Lifestyle
The greatest trees of Los Angeles
There is a sycamore in the front yard of my grandparents’ house, the house where my father grew up. It is a giant, towering over the home, the yard, the whole neighborhood. Last spring, when my grandmother was fading and the tree was coming into leaf, I stood under the sycamore for a long while, listening to the wind rustling its new growth. It was a delicate sound that, every so often, turned into a tremendous roar as the breeze went gusty.
My grandmother died a few weeks later. She was 101. The tree must be at least as old. Several months after she died, once the house was ready to sell, we all fell into a minor panic about the future of our beloved sycamore. Surely, anyone buying this small, old house would be developing the lot, and would take down the tree.
A sycamore tree in Griffith Park.
(Devin Oktar Yalkin / For The Times)
But a day or two later, we learned that it is rather difficult — and also, illegal — to cut down a very old, still-alive sycamore, oak, California bay or black walnut in Los Angeles. It turns out the city has an entire department — its urban forestry division, and specifically its tree czar, Rachel Malarich — responsible for, among other things, saving such trees. All it took was alerting the office to the location and existence of our sycamore and the division would, if it hadn’t already, add it to its ever-growing list of trees it aims to protect.
I wrote “our sycamore” above, but great trees defy possessives. They are home to bees and birds and squirrels and ants and countless other critters. They are often older than all of us, older than the sidewalks, the streets, the parks. Older, sometimes, than the city itself.
These trees, belonging to no one, are for everyone.
The old sycamore was on my mind when, a few months ago, I got the idea to find and visit the greatest trees in all of Los Angeles. The idea wasn’t entirely my own — I was cribbing it from a tree of the year “contest” held in the United Kingdom, which, I came to learn, was itself part of a larger, European-wide tree of the year contest that includes at least 15 other nations, and began in the Czech Republic more than a decade ago.
Like the judges of these contests, I was interested in old, big trees — the sort of trees that tree pros and tree enthusiasts like to call specimens. I started my search for specimens by talking to many, many tree people: arborists, landscape architects, gardeners and garden nerds, historians and activists, tree-heads all. Like Jorge Ochoa, a horticulture professor at Long Beach City College, who suggested the tree he gets asked to identify most: a huge araucaria, also known as a bunya-bunya, that appears in the film “Blood In, Blood Out” and is an icon of East L.A. Or Jenny Jones, a landscape architect at Terremoto, who mentioned a “profoundly beautiful” mulberry in the Elysian Heights Elementary school garden. Leigh Jerrard, at Greywater Corps, said his favorite tree in L.A. was a valley oak on Chesebro Road in Agoura Hills, but then he caught himself. Had it survived the Woolsey fire a few years back? He wasn’t sure. He texted me a few days later. Nope. It was no longer alive.
A camphor tree, Cinnamomum camphora, at Evergreen Cemetery.
(Devin Oktar Yalkin / For The Times)
Giant avocado tree in Atwater, near the L.A. River. (Devin Oktar Yalkin / For The Times)
A floss silk tree towers over the Yamaguchi Bonsai Nursery. (Devin Oktar Yalkin / For The Times)
This was the case with a lot of legendarily great L.A. trees: They were now dead. A few different tree-heads mentioned the gigantic silk floss that was once at the Hotel Bel-Air, and many more suggested the Encino Oak, which by some estimates was already 500 years old when the first Spanish expedition through California camped under it. But Jeff Perry, who knows fallen trees, told me that the greatest L.A. tree of all once stood on what is now Commercial Street at the 101 Freeway, not a half-mile from Angel City Lumber, which Perry runs.
“This tree is so important,” he told me. “It was the centerpiece of the Tongva village here. It stood when the pueblo was established, when Mexican occupation took over, when American occupation took over.” A winemaker shaded his casks under its limbs, then German immigrants bought the winery and turned it into a brewery. Eventually the tree, which had long been known as El Aliso — Spanish for sycamore — was turned into firewood. “The point,” Perry said, “is that this was a tree that witnessed multiple layers of colonization.” Today, on the corner by the freeway onramp, there is a small plaque about El Aliso, the great tree that stood there for so long, and saw so much.
Another, more recently dead great tree that I kept hearing about was the Eagle Tree, another huge sycamore and an old Compton landmark. Its trunk has been saved, and there are now plans to distribute young clones of the Eagle Tree throughout the Southland, thanks in large part to the work of Kim Cooper and Richard Schave, preservationists who run the L.A. tour company Esotouric. There were many other trees Cooper and Schave mentioned — East L.A.’s El Pino, an old queen palm on Bunker Hill called Sunshine, some more very old bunya-bunyas at Rancho Los Amigos — and several other trees out there to save and celebrate before they expire. But before all that, they told me, I simply had to speak to Don Hodel.
This was not the first nor the last I would hear of Hodel. In fact, pretty much every other tree-head I spoke to mentioned him either right off or in closing, or followed up a day or two later with something along the lines of what Cooper and Schave had said: that if I was looking for great trees, the best trees, the trees worth celebrating, I really ought to be talking to Don.
The prickly surface of the floss silk tree near Yamaguchi Bonsai Nursery.
(Devin Oktar Yalkin / For The Times)
Ficus religiosa, Lafayette Park. Commonly called bo tree, it’s famous for being the same species that the Buddha meditated under when achieving enlightenment.
(Devin Oktar Yalkin / For The Times)
Donald R. Hodel is the emeritus environmental horticulturist for the University of California Cooperative Extension in Los Angeles. In 1988, Hodel authored a book, published by the California Arboretum Foundation, titled “Exceptional Trees of Los Angeles.” It is exactly what its title describes: a book of very good — or, I’m sorry, exceptional L.A. trees. It is long out of print, but I found a copy, and was thumbing through it when we spoke.
I told Hodel about my plan, which had, after several weeks among the tree-heads, plus some scouting missions, been refined a touch. I was after, I’d decided, only the most public of trees, which meant simply: the more accessible, the better. Sure, there was a California buckeye I adored at Descanso Gardens, but any place you had to pay to see a tree was out. As were trees in private backyards, or high-fenced front yards. The tree had to be highly visible, enjoyable and not a tree you had to hike too far to see. If it was in a public park, then at most it might require a minor walk, ideally not even uphill. If it was the sort of tree someone (someone who was not yet a tree-head) might drive by all the time and not really notice, or notice but think simply, “Huh, what a large tree!” — that was perfect.
Hodel thought first of the many streets in L.A. lined with great, glorious tree plantings: the coral trees along San Vicente, the Canary Island date palms lining the entrance to Dodger Stadium, the gum myrtles on Kenilworth Avenue in Pasadena and, of course, in Altadena, the deodar cedars along Christmas Tree Lane (“a spectacular planting,” Hodel said). But when I explained that it was specimens I was after, I heard Hodel go silent a moment. He had his book out too, and was flipping through it. “Some of these trees,” he said quietly, almost to himself, “I haven’t been back to them in 30 years, and they may not be there.”
Hodel then told me about a grapefruit tree in Little Tokyo that was planted about 150 years ago by Japanese American settlers as part of the first citrus grove in Los Angeles. For decades, the tree sat behind a building in a vacant lot, until the neighborhood rallied to save it, and replanted it in the courtyard of the Japanese American Cultural Center. It was by now very likely the oldest citrus in L.A., certainly the only one left from that original grove. “Ask if it’s still standing,” Hodel told me. And, later, I did. Reader, it is.
The 150-year-old grapefruit tree in the courtyard of the Japanese American Cultural Center.
(Devin Oktar Yalkin / For The Times)
There were also, of course — Hodel continued — the ficuses; the Moreton Bay figs in particular, which get absolutely gargantuan, and are never not notable, lining as they do La Mesa Drive in Santa Monica, or Vermont Avenue on its approach to Griffith Park, or spreading their branches out over the Pacific Ocean on Point Fermin in San Pedro, or beside the old library in South Pasadena. But one of his favorites — and mine, it turned out — was next to St. John’s Presbyterian Church, on National Boulevard, a few blocks from where the 10 Freeway crosses the 405 Freeway. This one tree takes up practically the whole block, was planted in 1875, and is the sort of specimen that can cause someone to gasp, and gawp, and long to pull over and stand beneath it for a while, just contemplating things like time and space and root systems.
Hodel had given me more than a few great trees but I was a greedy, half-tree-mad man by now. I wanted more: more trees, older trees, even better trees. He mentioned Orcutt Ranch, which, he said, had some of the oldest valley oaks around, and an even older coastal live oak, so old you could still see on it the scars from where its branches had been removed to fire the kilns that made the adobe brick that built the San Fernando Mission. “Lot of history tied up in those old oaks,” Hodel said.
About a week later, I visited the oak, which is a short walk from the parking lot to the back of the property, the last small parcel of a once-sprawling ranch that is now a public park. The tree has the look of an ancient thing — knobby and gnarled and thick, so thick and tall it appeared at times like several oaks stacked on top of one another. A tree like this is practically planetary; it creates its own ecosystem, and while we — photographer Devin Yalkin and I — stood in its silence and stillness for a spell, we also began to notice all the life within it and upon it: We counted at least two beehives, a half dozen squirrels, several California towhees and oak titmouses, many, many lesser goldfinches, huge networks of spiderwebs, plus dark holes and hollows throughout the oak that were certainly home to many more creatures we could not see. This tree, by some estimates, is at least 700 years old, which would make it a likely candidate for the oldest tree in all of L.A.
An excellent Moreton Bay fig tree at Mid-City’s Prescott School.
(Devin Oktar Yalkin / For The Times)
Among the oldest trees in Los Angeles, a coastal live oak at Orcutt Ranch.
(Devin Oktar Yalkin / For The Times)
But the day was young, and we still had many more trees to see, so after an hour or so, we drove across the San Fernando Valley, up and over the hills to the triangle where Cahuenga crosses Franklin, to an entirely different sort of specimen: a handsome jacaranda, not so incredibly old, not even especially big, just beloved, and beset on all sides by the city. I had heard about this tree from Nick Araya, an arborist who runs TreeCareLA. This tree, he told me, was managed by the surrounding neighborhood; they had a committee for it, even. Last year, Araya had been contacted by the neighborhood tree committee after the jacaranda in the triangle had been mysteriously vandalized. Someone, or something, had pruned a large portion of the tree. “They almost ruined it,” Araya said.
Araya sent his colleague Oscar Sanchez out to investigate, and Sanchez eventually figured out that someone, likely employed by some corporate entity (an advertising agency, perhaps), had illegally chopped the tree just to make a nearby billboard more visible. “Corporate vista pruning,” Sanchez called it. But people, Araya pointed out, obviously care more for trees than they do for billboard advertisements. And indeed, after a short time looking at the jacaranda, a man walking a small dog cautiously approached. His name was Louis Alfaro. The dog was his neighbor’s, and named Nacho. Alfaro was very worried about what we might be doing to the tree — did we work for the city? Was Devin photographing the site to take down the tree? It was one of the few patches of nice green shade, and there was already so much vandalism around it, he said. He’d lived in an apartment in the neighborhood for 11 years and visited the tree almost every day.
Wherever Araya goes in the city, tending trees, he encounters folks like Alfaro, who care deeply for specimens that are not on property they own, that are not their own trees, but they feel an ownership and responsibility for them all the same. Araya also catalogs champion trees — the largest specimens in the state or even the country — wherever his work takes him, which is all across L.A. One of his favorite specimens to send fellow arborists out to is the towering silk floss in back of Yamaguchi Bonsai Nursery on Sawtelle. He’s also particularly fond of a Moreton Bay fig that’s spilling over the muraled retaining wall of Mid-City’s Prescott School.
Among the other L.A. champions in the registry of California Big Trees is the state’s largest avocado tree, in Atwater, as well as the largest Canary Island pine, in Lawndale, and the largest deodar cedar, in Lafayette Square. These are all common trees that can be seen throughout the backyards and supermarket parking lots of Los Angeles. But these individuals have grown old and huge and worth celebrating, even if they happen to be unassuming and unexpected, situated as they are on quiet residential streets.
Dragon trees in downtown L.A.
(Devin Oktar Yalkin / For The Times)
The oldest plant in the world of known planting date is the Ficus religiosa Sri Maha Bodhi, which was planted in Anuradhapura, Sri Lanka, in 288 BC. Today, the bo tree is revered as a symbol for prosperity, happiness, good fortune and long life. (Devin Oktar Yalkin / For The Times)
The champion rose gum tree. (Devin Oktar Yalkin / For The Times)
Outside of the city’s parks department maintenance yards is another such champion, a rose gum, which is also known as a smooth-barked apple gum. Like many other very large trees in L.A. — the eucalyptuses, the bunya-bunyas, the Moreton Bay figs — it hails from Australia. As Devin and I were taking it in, Leon Boroditsky, the principal forester for the city’s parks department, walked out to meet us. His office is just across the street. What Boroditsky likes about this tree, beyond its pleasantly smooth bark and rosy shade, is that it’s an anonymous tree. That is, we do not know who planted it, or exactly when, or how. It is on a street corner that was once part of Griffith Park, and it’s possible that someone, long ago, simply acquired an interesting sapling of an exotic tree, had no yard in which to plant it, so planted it in what was, back then, the park. And now, here it is: a towering testament to one Angeleno’s long-ago hopes for the city’s future.
Trees are like that, existing as they do on a timescale so different from our own; they connect us to a distant past while also bearing witness to a future we will never live to see. After months spent searching for the greatest trees in L.A., I’ve come to realize that what I believe makes a tree great is not necessarily its size or its age but its ability to keep on living, especially if it has persisted despite prolonged neglect. That a tree, particularly a tree in a tree-poor part of town (of which there are, in L.A., far too many) endures is — well, it’s a very hopeful thing, isn’t it?
Aleppo pine, the tallest pine species that grows in L.A. This one is at the top of a hill overlooking the 5 Freeway and L.A. River in Elysian Park. Someone added a swing.
(Devin Oktar Yalkin / For The Times)
I suppose this is a roundabout way of explaining why it is that quite a few of what have become my favorite trees in L.A. are not the sort of trees that judges of any tree competitions may necessarily deem great. Many are still quite young, so really what I like about them is their potential, like some of the more than 400 trees planted in and around Skid Row by folks at Industrial District Green; or the still-young coastal live oaks and black walnuts, many planted by North East Trees, which as they grow and fill in will make up a dense microforest in Ascot Hills Park; or many young trees planted throughout city parks in Long Beach, Cerritos, Lakewood and Seal Beach, many rare and cultivated by Hodel for an organization called Southeast Trees.
The other sort of trees I love are the trees that have, despite our best efforts, endured, like a red river gum eucalyptus in West Carson. This tree sat alone for years and years in an old industrial brownfield, the site of a former synthetic rubber factory, putting down its roots in poisoned earth, surrounded by scrap yards. The tree is just about the tallest feature for a mile in any direction, a lighthouse for nature that draws people to it. And now, the eucalyptus is the heart of a soon-to-open park, developed by the Los Angeles Neighborhood Land Trust, named Wishing Tree Park. That’s what a great tree can be: a witness, a wish, a beacon — hope. A great tree is the park that got built around the tree, because it held on long enough for enough of us to finally take notice.
Do you have a favorite tree in L.A.? Tell us about it here.
Lifestyle
Street Style Look of the Week: Airy Beachy Clothes
“She’s like a female Willy Wonka,” Sakief Baron, 36, said about Kendra Austin, 32, after she explained that her personal style had a playful and cartoonish spirit.
Dressed in loose, oversize layers in blue and neutral shades, the couple were walking on the Upper East Side of Manhattan when I noticed them on a Saturday in April. There was a symmetry to their ensembles, so it wasn’t too surprising when she noted that he had influenced her fashion sense.
Before they met, she said, she was “less sure” about her wardrobe choices. “I also have lost 100 pounds in the time we’ve been together,” she added, which she said had helped her to recalibrate her relationship with clothes.
His style has been influenced by hip-hop culture, basketball players like Allen Iverson and his mother’s Finnish background. “I just take all these pieces and then it kind of comes together,” he said.
Both described themselves as multidisciplinary artists; he also has a job at a youth center, mentoring children. “I want to make sure that I look like someone they want to aspire to be every time they see me,” he said.
Lifestyle
What are Angelenos giving away in one Buy Nothing group? All this treasured stuff
In my L.A. Buy Nothing group, I started noticing how some objects, given for free from neighbor to neighbor, carry emotional weight. An item was more than it appeared. It was a piece of personal history, perhaps one with generational memories.
From one person’s hands to another’s, objects find new life through the free gift economy on Facebook or the Buy Nothing app. Buy Nothing Project, a public benefit corporation, reports having 14 million members across more than 50 countries who give away 2.6 million items a month. There are more than 100 groups in Los Angeles alone.
Buy Nothing reduces waste by keeping items out of landfills. It also builds community. When our lives are increasingly online, Buy Nothing encourages us to get out of our cars and make connections with neighbors, even if the interaction is no more than a wave when picking something up left by a doorstep. Researchers have found that even small social interactions can foster a sense of belonging.
Still, Buy Nothing has its challenges. For years, some have complained that the groups shouldn’t be limited to neighborhoods, but rather have more open borders. Last year, many longtime members complained about the project enforcing its trademark, leading Facebook to shut down unregistered groups even if they were serving people under economic strain. Critics saw the tattling as a shift from mutual aid toward control and branding. For its part, Buy Nothing says its decisions are based on building community, trust and safety.
Despite those disagreements, Buy Nothing offers a platform for special connections. As much as there are jokes about people offering half-eaten cake, many have passed along treasured items. Buy Nothing items may feel too valuable for the trash or too personal for Goodwill. The interaction between giver and receiver becomes just as meaningful as the object itself.
I set out to document these quiet exchanges in my Buy Nothing group, drawn to the question of why people choose to pass their belongings from one neighbor to another.
Tiny builders, big exchange
Lidia Butcher gives a toolbox and worktable her two sons used to Chelsea Ward for her 17-month-old son.
“We’ve had the toolbox and worktable for the last 10 years, it’s been very special. When I told my youngest son we were going to give it away, he was a little sad. He said he was still playing with it, but then I explained that it’s been sitting untouched for a year and that if we gave it to someone else, maybe someone else would be happy about it. So he felt joy about giving it to another child who would want to play with it. I have this little emotional feeling letting it go, but at the same time, it’s a good feeling. Like a new beginning.”
— Lidia Butcher, 35, joined the group several years ago when someone told her a person in the group once asked for a cup of sugar.
“We’re getting a worktable. Benji is now old enough to be interested in playing with tools. I’m going to move my drafting table out of his room. His bedroom is my office. So that will go into storage or the Buy Nothing group and the worktable will go in its place. We live in an apartment, and as he’s growing, his needs change but our space doesn’t. Buy Nothing is really helpful to be able to cycle out of stuff.”
— Chelsea Ward, 38, has found the Buy Nothing group extremely helpful since becoming a mom.
Something borrowed
Abby Rodriguez lends Sophie Janinet a veil for her wedding.
“Sophie had asked for a wedding veil on our Buy Nothing group and I’m lending it to her because I wanted it to have a second life. I hate the idea that precious things just sit there and never get touched. My wedding day was one of the best days of my life. At one point the power went out and now we have this amazing picture with my husband and I and everyone using their phone to light up the dance floor.”
— Abby Rodriguez, 40, discovered Buy Nothing when she moved to her northeast L.A. neighborhood in 2020.
“I moved to Los Angeles from France four years ago. The day I joined Buy Nothing was the first time I felt connected to the community. It played a huge role in my adapting to life here. I’m receiving a veil because I want my wedding to look and feel like my values. I thrifted my dress, I chose a local seamstress to alter the dress but when I tried it on, I felt something was missing. I wanted a veil but I didn’t want to buy new because I didn’t want to add anything to the landfill. So I posted a request for the veil on Buy Nothing.”
— Sophie Janinet, 37, is recreating the low-waste, slower-paced values she once lived by in France through her local Buy Nothing community.
1. Abby Rodriguez, left, holds her wedding veil that she is lending Sophie Janinet, right, for her upcoming wedding. 2. Michele Sawers, left stands with Beth Penn, right, while giving her a decorative owl.
A pigeon-spooking owl gets a second life
Michele Sawers gives Beth Penn a decorative owl.
“Coming from a place of luck, now I have plenty to give. The owl has been with me for 26 years. I bought the owl soon after I bought this house. The owl was purchased because I had a pigeon problem, they would camp out under my eves and I would have bird poop everywhere. The owl must have worked because they’re gone and they haven’t come back.”
— Michele Sawers, 58, uses Buy Nothing regularly to connect with her community and support her low-consumption values.
“There are things I don’t want to own. So borrowing those things on Buy Nothing is really nice. There is a person who I borrowed their cooler twice and their ladder twice so I feel like they are my neighbor even though they are not [right next door]. We get these birds that poop on the deck and the recommendation online was to get a fake owl. When it was posted on Buy Nothing, I thought, ‘I have to have that owl!’ It’s going to have a good home with me on the deck with some cats, a dog and some kids.”
— Beth Penn, 47, once helped build her local Buy Nothing group and now experiences it from the other side, as a member.
Stuffed toys find a new purpose
Magaly Leyva, left, stands with Tatiana Lonny, right, with the stuffed toys and play balls she is gifting her.
(Dania Maxwell/For The Times)
Magaly Leyva gives stuffed toys and plastic play balls to Tatiana Lonny.
“My mother-in-law gave the dolls and plastic play balls to my daughter, but she has so much. My daughter is not going to play with them with the same intent that another kid would, because she’s really little. I’d rather another kid use these things.”
— Magaly Leyva, 35, joined Buy Nothing nearly four years ago to find clothes for her nephew.
“I’m taking these new items to a township called Langa in South Africa. I know the kids there will be so happy. They have so little there. I’m doing this all by myself, I’m just collecting a GoFundMe for the suitcase fee at the airport.”
— Tatiana Lonny, 51, began using Buy Nothing in hopes of finding resources to support the animals she rescues.
A second helping
Laura Cherkas gives Aurora Sanchez a cast iron pan.
“Buy Nothing gives me the freedom to let go of things because I know that they will stay in the community and the neighborhood. I’m giving a couple of cast iron items that my husband and I got when we were on a cast iron kick, probably during COVID. We determined that we don’t actually use these particular pans and they were just making our drawers heavy. So we decided to let someone else get some use out of them.
“I hate throwing things away. I want to see things have another life. Sometimes I take things to a donation center, but I like the personal connection with Buy Nothing and that you know that there is someone who definitely wants your item.”
— Laura Cherkas, 40, has built connections with other moms through Buy Nothing and values it as a way to cycle toys in and out for her child.
Laura Cherkas, left, holds the pan she is gifting Aurora Sanchez, right, through Buy Nothing.
(Dania Maxwell/For The Times)
“I wanted a cast iron pan because I cook a lot of grilled meat. I’m excited to try this style of cooking out and it will help me when I cook for only one or two people. I got lucky because I was chosen to receive it.”
— Aurora Sanchez, 54, has spent the past two years engaging with Buy Nothing, finding in it a sense of neighborly support that makes her feel valued while strengthening her connection to the community.
Next player up
Joe Zeni, 70, is using his local Buy Nothing group on Facebook to give away a basketball hoop he used with his son when he was little.
(Dania Maxwell/For The Times)
Joe Zeni first offered a basketball hoop on Buy Nothing in 2023, where it remains unclaimed.
“I’m giving away a Huffy basketball freestanding hoop because it’s just taking up space. We used to play horse and shoot baskets together. My son is now 35, he doesn’t live here anymore.”
— Joe Zeni, 70, uses Buy Nothing often to give items away, believing many of the things he no longer needs still have purpose.
Lifestyle
Armani Goes Back to the Archive
In the year since his death, there has been no hard pivot at Armani. The shadow of the founder has stayed in place over the Milan HQ, where the brand seems happy to leave it. Armani is not just plumbing the past for continued inspiration, it’s reselling it.
Today, Giorgio Armani is announcing Archivio, a grouping of 13 men’s and women’s looks, plucked from the brand’s back catalog and remade for today. (And, yes, at today’s prices.) There’s a jacket in pinstriped alpaca of 1979 vintage; a buttery one-and-a-half breasted jacket with a maitre d’s flair that first appeared in 1987; and an unstructured silk-linen suit that will activate ’90s flashbacks for die-hard Armani clients and those who want to capture that era’s nostalgia. The advertising campaign was shot and styled by Eli Russell Linnetz, who has his own label, ERL, but always seems to be the first call brands make when they want sultry photos with the aura of Details magazine circa 1995. (He did a similar thing for Guess recently.)
Linnetz’s images are a reminder of how Armani’s work still reverberates decades later.
Archivio is also a canny recognition of what shoppers crave now. On the resale market, Armani wares are as coveted as can be. Every week it seems as if I get an email from Ndwc0, a British vintage store, announcing a new drop of meaty-shouldered ’90s Armani power suits. They sell for less than $500. At Sorbara’s in Brooklyn, you can buy a tan Giorgio Armani vest for $225.
That vintage-mad audience is in Armani’s sights: To introduce the collection, it’s staging an installation, opening today, at Giorgio Armani’s Milan boutique. It will feature the hosts of “Throwing Fits,” a New York-based podcast whose hosts wear vintage Armani button-ups and shout out stores like Sorbara’s.
It’s prudent, if a bit disconnected. Part of the charm of old Armani is that it can be found on the cheap. I’m wearing a pair of vintage Giorgio Armani corduroys as I write this. I bought them for $76 on eBay. Archivio is reverent, but its prices, which range from $1,025 to $12,000, may scare off shoppers willing to do the searching themselves.
If you ask me, the next frontier of this archive fixation is that a brand — and a big one — will release a mountain of genuine vintage pieces. J. Crew and Banana Republic have tried this at a small scale, but a luxury house like Armani hasn’t gone there. Yet. Eventually, Armani (or a brand like it) is going to grab hold of the market that exists around its brand, but through which it gets no cut.
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