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Dua Lipa, as 'SNL' host and musical guest, tries to give us everything

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Dua Lipa, as 'SNL' host and musical guest, tries to give us everything

Singer and songwriter Dua Lipa has performed her music on “Saturday Night Live” before, but for the first time, she pulled double duty as guest host and musical act. The sketch-heavy show didn’t try to surround her with a bunch of cameos or five-timers jackets or anything gimmicky this week. Except for a “Weekend Update” appearance by Jerry Seinfeld, who was there to promote his new Netflix movie “Unfrosted, and a musical introduction by actor and musician Troye Sivan, Lipa was mostly left to her own devices to show if she could “give you everything” as she promised in her monologue.

The result? A mixed bag of sketches that were neither derailed by the singer nor really elevated much by her presence. Except for a funny filmed homage to “The Elephant Man,” she was either relegated to secondary parts that didn’t require her to carry a scene, or dropped in for a few lines and then made to disappear. At least two of the sketches were repeats of ones from previous episodes, including a Young Spicy sketch about voiceover artists recording inappropriate rap song intros, and the return of phone number jingle artists Soul Booth at the end of the show. Elsewhere, Lipa played a woman with a Sonny Angel doll collection come to life who wants to recreate the vibe of the new movie “Challengers,” a wearer of very tiny activist pins on the red carpet, and an eater of penne alla vodka, which is always there for us in its bland, comforting way. She also was a nurse for a BBQ pitmaster turned OB-GYN named Fat Daddy.

If nothing else, this episode whetted the appetite for next week’s return of Maya Rudolph as host.

As musical guest, Dua Lipa performed “Illusion,” introduced by Sivan, and “Happy For You,” introduced by Seinfeld.

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This week’s cold open eschewed White House politics or Trump court drama for a look at how parents are reacting to recent student protests at college campuses. The backdrop was a show, “Community Affairs with Ryan Abernathy,” whose host (Michael Longfellow) asked parents of New York college students what they think about their kids protesting (presumably for Palestine). The joke was that Alphonse Roberts (Kenan Thompson), parent of a Columbia student, isn’t worried about his kid Alexa Vanessa Roberts because she is not protesting. “She better have her butt in class. I’m supportive of y’all’s kids protesting, not my kids,” he said. “Free this, free that. I’ll tell you what’s not free: Columbia.” He talked about the jobs he’s working to help pay for $68,000 a year in tuition so that his daughter can get a degree in African-American studies and how he’s looking forward to going to her graduation while in deep denial that commencement might be canceled.

In her monologue, Lipa (or as she’s come to accept, “Dula Peep”) showed off her parents in the audience, who named her Dua, Albanian for “Love,” and Lipa “Albanian for my last name.” The singer said her parents party as hard as she does, recounting how she ran into them late one night at a London club. She talked about her new album “Radical Optimism” and gave examples of it to cast members in the audience who recounted their sad situations, like being dumped or being told by a doctor to stop drinking. Lipa’s advice: “There’s always poppers!” But she cut off one audience member — South Dakota Gov. Kristi Noem (Heidi Gardner) — before she could ask anything. She joked about the “lazy dance” meme that she’s embraced over time and promising to do the opposite as guest host. “I’m gonna give you everything! I’m making the wigs, I’m dealing Adderall to the writers, I’m doing it all!”

Best sketch of the night: ‘The Anomalous Man’ has swagger

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The black-and-white pre-taped sketch features Sarah Sherman as an Elephant Man-like playwright named Peter who has claw hands, a pig’s snout for an ear and a gigantic eye on his back. A woman named Emily (Lipa) meets Peter and shows him affection he says he’s never felt before. The two start to fall in love, but the first night they share a bed together, she’s awoken by the sound of text messages. Peter, it turns out, has multiple phones and multiple women he’s planning to bed, sending messages like, “POV: You’re about to get railed by a weirdo.”

Also good: Explaining the Kendrick Lamar-Drake feud

On the TV show “Good Morning, Greenville,” the hosts (Gardner and Mikey Day) cluelessly try to explain the escalating feud between rappers Kendrick Lamar and Drake, which came to a head Friday with the release of three diss tracks and was followed by a fourth on Saturday night. Hilariously, the two hosts try to include their Black weatherman (Devon Walker), who asks to be left out of the very uninformed and basic discourse. A piano teacher (Lipa), who considers Elton John lyrics to be rap, tries to decipher the tracks and comes to the conclusion that Drake is Canadian and that Kendrick’s shoe size is being scrutinized. The cringe level reaches its pinnacle when the hosts try to squash the beef with cutouts of Drake and Lamar’s faces they use as puppets. “Nah,” the weatherman says as he leaves the studio.

‘Weekend Update’ winner: Cricket is a good boy

This week’s “Weekend Update” had three guests, including Chloe Fineman revising her JoJo Siwa impression to chronicle her new “bad girl” image, and Seinfeld discussing the fatigue of doing too much press for his new movie, with a warning specifically for Ryan Gosling. But it was Marcello Hernandez who had the most impact with his portrayal of Noem’s other puppy, Cricket the 7th, who defended the governor while apparently suffering from Stockholm Syndrome. The canine insisted the first six Crickets were bad dogs, while he hoped for a long life. A talking button set the canine uses begged to differ with messages including, “She is going to kill me tonight,” and “I die tonight.” “I’m a good boy!” the dog insisted as the segment concluded.

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1986 Movie Reviews – Adventures of the American Rabbit, Adventures of Mark Twain, Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll | The Nerdy

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1986 Movie Reviews – Adventures of the American Rabbit, Adventures of Mark Twain, Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll | The Nerdy
by Sean P. Aune | January 17, 2026January 17, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 17, 1986, and we’re off to see Adventures of the American Rabbit, Adventures of Mark Twain, Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.

Adventures of the American Rabbit

I have no idea how I had never once heard of this movie in my life, but after watching it, I highly doubt I will ever hear of it again.

Robert Rabbit (Barry Gordon) is visited by a mysterious old rabbit shortly after his birth that continues to show up throughout his childhood with vague references to his destiny. Eventually it is revealed Robert can turns into the roller skating hero, “American Rabbit” who is capable of heroic deeds and can stop the evil plans of a gang of jackals.

Somehow Toei Animation got dragged into this mess, and I have no clue how. The animation is sub-par. The plot is not remotely entertaining or engaging.

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if this had come out in 1976 it would make a bit more sense with how patriotic everything was, but instead we ended up with it in 1986 for no apparent reason.


The Adventures of Mark Twain

This was another film I had never heard of, but at least I enjoyed this one more. Huck Finn and Tom Sawyer sneak aboard Mark Twain’s airship as he prepares to intercept Halley’s Comet. Becky Thatcher follows the two boys on board, and all three end up on a somewhat psychedelic journey with the famous author.

A feature-length claymation movie? I’m on board just at the mention of it. It’s a rather odd concept at the heart that Tom, Huck, and Becky are real in the story, but it works and makes for an interesting retrospective on Twain’s career.

I wasn’t always in love with some of the design choices in the film, but I still enjoyed it and would give it a recommendation.


The Clan of the Cave Bear

There were multiple books in this series. After watching this one, I’m not surprised we have never seen more of them.

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Alya, a Cro-Magnon girl, loses her mother in an earthquake and is taken in as a child by a clan of Neanderthals. She is raised in their ways despite being a girl from “The Others.” She ends up breaking numerous taboos of the clan such as learning to use a weapon and disgracing the new Clan leader in combat. She eventually sets out on her own to find more of her kind, leaving her half-Neanderthal son behind.

I hated this movie. Not for Daryl Hannah, I actually thought she did a pretty good job with her role as Alya, but the story was just bonkers. I had heard for years about how ‘realistic’ it was. Oh, so Neanderthals somehow had a communication system to let each other know when a big Clan meetup was happening? And we’ll just ignore how the Clan of the Cave Bear had just moved at the start of the film to a random cave? Did they call all of the other clans and give them their new address?

One thing I have to admit is pretty specific to me. I grew up in the costume industry and was around special effects makeup artists a lot in my youth. I knew how to do things like make bullet holes look realistic by the age of 11. Some of the Cro-Magnon makeup in this film was laughable at times. Blend lines are not difficult to do. Anyone worth their salt can do them. Clearly these folks were not worth their salt.

The Clan of the Cave Bear can stay in its cave and never be seen again.


Iron Eagle

This is an awful movie. It’s just… yeah. It’s awful.

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Doug Masters (Jason Gedrick) wants to follow in his dad’s footsteps and become an Air Force pilot. He gets his wish unexpectedly when his father is shot down and taken captive. With the government unwilling to step in, Doug recruits Colonel Charles “Chappy” Sinclair (Louis Gossett Jr.) to jump in a stolen fighter jet and the two of them will go and get Doug’s dad on their own.

Look, I don’t expect movies to reflect realism at all times. But if your film is set in the real world, then you need to at least follow some sort of logic. The idea that Doug and his other teenage buddies can pull this off doesn’t come off as “cool” or like some cunning plan, it comes off that 99.99% of adults are morons and it’s super easy to steal military equipment.

From the premise to some of the action scenes, the film is laughable in scope and presentation. I remembered not being that in love with the film when I saw it back in ’86, and I like it even less now.


The Longshot

A harmless comedy that forgets to be funny for long stretches.

Dooley (Tim Conway) and his three friends are down-on-their-luck gamblers who want to score just want to score one big win. When he learns of someone willing to drug a horse, they gamblers feel they are finally in line for their score, but, of course, nothing goes quite according to plan.

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Teaming up Conway with Harvey Korman should have been a recipe for a great comedy, but what you end up with is just a middle-of-the-road one. There are some truly amusing moments (the cookout in the car scene gave me a good laugh), but then the complete implausibility of a lot of what was happening was just getting to be too much.

Conway and Korman were cornerstones of The Carol Burnett Show, but putting them in something structured like a movie was just too constraining for their talents, and it showed.


Troll

The first time the characters introduced themselves, boy did I do a double-take.

Harry Potter Sr. (Michael Moriarty) moves his family into an apartment building in San Francisco, unaware it is about to become the center of a long-standing magical war. Wendy Anne (Jenny Beck) is kidnapped by a Troll, and it ends up falling to her older brother, Harry Potter Jr. (Noah Hathaway), to team up with a fairy princess and put a stop to the evil plans.

As I said, I did a double-take at the names.

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The movie is silly as can be, but I actually found myself entertained by it. A lot of that is due to Moriarty’s deadpan performance as the dad who becomes increasingly befuddled by everything that is happening around his family.

The script was a bit of fun, the performances were fine, and it was just a harmless little contemporary fantasy to pass 90 minutes.

1986 Movie Reviews will continue on Jan. 24, 2026, with My Chauffeur.


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‘All That’ star Kianna Underwood killed in hit-and-run accident

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‘All That’ star Kianna Underwood killed in hit-and-run accident

Kianna Underwood, a cast member of the former Nickelodeon children’s sketch comedy series “All That,” was killed in a hit-and-run accident early Friday in Brooklyn, N.Y., authorities said. She was 33.

Anthony Underwood, a family member of the actress, confirmed the death in a social media post asking for privacy.

A report by WABC7 in New York said that Underwood was identified as the pedestrian who was crossing an intersection in the Brownsville area when she was struck by an SUV. A second car also hit and dragged her several feet, the report said.

Underwood appeared on the final season of the popular series “All That” in 2005. Her other credits include the animated series “Little Bill” as the voice of Fuchsia Glover and the animated 2001 musical “Santa Baby!” as the voice of Dakota.

She also played Little Inez in the first national tour of the musical “Hairspray.”

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‘Greenland 2: Migration’ movie review: Gerard Butler does all the heavy lifting in limp sequel

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‘Greenland 2: Migration’ movie review: Gerard Butler does all the heavy lifting in limp sequel

A still from ‘Greenland 2: Migration’.
| Photo Credit: Lionsgate Movies/YouTube

Watching Greenland 2: Migration, one almost feels as though one is in a time capsule watching all those big disaster movies from the ‘90s, in single-screen theatres that looked like palaces with velvet curtains and chandeliers.

It was the time of slides saying “chatterboxes keep quiet,” and where popcorn, cheese sandwiches or curry puffs came hot in aluminium trays at the interval.

Greenland 2: Migration (English)

Director: Ric Roman Waugh

Starring: Gerard Butler, Morena Baccarin, Roman Griffin Davis

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Runtime: 98 minutes

Storyline: Five years after the comet strikes Earth, the bunker is no longer safe, and the Garritys strike out for the crater, where life has apparently hit the reset button

It was the time of radioactive lizards with eyes as big as Gol Gumbaz, hurtling comets, rising seas and an alien susceptible to a cold. But once you realise it is 30 years on in a world that has lost its innocence to a rapacious virus, you are less willing to grant as much leeway to a lazily made sequel.

Greenland in 2020 was a critical and commercial success with Gerard Butler playing the world-weary action hero‑family man‑tech expert, John Garrity. A comet named Clarke (after the science fiction writer Arthur C Clarke) was scheduled to hit the Earth and end life as we know it.

At the end of the movie, after many trials, John, with his wife, Allison (Morena Baccarin) and insulin-dependent son Nathan (Roman Griffin Davis takes over from Roger Dale Floyd) reach a bunker in Greenland just as a large chunk of the comet hits the earth.

Five years later, the earth is still not a particularly safe space with earthquakes, radiation, tsunamis and other jolly things blighting existence. John is now a scout, while also attending to repairs in the bunkers, owing to his training as a structural engineer. At a meeting, there is discussion of food supplies running low and a decision to be taken on whether to respond to a call for help.

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While the mean army man reasonably says they cannot feed anyone more, Dr. Amina (Amber Rose Revah) asks for the matter to be put to vote and when the snowcat is sent out to get the refugees, an earthquake destroys the bunker.

Garrity and others head to the coast, fight over lifeboats, drift without food, water or fuel to England and then go on to France where the Clarke crater is a new Eden where the air is fresh and land is fertile.

ALSO READ: ‘People We Meet on Vacation’ film review: Tom Blyth and Emily Bader’s sweet rom com checks all the right boxes

Greenland 2: Migration suffers from a woeful lack of logic, even of the film kind. How is it that everyone looks well fed and groomed even as we are repeatedly told they are running out of food? How are there still bullets given the way people are shooting at each other? How are vehicles still running on fuel?

Why are robbers or insurgents fighting in an area controlled by the army? And of course, the bridge across the English channel, which is now a dry wasteland, has to collapse exactly at the moment when our heroic gang is creeping across.

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Every time there is a crisis, it is as if the makers got bored and decided to move on. So despite running out of fuel, the lifeboat drifts to Liverpool, and Nate’s diabetes is reduced to “pack all the insulin.” Still it is fun to see the ever-dependable Butler do his melancholic routine and that is about all one can say for the haphazardly conceived sequel.

Greenland 2: Migration is currently running in theatres

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