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Tony Bennett, masterful stylist of American musical standards, dies at 96

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Tony Bennett, masterful stylist of American musical standards, dies at 96

NEW YORK (AP) — Tony Bennett, the eminent and timeless stylist whose devotion to classic American songs and knack for creating new standards such as “I Left My Heart In San Francisco” graced a decadeslong career that brought him admirers from Frank Sinatra to Lady Gaga, died Friday. He was 96, just two weeks short of his birthday.

Publicist Sylvia Weiner confirmed Bennett’s death to The Associated Press, saying he died in his hometown of New York. There was no specific cause, but Bennett had been diagnosed with Alzheimer’s disease in 2016.

The last of the great saloon singers of the mid-20th century, Bennett often said his lifelong ambition was to create “a hit catalog rather than hit records.” He released more than 70 albums, bringing him 19 competitive Grammys — all but two after he reached his 60s — and enjoyed deep and lasting affection from fans and fellow artists.

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Bennett didn’t tell his own story when performing; he let the music speak instead — the Gershwins and Cole Porter, Irving Berlin and Jerome Kern. Unlike his friend and mentor Sinatra, he would interpret a song rather than embody it. If his singing and public life lacked the high drama of Sinatra’s, Bennett appealed with an easy, courtly manner and an uncommonly rich and durable voice — “A tenor who sings like a baritone,” he called himself — that made him a master of caressing a ballad or brightening an up-tempo number.

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“I enjoy entertaining the audience, making them forget their problems,” he told The Associated Press in 2006. “I think people … are touched if they hear something that’s sincere and honest and maybe has a little sense of humor. … I just like to make people feel good when I perform.”

Bennett was praised often by his peers, but never more meaningfully than by what Sinatra said in a 1965 Life magazine interview: “For my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He’s the singer who gets across what the composer has in mind, and probably a little more.”

He not only survived the rise of rock music but endured so long and so well that he gained new fans and collaborators, some young enough to be his grandchildren. In 2014, at age 88, Bennett broke his own record as the oldest living performer with a No. 1 album on the Billboard 200 chart for “Cheek to Cheek,” his duets project with Lady Gaga. Three years earlier, he topped the charts with “Duets II,” featuring such contemporary stars as Gaga, Carrie Underwood and Amy Winehouse, in her last studio recording. His rapport with Winehouse was captured in the Oscar-nominated documentary “Amy,” which showed Bennett patiently encouraging the insecure young singer through a performance of “Body and Soul.”

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AP National Writer Hillel Italie contributed to this story.

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After crackdown on Hong Kong, overseas communities carry the torch to keep Tiananmen memories alive

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After crackdown on Hong Kong, overseas communities carry the torch to keep Tiananmen memories alive

HONG KONG (AP) — As the 35th anniversary of Beijing’s Tiananmen Square crackdown neared, Rowena He, a prominent scholar of that bloody chapter of modern China’s history, was busy flying between the United States, Britain and Canada to give a series of talks. Each was aimed at speaking out for those who cannot.

The 1989 crackdown, in which government troops opened fire on student-led pro-democracy protesters, resulting in hundreds, if not thousands, dead, remains a taboo subject in mainland China. In Hong Kong, once a beacon of commemorative freedom, the massive June 4 annual vigil that mourned the victims for decades has vanished, a casualty of the city’s clampdown on dissidents following huge anti-government protests in 2019.

He was still reeling from the loss of her academic position after Hong Kong authorities last year rejected her visa renewal, widely seen as a sign of the financial hub’s decline in intellectual freedom. Despite the exhausting schedule of talks, the former protester in the southern Chinese city of Guangzhou in 1989 viewed this as her duty.

“We cannot light the candles in Hong Kong anymore. So we would light it everywhere, globally,” she said.

As Beijing’s toughened political stance effectively extinguished any large-scale commemorations within its borders, overseas commemorative events have grown increasingly crucial for preserving memories of the Tiananmen crackdown. Over the past few years, a growing number of talks, rallies, exhibitions and plays on the subject have emerged in the U.S., Britain, Canada, Australia and Taiwan.

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These activities foster hope and counteract the aggressive efforts to erase reminders of the crackdown, particularly those seen in Hong Kong. In 2021, the city’s police charged three leaders of the group that organized the vigil with subversion under a 2020 sweeping national security law that has all but wiped out public dissent. Later, the group voted to disband. Tiananmen-related statues were also removed from universities.

Last week, under a new, home-grown security law, Hong Kong police arrested seven people on suspicion of alleged sedition over their posting of social media content about commemorating the Tiananmen crackdown. A Christian newspaper, which typically publishes content related to the event ahead of its anniversary, left its front page mostly blank. It said it could only turn words into blank squares and white space to respond to the current situation.

On Tuesday, the park that used to hold the vigil will be occupied by a carnival held by pro-Beijing groups.

However, attempts to silence commemorative efforts have failed to erase the harrowing memories from the minds of a generation of liberal-minded Chinese in the years after tanks rolled into the heart of Beijing to break up weeks of student-led protests that had spread to other cities and were seen as a threat to Communist Party rule.

He, who was 17 years old at the time, recalls that protesters like her took to the streets out of love for their country. When the crackdown happened, she spent the entire night in front of her TV, unable to sleep. After she returned to school, she was required to recite the official narrative — that the government had successfully quelled a riot — in order to pass her exams.

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“I never killed anyone. But I lived with that survivor’s guilt all those years,” she said.

To preserve memories of the event, a museum dedicated to the Tiananmen crackdown opened in New York last June. It features exhibits such as a blood-stained shirt and a tent used by student protesters.

A similar museum operated by vigil organizers was shuttered in Hong Kong in 2021.

As of early May, its board chair Wang Dan, also a leading former student leader of the Tiananmen protests, estimated the New York museum attracted about 1,000 people, including Chinese immigrants, U.S. citizens and Hong Kongers. To expand its audience, Wang said he plans to organize temporary exhibitions on university campuses in the U.S., and possibly in other countries over the longer term.

He said overseas memorial events are crucial because mainland Chinese and Hong Kongers can see overseas memorial activities online.

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“It can have an effect in mainland China because young people there all know how to use VPNs to circumvent internet censorship,” he said.

Aline Sierp, a professor of European history and memory studies at Maastricht University in the Netherlands, said overseas commemorative activities allow the memories to travel and endure, providing access for other people and future generations.

But she said it can be “a double-edged sword” because adapting the memories to new places might risk fragmenting or de-contextualizing them in the future.

Alison Landsberg, a memory studies scholar at George Mason University in Virginia, said that overseas efforts carry the potential to inspire people from other places who are facing their own challenges in the pursuit of democracy.

To carry the memories forward, film and television dramas can be powerful tools for people to take on memories of events through which they didn’t live, she said.

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She said overseas theater productions about the crackdown, which began last year in Taiwan and continued in London this year, have a greater possibility of making those connections and potentially reaching a broader audience.

“When you have a dramatic narrative, you have the capacity to bring the viewer into the story in a kind of intimate way,” Landsberg said.

Last week, members of an audience at a London theater were visibly moved, some to tears, after watching the play “May 35th,” a title that subtly references the June 4 crackdown.

The play, produced by Lit Ming-wai, part of the Hong Kong diaspora who moved to the U.K. after the enactment of the 2020 security law, tells the story of an elderly couple who wish to properly mourn their son who died in 1989.

Its director, Kim Pearce, who was born in the U.K. in the 1980s, said the tragedy had resonated with her from a young age and she was once moved to tears when she read the poem “Tiananmen” by James Fenton. Working on this project, she said, has further deepened her connection to the stories.

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British theater-goer Sue Thomas, 64, also found the play deeply moving. “Particularly as a parent myself now, which I wasn’t then, which sort of made me think of it in a much more sort of heartfelt way,” she said.

At the theater, He, the scholar, served as one of the post-show speakers, sharing her struggles and the motivations behind her work with the audience. She said the play was so powerful that it made her relive the trauma of the past 35 years, leaving her in tears and causing her to lose her contact lenses.

“It shows that how much sufferings that people had to endure all these years,” she said. “If there’s anything we can do, I hope that we would bring the younger generation to understand this.”

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Ji reported from London.

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Radical climate activist vandalizes famous painting in Paris

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Radical climate activist vandalizes famous painting in Paris

Paris authorities arrested a radical climate protester Saturday after she vandalized a famous painting by Claude Monet at the Orsay Museum. 

The protester, who was part of the French environmental activist group, Riposte Alimentaire, targeted Monet’s 1973 painting “Les Coquelicots” by covering it with a large red sticker and gluing her hand to the wall. 

This photo provided by Riposte Alimentaire shows an environmental activist posing by “Poppy Field” by Claude Monet at the Orsay museum, Saturday, June 1, 2024 in Paris.  (Riposte Alimentaire via AP)

The red sticker depicted an apocalyptic, futuristic vision of the same scene. Riposte Alimentaire, which translates to “Food Response,” in French, said the scene is supposed to show what the field would look like in 2100, “ravaged by flames and drought,” if more action isn’t taken against climate change.

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The woman was detained pending investigation, according to Paris police. It was unclear whether the incident damaged the painting. 

Saturday marked the latest actions by protesters with Riposte Alimentaire, targeting artworks in France in calls for action to protect food supplies from further damage to the climate. 

The museum, known in French as the Musée d’Orsay, is a top tourist destination and home to some of the world’s most-loved Impressionist works.

The Associated Press contributed to this report.

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Mexico election live results 2024: By the numbers

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Mexico election live results 2024: By the numbers

Mexico has begun to count votes after a Sunday election that will almost certainly result in the country’s first female president.

The two frontrunners are Claudia Sheinbaum of the ruling Morena party, supported by the governing coalition Let’s Keep Making History (Sigamos Haciendo Historia), and Xochitl Galvez, supported by a coalition of opposition parties.

Jorge Alvarez Maynez, a third candidate, is running on behalf of the Citizens’ Movement.

As the first few votes started trickling in, Sheinbaum grabbed an early lead, followed by Galvez, in keeping with opinion polls that placed the Morena candidate as the firm favourite to win the presidency.

In addition to the presidency, voters also cast their ballots for about 20,000 positions in what is the country’s largest-ever election.

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According to Mexico’s National Electoral Institute (INE), these positions include 128 Senate seats, 500 deputy seats, the governorship of Mexico City, and governorships in eight states including Chiapas, Guanajuato, Jalisco, Morelos, Puebla, Tabasco, Veracruz and the Yucatan.

Here is how the three parties are performing in the presidential vote, according to the latest updates from the INE:

 

When will we know the final results?

The results will likely be finalised only by June 8.

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However, on June 2, Mexicans will have access to the quick count, a statistical projection estimating voting trends from a random sample of 7,500 polling stations.

Between 10pm and 11pm (starting at 03:00-04:00 GMT) on June 2, the INE will announce the quick count results of the presidential election. This announcement will be delivered in a televised message broadcast nationwide.

Starting at 8pm (02:00 GMT) on Sunday, the INE will also launch the Preliminary Electoral Results Program (PREP), a system that gathers and publishes data recorded by polling station officials. Al Jazeera will be relying on this data for its vote count tracker, while also sharing the quick count when it is announced by election officials.

When will the new president take charge of Mexico?

Mexico’s newly-elected president will be inaugurated on October 1, 2024, four months after election day.

This marks the first time the inauguration will occur on October 1 instead of December 1, following a change in the electoral law in 2014.

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Besides the presidency, what other races are closely watched?

Other than who will be the next leader of the country, the race for Congress remains key.

The ruling party Morena aims to achieve a two-thirds majority in Congress, important for revising the constitution and eliminating what it perceives as cumbersome and wasteful oversight agencies. The opposition, united in a loose coalition, says this action would pose a threat to Mexico’s democratic institutions.

This could also affect the peso and how investors react to the election.

“If [Morena] wins two-thirds of the Congress, or gets eerily close, that becomes a tougher decision for investors because that becomes a very different scenario, in which there’s less constraints to power,” Miguel Angel Toro Rios, the dean of the School of Social Sciences and Government at Tecnologico de Monterrey, told Al Jazeera.

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In Mexico City, the competition is fierce, with Clara Brugada of the ruling party, Santiago Taboada of the largest opposition coalition and Salomon Chertorivski of the Citizens’ Movement all locked in a tight race.

Governorships in large, populous states such as Veracruz and Jalisco are also drawing interest.

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