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Taro iced coffee, 'Turning Red' and peach blossoms: Lunar New Year at Disneyland is here

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Taro iced coffee, 'Turning Red' and peach blossoms: Lunar New Year at Disneyland is here

Festival season has begun at the Disneyland Resort, with the annual Lunar New Year celebration landing at Disney California Adventure. Over the past decade, Disneyland’s Lunar New Year festivities have swelled from relatively modest weekend events to extravaganzas spanning multiple weeks and overhauling entertainment and food offerings at the theme park.

Running now through Feb. 18, the celebration melds traditions from Chinese, Korean and Vietnamese cultures with the company’s familiar roster of characters. This being the Year of the Dragon made, for instance, the return of Mulan’s Lunar New Year Procession a natural fit. (The mini-parade features a Chinese dragon puppet as well as an appearance from Mulan and her dragon pal Mushu.)

If you’re planning a trip to the Anaheim theme park over the next few weeks, here’s what to make time for.

What to eat

The colorful Mandarin orange mousse cake is a part of Disney California Adventure’s Lunar New Year food offerings.

(Todd Martens / Los Angeles Times)

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The centerpiece of California Adventure’s Lunar New Year festivities is the food, with special offerings that honor, tweak and mash up various traditions. These span the theme park’s restaurants, the resort’s hotels and a series of pop-up food booths throughout California Adventure, similar to what the park offers during its Food & Wine Festival and end-of-the-year holiday events, although slightly smaller in scale.

On the opening day of the festivities, I sampled as much as my stomach — and my wallet — could take, including a few offerings from the six food paths scattered around the main promenade of California Adventure. I also dipped into holiday menus at the park’s Pixar-themed Lamplight Lounge and the Grand Californian’s Hearthstone Lounge.

Highlights from the booths included a quesabirria egg roll, which successfully split the difference between an egg roll and a quesadilla thanks to a hearty heaping of melted cheese, and a Mandarin orange mousse cake, which had a glowing, bulbous look and was more airy than it was fruity.

It’s worth noting that the California Adventure food booths can be hit and miss. I’ve never been truly disappointed, but I’ve also never been completely wowed, as these are small bites designed for sampling. The fried lemongrass chicken dumplings I had I found a bit lacking — the mix of overly crispiness and gumminess contrasted and distracted, resulting in an item that felt unseasoned and nondescript. The red spice friend chicken bites — though packing a decent amount of heat — were thin on meat, at least in the small assortment I was served.

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Taro Vietnamese-style iced coffee is one of the many limited time food and drink options at Disney California Adventure’s Lunar New Year celebrations.

(David Nguyen / Disneyland Resort)

Still, the four offerings were enough to work as a makeshift dinner, and I’m eager to try the garlic noodles, a BBQ pork bun and the taro Vietnamese-style iced coffee, the latter of which came highly recommended. The park offers a “Sip and Savor” pass, which sells for $46 and allows for six bites or nonalcoholic beverages. With most dishes and drinks running somewhere between $6 and $9, the pass can provide a small discount (the pass is $43 for those who have the Magic Key annual pass).

I would, however, highly recommend trying to score a reservation at Lamplight Lounge, or getting on the restaurant’s waitlist while at the park. Lamplight already has one of the resort’s best dishes — the sweet and spicy al pastor pork chop — and for the duration of Lunar New Year is offering a noodle dish with spiced pork belly.

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At $27, it’s on the pricier side, but it’s a large dish with seasoned Szechuan sauce and a nice mix of flavors and textures, as carrots, cucumbers and peanuts round out the presentation. I had hoped to add a dessert of Lunar New Year milk tea and taro doughnuts, but was simply too full. Next time.

What to see

Mulan’s Lunar New Year Procession returns for Disney California Adventure’s Lunar New Year celebrations.

(Todd Martens / Los Angeles Times)

Disney has a rich history with dragons — Maleficent, Elliott, Figment, the demonic fire-breathing figure from the end of Mr. Toad’s Wild Ride — and while a part of me was hoping the Year of the Dragon would be an opportunity to showcase this rich tapestry of creatures, the resort has relied on old standbys. The aforementioned Mulan’s Lunar New Year Procession has returned, and it gives Mushu, the reddish-orange dragon from the animated film, a starring role in the center of the small parade.

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More important, however, is the fact that the mini-parade successfully melds Disney characters with cultural traditions. Various segments call out folkloric dances and the meaning behind differing colors and flowers. Whether touching on martial arts or fan and umbrella dances, the narration does tie it all back to the character of Mulan, but it’s nice to see Disney’s entertainment team use the company’s characters as a jumping off point into other customs.

Characters Meilin Lee and her mother Ming Lee from “Turning Red” are meeting guests during Disney’s Lunar New Year festivities.

(Disneyland Resort / Christian Thompson)

Likewise, too, the lovely World of Color pre-show that is “Hurry Home,” a heartwarming tale of a lantern on a quest home. It’s another returning piece of Disney’s Lunar New Year celebration, and it’s centered around a nostalgic and wistful score from composer Tan Dun and playful scenes involving Mushu. It has a more painterly feel than the main World of Color show, lending it a bit of a personal touch.

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Lunar New Year has also introduced a new character meet-and-greet to the park. It’s welcome to see Meilin Lee and her mother Ming Lee from the Pixar film “Turning Red” make it into the parks as the two lightfully play off mother-daughter dynamics in their short time with guests.

The characters were met with long lines on the opening day of Lunar New Year, a good sign, I hope, for the long-term appeal of “Turning Red,” a film that delicately touched on the emotional turmoil of puberty, the insecurities of young adulthood and the complexities of familial relations.

And don’t miss this special place for reflection

There’s still more, as there’s live sugar art and various days of Lunar New Year will highlight Chinese and Korean musical traditions (check the Disneyland site for specific dates and performance times). But it’s also worth spending a moment in the Paradise Gardens section of the park, as here one can find the Lunar New Year Wishing Wall. It’s a place where one can take a few minutes connecting to other guests via their hopes and dreams for the coming year, as well as write their own personal message.

Smile, cry or write a note dreaming a little goodwill. I’ll be back, wishing for emotional healing in the coming year. It’s a little hidden nook, one that connects that fantasies of a theme park with those of our own.

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Mystery artist steps forward as future of iconic bird atop L.A. eyesore in doubt

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Mystery artist steps forward as future of iconic bird atop L.A. eyesore in doubt

Pillarhenge is an eyesore. Since construction at the Eagle Rock site — so nicknamed after a decrepit colonnade — first stalled in 2008, the only thing that accumulated faster than the garbage and graffiti were the epithets from outraged community members.

While many saw blight at the corner of Colorado Boulevard and Holbrook Street, a local artist saw opportunity. One of the site’s 36 pillars — the tallest one in the middle — could be a perch for a big, pink, screeching bird.

“It was a vision, and I just knew we would do it,” says the artist who goes by Flod and is finally ready to share his story. Flod insists on anonymity because, “isn’t it more fun to leave it a mystery?”

Pinky overlooks workers pouring concrete at a construction site known as Pillarhenge because of its colonnade.

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Flod scraped together tomato cages, chicken wire, paper, glue and pink house paint. “I’m kinda into recycling, so I didn’t even buy materials for it. It was supposed to just give a laugh, maybe last a day,” he says. That was more than a decade ago.

One day in 2014, Flod’s young adult nephew, adept at climbing, helped him hoist the 4-foot, about 10-pound papier-mache sculpture atop the 70-foot pillar. It fit perfectly. In the years since, the bird, affectionately dubbed Pinky, has inspired a movement. There are custom T-shirts, multifarious fan art, an online forum and a dedicated posse keeping constant watch. Pinky’s fame grew even as the bird bent, molted and faded with each turn of the calendar.

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As much as locals loathe Pillarhenge, they idolize Pinky. And now that construction at the site of “The One on Colorado,” a six-level, mixed-use development with 31 units, has restarted, the bird’s future is uncertain.

“There’s a lot of love for this crazy bird,” says Jonathan Ford, who has a direct view of Pillarhenge from his backyard. “It’s iconic.”

While discarded elements are through lines in Flod’s sculptural work, it’s the community impact that separates Pinky from the rest. “I’ve done other things I like a lot, but this one definitely exceeded expectations by many, many times over,” he says.

A man poses in a papier mache mask

Flod, the artist behind Pinky, watched in obscurity as the bird’s popularity grew.

A reclusive artist steps forward

Flod never set out to be found. He was happy to relish in Pinky’s celebrity from the shadows. That changed in April 2023 when unknowing construction workers unceremoniously removed a disintegrating Pinky from its eyrie.

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General contractor Enrique Valdez of Azteca 111 Builder Inc. was tasked with cutting the ratchet straps securing Pinky, seemingly putting an end to the bird’s reign.

A man in an orange vest poses for a picture as a construction team works in the background.

Construction manager Enrique Valdez saved Pinky after concerned locals shouted at him when he removed the molting bird from its perch.

Then something unusual happened as Valdez descended in the boom lift with Pinky’s remains. Valdez recalls, “A few people stopped and yelled, ‘Don’t take Pinky!’” The distressed locals approached Valdez with cellphone videos they’d taken of the act. “They asked if I was going to bring him back and showed me the Facebook page.”

The Facebook page — Goodbye Pillarhenge Park — has been the hub of Pillarhenge lore since 2015. No sooner had clips of Pinky’s removal been posted than comments began streaming in: “Sad day for proud bird,” “End of an era,” “The bird was the best thing about Pillarhenge.”

“I didn’t know Pinky had so many fans!” laughs Valdez while describing the predicament he was in.

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The community’s protectiveness saved Pinky from the landfill. Valdez deposited Pinky at a warehouse belonging to the site’s owner, showing him the Facebook posts of Pinky’s removal. The site has changed hands multiple times, with the latest owner being Ara Tchaghlassian, founder of retailer American Tire Depot.

“I told him, ‘It seems we have a legend on our hands,’” explains Valdez.

After stabilizing the hillside, the development team discussed remaking the bird with the help of the original artist. But nobody knew who that was.

“People are just done with decades of this ugliness,” says Annie Choi, owner of Found Coffee across the street from Pillarhenge, about the site. “But it also has this weird claim to fame, you know,” she says, as a regular enters the shop wearing a Pinky T-shirt.

dilapidated Pinky in 2023, it was placed in a storage unit until Flod the artist could be found.

When construction manager Enrique Valdez removed the dilapidated Pinky in 2023, it was placed in a storage unit until Flod the artist could be found.

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As a career documentary filmmaker, I’m always on the lookout for quirky Los Angeles stories. I’ve been photographing Pillarhenge for more than eight years, largely on black-and-white film. I met Valdez in May 2023, shortly after construction had restarted. He invited me onto a boom lift to photograph the site from above and inquired if I knew who had made Pinky, which he’d removed just days prior. I offered to do some sleuthing.

While I fruitlessly tapped my L.A. street art connections, Valdez posted in Goodbye Pillarhenge Park: “Looking for the original artist to refurbish the bird.” He included photos of Pinky, headless and forsaken, but safe amid piles of overstuffed filing boxes.

Unbeknownst to its more than 800 members, Flod had been lurking in the public group for years, silently celebrating each new mention of Pinky. Valdez’s post presented a unique moment of decision for the reclusive artist: to reply risked abandoning a mystique he’d long cultivated; but ultimately the lure of a sanctioned Pinky reboot proved too tempting to refuse.

Fortifying Pinky, but for how long?

A man in a large white skull mask with pink spikes and a mustache.

Beyond site-specific work, Flod also creates masks as part of his art practice.

Tiptoeing into Valdez’s DMs with “I may know the artist,” the two arranged to meet at the warehouse where Flod disclosed his identity, declining compensation and asking only for access to Pillarhenge. Pinky’s carcass then returned home with Flod, who set about removing the rotted skin from the chicken-wire skeleton, which he repurposed for its next version, covering it in paint-dipped cloth, instead of paper and white glue, to better withstand the elements.

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Tellingly, the exterior of Flod’s home studio is Pinky’s exact shade of pink. In the yard, multicolored concrete sculptures adorn nearly every nook and cranny. Inside, hand tools, musical instruments and partially completed papier-mache projects are everywhere. “Mind the points,” Flod cautions, as I maneuver around an oversize papier-mache mask covered in protruding footlong spikes. “I can’t fix those if they break.”

A man's hands hold a string atop a white skull mask adorned with purple spikes.

Skull masks are a particular theme in Flod’s work.

The back room of Flod’s studio is like a butcher’s walk-in fridge, where dozens more masks hang from the ceiling, each more outlandish than the last. There’s a bug-eyed rabbit, a blue donkey and several variations of what appear to be skulls. “That one’s name is Charles E. Fromage.” I repeat the name and Flod adds, “Get it?”

Pinky is not Flod’s first foray into site-specific social commentary. On a hike in 2005, Flod came across a truck tire lodged between two boulders in Malibu Creek. Returning to the site with a bag of cement, he made a mixture with sand and water from the creekbed. After slathering it over the immovable garbage to make it appear as if it were just one more river rock, he titled the piece “Reinventing the Wheel.” Then there was 2015’s collaborative effort “Stella the Steelhead,” a 35-foot fish skeleton stuffed full of trash taken from the L.A. River, which a group of artists, environmental activists and volunteers towed behind an adult tricycle along the river’s bike path.

Just two months after its rescue, in December 2024, Pinky’s rebirth was heralded in Eastsider LA as “a Christmas miracle.” However, a rainstorm soon damaged Pinky’s reinforced cloth wing and the bird was temporarily removed for repairs. It was around that time that Ford moved near Pillarhenge. One morning he went out back with his coffee and noticed something … pink.

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“I texted my neighbor and he responded immediately: ‘Pinky’s back! Oh, thank God, I didn’t know what happened. I love that thing!’ And I just went, So this is normal.”

During Pinky’s broken-wing pit stop, my 10-year-old daughter Margaret Green and friends Ezra Cunningham and Meta Nalepa encountered the bird in a nearby driveway while delivering their neighborhood newspaper. Flod, a subscriber, acknowledged he was Pinky’s creator. Margaret’s article, “Pink Bird: Eagle Rock Artist Found,” includes a rare photo of Pinky away from its pillar-top nest.

In response to being discovered by the grade-school journalists, Flod is effusive: “That was a really cool part of [Pinky’s] story. It definitely means a lot to me. That kind of stuff is the whole thing.”

Now, time is running out on the bird as the rising tide of concrete, scaffolding and rebar obscures Pinky from pedestrian view along the south side of Colorado Boulevard. Another few months and …“Well, you’ll still be able to see Pinky from the freeway,” says Valdez, who expects the construction work to finish in about two years.

A bird sculpture sits on a nest atop a column with a white egg to its right on another column.

Someone made an egg to accompany Pinky atop Pillarhenge. Flod promises it wasn’t him.

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In Goodbye Pillarhenge Park, one member’s recent comment betrays what many are perhaps not ready to admit: “I will miss Pillarhenge.”

Recently, a giant egg appeared in a nest atop the pillar beside Pinky’s. “I had nothing to do with that!” insists Flod. Rumors swirl as to what will emerge when the egg hatches: Life-size bronze? Historical landmark plaque? While not quite so grandiose, Valdez says discussions are ongoing regarding the bird’s future.

“If Pillarhenge is completed and Pinky goes into the lobby or something, that’s all right, I guess,” Flod concedes. “We need more housing.” Then the artist’s acquiescence gives way to a defiant smirk: “But I want the bird to win.”

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‘House of the Dragon,’ Season 3, Episode 2: Honey, I’m home!

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‘House of the Dragon,’ Season 3, Episode 2: Honey, I’m home!

Emma D’Arcy (Rhaenyra).

Ollie Upton/HBO


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Ollie Upton/HBO

This is a recap of the most recent episode of HBO’s House of the Dragon. It contains spoilers. That’s what a recap is. 

Credits! As you’d expect, last week’s Battle of the Gullet earns some new thread in the Die, You! Tapestry — there’s Sharako and Corlys goin’ at it. And there’s poor dead Jacaerys, looking for all the world like your gramma’s tomato pincushion. (I’ve only just realized that when you see blood pooling around a figure in the tapestry, it means they’re dead. Both Sharako and Jacaerys get scarlet blooms — but not Corlys. Hunh.)

We open on the smoking aftermath of the sea-battle, and then we see Rhaena, whose attempt to help Team Black turned into a big ol’ whoopsiedoodle, tearing away on Sheepstealer looking well and truly freaked. (To be clear, Rhaena’s the one who looks freaked; Sheepstealer’s just like, “Welp, my work is done here. Gotta be hitchin’ a ride on the wiiiiind.”)

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They don’t close-caption a character’s internal monologue, but from the expression on her face, Rhaena’s would read something along the lines of “Ohcrapohcrapohcrapohcrapohcrap.”

Rhaena (Phoebe Campbell).

Rhaena (Phoebe Campbell).

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Theo Whiteman/HBO

On Dragonstone, the dragonkeepers receive Jacaerys’ corpse and sort of crowd-surf it into the castle like he’s Peter Gabriel during “Lay Your Hands On Me.” Sir Lorent Marbrand, Rhaenyra’s less-than-loyal royal guard, asks a shaken Baela: “The battle?” to which she responds, shakily, “T’is won.”

Which is helpful to know, because from where I’m sitting it looked like a pretty unilateral, omnidirectional clustermess.

If you thought the creators of the show were gonna spare us seeing Rhaenyra’s reaction to Jacaerys’ death (and duly supply Emma D’Arcy with their Emmy clip in the process), you were much mistaken. It’s pretty wrenching stuff. And speaking of wrenching: When Ser Lorent attempts to pull Rhaenyra away from her son’s body, she wrenches out of his grip and turns on him, along with the rest of her Small Council, which has shrunk to just two dudes so now must technically be referred to as her Tiny Council.

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Sunday Puzzle: That’s HOT!

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Sunday Puzzle: That’s HOT!

Sunday Puzzle

NPR


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Sunday Puzzle

On-air challenge

Today’s theme is “hot.” Every answer is a familiar two-word phrase in which the first word starts HO- and the second word starts with T-.

Ex. Rowdy bar with country music, in slang –> HONKY TONK
1. Guided walkthrough of a property
2. Any member of the N.H.L.
3. Lone Star State metropolis that’s the fourth-largest city in the U.S.
4. Like an animal with its four legs bound (hyph.)
5. Instruction manual (hyph.)
6. A little pompous and arrogant, informally (hyph.)
7. Punny greeting from a magician
8. Someone who steals animals from a stable
9. Congestion that drivers encounter around July 4th, say
10. Acquisition of a company against its will.
11. Exclamation for “wow!” on TV’s “Batman”

Last week’s challenge

Last week’s challenge comes from Evan Kalish, of Bayside, N.Y. Take the name of a nocturnal creature, in two words. The first word is a spooky sound. Move the last letter of the first word to the start of the second word and you’ll get another spooky, nocturnal sound. What is the creature and what are the sounds?

Answer: Screech owl –> howl

Winner

Dan Sadoff of St. Paul, Minnesota

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This week’s challenge

This week’s challenge comes from Rawson Sheinberg. of Plymouth, Mich. Think of a U.S. city with a two-word name. Add a letter to the first word, without rearranging letters, to name a country. Then, without adding a letter, rearrange the letters of the second word to name another country. What places are these?

If you know the answer to the challenge, submit it here by Thursday, July 2 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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