Culture
A mysterious illness halted his promising NHL career. Eight years later, hope and a comeback
The game was already won when the puck slid to Cody Hodgson for the tap-in.
The Milwaukee Admirals of the American Hockey League, the Nashville Predators’ top minor league affiliate, had a comfortable 3-0 lead over the Chicago Wolves. On a historic win streak — they were en route to their 18th consecutive victory — the Admirals juggled their lines.
Off of a rush chance in the final minute, Predators prospect Juuso Pärssinen pulled off a slick toe-drag deke and waited patiently for a lane to open up. Then he feathered a perfect pass to Hodgson for the goal.
As the Wolves goaltender broke his stick against the post, Hodgson’s Admirals teammates mobbed him. Captain Kevin Gravel went to the net front to retrieve the puck. Netminder Yaroslav Askarov skated nearly the length of the ice to celebrate with his teammates.
And as the seemingly over-the-top celebration for a 4-0 goal unfolded, Hodgson didn’t think about the 2,920 days that had elapsed since he last scored a goal in a professional hockey game.
Hodgson didn’t think about the mysterious illness that caused him to walk away from the game. Or the tests for lung cancer, brain cancer and liver cancer that he’d endured in a fruitless quest to figure out what was making him sick.
He wasn’t thinking about the months of on-ice work and yoga and a grueling weight-loss regimen that led him to this point.
He wasn’t even feeling the blunt soreness of the broken rib he had sustained in his first professional game after his long layoff.
All he was thinking about was the gimme pass he’d just received.
“If I hadn’t scored on that one,” Hodgson joked, “I might’ve had to shut it down.”
Back in the locker room, Gravel gave the puck to Admirals equipment trainers and an informal debate broke out about what to write on the tape that’s commonly used to wrap milestone pucks in hockey.
“That was the joke in the room when we gave him the puck. ‘What do we call this?’ I suggested ‘Second First Pro Goal,’ but we were laughing about it after the game,” Gravel said.
“First goal in a very, very long time,” was another suggestion, but it was too many words.
So Hodgson posed with an unwrapped game puck.
If the milestone was undefined, it was still significant.
As a younger man, Hodgson had been one of the NHL’s brightest young stars. He was a top-10 draft pick of the Vancouver Canucks and set scoring records on a line with Toronto Maple Leafs superstar John Tavares at the World Junior Hockey Championship. For a time, he was one of the highest-rated prospects in the sport.
His professional career, however, was set back by injuries early, including a bulging disc in his back that he sustained during the season he turned 20. He was eventually productive in Vancouver, but struggled to cement himself in the lineup. At the 2013 NHL trade deadline, Hodgson was dealt to the Buffalo Sabres in a surprising trade. In Buffalo, Hodgson quickly became one of Buffalo’s most productive forwards, leading the club in scoring in the 2013-14 campaign, after which he signed a six-year, $25 million contract.
Cody Hodgson, pictured in his rookie season with teammates Henrik and Daniel Sedin at the NHL All-Star Skills Competition in January 2012. (Jeff Vinnick / NHLI via Getty Images)
Suddenly, however, Hodgson’s career derailed. Following up on the 20-goal, 44-point season that secured Hodgson that big extension, he managed just 13 points the next year. He was becoming conscious of repetitive muscle strain and shortness of breath. He was fighting for his career, and battling through an illness that appeared to be worsening.
Bought out by the Sabres, Hodgson caught on with the Predators. And his symptoms worsened.
“It’s a scary feeling waking up in the middle of the night and your lungs aren’t working and you can’t breathe in,” Hodgson said. “Your body is shaking, you get super hot, you can’t stand up without passing out. I was on about five different medications for blood pressure, and muscle relaxants, everything you can name.
“I knew there was no way I could possibly play.”
In addition to the extreme susceptibility to temperature and struggles breathing, Hodgson was dealing with repeated muscle strains.
“I couldn’t shoot, my mechanics weren’t the same, my skating was stiff,” he said. “I couldn’t turn, I’d torn all these muscles in my neck, and below my shoulders, and throughout my whole body, and for no reason. The muscles were just tearing.”
“He was skating with me in the summer, but he would be really sick,” said Brad Wheeler, Hodgson’s longtime trainer and coach. “He’d say stuff like, ‘I can’t hold a hockey stick,’ or ‘I can’t skate,’ or ‘I feel like I’m going to die.’”
By December of his sixth professional season, Hodgson was out of the NHL. By January he was out of professional hockey entirely.
Hodgson, with the Predators’ support at the time, furiously searched for the cause of his muscle issues, shortness of breath and liver problems. In the process, he was tested for brain cancer, lung cancer and liver cancer.
Eventually, Hodgson decided to get tested for malignant hyperthermia, a genetic disorder that various members of Hodgson’s family had contended with in the past — although not to this extent.
For most patients, malignant hyperthermia presents as an adverse reaction to general anesthetia. About 50 percent of those afflicted, however, including Hodgson, are also susceptible to exertion-induced reactions.
These reactions can be extreme, as they were in Hodgson’s case. The symptoms that presented sabotaged his ability to play professional hockey. At the time he was dealing with rhabdomyolysis, a type of muscle breakdown in which damaged tissue releases proteins and electrolytes into the blood that attack various organs.
“There was always an understanding among our family that if I had a car accident or got hurt on the ice, and couldn’t speak for myself, that I’d already let people around me know that I couldn’t use general anesthesia,” Hodgson said. “Trainers all knew, my teams all knew, my circle knew I had this thing that would matter if I had to go in for surgery, but we never put it all together.”
Once the source of Hodgson’s illness was identified, it was clear that he would have to retire.
It was a tough blow, but also a relief, given that many doctors who initially treated him suspected the source of his ailments might be terminal.
“Knowing I couldn’t play hockey sucked, but in the grand scheme of things, I knew that people deal with way worse,” Hodgson said.
For eight years, Hodgson was mostly away from the game. He was able to live a normal life, closely monitoring his exercise levels while working with the Predators organization in their Learn to Play program and building a career in real estate. He got involved in the RYR-1 Foundation to try and use his story to educate folks about his disease.
Publicly, Hodgson would occasionally give interviews and describe himself as lucky and at peace.
Cody Hodgson, seen here at a game at Bridgestone Arena in October 2015, last played in the NHL on Jan. 12, 2016. (John Russell / NHLI via Getty Images)
For those who knew him best, however, the way it had all ended was still a source of real pain. That desire to compete, to still play hockey, wasn’t extinguished.
“When he got the test and they found out what it was, that killed him,” said Wheeler. “That’s all he ever wanted to do: play hockey.
“He’s been sad for eight years. … He’d go to the park on a Saturday night and just shoot pucks at the local rink, just pushing the local guys. He’s just so passionate about it”
Occasionally, Hodgson would play. With some close monitoring of his creatine kinase (CK) levels, he was able to work out and attend an on-ice session once a week, often with Wheeler and his NHL clients — a group that, in the summer, includes NHL-level players such as Dylan and Ryan Strome and Mark Giordano.
Hodgson would push it on occasion. In at least one of those instances, his symptoms returned so harshly that he was hospitalized.
Then last summer, something flipped.
In May, Hodgson moved back to Ontario. His brother had just had a child and his sister was pregnant.
Going home to Canada, however, brought him close to the game he loved.
“It sounds kind of crazy, but everything kind of switched this summer,” Hodgson said. “My body started being able to respond to physical activity. I was going out with buddies and playing some hockey and I noticed that I could keep pushing it. Normally, when I skate, even in the summers just for fun, my body would have some of the symptoms I’d have when I was playing.
“Suddenly I realized I could respond a lot better. I didn’t need to shut it down right away, the same way I used to.”
Hodgson consulted with his doctors, including the University of Toronto’s Dr. Sheila Riazi, a leading academic anesthesiologist who has focused her research efforts on understanding malignant hyperthermia.
In consultation with his physician, Hodgson got the green light to monitor his symptoms and health while ramping up his exercise levels.
Through caution and some trial and error, an appropriate method of managing his illness was found, although he’s still under the close observation of his physician and gets his CK levels tested weekly.
“I got a little excited,” Hodgson said. “I’m always cautious, but I always told myself that if I had the ability to play I’d at least try.”
Hodgson started skating more regularly, first one session a week. Then two or three. And then three or four.
He put the call out to old teammates and pro-level players asking for an invite to their summer scrimmages. He’d join alumni games hosted by former NHL superstars like Eric Lindros, just looking for reps.
By early August, Hodgson was beginning to think about a comeback. And that’s when he enlisted the help of Wheeler.
“What is it going to take, Wheels?” he asked.
Wheeler told him, “You can do it if you want to.”
Hodgson called Wheeler “a driving force” in his training.
The first thing he insisted Hodgson do? Drop 40 pounds.
“In this business everything is first impressions,” Wheeler said.
Hodgson traveled to Florida for a noninvasive procedure called a disc seal to strengthen his back, an injury that had troubled him on occasion in his playing career. And then he went about shedding 40 pounds in two months, going from about 235 to under 200.
“Once I had a goal, a bigger purpose, it seemed to melt off,” Hodgson said. “I changed a lot of my eating habits, sleep patterns to give me more energy.”
Despite his sensitivity to severe temperature changes, Hodgson found a way to integrate cold tub recovery into his regimen. He got deeply into yoga, Wim Hof breathing exercises and various stretches to target his muscles. And in the early fall, he headed back to Ontario to work with Wheeler.
“Before, the harder I worked, the more my body broke down,” Hodgson said. “Now it’s completely flipped. Now the more I work the better I get, the more confident I get.”
Despite some early trepidation from his family, they “got on the bandwagon.” And Wheeler, familiar with the work rate of NHL players given his star-studded roster of clients, put Hodgson through the ringer.
“If he isn’t sick and hurting after those skates, he’ll never be sick and hurting,” Wheeler said. “I pushed him so hard that anybody else might quit hockey. And his body didn’t hurt. He didn’t feel bad. His muscles were good.”
By December, Hodgson was ready to get into game situations. The feeling was that there wasn’t much he could do to improve any further by simply training. He had to find a team.
Hodgson asked former NHL head coach Terry Crisp how to structure a professional tryout, how to manage his expectations, how to target getting back in the game.
He offered to pay his own way to practice with a minor league team in an effort to earn a professional tryout. His contacts put the word out, and Sportsnet’s Elliotte Friedman reported about Hodgson’s attempted comeback on “Hockey Night in Canada.”
Hodgson was overwhelmed by the response. He began hearing from old friends, former general managers and experienced hockey people offering advice. And eventually the call came in from a Predators organization that Hodgson knew well, offering him a spot on a tryout deal with the Admirals.
“(Admirals general manager) Scott Nichol, when I called him, I think he was a little bit skeptical to get that call at midseason,” Hodgson said. “I told him that I’d been training for a while and I’d love to get a chance, even if it’s just to come practice with them, then if they thought I could help the team they could sign me to a PTO.
“For him to take a chance like that and then push to put me on this team, it’s something I want to reward their faith in for sure.”
Hodgson showed up, 33 years old, eight years removed from his most recent professional game, with off-the-shelf gear and 10-year-old skates, and earned a spot. The club signed him to a professional tryout and had him take warmups before he actually made his AHL re-debut.
With his brother and brother-in-law in attendance, Hodgson stepped onto a professional ice sheet. And in the very first period of his very first game back, Hodgson broke a rib and bruised a lung.
“He told me he feels like he’s 17,” said Hodgson’s longtime trainer, Brad Wheeler, of his return to professional hockey. (Courtesy Milwaukee Admirals)
“Yeah, I was hoping it would go a bit smoother,” Hodgson said with a laugh.
“I played the rest of that game,” Hodgson said. “I moved some equipment around and then I played the next one. By the third game, I was having trouble breathing. So at first I thought, I just got back and I probably triggered this thing, but my CK levels were low, we tested everything. It was fine. … It was just a broken rib.”
Hodgson was concerned he would get cut.
The Admirals, however, were impressed by his toughness. Hodgson was just the kind of veteran they wanted to complement their young players.
Once he was cleared to return, however, the Admirals were on a double digit win streak. When The Athletic caught up with Hodgson in Winnipeg in mid-February, he was a healthy scratch.
“Our team is playing great, everyone is performing, so I understand it,” he said. “But when I get my chance again, I’ll be ready.”
Hodgson’s chance arrived five days later, the game in the Chicago suburbs when he scored his first professional goal in eight years. Two days later, he was in the lineup again and scored again — this time off the rush, a goal that showed real speed and skill.
“I don’t know how he’s doing it,” said Gravel of his teammate’s form after so many years away. “But we’re lucky to have him and he’s helped us out a ton.”
The next day, in the second leg of a back-to-back, Hodgson dressed again and scored again, extending his goal-scoring streak to three games. The game after that, he scored twice.
“He told me he feels like he’s 17,” Wheeler said. “He feels better and faster than ever. And every game I watch, he’s getting better every shift.”
And he’s back to doing what he loves.
“It’s just nice to be back in the rhythm of things,” Hodgson said. “You feel good when you’re scoring, but I want to keep going. A four-game scoring streak is great, but I want to keep pushing the envelope.”
(Illustration: Dan Goldfarb / The Athletic. Photos: left, Jen Fuller / Getty; other photos, courtesy Milwaukee Admirals)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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