Lifestyle
The greatest trees of Los Angeles
There is a sycamore in the front yard of my grandparents’ house, the house where my father grew up. It is a giant, towering over the home, the yard, the whole neighborhood. Last spring, when my grandmother was fading and the tree was coming into leaf, I stood under the sycamore for a long while, listening to the wind rustling its new growth. It was a delicate sound that, every so often, turned into a tremendous roar as the breeze went gusty.
My grandmother died a few weeks later. She was 101. The tree must be at least as old. Several months after she died, once the house was ready to sell, we all fell into a minor panic about the future of our beloved sycamore. Surely, anyone buying this small, old house would be developing the lot, and would take down the tree.
A sycamore tree in Griffith Park.
(Devin Oktar Yalkin / For The Times)
But a day or two later, we learned that it is rather difficult — and also, illegal — to cut down a very old, still-alive sycamore, oak, California bay or black walnut in Los Angeles. It turns out the city has an entire department — its urban forestry division, and specifically its tree czar, Rachel Malarich — responsible for, among other things, saving such trees. All it took was alerting the office to the location and existence of our sycamore and the division would, if it hadn’t already, add it to its ever-growing list of trees it aims to protect.
I wrote “our sycamore” above, but great trees defy possessives. They are home to bees and birds and squirrels and ants and countless other critters. They are often older than all of us, older than the sidewalks, the streets, the parks. Older, sometimes, than the city itself.
These trees, belonging to no one, are for everyone.
The old sycamore was on my mind when, a few months ago, I got the idea to find and visit the greatest trees in all of Los Angeles. The idea wasn’t entirely my own — I was cribbing it from a tree of the year “contest” held in the United Kingdom, which, I came to learn, was itself part of a larger, European-wide tree of the year contest that includes at least 15 other nations, and began in the Czech Republic more than a decade ago.
Like the judges of these contests, I was interested in old, big trees — the sort of trees that tree pros and tree enthusiasts like to call specimens. I started my search for specimens by talking to many, many tree people: arborists, landscape architects, gardeners and garden nerds, historians and activists, tree-heads all. Like Jorge Ochoa, a horticulture professor at Long Beach City College, who suggested the tree he gets asked to identify most: a huge araucaria, also known as a bunya-bunya, that appears in the film “Blood In, Blood Out” and is an icon of East L.A. Or Jenny Jones, a landscape architect at Terremoto, who mentioned a “profoundly beautiful” mulberry in the Elysian Heights Elementary school garden. Leigh Jerrard, at Greywater Corps, said his favorite tree in L.A. was a valley oak on Chesebro Road in Agoura Hills, but then he caught himself. Had it survived the Woolsey fire a few years back? He wasn’t sure. He texted me a few days later. Nope. It was no longer alive.
A camphor tree, Cinnamomum camphora, at Evergreen Cemetery.
(Devin Oktar Yalkin / For The Times)
Giant avocado tree in Atwater, near the L.A. River. (Devin Oktar Yalkin / For The Times)
A floss silk tree towers over the Yamaguchi Bonsai Nursery. (Devin Oktar Yalkin / For The Times)
This was the case with a lot of legendarily great L.A. trees: They were now dead. A few different tree-heads mentioned the gigantic silk floss that was once at the Hotel Bel-Air, and many more suggested the Encino Oak, which by some estimates was already 500 years old when the first Spanish expedition through California camped under it. But Jeff Perry, who knows fallen trees, told me that the greatest L.A. tree of all once stood on what is now Commercial Street at the 101 Freeway, not a half-mile from Angel City Lumber, which Perry runs.
“This tree is so important,” he told me. “It was the centerpiece of the Tongva village here. It stood when the pueblo was established, when Mexican occupation took over, when American occupation took over.” A winemaker shaded his casks under its limbs, then German immigrants bought the winery and turned it into a brewery. Eventually the tree, which had long been known as El Aliso — Spanish for sycamore — was turned into firewood. “The point,” Perry said, “is that this was a tree that witnessed multiple layers of colonization.” Today, on the corner by the freeway onramp, there is a small plaque about El Aliso, the great tree that stood there for so long, and saw so much.
Another, more recently dead great tree that I kept hearing about was the Eagle Tree, another huge sycamore and an old Compton landmark. Its trunk has been saved, and there are now plans to distribute young clones of the Eagle Tree throughout the Southland, thanks in large part to the work of Kim Cooper and Richard Schave, preservationists who run the L.A. tour company Esotouric. There were many other trees Cooper and Schave mentioned — East L.A.’s El Pino, an old queen palm on Bunker Hill called Sunshine, some more very old bunya-bunyas at Rancho Los Amigos — and several other trees out there to save and celebrate before they expire. But before all that, they told me, I simply had to speak to Don Hodel.
This was not the first nor the last I would hear of Hodel. In fact, pretty much every other tree-head I spoke to mentioned him either right off or in closing, or followed up a day or two later with something along the lines of what Cooper and Schave had said: that if I was looking for great trees, the best trees, the trees worth celebrating, I really ought to be talking to Don.
The prickly surface of the floss silk tree near Yamaguchi Bonsai Nursery.
(Devin Oktar Yalkin / For The Times)
Ficus religiosa, Lafayette Park. Commonly called bo tree, it’s famous for being the same species that the Buddha meditated under when achieving enlightenment.
(Devin Oktar Yalkin / For The Times)
Donald R. Hodel is the emeritus environmental horticulturist for the University of California Cooperative Extension in Los Angeles. In 1988, Hodel authored a book, published by the California Arboretum Foundation, titled “Exceptional Trees of Los Angeles.” It is exactly what its title describes: a book of very good — or, I’m sorry, exceptional L.A. trees. It is long out of print, but I found a copy, and was thumbing through it when we spoke.
I told Hodel about my plan, which had, after several weeks among the tree-heads, plus some scouting missions, been refined a touch. I was after, I’d decided, only the most public of trees, which meant simply: the more accessible, the better. Sure, there was a California buckeye I adored at Descanso Gardens, but any place you had to pay to see a tree was out. As were trees in private backyards, or high-fenced front yards. The tree had to be highly visible, enjoyable and not a tree you had to hike too far to see. If it was in a public park, then at most it might require a minor walk, ideally not even uphill. If it was the sort of tree someone (someone who was not yet a tree-head) might drive by all the time and not really notice, or notice but think simply, “Huh, what a large tree!” — that was perfect.
Hodel thought first of the many streets in L.A. lined with great, glorious tree plantings: the coral trees along San Vicente, the Canary Island date palms lining the entrance to Dodger Stadium, the gum myrtles on Kenilworth Avenue in Pasadena and, of course, in Altadena, the deodar cedars along Christmas Tree Lane (“a spectacular planting,” Hodel said). But when I explained that it was specimens I was after, I heard Hodel go silent a moment. He had his book out too, and was flipping through it. “Some of these trees,” he said quietly, almost to himself, “I haven’t been back to them in 30 years, and they may not be there.”
Hodel then told me about a grapefruit tree in Little Tokyo that was planted about 150 years ago by Japanese American settlers as part of the first citrus grove in Los Angeles. For decades, the tree sat behind a building in a vacant lot, until the neighborhood rallied to save it, and replanted it in the courtyard of the Japanese American Cultural Center. It was by now very likely the oldest citrus in L.A., certainly the only one left from that original grove. “Ask if it’s still standing,” Hodel told me. And, later, I did. Reader, it is.
The 150-year-old grapefruit tree in the courtyard of the Japanese American Cultural Center.
(Devin Oktar Yalkin / For The Times)
There were also, of course — Hodel continued — the ficuses; the Moreton Bay figs in particular, which get absolutely gargantuan, and are never not notable, lining as they do La Mesa Drive in Santa Monica, or Vermont Avenue on its approach to Griffith Park, or spreading their branches out over the Pacific Ocean on Point Fermin in San Pedro, or beside the old library in South Pasadena. But one of his favorites — and mine, it turned out — was next to St. John’s Presbyterian Church, on National Boulevard, a few blocks from where the 10 Freeway crosses the 405 Freeway. This one tree takes up practically the whole block, was planted in 1875, and is the sort of specimen that can cause someone to gasp, and gawp, and long to pull over and stand beneath it for a while, just contemplating things like time and space and root systems.
Hodel had given me more than a few great trees but I was a greedy, half-tree-mad man by now. I wanted more: more trees, older trees, even better trees. He mentioned Orcutt Ranch, which, he said, had some of the oldest valley oaks around, and an even older coastal live oak, so old you could still see on it the scars from where its branches had been removed to fire the kilns that made the adobe brick that built the San Fernando Mission. “Lot of history tied up in those old oaks,” Hodel said.
About a week later, I visited the oak, which is a short walk from the parking lot to the back of the property, the last small parcel of a once-sprawling ranch that is now a public park. The tree has the look of an ancient thing — knobby and gnarled and thick, so thick and tall it appeared at times like several oaks stacked on top of one another. A tree like this is practically planetary; it creates its own ecosystem, and while we — photographer Devin Yalkin and I — stood in its silence and stillness for a spell, we also began to notice all the life within it and upon it: We counted at least two beehives, a half dozen squirrels, several California towhees and oak titmouses, many, many lesser goldfinches, huge networks of spiderwebs, plus dark holes and hollows throughout the oak that were certainly home to many more creatures we could not see. This tree, by some estimates, is at least 700 years old, which would make it a likely candidate for the oldest tree in all of L.A.
An excellent Moreton Bay fig tree at Mid-City’s Prescott School.
(Devin Oktar Yalkin / For The Times)
Among the oldest trees in Los Angeles, a coastal live oak at Orcutt Ranch.
(Devin Oktar Yalkin / For The Times)
But the day was young, and we still had many more trees to see, so after an hour or so, we drove across the San Fernando Valley, up and over the hills to the triangle where Cahuenga crosses Franklin, to an entirely different sort of specimen: a handsome jacaranda, not so incredibly old, not even especially big, just beloved, and beset on all sides by the city. I had heard about this tree from Nick Araya, an arborist who runs TreeCareLA. This tree, he told me, was managed by the surrounding neighborhood; they had a committee for it, even. Last year, Araya had been contacted by the neighborhood tree committee after the jacaranda in the triangle had been mysteriously vandalized. Someone, or something, had pruned a large portion of the tree. “They almost ruined it,” Araya said.
Araya sent his colleague Oscar Sanchez out to investigate, and Sanchez eventually figured out that someone, likely employed by some corporate entity (an advertising agency, perhaps), had illegally chopped the tree just to make a nearby billboard more visible. “Corporate vista pruning,” Sanchez called it. But people, Araya pointed out, obviously care more for trees than they do for billboard advertisements. And indeed, after a short time looking at the jacaranda, a man walking a small dog cautiously approached. His name was Louis Alfaro. The dog was his neighbor’s, and named Nacho. Alfaro was very worried about what we might be doing to the tree — did we work for the city? Was Devin photographing the site to take down the tree? It was one of the few patches of nice green shade, and there was already so much vandalism around it, he said. He’d lived in an apartment in the neighborhood for 11 years and visited the tree almost every day.
Wherever Araya goes in the city, tending trees, he encounters folks like Alfaro, who care deeply for specimens that are not on property they own, that are not their own trees, but they feel an ownership and responsibility for them all the same. Araya also catalogs champion trees — the largest specimens in the state or even the country — wherever his work takes him, which is all across L.A. One of his favorite specimens to send fellow arborists out to is the towering silk floss in back of Yamaguchi Bonsai Nursery on Sawtelle. He’s also particularly fond of a Moreton Bay fig that’s spilling over the muraled retaining wall of Mid-City’s Prescott School.
Among the other L.A. champions in the registry of California Big Trees is the state’s largest avocado tree, in Atwater, as well as the largest Canary Island pine, in Lawndale, and the largest deodar cedar, in Lafayette Square. These are all common trees that can be seen throughout the backyards and supermarket parking lots of Los Angeles. But these individuals have grown old and huge and worth celebrating, even if they happen to be unassuming and unexpected, situated as they are on quiet residential streets.
Dragon trees in downtown L.A.
(Devin Oktar Yalkin / For The Times)
The oldest plant in the world of known planting date is the Ficus religiosa Sri Maha Bodhi, which was planted in Anuradhapura, Sri Lanka, in 288 BC. Today, the bo tree is revered as a symbol for prosperity, happiness, good fortune and long life. (Devin Oktar Yalkin / For The Times)
The champion rose gum tree. (Devin Oktar Yalkin / For The Times)
Outside of the city’s parks department maintenance yards is another such champion, a rose gum, which is also known as a smooth-barked apple gum. Like many other very large trees in L.A. — the eucalyptuses, the bunya-bunyas, the Moreton Bay figs — it hails from Australia. As Devin and I were taking it in, Leon Boroditsky, the principal forester for the city’s parks department, walked out to meet us. His office is just across the street. What Boroditsky likes about this tree, beyond its pleasantly smooth bark and rosy shade, is that it’s an anonymous tree. That is, we do not know who planted it, or exactly when, or how. It is on a street corner that was once part of Griffith Park, and it’s possible that someone, long ago, simply acquired an interesting sapling of an exotic tree, had no yard in which to plant it, so planted it in what was, back then, the park. And now, here it is: a towering testament to one Angeleno’s long-ago hopes for the city’s future.
Trees are like that, existing as they do on a timescale so different from our own; they connect us to a distant past while also bearing witness to a future we will never live to see. After months spent searching for the greatest trees in L.A., I’ve come to realize that what I believe makes a tree great is not necessarily its size or its age but its ability to keep on living, especially if it has persisted despite prolonged neglect. That a tree, particularly a tree in a tree-poor part of town (of which there are, in L.A., far too many) endures is — well, it’s a very hopeful thing, isn’t it?
Aleppo pine, the tallest pine species that grows in L.A. This one is at the top of a hill overlooking the 5 Freeway and L.A. River in Elysian Park. Someone added a swing.
(Devin Oktar Yalkin / For The Times)
I suppose this is a roundabout way of explaining why it is that quite a few of what have become my favorite trees in L.A. are not the sort of trees that judges of any tree competitions may necessarily deem great. Many are still quite young, so really what I like about them is their potential, like some of the more than 400 trees planted in and around Skid Row by folks at Industrial District Green; or the still-young coastal live oaks and black walnuts, many planted by North East Trees, which as they grow and fill in will make up a dense microforest in Ascot Hills Park; or many young trees planted throughout city parks in Long Beach, Cerritos, Lakewood and Seal Beach, many rare and cultivated by Hodel for an organization called Southeast Trees.
The other sort of trees I love are the trees that have, despite our best efforts, endured, like a red river gum eucalyptus in West Carson. This tree sat alone for years and years in an old industrial brownfield, the site of a former synthetic rubber factory, putting down its roots in poisoned earth, surrounded by scrap yards. The tree is just about the tallest feature for a mile in any direction, a lighthouse for nature that draws people to it. And now, the eucalyptus is the heart of a soon-to-open park, developed by the Los Angeles Neighborhood Land Trust, named Wishing Tree Park. That’s what a great tree can be: a witness, a wish, a beacon — hope. A great tree is the park that got built around the tree, because it held on long enough for enough of us to finally take notice.
Do you have a favorite tree in L.A.? Tell us about it here.
Lifestyle
‘Supergirl’ has a solid hero but could use a better villain : Pop Culture Happy Hour
Milly Alcock in Supergirl.
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Hollywood’s newest Supergirl is kind of a dirtbag — in the good way. Fearless and grumpy, Supergirl (Milly Alcock) sets out on a quest to support a new pal’s revenge journey and to make a point that should be clear by now: Never mess with a lady’s dog. Also featuring David Corenswet and Jason Momoa, is Supergirl a worthy follow up to Superman?
If you want more DC superhero action, check out these episodes:
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Lifestyle
L.A. Affairs: After decades of near-misses, I finally told him: ‘I’m not leaving here without you’
It didn’t take endless quarantining with my spouse during the COVID-19 pandemic to end my marriage of over two decades. By the summer of 2019, menopause — and the extra-added “bonus” of frontal fibrosing alopecia that it awakened — was pummeling me physically and mentally to the extent that I no longer had the capacity to function inside the dysfunction of my life.
The relief that came with the decision to finally let go was completely dwarfed by the immense pain of severing a family in two. I cried as I packed. I cried as I unpacked. I was rolling endlessly in a dark wave that would not stop; my feet could not tell sand from sky. Once I managed to break the surface, I reached out.
I called Tish, Diane and Michelle, three smart, strong, nurturing women who’d been through and survived divorce. I also called my brother, Dan, and my friends Doug and Steve, three kind, creative, funny men who always “got” me.
As for Steve, we met in the spring of 1984 when he auditioned to be the drummer for the Secrets, the band Dan, Doug and I had started the year before. In our small-town high school of fewer than 400 students, he had flown completely under my radar, as he was two years younger, and he joined marching band the year after I’d ditched my baritone horn for a microphone and Pat Benatar tights. Steve aced the audition, and the four of us clicked immediately over our shared love of the Pretenders and all things Monty Python. By mid-June, the Secrets were playing local bars and biker parties in the middle of nowhere, and I was head over heels in love with the drummer.
It wasn’t supposed to happen like that. I wasn’t supposed to fall in love with a boy from my hometown.
I had spent my whole life dying to get out of Middlebourne, W.Va., and had been champing at the bit to leave for college, but by late August, that no longer meant freedom; it meant that I’d have to leave Steve behind. I told myself we’d defy the odds and make it work. He was my soul mate. But we were just kids, and there was no internet, no cellphones with unlimited text and calling. By February 1985, the divide was too great. In a moment of loneliness, I cheated on him. It was over, and I was firmly told to take my place in the friend zone.
I spent the following year flailing and failing in college before making the bold, half-baked decision to drop out of the West Virginia University theater program and move to Los Angeles, a place I’d never been, to pursue a singing career. When Steve found out that I was moving across the country, he softened his friend-zone stance and told me he loved me. On July 13, 1986, he went with my parents to Pittsburgh International Airport to see me off.
For the next 33 years, we would come together and drift apart — sometimes as lovers but mostly as friends. During a visit to my Hollywood apartment in 1988, when he was still in college and the timing was still wrong, I told him, “Who knows. Maybe in 30 years, I’ll come back and get you.”
In November 2019, Steve came to visit me for a long weekend.
I picked him up at Los Angeles International Airport and took him straight to Zuma Beach for a picnic, where we watched dolphins jumping in the waves while the seagulls stole our potato chips. The following day, we cozied up for an afternoon of wine and cheese at Cornell Wine Co. in Old Agoura, then made our way over Topanga Canyon for dinner at Canyon Bistro & Wine Bar.
The night before he flew home, we watched the sun set from our table by the lake at Zin Bistro Americana in Westlake Village. I felt giddy, excited, seen, understood and appreciated in a way I hadn’t felt in a very long time. While it was tempting to jump right in with both feet, we decided to date long distance and take things slowly.
On March 26, 2020, while Steve was still recovering from being profoundly ill with COVID, I arrived at his doorstep at 6 a.m. and proclaimed, “I’m not leaving here without you.”
Two weeks later, after packing most of his belongings into U-Haul shipping crates, we left Parkersburg, W.Va., in Steve’s red Volkswagen Golf with two suitcases, one Treeing Walker Coonhound and one Aussie/Chow mix. I-40 West was practically empty; just us and the occasional car or Amazon truck.
We arrived in California on Easter Sunday and joined the rest of the world in quarantine, not knowing how it would affect our work and financial future. We took a lot of long walks to help deal with the stress of the not knowing, but the magic panacea for me came the day Steve’s Harley-Davidson arrived in one of the crates.
We cruised up and down PCH, and roared our way up and over Mulholland Highway, Stunt Road, Malibu Canyon and Decker Canyon, stopping along the way to stretch our legs, feel the sea spray on our faces and take in views from the valleys to the coastline. We were surrounded by so much beauty; it was almost impossible to let trepidation win.
On one particularly memorable ride on Mulholland Highway between Kanan Road and SR 23 near Saddle Rock, we came around a bend and — bam! — right in front of me was the greenest mountain range I’d ever seen in California, gleaming spectacularly in the sunlight. As I inhaled its gorgeousness and exhaled my stress, I thought, “I can’t believe I get to see this. I can’t believe I get to do this. I can’t believe I get to be with Steve.”
In September 2024, I got to marry Steve.
As my brother, Dan, said at the reception, “What a long, strange trip it’s been.”
The author lives in the suburbs of Los Angeles with her husband, Steve, and their dogs, Coco Puff and Kira.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
‘The Bear’ is back in the kitchen
Sydney (Ayo Edebiri) and Carmy (Jeremy Allen White).
FX
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There has always been a metaphorical parallel between The Bear, the television show, and The Bear, the fictional restaurant on the television show. Even as Carmy (Jeremy Allen White) and Sydney (Ayo Edebiri) transformed the Italian beef joint into the fancy restaurant of their dreams and wished for a Michelin star, there were undoubtedly locals who thought, “This is great and all, and I’m sure the food is good, but … I liked the beef sandwiches.” There’s still a window at The Bear to get them, but the focus is certainly elsewhere.
When it started, The Bear was mostly about the work that took place in the kitchen. The stresses of too many orders, territoriality from Richie (Ebon Moss-Bachrach), the arrival of Sydney, and the tightly wound but undeniably talented Carmy, making everybody both extremely stressed and significantly better. Over time, it shifted and grew, putting together beloved departure episodes like “Fishes” in Season 2, which introduced a boatload of guest stars for a flashback story of a disastrous family dinner before Mikey (Jon Bernthal) died. It spent time with Sydney’s family, it explored the way Tina (Liza Colón-Zayas) and Mikey originally met, it followed Marcus (Lionel Boyce) to Copenhagen, and it went with Richie to work for Andrea (Olivia Colman). All these episodes were excellent. And there was still a kitchen. But the focus seemed to be elsewhere.

At times, the show seemed to have disappeared up its own nose, to the point where you weren’t watching the show The Bear as much as you were watching the phenomenon The Bear. There were too many real-life chef cameos, until it seemed like those chefs were checking a box on a list of “things all the cool kids do.” There were too many other cameos, culminating in a rare miss from the reliably charismatic John Cena. The show placed a lot of narrative weight on Carmy’s love interest, Claire (Molly Gordon) — weight that the underwritten character couldn’t support. But even if every experiment and every diversion had worked, viewers couldn’t be blamed for missing the close focus on the kitchen and the camaraderie — for thinking, “This is all really special, but I do miss the beef sandwiches.”
The fifth and final season dispenses with the departure episodes, and it mostly dispenses with cameos. It all takes place on one day, just after Carmy tells Richie and Sydney that he wants to step back from the restaurant and give it to them and Sugar (Abby Elliott) to run, and it mostly takes place right there at The Bear. Now that the clock set by Jimmy (Oliver Platt) has run out, his money has run out as well, and a series of cascading disasters puts Sydney, Carmy and Richie behind the 8-ball from very early in the day, not least because of the tension hanging over all three of them as they prepare to tell the staff about Carmy’s decision to leave.
Tina (Liza Colón-Zayas).
FX
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FX
We spend this day mostly with the people we know best: our three leads, along with Sugar, Tina, Marcus, and the rest of the staff — including Luca (Will Poulter), who has stayed around to keep working with Marcus. Jimmy is running around with Computer (Brian Koppelman) and a young apprentice of his named Cheese (Elsie Fisher of Eighth Grade), trying to figure out what to do about his finances since it is Jimmy, and not just the restaurant, who’s out of money.
This day takes a while to get cooking, so to speak. The first three episodes of the season are slow, the first two in particular. It’s pouring rain outside, the lighting is dim, and the score maintains the same contemplative melancholy for a long, long time. For about two and a half episodes, it feels like one extended, low-energy scene.
But after that, there’s a shift in tone as the staff looks to get through service, and through seven episodes (FX did not make the finale available in advance for critics), the rest of the season is terrific. What you see is the core story of The Bear, which is people trying to serve food and overcome problems, but through the lens of everything that has happened over the show’s run: Carmy’s retreat from his obsessiveness, Richie’s expansive (and inspiring) discovery of his gift for hospitality; Sydney’s stepping forward from second-in-command to leader; Tina’s complex relationship with the restaurant and her grief over Mikey; Sugar and Carmy’s relationship with Donna (Jamie Lee Curtis); the arrival of Marcus as a high-end pastry chef.
The question the show asks over the last four episodes is: Given all those digressions and flashbacks, given all those visits with families and others, given everything we know about where all these people have been and what they’ve experienced, how does a high-pressure service — of the same kind we used to see in that first season — look now? How do they behave differently, and how does their behavior read differently? How are they the same people we have always known, but at a different juncture, in a different context? How do their wins mean more to them, and to the audience?
On the one hand, making a season this way, there are fewer surprising grace notes, like “Napkins,” the Tina/Mikey flashback episode in Season 3, or “Worms,” the episode in Season 4 where Sydney hung out with her cousin (Danielle Deadwyler) and her cousin’s kid. The Bear feels less daring and more conventional.
But oh, when they have victories under pressure? Victories, large or small? It is immensely, richly satisfying. There’s also more comedy other than just the goofy Faks family than we’ve had in a few seasons; Richie is perhaps the MVP of the season, and that’s partly because of how often he gets to be really funny. Ayo Edebiri continues to be the show’s best reactor, showing Syd eternally a little bit surprised (dismayed?) that she’s chosen to throw in her lot with these people.
There are a couple of questions yet to answer in the finale, both little plot items and broader character resolutions. Over these seven episodes, though, there is much to cheer.


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