmaCronan, the “macrophone,” as they call it, has roughly 30,000 mirror tiles. “It spins and throws incredible disco light everywhere,” says Leo.
Karaoke jockeys Sophie St. John, 27, second from left, and Cameron Armstrong, 30, right, get the crowd involved with their song picks at Mic Drop.
3. A concert-level performance isn’t complete without good stage lighting and a haze machine
Each karaoke room features a disco ball and dynamic lighting that syncs up with whatever song you’re singing, which makes you feel like you are a professional performer. There’s also a haze machine hidden under the leather seats. Meanwhile, the main stage is concert-ready with additional dancing lasers and spotlights.
Brett Adams, left, of Sherman Oaks, and Patrick Riley of Studio City sing karaoke together inside a private lounge at Mic Drop.
4. The song selection is vast, offering classics and new hits
One of the worst things that can happen when you go to karaoke is not being able to find the song you want to sing. At Mic Drop, the odds of this happening are slim to none. The venue uses a popular karaoke service called KaraFun, which has a catalog of more than 600,000 songs (and adds 400 new tracks every month), according to its website. Take your pick from country, R&B, jazz, rap, pop, love duets and more. (Two newish selections I spotted were Raye’s “Where Is my Husband” and Olivia Dean’s “Man I Need,” which both released late last year.) In the private karaoke rooms, there’s also a fun feature on Karafun called “battle mode,” which allows you and your crew of up to 20 people to compete in real time. KaraFun also has an entertaining music trivia game, which I tested out with the founders and came in second place.
The design inspiration for Mic Drop was 1920s music lounges and 1970s disco culture, says designer Amy Morris.
5. The interiors are inspired by 1920s music lounges mixed with ‘70s disco vibes
A disco ball hangs from the ceiling.
If you took the sophisticated aesthetic of 1920s music lounges and mixed it with the vibrant and playful era of 1970s disco culture, you’d find Mic Drop.
When you walk into the lounge, the first thing you’ll see is a bright red check-in desk that resembles a performer’s dressing room with vanity lights, several mirrors and a range of wigs. “So much of karaoke is about getting into character and letting go of the day, so we had the idea to sell the wigs,” says Oliver. As you continue into the lounge, the focal point is the stage, which is adorned with zebra-printed carpet and dramatic, red velvet curtains. For seating, slide into the red velvet banquettes or plop onto a gold tiger velvet stool. Upstairs, you’ll find the intimate karaoke studios, which are decorated with red velvet walls and brass, curved doorways that echo the building’s deco arches, says Mic Drop’s interior designer, Amy Morris of the Morris Project.
Sarah Rothman, center, of Oakland, and friend Rachel Bernstein, left, of Los Angeles, wait at the bar.
6. You can order nontraditional karaoke bites as you wait for your turn to sing
While Mic Drop offers some of the food you’d typically find at a karaoke lounge such as tater tots, truffle popcorn and pizza, the venue has some surprising options as well. For example, a 57 gram caviar service (served with chips, crème fraîche and chives) and shrimp cocktail from Santa Monica Seafood. For their pizza program, the Kremer brothers teamed up with Avalou’s Italian Pizza Company, which is run by Louis Lombardi who starred in “The Sopranos.” He’s the brainchild behind my favorite dish, the Fuhgeddaboudit pizza, which is made with pastrami, pickles and mustard. It might sound repulsive, but trust me.
As for the cheeky cocktails, they are all named after famous musicians and songs such as the Pink Pony Club (a tart cherry pomegranate drink with vodka named after Chappell Roan), Green Eyes (a sake sour with kiwi and melon named after Green Day) and Megroni Thee Stallion (an elevated negroni named after Megan Thee Stallion).
Lifestyle
You’re Invited! (No, You’re Not.) It’s the Latest Phishing Scam.
When John Lantigua, a retired journalist in Miami Beach, checked his email one recent morning, he was glad to see an invitation.
“It was like, ‘Come and share an evening with me. Click here for details,’” Mr. Lantigua said.
It appeared to be a Paperless Post invitation from someone he once worked with at The Palm Beach Post, a man who had left Florida for Mississippi and liked to arrange dinners when he was back in town.
Mr. Lantigua, 78, clicked the link. It didn’t open.
He clicked a second time. Still nothing.
He didn’t realize what was going on until a mutual friend who had received the same email told him it wasn’t an invitation at all. It was a scam.
Phishing scams have long tried to frighten people into clicking on links with emails claiming that their bank accounts have been hacked, or that they owe thousands of dollars in fines, or that their pornography viewing habits have been tracked.
The invitation scam is a little more subtle: It preys on the all-too-human desire to be included in social gatherings.
The phishy invitations mimic emails from Paperless Post, Evite and Punchbowl. What appears to be a friendly overture from someone you know is really a digital Trojan horse that gives scammers access to your personal information.
“I thought it was diabolical that they would choose somebody who has sent me a legitimate invitation before,” Mr. Lantigua said. “He’s a friend of mine. If he’s coming to town, I want to see him.”
Rachel Tobac, the chief executive of SocialProof Security, a cybersecurity firm, said she noticed the scam last holiday season.
“Phishing emails are not a new thing,” Ms. Tobac said, “but every six months, we get a new lure that hijacks our amygdala in new ways. There’s such a desire for folks to get together that this lure is interesting to people. They want to go to a party.”
Phishing scams involve “two distinct paths,” Ms. Tobac added. In one, the recipient is served a link that turns out to be dead, or so it seems. A click activates malware that runs silently as it gleans passwords and other bits of personal information. In all likelihood, this is what happened when Mr. Lantigua clicked on the ersatz invitation link.
Another scam offers a working link. Potential victims who click on it are asked to provide a password. Those who take that next step are a boon to hackers.
“They have complete control of your email and, in turn, your entire digital life,” Ms. Tobac said. “They can reset your password for your dog’s Instagram account. They can take over your bank account. Change your health insurance.”
Digital invitation platforms are trying to combat the scam by publishing guides on how to spot fake invitations. Paperless Post has also set up an email account — phishing@paperlesspost.com — for users to submit messages for verification. The company sends suspicious links to the Anti-Phishing Working Group, a nonprofit that maintains a database monitored by cybersecurity firms. Flagged links are rendered ineffective.
The scammers’ new strategy of exploiting the desire for connection is infuriating, said Alexa Hirschfeld, a founder of Paperless Post. “Life can be isolating,” Ms. Hirschfeld said. “When it looks like you’re getting an invitation from someone you know, your first instinct is excitement, not skepticism.”
Olivia Pollock, the vice president of brand for Evite, said that fake invitations tended to be generic, promising a birthday party or a celebration of life. Most invitations these days tend to have a specific focus — mahjong gatherings or book club talks, for instance. “The devil is in the details,” Ms. Pollock said.
Because scammers don’t know how close you are with the people in your contact list, fake invitations may also seem random. “They could be from your business school roommate you haven’t spoken to in 10 years,” Ms. Hirschfeld said.
Alyssa Williamson, who works in public relations in New York, was leaving a yoga class recently when she checked her phone and saw an invitation from a college classmate.
“I assumed it was an alumni event,” Ms. Williamson, 30, said. “I clicked on it, and it was like, ‘Enter your email.’ I didn’t even think about it.”
Later that day, she received texts from friends asking her about the party invitation she had just sent out. Her response: What party?
“The thing is, I host a lot of events,” she said. “Some knew it was fake. Others were like, ‘What’s this? I can’t open it.’”
Andrew Smith, a graduate student in finance who lives in Manhattan, received what looked like a Punchbowl invitation to “a memory making celebration.” It appeared to have come from a woman he had dated in college. He received it when he was having drinks at a bar on a Friday night — “a pretty insidious piece of timing,” he said.
“The choice of sender was super clever,” Mr. Smith, 29, noted. “This was somebody that would probably get a reaction from me.”
Mr. Smith seized on the phrase “memory making celebration” and filled in the blanks. He imagined that someone in his ex-girlfriend’s immediate family had died. Perhaps she wanted to restart contact at this difficult moment.
Something saved him when he clicked a link and tried to tap out his personal information — his inability to remember the password to his email account. The next day, he reached out to his ex, who confirmed that the invitation was fake.
“It didn’t trigger any alarm bells,” Mr. Smith said. “I went right for the click. I went completely animal brain.”
The new scam comes with an unfortunate side effect, a suspicion of invitations altogether. It’s enough to make a person antisocial.
“Don’t invite me to anything,” Mr. Lantigua, the retired journalist, said, only half-joking. “I’m not coming.”
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