Culture
Rising star: Knicks' Jalen Brunson is finally receiving the recognition he deserves
After yet another disappointing, early-season loss, Jalen Brunson stood at his locker, ready to speak with the media in Milwaukee.
As the point guard turned around, straight-faced as usual following the Knicks’ fourth defeat in six games, he donned a homemade T-shirt, all black and with white lettering on it, that appeared as if it were straight off the Vistaprint presses.
Across Brunson’s chest read a familiar idiom: The magic is in the work.
“This is a Sandra Brunson production,” Brunson said, referencing his mother, who stamped the family’s longtime motto onto the crewneck. Of course, “The magic is in the work” is not a Brunson family original.
Anyone who knows Knicks head coach Tom Thibodeau has a Pavlovian relationship with that expression. Those 19 letters form his favorite saying. Find anyone who has been around the coach, mention that the magic is in the work and prepare for that person either to quip about Thibodeau or to go into an impression of a man who has dedicated his life to basketball.
Years ago, Brunson’s father, Rick, who played for Thibodeau when he was a player and when Thibodeau was an assistant coach with the Knicks in the 1990s, had ripped the parlance for himself. He and Sandra have repeated it to Jalen for two and a half decades. Rick is somewhat of a Thibodeau loyalist. He played for him in New York, where the two grew close. He was an assistant for Thibodeau in the head coach’s first stop in Chicago, his second in Minnesota and now his third in New York.
Rick would take his son to the office during those years. Thibodeau remembers back in the 1990s when Jalen was not just too small for stardom but too small for grade school and would show up to Knicks practices with ready-made impressions of the team’s top players. He did Latrell Sprewell, Allan Houston, Patrick Ewing and Larry Johnson.
“He had it spot-on,” Thibodeau said. “He was, like, 6 (years old) and he had all their moves down.”
Thibodeau could never have known then that he would eventually become the head coach of that franchise. Even less so, he could not have predicted that Rick’s son would be the leader of his squad — and, as of Thursday, would officially become an NBA All-Star for the first time in his career.
No one in the clique could have guessed the engineer of that team, one that would shatter a seemingly never-ending stretch of Knicks-induced depression among its fan base, would be Rick Brunson’s at-the-time agent, Leon Rose, who would eventually work his way up at CAA, which also represents Thibodeau, to run the agency’s basketball division before the Knicks would hire him away to become their team president in 2020.
After Jalen signed with the Knicks two years ago, he provided a one-word response as to why: “Family.” He didn’t just hope to work for his father; Rose was there, too. He wanted to play for Thibodeau, the hyper-intense basketball addict he’d known since he was too young to remember. And it’s not like the Knicks had swiped away someone who was just as coveted everywhere else.
Brunson’s former team, the Dallas Mavericks, had chosen not to offer him an extension that would have been approximately half of the $104 million he eventually signed with the Knicks, a contract that was widely critiqued as an overpay. Today, it’s one of the NBA’s most team-friendly deals.
This has not been the trajectory of a typical All-Star. Brunson was a three-year collegiate constant, a second-round pick who didn’t play much as a rookie and who didn’t regularly start until his fourth professional season. He’s shorter than his peers, can barely dunk and is more obsessive about pivots than he is about crossovers.
Of all the parallel universes in existence, this is the only one where Brunson becomes an All-Star with this team in this city playing for this team president and this coach while also becoming the face of an organizational turnaround. And yet, it’s happening.
When the NBA announced the All-Star reserves Thursday, two Knicks popped up: Julius Randle, who is now an All-Star for the third time in four seasons, and Brunson, who made it for the first time.
Randle’s emergence is unconventional, as well. The Los Angeles Lakers selected him in the 2014 lottery but let him walk in free agency once his first NBA contract expired. He signed a one-year, bet-on-himself contract with the New Orleans Pelicans, who let him go after that season, too. After a chase for Kyrie Irving and Kevin Durant ended with the two stars heading to the Brooklyn Nets, the Knicks turned to Randle, handing him a shorter-term deal for less money.
No one could have guessed that four and a half years later, a New York basketball team would capture the heart of the city behind its two All-Stars — and neither of them would be Durant or Irving.
“The thing that’s special is they’re self-made,” Thibodeau said. “It wasn’t given to them, and they’ve earned it. We’re proud of them.”
This was never supposed to happen. And yet, we’re watching the same events transpire night after night.
The Knicks are 32-17 on the season, winners of nine consecutive games. It’s as if they have chosen to stop losing. They are 15-2 since Jan. 1. Each night, someone new gets hurt, and it doesn’t seem to matter. Mitchell Robinson underwent ankle surgery in December, but the team has held up with Isaiah Hartenstein proving he’s first-string caliber since. And of late, the roster is falling apart.
Randle dislocated his shoulder less than a week ago. He missed his first game Monday. That same night, OG Anunoby had to sit because of inflammation in his elbow. He hasn’t played in the three games since. A day later, Quentin Grimes took a hit to the knee, which is now sprained, sidelining him.
The Knicks were missing four rotation players Thursday night. Thibodeau is breaking the laws of time, running his favorites for 59 minutes in regulation games. And yet, they just keep winning.
They wrecked the Charlotte Hornets on Monday, destroyed the respectable Utah Jazz the following evening and roared back from down 15 to top the ever-exciting Indiana Pacers 109-105 on Thursday.
Somehow, the Knicks, a team more associated with squalor than ballers for the past 23 years, are a half-game out of second place in the Eastern Conference. And it’s difficult to look anywhere but at Brunson.
Thursday’s performance was his masterpiece: a 40-point showing against a defense that threw anything it could at him. With the Knicks short-handed, the Pacers double-teamed him from the start. They were physical with Brunson as Brunson normally is with whomever he’s competing against — enough so that near the end of the game, Brunson took a smack to the face and collapsed to the floor only for whistles to be swallowed.
On the next play, Brunson scored an and-1, giving New York a one-point lead with under two minutes to go.
“One A, 1B, it doesn’t matter. The dude is an All-Star. He’s (having) an MVP-caliber season right now,” Donte DiVincenzo said. “He should be the player of the month this month. What else can I say? The dude’s doing everything he possibly can for us to win games. It’s not easy right now with Julius going down, OG going down, Mitch not being here. Everything’s been thrown against us and he’s still willing us to win games.”
Brunson is now averaging 27.1 points, a career-high, to go with 6.4 assists on the season. On Thursday, he had his fifth 40-point game over the Knicks’ first 49 games. He’s gone for 30-plus 19 times. Of the 534 players who have scored a point so far this season, only three, a trio of MVP candidates, have totaled more than Brunson: Shai Gilgeous-Alexander, Giannis Antetokounmpo and Luka Dončić.
This story, this career was meant to occur only in dreams.
If Rose hadn’t come to the Knicks, if he hadn’t hired Thibodeau immediately upon his arrival, if Thibodeau hadn’t become close with Rick 25 years ago, if Rick hadn’t been a lifelong Rose loyalist, if Rick’s and Rose’s kids hadn’t been so close for so long that Rose’s son, Sam, hadn’t grown up to become Jalen’s agent, this player with this background probably does not become an All-Star for this team.
But, somehow, it happened. Brunson has become one of the NBA’s least likely All-Stars, only the 21st second-round pick to make an All-Star Game since the league implemented a two-round draft in 1989. And somehow, the Knicks have followed in his stead.
They’ve acquired his best friends from Villanova: DiVincenzo, Josh Hart and Ryan Arcidiacono. Somehow, all those players have turned into no-brainer roster additions. Somehow, they were able to add Anunoby, who is the personification of this group’s new identity: hard-nosed, defensive-minded and team-oriented.
It starts at the top.
The Knicks have gone out of their way to sign Thibodeau-minded players: Ones who care about defense first, ones who will dive into the stands with three minutes to go in a 20-point game. But it helps when your best player plays that way, too.
“When your All-Star and your leader does it, it sets the standard,” Hart said. “But that’s something that each of us take pride in.”
In a league where some teams create rules discouraging players from diving for balls in practice scrimmages just because they can’t risk a leading performer injuring himself, Brunson takes charges in practice. He is one of two guys on the team, along with Arcidiacono, who does it. He leads the NBA in offensive fouls drawn. He is a star who carries himself like a role player, probably because he wasn’t supposed to be much above that.
He was not supposed to go for 40 this often. He was not supposed to be the one whom Knicks fans stayed late for just so they could lose their voices.
After the win over the Pacers on Thursday, MSG’s Alan Hahn approached Brunson for the typical postgame, on-court interview, the audio of which is played throughout the arena as well as on television. Of course, this was not your usual game.
Brunson had just gone for 40 points against a defense that was swarming him. He’d officially made All-Star only hours earlier. The 20,000 in attendance were the rowdiest of any group that had filled up Madison Square Garden so far this season. When the Knicks are rolling, and the fan base knows it, these games turn into another kind of event.
Most of those masses didn’t leave once the game ended. Instead, they waited for Brunson to begin his interview. Hahn asked about the night, about Brunson finally sneaking onto an All-Star team after he bore the label of the token snub a season ago. But even with the mic turned up, you could barely hear Hahn over the thousands who remained in the arena screeching “MVP!” chants.
Brunson, who’s not known for his public displays of emotion, choked up. He couldn’t bring himself to talk.
“It was cool the whole experience, how we won, obviously what happened before the game,” Brunson said. “You always work for certain moments but you never know how to react once they happen. It was special.”
That moment was not just about Thursday night — not just about a team that’s played like the best in the NBA for a month or a player who has reinvigorated a formerly woeful franchise and improbably vaulted into the land of the elite. There’s no questioning it: the Knicks’ constant hunt for an All-NBA performer, a topic ever since Rose took over the front office four years ago, needs to be reframed. This is definitively not a hunt for a star; it’s a hunt for another star.
No one could have seen this coming, except for maybe a person or three who has known Brunson since he was pre-K.
“There’s always been naysayers,” Thibodeau said. “And he always proves them wrong.”
(Photo of Jalen Brunson: Sarah Stier / Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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