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What happened to Deion Sanders' Colorado castoffs? Revisiting a record-setting exodus

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What happened to Deion Sanders' Colorado castoffs? Revisiting a record-setting exodus

Chase Sowell walked into Colorado’s football facility on the Sunday after the 2023 spring game and saw more than a dozen teammates lined up against a wall.

As each player entered the head coach’s office and emerged within minutes enraged or in tears, the second-year receiver nervously pondered his fate.

“We knew it was going to happen, but we didn’t know it was going to happen that soon,” Sowell said.

Deion Sanders, given his Power 5 head coaching shot in December 2022 after three successful years at Jackson State, had promised to clean house. He vowed talented transfers were on the way to replace anyone unprepared to play for him. And less than 24 hours after the Buffaloes’ ballyhooed ESPN-televised spring showcase, Sanders informed 20 scholarship players they were moving on.

“He didn’t sugarcoat it,” Sowell said. “He was telling me, ‘You’re coming off injury. I don’t think you will be one of the guys we need to start this year. We need guys that are going to be ready to play now.’”

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Sanders didn’t need to use the word “cut.” Sowell understood it was time to pack his bags, enter the transfer portal and find a new home.

First-year coaches running off underperforming players are commonplace in college football. Dumping 20 in one day is not. By the end of the spring, 53 scholarship players transferred out of the program.

Colorado’s extreme roster makeover, unprecedented in modern college football history, yielded 87 newcomers and far more fascination about what Sanders could bring to Boulder. The Buffaloes were a downright phenomenon when they stunned TCU and started 3-0. They backslid hard, losing eight of nine Pac-12 games. Win or lose, Sanders got everyone watching – including his former players.

Where did they go?

 

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Colorado’s castoffs went off on new journeys across college football. Fifteen matriculated to Power 5 programs. Twenty-two ended up on Group of 5 rosters, 11 went FCS or Division II, and two attended junior colleges. Three ex-Buffs went unsigned out of the portal and haven’t played since. And several had to fight the NCAA for the opportunity to keep playing.

Quarterback Owen McCown arrived at Colorado in 2022 with a freshman class desperate to turn around a program that had eight losing seasons over the past decade. The son of Minnesota Vikings assistant Josh McCown started three games as a freshman during the brutal 2022 season. Coach Karl Dorrell was fired after an 0-5 start. The Buffs got blown out almost weekly.

“Going through that rough season made us all close,” McCown said of his class. “And then, obviously, it all went away.”

Sanders walked into his first Colorado team meeting on Dec. 4, Tupac’s “All Eyez on Me” on the speakers, and delivered his first warning.

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“I’m coming to restore, to replace, to re-energize some of y’all that are salvageable,” Sanders said. “I’m not going to lie. Everybody that’s sitting their butt in a seat ain’t going to have a seat when we get back.”

Sowell, a redshirt freshman from Houston, was unfazed.

“I don’t think he was being a d— about it,” Sowell said. “I think he was just being straight up: Prove to me that you can play.”

McCown skipped the team meeting. He was the third Colorado player to enter the transfer portal, going to UTSA, where he could start this fall. Sowell stayed to battle it out, but after season-ending surgery for a torn labrum, it was a tough time to be at his best. He was cleared to practice a week into spring ball.

Every day felt like a tryout. Sowell thought he had to be perfect to gain approval. He wasn’t himself. More stressed, more withdrawn. New coaching staffs can be disorienting for players, because they don’t know whom to trust. Sowell’s father grew up in Florida and revered Sanders, and Sowell didn’t want to disappoint his family by failing.

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There was nowhere to hide. Cameras followed the team around constantly for Sanders’ Amazon documentary series and his son’s Well Off Media YouTube channel.

“It kinda felt like a reality TV show,” Sowell said.

It didn’t take long for returning Colorado players to figure out the narrative. Quarterback Shedeur Sanders, wide receiver/cornerback Travis Hunter and 19 more transfers were brought in for spring practice. They were the stars of the show.

“We felt like it was us vs. them instead of all of us together,” Sowell said. “That’s the best way I can put it. The new guys were going against the players that had already been there. It wasn’t a good environment to be in. It wasn’t a team environment.”

His freshman class was an inseparable group. The players lived on campus together, dined together and played pickup basketball together. They would return to the dorms at night that spring and talk openly about their predicament: What do we do?

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On the morning of April 23, their group text blew up. Players were called into exit meetings with Sanders and told they couldn’t play at CU. One described the experience as going to see the Grim Reaper. Sowell’s meeting was his first one-on-one conversation with the head coach.

The following morning, Sowell said, players were locked out of Colorado’s football facility. They couldn’t grab their things from the locker room. They couldn’t grab a meal at the training table.

“When you’re gone, you’re gone,” Sowell said.

Sowell wanted to go where he could play as many snaps as possible. He picked ECU. It was a big move across the country for a Texas kid who knew hardly anything about the school. But he connected with receivers coach Dyrell Roberts and felt welcomed in his first team meeting with the Pirates.

They needed him, too. Sowell emerged as ECU’s No. 1 wide receiver, leading the team with 47 receptions for 622 yards and a touchdown.

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Sowell says he’s happier than ever. His mom says he’s back to being his “true self” at ECU. A year later, he remains in touch with his freshman class in the group text.

Jordyn Tyson picked Arizona State. Dylan Dixson chose Missouri State. Grant Page and Simeon Harris are at Utah State. Anthony Hankerson and Van Wells left Colorado this offseason and are now at Oregon State.

Not one member of their 31-man signing class is still playing for Colorado.

Xavier Smith’s sitdown with Sanders was later Sunday. By then, the redshirt freshman safety knew what to expect. His father encouraged him to hope for the best. But he didn’t even get a one-on-one. Defensive coordinator Charles Kelly brought Smith and safety Oakie Salave’a into the office together.

“We sat on the sofa, and he’s talking to us, but he’s not even looking at us,” Smith said. “I’m looking Coach Kelly dead in his eyes. (Sanders) said he felt like I should hit the portal. He didn’t want me to waste a year thinking I could earn a spot.

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“I was actually getting mad, like tears coming to my eyes. Because, bro, you never even tried to get to know me.”

Smith wasn’t shocked he was cut, given his injury history. He’d broken his right leg during his senior season in high school and again in the spring while rehabbing. He played in one game in 2022 but missed the rest of the season with a hamstring injury. Now Smith was finally healthy and, as a young defensive back from Atlanta, eager to learn from his Hall of Fame coach.

Smith assumed Sanders would dump older players and embrace the young talent he inherited. During the team meeting, he told himself: He’s not talking about me. I ain’t leaving.

During the spring, Smith felt more like an extra in the background of the reality show. He tried to make the most of second-team reps and made plays in the spring game but struggled to get Sanders’ attention. So as he sat on that couch and listened to Kelly encourage him to leave, sure, there was frustration.

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“He was destroying guys’ confidence and belief in themselves,” Smith said. “The way he did it, it could’ve been done with a little more compassion.”

For Smith and many of the inexperienced players cut by Colorado, the spring transfer window was unnerving. Schools have limited scholarships available entering the summer, and it’s tougher to earn offers with limited game and practice tape. Among the 30 scholarship players who left the program after the spring game, 20 continued playing at the FBS level but only nine joined Power 5 programs.

Smith regained his confidence at Austin Peay. The FCS program in Clarksville, Tenn., provided an opportunity to play right away, and coach Scottie Walden won him over with his relentless enthusiasm. Smith caught up quickly to earn a starting role and Freshman All-America recognition on a 9-3 team that won its conference.

At the end of the season, Walden landed the head job at UTEP. Smith re-entered the transfer portal and followed him to El Paso.

“It’s rare you meet a head coach who genuinely wants to see every player on his roster succeed,” Smith said.

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Jake Wiley did not get cut. But he wasn’t looking to stay.

The offensive tackle from Aurora, Colo., spent four years with the Buffaloes and saw it all. He committed to Mike MacIntyre in 2018, redshirted during Mel Tucker’s lone season, became a two-year starter under Dorrell and had five different offensive line coaches.

“That’s not a normal number,” Wiley said.

He stayed for the spring to finish his degree and to see if he fit with the new staff. On cut day, Wiley received an ominous text.

“In our O-line group chat, one of the offensive line coaches texted the group and said, ‘Good luck fellas,’” Wiley said, “and then he just removed all of them. It said these five people were removed from the chat. We were like, ‘Huh? What happened?’”

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Two days after they entered the portal, Wiley joined them. He said players who survived the cut still felt unwanted and expendable. He was one of seven returning starters who departed that spring along with running back Deion Smith (BYU), receiver Montana Lemonious-Craig (Arizona), defensive linemen Jalen Sami (Michigan State) and Na’im Rodman (Washington State), cornerback Nikko Reed (Oregon) and safety Tyrin Taylor (Memphis).

“Let me tell you this, because this is something you may not know,” Sanders said last November on “The Dan Patrick Show.” “Maybe 20 kids we may have sat down with and said, ‘We may head in a different direction; I don’t know if this is gonna work out.’ Everybody else quit. They quit. You can’t hold me responsible.”

Wiley was overwhelmed by the number of calls he received upon entering the portal and narrowed his list to UCLA, Duke and Purdue. He flew to Los Angeles to watch a spring practice and was told the Bruins needed a tackle. Wiley loved the campus and liked staying in the Pac-12. It was an easy decision.

He didn’t learn he was moving to guard until the day before preseason camp. That’s a lot of new technique to learn in addition to a new offensive scheme. Wiley rotated in at right guard in UCLA’s first four games but then saw his playing time drop off considerably.

For many of his fellow ex-Buffs, this was a common issue. Among the 37 transfers who departed after Sanders was hired and landed at FBS schools, 23 did not start a game last season. Three former teammates – running back Jayle Stacks, receiver Maurice Bell and cornerback Nigel Bethel Jr. – went unsigned and didn’t play last season. Bell is now a trainer and working in real estate back home in California.

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Going from playing to watching wasn’t fun, and Wiley admits he might’ve handled the letdown poorly if he were younger. He tried to respond with maturity.

“I wasn’t going to be that guy that was really complaining a lot or pouting and being negative,” he said. “If I wasn’t going to play, I wasn’t going to sit there and be a drain on the team.”

Wiley re-entered the portal in late November and relocated to Houston, where he’s once again playing tackle and helping a new coaching staff set a standard.

Wiley says he’ll always be a Colorado alum and fan, and he couldn’t help but marvel at the spectacle Sanders created.

“I never would’ve ever thought that Lil Wayne would be running the CU Buffs out of the tunnel,” Wiley said.

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While his new Miami (Ohio) teammates enjoyed a day at Universal Studios in Orlando, Fla., Maddox Kopp testified via Zoom in a U.S. District Court hearing in West Virginia.

At the conclusion of the Dec. 13 hearing, District Judge John P. Bailey issued a 14-day temporary restraining order against the NCAA, granting immediate eligibility to college athletes who’ve transferred multiple times. The TRO halted the organization’s attempts to enforce a one-time transfer rule. And it was a former Colorado quarterback who helped make history.

Kopp was required to sit out the 2023 season as a two-time transfer. So were defensive back Tayvion Beasley (San Diego State), tight end Seydou Traore (Mississippi State) and offensive linemen Yousef Mugharbil (NC State) and Noah Fenske (Southern Illinois). Beasley, Traore and Mugharbil came to Colorado as transfers with Sanders and were gone by the end of the spring.

Kopp was sitting in the front row when Sanders arrived. He’d trained with Shedeur Sanders and knew what came next. In his first visit with the QBs, Sanders told them Shedeur was on the way and their job was to make him better.

“I was just sitting there thinking, it is what it is,” Kopp said. “I need to find a new home and a place that wants me.”

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Kopp was starting over again after one year at Houston and one at Colorado. He transferred to Miami (Ohio) and built his case for an eligibility waiver.

The NCAA significantly altered its waiver criteria in January 2023. Getting run off by a school was no longer a valid justification. Kopp needed to provide a documented medical or safety-related reason for leaving. His attorney argued Colorado did not make accommodations for learning disabilities Kopp has dealt with since elementary school. The NCAA denied his waiver and then denied his appeal in August.

Fenske went through the same ordeal. The offensive lineman left Iowa in 2021 for mental health reasons and was a backup with the Buffaloes for two seasons. He didn’t like what he heard in Sanders’ team meeting.

Fenske rode back from the meeting with lineman Alex Harkey and said he was entering the portal. Harkey told him he was overreacting. Harkey was cut after the spring game and is now at Texas State.

“There’s not one person that watches that video – even the people who love him – and says he’s not gonna sh–can everybody,” Fenske said.

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Fenske transferred to FCS Southern Illinois and was set to be the Salukis’ starting left tackle last fall. He submitted his waiver request in July and waited 70 days for a rejection in September, three games into the season. He kept preparing to play, believing he’d win on appeal. The final denial from the NCAA came Oct. 17, days before Southern Illinois faced No. 1 South Dakota State. Fenske broke down in tears in coach Nick Hill’s office upon learning the news.

“It didn’t matter if we had letters of recommendation from (Colorado athletic director) Rick George and (Colorado interim coach) Mike Sanford,” he said. “It didn’t matter if we had proof that I was seeking counseling and wasn’t getting it. They decided that my mental health was not dangerous enough to myself that I needed to leave there.”

The eligibility cases of North Carolina’s Tez Walker and several men’s basketball players generated national attention and political pressure. Ohio Attorney General Dave Yost led a seven-state antitrust suit filed in December.

Though Kopp was eligible to play in the Cure Bowl against Appalachian State since the school semester had ended, he was eager to push for reform and help athletes avoid the NCAA’s complicated waiver process. Xavier Smith was able to transfer to UTEP after the TRO and said he’s thankful Kopp went the extra mile.

“It takes the power out of their hands,” Kopp said of the NCAA. “If they’re gonna make these rules, I just want them to be consistent.”

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Empowered by the court ruling and the NCAA’s subsequent adoptions of new rules permitting unlimited transfers, more college football players are entering the portal than ever before. At Colorado, more than 30 Buffs are moving on, including 18 transfers Sanders brought in to replace those he cut.

Their exits have not brought the same shock-and-awe fanfare of last spring’s purge, but the motivations are similar: Sanders retooling with eyes on dramatic improvement while his departing players seek better situations. The head coach joked on a podcast this month that the portal is akin to room service.

“I can order what I want,” Sanders said.

For the Colorado players he didn’t want, those 53 transfers whose locations and lives changed over the past 12 months, the bitterness is beginning to wear off.

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“My experience with Deion wasn’t one where I’m going to go bash him,” Sowell said. “There were things I agreed with that he did and things I didn’t agree with that he did. But that’s like any head coach. When he came in and made his decisions, I trusted God and I said everything happens for a reason.

“And I got to meet Deion Sanders, so I can’t really complain. I got to meet one of the best to ever do it.”

(Illustration: John Bradford / The Athletic; photo: Ryan King / Getty Images)

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Culture

Famous Authors’ Less Famous Books

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Famous Authors’ Less Famous Books

Literature

‘Romola’ (1863) by George Eliot

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Karl Leitz for Anthony Cotsifas Studio

Who knew that there’s a major George Eliot novel that neither I nor any of my friends had ever heard of?

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“Romola” was Eliot’s fourth novel, published between “The Mill on the Floss” (1860) and “Middlemarch” (1870-71). If my friends and I didn’t get this particular memo, and “Romola” is familiar to every Eliot fan but us, please skip the following.

“Romola” isn’t some fluky misfire better left unmentioned in light of Eliot’s greater work. It’s her only historical novel, set in Florence during the Italian Renaissance. It embraces big subjects like power, religion, art and social upheaval, but it’s not dry or overly intellectual. Its central character is a gifted, freethinking young woman named Romola, who enters a marriage so disastrous as to make Anna Karenina’s look relatively good.

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It probably matters that many of Eliot’s other books have been adapted into movies or TV series, with actors like Hugh Dancy, Ben Kingsley, Emily Watson and Rufus Sewell. The BBC may be doing even more than we thought to keep classic literature alive. (In 1924, “Romola” was made into a silent movie starring Lillian Gish. It doesn’t seem to have made much difference.)

Anthony Trollope, among others, loved “Romola.” He did, however, warn Eliot against aiming over her readers’ heads, which may help explain its obscurity.

All I can say, really, is that it’s a mystery why some great books stay with us and others don’t.

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‘Quiet Dell’ (2013) by Jayne Anne Phillips

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This was an Oprah Book of the Week, which probably disqualifies it from B-side status, but it’s not nearly as well known as Phillips’s debut story collection, “Black Tickets” (1979), or her most recent novel, “Night Watch” (2023), which won her a long-overdue Pulitzer Prize.

Phillips has no parallel in her use of potent, stylized language to shine a light into the darkest of corners. In “Quiet Dell,” her only true-crime novel, she’s at the height of her powers, which are particularly apparent when she aims her language laser at horrific events that actually occurred. Her gift for transforming skeevy little lives into what I can only call “Blade Runner” mythology is consistently stunning.

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Consider this passage from the opening chapter of “Quiet Dell”:

“Up high the bells are ringing for everyone alive. There are silver and gold and glass bells you can see through, and sleigh bells a hundred years old. My grandmother said there was a whisper for each one dead that year, and a feather drifting for each one waiting to be born.”

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The book is full of language like that — and of complex, often chillingly perverse characters. It’s a dark, underrecognized beauty.

‘Solaris’ (1961) by Stanislaw Lem

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You could argue that, in America, at least, the Polish writer Stanislaw Lem didn’t produce any A-side novels. You could just as easily argue that that makes all his novels both A-side and B-side.

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It’s science fiction. All right?

I love science and speculative fiction, but I know a lot of literary types who take pride in their utter lack of interest in it. I always urge those people to read “Solaris,” which might change their opinions about a vast number of popular books they dismiss as trivial. As far as I know, no one has yet taken me up on that.

“Solaris” involves the crew of a space station continuing the study of an aquatic planet that has long defied analysis by the astrophysicists of Earth. Part of what sets the book apart from a lot of other science-fiction novels is Lem’s respect for enigma. He doesn’t offer contrived explanations in an attempt to seduce readers into suspending disbelief. The crew members start to experience … manifestations? … drawn from their lives and memories. If the planet has any intentions, however, they remain mysterious. All anyone can tell is that their desires and their fears, some of which are summoned from their subconsciousness, are being received and reflected back to them so vividly that it becomes difficult to tell the real from the projected. “Solaris” has the peculiar distinction of having been made into not one but two bad movies. Read the book instead.

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‘Fox 8’ (2013) by George Saunders

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If one of the most significant living American writers had become hypervisible with his 2017 novel, “Lincoln in the Bardo,” we’d go back and read his earlier work, wouldn’t we? Yes, and we may very well have already done so with the story collections “Tenth of December” (2013) and “Pastoralia” (2000). But what if we hadn’t yet read Saunders’s 2013 novella, “Fox 8,” about an unusually intelligent fox who, by listening to a family from outside their windows at night, has learned to understand, and write, in fox-English?: “One day, walking neer one of your Yuman houses, smelling all the interest with snout, I herd, from inside, the most amazing sound. Turns out, what that sound is, was: the Yuman voice, making werds. They sounded grate! They sounded like prety music! I listened to those music werds until the sun went down.”

Once Saunders became more visible to more of us, we’d want to read a book that ventures into the consciousness of a different species (novels tend to be about human beings), that maps the differences and the overlaps in human and animal consciousness, explores the effects of language on consciousness and is great fun.

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We’d all have read it by now — right?

‘Between the Acts’ (1941) by Virginia Woolf

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You could argue that Woolf didn’t have any B-sides, and yet it’s hard to deny that more people have read “Mrs. Dalloway” (1925) and “To the Lighthouse” (1927) than have read “The Voyage Out” (1915) or “Monday or Tuesday” (1921). Those, along with “Orlando” (1928) and “The Waves” (1931), are Woolf’s most prominent novels.

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Four momentous novels is a considerable number for any writer, even a great one. That said, “Between the Acts,” her last novel, really should be considered the fifth of her significant books. The phrase “embarrassment of riches” comes to mind.

Five great novels by the same author is a lot for any reader to take on. Our reading time is finite. We won’t live long enough to read all the important books, no matter how old we get to be. I don’t expect many readers to be as devoted to Woolf as are the cohort of us who consider her to have been some sort of dark saint of literature and will snatch up any relic we can find. Fanatics like me will have read “Between the Acts” as well as “The Voyage Out,” “Monday or Tuesday” and “Flush” (1933), the story of Elizabeth Barrett Browning’s cocker spaniel. Speaking for myself, I don’t blame anyone who hasn’t gotten to those.

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I merely want to add “Between the Acts” to the A-side, lest anyone who’s either new to Woolf or a tourist in Woolf-landia fail to rank it along with the other four contenders.

As briefly as possible: It focuses on an annual village pageant that attempts to convey all of English history in a single evening. The pageant itself interweaves subtly, brilliantly, with the lives of the villagers playing the parts.

It’s one of Woolf’s most lusciously lyrical novels. And it’s a crash course, of sorts, in her genius for conjuring worlds in which the molehill matters as much as the mountain, never mind their differences in size.

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It’s also the most accessible of her greatest books. It could work for some as an entry point, in more or less the way William Faulkner’s “As I Lay Dying” (1930) can be the starter book before you go on to “The Sound and the Fury” (1929) or “Absalom, Absalom!” (1936).

As noted, there’s too much for us to read. We do the best we can.

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6 Poems You Should Know by Heart

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6 Poems You Should Know by Heart

Literature

‘Prayer’ (1985) by Galway Kinnell

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Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell in 1970. Photo by LaVerne Harrell Clark, © 1970 Arizona Board of Regents. Courtesy of the University of Arizona Poetry Center

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“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”

“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”

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Lucille Clifton in 1995. Afro American Newspapers/Gado/Getty Images

“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”

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‘Sonnet 94’ (1609) by William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

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“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”

“It trombones magnificent, unbearable sorrow,” says Seidel.

“It’s smartass and bitter and bright,” says Seidel.

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These interviews have been edited and condensed.

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

Literature

FRANCE

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According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).

Classic

‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)

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“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”

Contemporary

‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq

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“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”

JAPAN

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According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).

Classic

‘Man’yoshu’ (late eighth century)

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“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”

Contemporary

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‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata

“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”

INDIA

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According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).

Classic

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‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa

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“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”

Contemporary

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‘The Complex’ (2026) by Karan Mahajan

“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”

THE UNITED KINGDOM

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According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).

Classic

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‘Jane Eyre’ (1847) by Charlotte Brontë

“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”

Contemporary

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‘All That Man Is’ (2016) by David Szalay

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“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”

BRAZIL

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According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).

Classic

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‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis

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“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”

Contemporary

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‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron

“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”

These interviews have been edited and condensed.

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