World
Madrid’s ECAM Forum Off to Flying Start as ‘Gods of Stone’ Pic, ‘Estrella del Green,’ ‘She and Me But Mostly Her’ Series Nab Awards
Under the auspices of Comunidad de Madrid and the prestigious ECAM film school, the four day ECAM Forum co-production market got off to a flying start with its inaugural session, closing June 13 with an awards ceremony at Madrid’s historical Matadero cultural space.
One of eight features in work in progress, the creative documentary “Gods of Stone” (“Deuses de Pedra”) by the Spanish Iván Castiñeiras Gallego scooped the new Comunidad de Madrid award and its €15,000 ($16,000) cash prize earmarked towards its post-production.
A trained cinematographer/filmmaker, graduate from ESTC in Lisbon, the Louis Lumiere School in Paris and ESCAC in Barcelona, Castiñeiras Gallego earned festival attention for his short docs “A raia” (2013) and “Where the Jungle Is” (2016).
Shot on 16mm, the Spain-Portugal-France co-production “Gods of Stone” is a non-linear compendium of stories portraying the way of life of a rural community located between Galicia and Portugal, on the oldest border in Europe. There, children’s stories merge with legends. Among the young people, Mariana grows up and aged 17, faces the decision to abandon her village and family to study abroad.
“The film we want to award tries to capture the essence of a timeless place and its people through a poetic and sincere gaze,” said the jury about the documentary produced by Spain’s Amateurfilms, with France’s Promenon-nous dans les Bois and Portugal’s Rua Escura and Primeira Idade.
In the ‘Films to Come’ competition, the three winners reflect the rich array of titles from Spain and Latin America, helmed by newcomers and seasoned filmmakers, showcased in Madrid.
One of five projects from the celebrated ECAM Incubator lab, “Memorial” from Sergi Lopez (a best film Gaudí Award winner for “The Long Way Home”), won the Filmin Award consisting of €30,000 ($32,000) in a minimum guaantee from the Spanish streamer. In it, we follow Manel, a curator of Flemish paintings at the Prado Museum, who is forced to move to Belgium a Rubens painting to which he is deeply attached, while dealing with personal grief and family secrets in Madrid.
The jury praised the “unique project which masterly combines family, memories and art in a physical and spiritual journey deep in the soul.”The Spanish pic is being produced by Edna Cinema, Sumendi, Bteam, and Noodles.
“Phantom”, the musical drama by Cristóbal Fernandez (co-helmer of the festival docu hit “Mudar la piel”) about a group of musicians from the band Phantom, shaken by personal tensions, scooped the Madrid Film Office Award. Spain’s El Gesto Cinematográfico is producing.
Meanwhile the comedy “For Gods Sake” (“El Milagro de Surudí”) by Montevideo-born Lorenzo Tocco, who scooped best short at Guadalajara for “The Anniversary,” won the IFFR Pro Award which gives it access to the next Rotterdam and Cinemart market.
In the Series competition, the Benidorm-set black comedy “Estrella del Green” by London-based Spanish writer-creator Denise Moreno, among HBO Access’ 25 emerging directors, was handed out the Series Mania Award and an invitation to the next Lille-based leading series festival and forum. The six-part series, in early development, turns on an unlikely duo – a pregnant zillennial and a bankrupt diva in her seventies, who set up a weed empire in Benidorm.
Pierre Ziemniak, head of the Series Mania Institute – a close partner to ECAM school – said the Series Mania Award rewards “the screenwriter of a profoundly Spanish series project with strong international potential” and a “story about two women that will attract audiences in several countries.” The U.K. co-production, spearheaded by Jonathan Duncan of Common People Films, was looking for a majority Spanish producer in Madrid.
Another standout Spanish comedy series project, “She and Me, But Mostly Her” (“Ella y yo sobre todo Ella”), penned byMarta Ambel Meyer, scooped the Serielizados Award. The humorous and heartfelt story tells of Claudia, 30, who would rather lie to her friends and to the world rather than accept her brother’s bipolar disorder. The creator told Variety that her aim with what she dubbed a ‘traumedy’ is to raise awareness and foster understanding on mental health issues through a well-balanced dose of humour and sensitivity.
Six other awards went to emerging Spanish talents and their short films:
Alba Menor won the best debut and Abycine Lanza awards for “Manu Drives at Night,” Claudia Gracia the Skyline Benidorm Award for “Turbocapitalend,”, Sara Domínguez the Short Film Lab Award for “You Will Grow Scales,” Matías García the Madrid Film Office Award for” No One Wants to Bury You” and Guillermo Chapa the Telemadrid Award for “Love to See You Again”.
Flawless First ECAM Forum
Expectations were high for the first ECAM Forum and its organisers-ECAM Industria head Rafa Alberola, ECAM Forum coordinator Alberto Valverde and their team. Even so, after four days of pitches, meetings and conferences in a warm and festive working atmosphere, the overall consensus from both attendees and organisers, was that the event ‘s ace kick-off beat all expectations.
Among the 50-plus international delegates that included a who’s-who of some of top world festival programmers, from Cannes’ Director’s Fortnight to Toronto, Sundance, Rotterdam and Locarno, the Berlinale’s Jacqueline Nisiah praised both the organisation and the program. “I thought ECAM Forum was very well organised, the information flow and hospitality were amazing. I felt very well taken care off, all the invited guests were super nice and we enjoyed enriching conversations.”
Regarding the works in progress she added: “the films presented at the Last Push were very well curated, it’s the first thing that sprung into mind, after the first day. I think the films were a good mix of fiction, documentary and hybrid, some with a stronger commercial appeal, others more experimental. Generally, I would say the standard of the films was high.”
Echoing Nisiah’s positive feedback, Stockholm-based Olivier Guerpillon (“Fox in the Snow”), producer of the acclaimed “Costa Brava, Lebanon” and Magnolia Pictures acquired-“Sound of Noise,” said “the Forum really delivered! We were obviously expecting good projects, good food and good weather, but the quality level of the projects really impressed us, as well as the great range of professionals invited. It was very friendly and well organised, and we think it can only grow in importance, when we see how Spanish and Latin American cinema are booming and bursting with creativity.”
On a business level, he said “as a Swedish company currently co-producing our first project with Spain [“Forastera” by Lucía Aleñar Iglesias], we want to develop bridges between Sweden and the Spanish-speaking countries so this was great. We had good co-production meetings with very exciting projects. The format allowed also for generous time for all the guests to get to know each other beyond the classic one-to-one meetings, which is really important to strengthen co-production bonds between companies and long-term connections with filmmakers.”
Also from Sweden, Jenny Gilbertsson from the leading Scandinavian regional film fund Film i Väst who was also exploring new co-pro ventures, said she was impressed “by the range of emerging new talent, with energy and creativity. Spain is a highly productive film country and the co-productions with Latin America were also interesting,” she said.
Ziemniak added: “I was struck by the buzzy atmosphere and fluidity of the event anchored in the reality of the current market.”
Booming Spanish Market
The reality of the Spanish – and Madrid region – audiovisual market, still on an upswing despite the challenging overall micro-economic climate and the need to consolidate and create new international bridges, was underscored by Gonzalo Cabrera Martín, head of the cultural department of the Comunidad de Madrid, ECAM Forum’s main backer.
“For a few years we’ve been working on how to improve the audiovisual industry in Madrid. We thought the best way was to work with ECAM, as they are one of 15 best film schools in the world and an excellent partner.”
“Through ECAM Forum, we want to stimulate co-productions, international cooperation, but also entice post-production works and filming here, as we have several top-end studios here,” he said, referring notably to Netflix’s Tres Cantos European Production Hub just north of Madrid hub and advantageous tax rebates of up to 30% in Madrid.
And indeed, according to the Madrid Film Office, 2023 was a year of intense filming activity in the Spanish capital which saw filming increase by 8% from 2022 with 930 medium and large projects including 15-plus international feature co-productions such as “Daniela Forever” by Nacho Vigalondo and ‘Volveréi’ by Jonás Trueba.
“Then education is key,” Cabrera Martin goes on. “We collaborate with the Torino Film Lab among prestigious international film initiatives, to bring different talents here. We are just trying to create a huge wide network of international collaborations on all levels,” he told Variety.
ECAM Forum 2025
Looking at 2025, Gonzalo Salazar-Simpson, ECAM general manager said the plan is to consolidate the new co-production showcase “as a short, efficient and memorable” event for students and professionals alike.
Reiterating the school’s DNA as a private non-profit organisation focused on education and post-education and industry-led initiatives, he said: “Our ultimate goal is about making the field fertile for talent to grow and flourish.”
For the next edition, Alberola promises to apply the same recipe of success of a focused and friendly working environment with a high-standard of projects and guests. “We wanted to created a spot where people could find projects, but also find each other.
“Projects change, you can’t control that, but if people come here and feel they are well treated and they can extend their network,” they will come back,” he asserts. “The biggest challenge is to keep up the level of this first edition!” he said.
Meanwhile Valverde said he will look into attracting perhaps ‘bigger’ names and making the best use of the cultural Matadero (a former abattoir) multi-disciplinary artistic space.
He said he also hopes to expand the conferences and seminars which welcomed this week, among other luminaries, U.S. indie production veteran Ted Hope and French cinematographer Hélène Louvart. “I’d love to expand the space for inspirational talks, bring in engineers, philosophers, other professionals who can explain how images, stories move us,” he said.
In total, more than 400 audiovisual students and professionals signed up for the ECAM Forum where 53 films and series in development and post-production were showcased over June 10-14 in Madrid.
World
Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’
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A mass shooting during a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Sunday evening left at least 12 people dead and 29 people hospitalized, authorities say.
The annual celebration, known as “Chanukah By The Sea,” was scheduled to kick off at 5 p.m. to celebrate the first day of the Jewish holiday by lighting the first candle on the Menorah. Police say the attack “targeted” the Jewish community and is being investigated as an act of terrorism.
The New South Wales Police Force (NSWPF) said officers responded to reports of shots fired at about 6:45 p.m. on Sunday. Police say there were at least two gunmen involved in the attack, and they are investigating the possibility of a third. Twelve people were killed in the shooting, including one of the two suspected gunmen, police said. The second alleged shooter is in critical condition.
At least 29 others were hospitalized after the shooting, including two police officers, the agency confirmed. The shooting is the worst attack against Jews since the Oct. 7, 2023, Hamas terror attacks.
ANTISEMITIC ATTACKERS VIOLENTLY TARGET SYNAGOGUE, ISRAELI RESTAURANT IN AUSTRALIA
An investigation is underway after a deadly attack on a Hanukkah event at Bondi Beach in Sydney, Australia, on Sunday. (David Gray/AFP via Getty Images)
Police added that they found evidence of multiple improvised explosive devices in a vehicle near the scene of the attack.
“We have our rescue bomb disposal unit there at the moment working on that,” he said.
Israeli President Isaac Herzog acknowledged the attack while speaking at an event in Jerusalem recognizing immigrants’ extraordinary achievements on Sunday.
“At these very moments, our sisters and brothers in Sydney, Australia, have been attacked by vile terrorists in a very cruel attack on Jews who went to light the first candle of Chanukah on Bondi Beach,” Herzog said. “Our hearts go out to them. The heart of the entire nation of Israel misses a beat at this very moment, as we pray for the recovery of the wounded, we pray for them and we pray for those who lost their lives.”
AUSTRALIA’S JEWISH COMMUNITY ALARMED BY RISING ANTISEMITISM: ‘FEAR AND ANXIETY’
A health worker moves a stretcher after a shooting incident at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. (Saeed Khan/AFP via Getty Images)
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Herzog also called on the Australian government to “seek action and fight against the enormous wave of antisemitism which is plaguing Australian society.”
World
In Khartoum, exhumation of makeshift graves reawakens families’ grief
Khartoum, Sudan – Iman Abdel-Azim had to bury her brother in the courtyard of her home in Khartoum North when he died as fighting between the Sudanese military and the paramilitary Rapid Support Forces raged around them.
Her brother died of cholera in September last year, unable to access medical care.
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Her neighbours had to help her bury him because it was impossible to access cemeteries during the fighting. She was not the only resident of the capital region’s three cities – Khartoum, Khartoum North and Omdurman – who had to do this.
After Khartoum State announced at the beginning of December a major effort to exhume the remains of people buried in this makeshift manner and move them to cemeteries, Abdel-Azim feels her grief has been renewed as she relives the pain of losing a loved one.
Organised campaign
State and local committees were formed to implement the exhumations. They are made up of representatives from forensic medicine, Civil Defence, the Sudanese Red Crescent, and neighbourhood management and services committees.
Ahmed Abdel Rahman, executive director of Khartoum North, told Al Jazeera that the campaign aims to alleviate the psychological burden on families and improve the health and humanitarian situation in the capital region.
According to Abdel Rahman, the campaign is being overseen by the High Committee for Collecting the Remains of Those Who Died During the Battle of Dignity.
The process will unfold in stages, the first of which is identifying makeshift burial sites.
After that, families are notified and allowed to nominate a representative to be involved in every step, from exhumation to burial.
Forensic medicine specialists will supervise the exhumations and reburials in cemeteries with full documentation of the remains.
The process of transferring these remains began as early as when the Sudanese army took control of Khartoum State, Hisham Zain al-Abidin, director of the Forensic Medicine Authority in Khartoum State, explained to Al Jazeera.
He affirmed that by the first quarter of 2026, Khartoum and its seven districts would be free of any makeshift graves.
However, he added, the field teams responsible for the exhumations and reburials are facing a number of challenges, including a shortage of body bags, “which could affect the work being carried out as required”.
Sabotage
According to Zain al-Abidin, the Rapid Support Forces sabotaged the DNA units used to preserve samples from several buried bodies, which has made it difficult to identify many victims.
He said teams are numbering and documenting the burials of unidentified bodies, then burying them in graves specifically for unidentified individuals.
He called on stakeholders, organisations and citizens for help in preparing the graves and stressed that the work ahead is extensive and requires concerted efforts between the government and citizens.
For her part, Shireen Al-Tayeb Nour Al-Daem, vice president of the Steering and Services Committee in the Shambat neighbourhood of North Khartoum, told Al Jazeera that the committee had surveyed graves in homes, mosques and public squares in several neighbourhoods as a preliminary step before the arrival of medical teams and the commencement of exhumations and transfers of bodies.
Nour Al-Daem said the committee informs victims’ families to attend and follow up on the official procedures with the legal and medical teams until the transfers and burials are completed.
The committee is working on identifying and surveying the locations of makeshift graves, collecting data and communicating with families, Nour Al-Daem said, urging citizens to report the locations of makeshift graves so field teams can access them.
When teams arrive to undertake the exhumations and reburials, the committee will also undertake the logistics and support for those teams. This includes coordinating between the field teams and the families of the deceased to ensure the presence of the family or a representative.
If no relatives of the deceased are present, she added, the High Committee has instructed that the exhumation be halted.
She indicated that the country needs further efforts to complete reconstruction and rebuilding and what the committees are doing “paves the way for a safe environment for the return of citizens” despite the difficulty of people experiencing a second farewell to their loved ones.
The streets of Khartoum are also filled with bodies that have not yet been buried, some of which have decomposed, representing a challenge to identify them and dangers to public health.
World
Horvath to Heidenreich on 4th-and-goal leads No. 22 Navy to a 17-16 win over Army
BALTIMORE (AP) — Blake Horvath to Eli Heidenreich.
That’s the connection that led Navy to such a memorable season — and the two of them came through again on the biggest play of the biggest game.
Horvath threw an 8-yard touchdown pass to Heidenreich with 6:32 remaining — on fourth-and-goal — and No. 22 Navy rallied to beat Army 17-16 on Saturday. Heidenreich, the career and single-season leader in yards receiving for the Midshipmen, caught six of Horvath’s seven completions on the day.
“Who wouldn’t go to him?” Horvath said. “Talk about an all-time Navy legend. You’re going to be talking about Eli Heidenreich for years and years and years.”
Although it was clearly a passing situation, and Heidenreich was Navy’s top target, he was single covered over the middle.
“Tried to bring some pressure on them,” Army coach Jeff Monken said. “Good throw and good catch.”
With President Donald Trump in attendance, Navy (10-2) got its second straight victory over Army (6-6), and the Midshipmen won the Commander-In-Chief’s Trophy for a second straight season. The Black Knights have not beaten a Navy team that was ranked by the AP since 1955.
Horvath was fortunate to have the chance to throw that decisive touchdown pass. On second-and-goal from the 1, he lost the ball while attempting a tush push. Army linebacker Eric Ford had a chance to scoop it up, but Navy running back Alex Tecza lunged over to prevent that, and Heidenreich eventually fell on the ball back at the 8.
“That’s probably the last thing you want to see on the 1-yard line is you turn around and the ball is just bouncing behind you,” Heidenreich said. “I was blocking down. I thought he had pushed in, and kind of out of my peripheral I saw it going behind me.”
On the next play, Horvath was nearly sacked, but he was able to throw the ball toward Tecza as he went down. The ball fell incomplete instead of being caught around the 15, which was just as well for Navy because it made going for it on fourth down a more viable option.
“I kind of felt like we had to,” Navy coach Brian Newberry said. “The nature of what they do offensively, despite how well we played in the second half, you may not get the ball back.”
Even after Heidenreich’s touchdown and an Army punt, Navy still had to escape one more near-turnover. On third-and-3 from the Army 43, the ball popped loose on a run by Horvath, but he was able to catch it out of the air. It came loose again and the Black Knights recovered, but after a review, Horvath was ruled down before the second fumble — a yard short of the line to gain.
Tecza then ran for the first down that enabled Navy to kneel out the clock, and Horvath appeared to wave goodbye at the Army sideline. There was a bit of a ruckus near midfield after the final kneel-down before things eventually calmed down for the traditional singing of the alma maters.
“They want to talk all their crap during the game and act like they’re so tough,” Horvath said. “The excuse last year was that they played a conference championship game before us. This year, we’ll see what it is.”
The Black Knights were trying to turn the tables on Navy after a ranked Army team — which had just won the American Conference title — lost to the Midshipmen last year.
The teams traded touchdown drives to start the game, each lasting 13 plays, 75 yards and over seven minutes. Horvath had a 5-yard scoring run, and Army quarterback Cale Hellums answered with a 2-yarder. Army’s first drive didn’t end until 5 seconds into the second quarter.
Then it was a while before anyone reached the end zone again. With Army up 10-7 late in the second quarter, the ball slipped out of Horvath’s hand while he was looking to pass. Army recovered the fumble at its own 45 with 20 seconds to play and moved into range for a 45-yard field goal by Dawson Jones.
Navy’s defense stiffened in the second half, but the Midshipmen still flirted with disaster. Horvath threw an interception in the third quarter that was initially returned to the end zone — before a replay showed Army’s Justin Weaver had a knee down when he picked off the pass at the Navy 32. The Black Knights had to settle for three — Dawson connected on a career-long 48-yard kick.
Navy’s Wing-T offense has been explosive this season. The Midshipmen entered the day with an FBS-high 10 plays of at least 60 yards. Army mostly kept them contained, but Horvath slipped free for a 37-yard run that set up a third-quarter field goal that made it 16-10.
After Hellums’ underthrown pass was intercepted by Phillip Hamilton, giving Navy the ball at the 50 with 11:19 to play, Tecza’s 24-yard run made it first-and-goal from the 5.
Trump tossed the coin before the game at midfield, then returned at halftime to walk from the Navy sideline to the Army one.
One that got away
Army defensive lineman Jack Bousum, who is from Annapolis, had a big game against his hometown team. He finished with 1 1/2 sacks and a fumble recovery.
The takeaway
Army: The Black Knights were the better team in the first half Saturday but didn’t do much offensively after that.
“They beat blocks,” Monken said. “We didn’t sustain the blocks we needed to.”
Navy: Horvath made some big plays and some bad ones, and the Navy defense was stout in the second half. The Midshipmen finished tied for first in the AAC this year but missed out on the league title game because of tiebreakers. This victory matters more to them anyway.
Up next
Army: Faces UConn in the Fenway Bowl on Dec. 27.
Navy: Faces Cincinnati in the Liberty Bowl on Jan. 2.
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This story has been corrected to show Army took over at the Navy 32 after Horvath’s interception.
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