Connect with us

World

Afghan cartoonist, now a refugee, sheds light on plight of women

Published

on

Afghan cartoonist, now a refugee, sheds light on plight of women

When the Taliban returned to energy in August 2021, hundreds of Afghans fled the nation fearing curbs on freedoms. Cartoonist Sayed Muhammad Hussainy was certainly one of them.

The 29-year-old artist, who has taken refuge in Germany, stated he feared the Taliban would goal him for working with the earlier West-backed authorities of President Ashraf Ghani.

His sketches portrayed girls as assured, vibrant and taking part in necessary roles in society: athletes, medical doctors, academics, engineers, and officers.

However Afghanistan’s new rulers don’t appear to see girls from these lenses. As a substitute, they’ve incrementally been pushing Afghan girls out of public roles in society and barring them from gaining access to schooling.

The group has stated the clampdown falls inside its interpretation of Islamic legal guidelines, regardless of being the one Islamic nation banning girls from pursuing schooling. Most Muslim-majority nations have criticised the Taliban for imposing curbs on girls.

Advertisement

Previous to the Taliban takeover, Sayed’s artwork channelled Disney-eque qualities, with imaginative characters beaming with infectious smiles and wide-eyed gazes. He would depict girls with hope and a assured sense of objective, typically draped within the crimson, inexperienced and black colors of the Afghan flag adopted beneath the earlier West-backed authorities. The Taliban has adopted a brand new flag.

Now Sayed’s putting and unapologetic artwork has grow to be mired with muted faces trying blankly again on the viewer because the chaos swirls round them, portrayed by sturdy downpours of rain or menacing males engulfing all the area.

“You may see the distinction between my artwork earlier than and after the Taliban took over,” stated Sayed. “It’s like night time and day.”

In one of many sketches shared final April on his Instagram with a following of greater than 18,000, a number of males encircle a girl. With weapons of their palms, they forcefully place a veil over her. Their muted tones are in sharp distinction to the girl’s shiny colors and hue. She is unhappy, however her grip on her books is powerful and unwavering.

Advertisement

Sayed, who drew the image from an undisclosed location in Afghanistan figuring out full properly his life was in danger for his actions, is aware of his blunt photographs may make viewers uncomfortable. However he says it’s his obligation to assist strengthen the voices of these standing up for ladies’s rights and academic freedom in Afghanistan.

[Courtesy: Sayed Muhammad Hussainy]

The artwork additionally mirrors Sayed’s inner struggles coming to know with the fact of what individuals in Afghanistan are going via at the moment, which incorporates rising ranges of poverty and meals insecurity.

“I really feel the ache and harm of my nation and I attempt to present these feelings in my artwork,” he stated.

Regardless of the overwhelming feeling of hopelessness in Sayed’s drawing, he stated the ladies in Afghanistan are heroines which have the ability of resilience and perseverance.

“I wish to amplify the voices of Afghan girls, I wish to present the reality of what’s occurring to girls in my nation”, stated Sayed.

Advertisement

Travelling throughout Afghanistan to pursue a ardour

Sayed found artwork at a younger age as an outlet to silence the distraught noise round him of on a regular basis violence and the invention that family and friends had been affected. Greater than 240,000 individuals had been killed through the 20 years of US-led battle and occupation. The Taliban, which led an armed revolt, was additionally blamed for focusing on civilians.

“It’s onerous to be a child in Afghanistan”, stated Sayed. “You don’t have the identical rights and freedoms as different youngsters from world wide.”

What began as a interest quickly turned a ardour that may take up most of his days. He left his house province of Sar-e Pul in northern Afghanistan to discover a digital artwork course in neighbouring Balkh province in 2014.

Nonetheless, his starvation went past the course, typically taking a look at drawings of well-known comedian ebook artists like Clay Mann to review dynamic poses. YouTube tutorials from digital artists like Ross Tran and Sam Yang additionally helped Sayed hone his craft when it got here to colouring strategies.

Advertisement

After finishing the course, Sayed travelled to the capital Kabul, the place his artwork garnered the eye of presidency ministries.

The night time Kabul fell

Sayed’s first digital poster was commissioned by the Press Directorate of the Presidential Palace in 2019 as a part of a marketing campaign to denounce violence in opposition to girls in Afghanistan.

As Sayed had extra work commissioned, exhibiting Afghan girls in assured positions of energy, the Taliban had been making their approach in the direction of Kabul.

Sayed remembered the night time the Taliban took over the Presidential Palace vividly, as he was working within the neighborhood.

Afghan Cartoonist Uses Talents to Amplify The Plight of Women Back Home
[Courtesy: Sayed Muhammad Hussainy]

“It was horrible, after I went out of the presidential space everybody was operating and screaming, it was like a horror film”, stated Sayed. “It was like zombies had come to the town.”

With the sounds of gunfire and chaos round him, Sayed managed to flee from the scene. It took him 4 hours to get house that night time.

Advertisement

Within the days that adopted, Sayed’s household moved areas whereas he deleted private photos from social media accounts.

A pal who was detained by the Taliban instructed Sayed that they noticed his artwork on his telephone and requested who had drawn the photographs. Having labored carefully with the federal government, Sayed believed he can be focused by the Taliban.

“I went into hiding, I cried for 3 weeks day by day,” says Sayed. “I couldn’t imagine what had occurred to my nation”.

Sayed tried for greater than a yr to go away Afghanistan, attributable to concern of reprisals by the Taliban, even desperately getting in contact with human traffickers who supplied to smuggle him into Iran with no visa. He lastly managed to enter neighbouring Pakistan final September from the place he made it to Germany.

Renewed creative objective

Since arriving in Berlin, Germany 5 months in the past as a refugee, Sayed stated he attracts about 4 hours a day to maintain the dialogue on-line alive about girls’s rights in Afghanistan. He has typically posted utilizing the hashtags #LetAfghanGirlslearn or #DontforgetAfghanistan.

Advertisement

“Earlier than I used to attract my artwork to get the eye of individuals residing exterior of Afghanistan”, stated Sayed. “Now, I draw to offer hope to Afghans too”.

Though Sayed stated his thoughts is calmer nowadays as he will get acclimated to his new environment, he nonetheless stays up at night time excited about family and friends who’re nonetheless in Afghanistan.

“In Afghanistan, beneath the present authorities it’s OK for ladies to be begging on the road late at night time nevertheless it’s not OK for ladies to go to high school or college,” stated Sayed.

“This actuality is so stunning to me. I can’t preserve quiet.”

Advertisement
Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

World

Cinematography Work at Camerimage Festival ‘Radically Different,’ Jury Members Say

Published

on

Cinematography Work at Camerimage Festival ‘Radically Different,’ Jury Members Say

Jurors at the EnergaCamerimage cinematography fest say the Golden Frog main competition films have been remarkably varied and inspiring in the event’s 32nd edition.

The 12 competing films “were radically different from each other,” said “Barbie” and “Killers of the Flower Moon” cinematographer Rodrigo Prieto, whose directorial debut, “Pedro Paramo,” is also screening at the fest. “I enjoyed that.”

The varied styles, approaches and storytellers, he added, defied easy categorization. “Happily, I didn’t notice trends, which I have noticed sometimes in the past in some festivals.”

Juror Anthony Dod Mantle, who won Golden Frogs in 2008 for his lensing of “Slumdog Millionaire” and in 2016 for “Snowden,” said, “I’ve been to this festival before and the overall collection of films and categories, I felt, was even wider. I feel slight absence of certain films from other ethnic backgrounds. They were different, these films, but they could be far more different.”

Greater diversity and inclusion in cinematography has justly been a hot topic this year at Camerimage, he added. “It’s good we embrace that, celebrate it here, because not many festivals do that.”

Advertisement

Dod Mantle described the current state of cinematography, based on what the jury’s seen this week, as “openly variable and that’s why we praise some films rather than others because they challenge convention.”

He also described the industry as “in a bit of a pickle,” adding, “We know that. We have to applaud ourselves and embrace and encourage every single essence of, molecule of, exploration and challenging cinema.”

Juror Lukasz Zal, who filmed “The Zone of Interest” and “Cold War,” said “I feel really inspired. I feel this kind of positive envy when you just see something which you admire, and love – cinema is still in good condition.”

And, he added, “I’m becoming hopeful that, OK, there’s still a lot to discover. For this, I really love Camerimage. When I was here, when I was a student, I was always coming back home after festival, with this feeling, kind of eager to work, to prepare and to just be really open and be full of ideas.”
Spending time here again as a top professional in his field, Zal said, “I feel again like a student.”

Juror Cate Blanchett said it’s clear cinematography has no crisis of creativity currently.

Advertisement

Instead, there’s a different issue: “The pickle is how one gets access and is able to see these films in the way that they’re intended to be seen.”

Technology advances in the field are also helping storytelling onscreen evolve, she added, rather than distracting from it. “Sometimes you can see there’s been huge technical advances made, or there’s been big innovations, and they haven’t yet been integrated into the stories that they’re being applied to. Whereas I thought there were so many films here that have really integrated the technology and in a completely adventurous and inventive way that was not pretentious. It was very interwoven and enmeshed with the performances and the stories.”

Jury duty at Camerimage is rewarding, said Dod Mantle, because the Golden Frog award can often help promising cinematographers break through to booming careers.

He described the potential effect of the award as “enormous.”

“The first time I came here, in competition,” he recalled, “it illustrated for me the jury was embracing cinema, celebrating something different and challenging.”

Advertisement

Cinematographers are keenly aware of the judgment of their peers, Dod Mantle added. “You feel quite vulnerable here. I’ve seen cinematographers leave the festival and go spend the weekend in Krakow and come back. The frog, ultimately is a beautiful thing celebrating our colleagues’ work.”

Juror Anna Higgs, a producer and columnist who works closely with BAFTA, said, “I think we should normalize cinematographers getting asked for their autographs – the fact that this frog is the idolized thing here.”

Blanchett added, “It’s very rare that you go to a festival where every single person in the auditorium sits right through the credit roll to the very end.” She noted “the respect that is shown to every single crewmember.”

Prieto recalled the impact of his own Golden Frog cinematography win in 2000 for “Amores Perros” fondly. “I do cherish that frog. It’s wonderful to get a frog, but more than anything, it’s a place where cinematography is the focus and is celebrated, and to share that obsession with so many people, and the energy of that, is really wonderful.”

Zal had a similar career boost, he said, after winning for lensing “Ida” by Pawel Pawlikowski in 2013. “That’s really the moment when somehow my career changed. I was always dreaming while having student films here.  And it was beautiful to get an award from colleagues and being here and being among amazing cinematographers.

Advertisement

“I was put in competition with the people who I admire. Even now, sitting with Rodrigo, who for me was a huge inspiration. I was shooting my films in school inspired by ‘Amores Perros.’ Now we’re sitting together on the jury. That’s amazing, that’s beautiful.”

Blanchett described the close proximity of students and top international lensers as a unique strength of Camerimage, praising “the mentorship that goes on, how you’ll champion the works of other people.”

“I think that’s why it’s so vitally important that there’s an increased level of female participation. Because of the networking and mentorship opportunities and championing the work. The conversations and the opportunities that arise from those conversations are really important.”

Oscar-winning costume designer Sandy Powell (“Shakespeare in Love,” “The Aviator” and “The Young Victoria”) and cinematographer and documentary filmmaker Jolanta Dylewska also served on the Camerimage jury, calling earlier this week for greater diversity and inclusion in the industry.

Advertisement
Continue Reading

World

Ukraine to analyze fragments of missile fired by Russia capable of carrying nuclear warheads

Published

on

Ukraine to analyze fragments of missile fired by Russia capable of carrying nuclear warheads

Investigators in Ukraine are analyzing the debris of a new intermediate-range ballistic missile (IRBM) fired by Russia at the city of Dnipro on Thursday, marking the first time the weapon had been used on the battlefield.

On Sunday, Ukraine’s Security Service showed the remaining fragments of the IRBM called Oreshnik – Russian for Hazel Tree – that struck a factory to The Associated Press.

Russian President Vladimir Putin confirmed the attack on Thursday evening in an address to the nation and said it was in direct response to the U.S. and the U.K. jointly approving Ukraine’s use of Western-supplied long-range missiles to target Russia.

The Pentagon has said the missile is based on Russia’s RS-26 Rubezh intercontinental ballistic missile (ICBM), though the wreckage has not yet been analyzed, according to security officials on site in an undisclosed location in Ukraine.

‘NEW’ RUSSIAN MISSILE USED AGAINST UKRAINE NOT HYPERSONIC, DEFENSE OFFICIALS SAY

Advertisement

Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024. (AP Photo/Evgeniy Maloletka)

The AP and other media were permitted to view the fragments before being taken over by investigators.

The wire service showed images of what it described as mangled and charred wires, along with an ashy airframe about the size of a large snow tire. The remains were all that were left of the IRBM, which can carry nuclear or conventional warheads.

“It should be noted that this is the first time that the remains of such a missile have been discovered on the territory of Ukraine,” a specialist with Ukraine’s Security Service said. The specialist only identified himself by his first name Oleh because he was not authorized to discuss the issue with the media.

1,000 DAYS OF WAR IN UKRAINE AS ZELENSKYY DOUBLES DOWN ON AERIAL OPTIONS WITH ATACMS, DRONES AND MISSILES

Advertisement
irbm-5

Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024.  (AP Photo/Evgeniy Maloletka)

Ukraine’s Main Intelligence Directorate said the missile was launched from the 4th Missile Test Range, Kapustin Yar, in Russia’s Astrakhan region. Once launched, Ukrainian officials said, it flew for 15 minutes before striking Dnipro. The missile was carrying six warheads, each carrying six subunitions, and its speed was Mach 11.

Last week, Deputy Pentagon press secretary Sabrina Singh confirmed to reporters during a press briefing that Russia had launched the IRBM, noting that it was a “new type of lethal capability that was employed on the battlefield.”

She also said the U.S. was notified briefly before the launch through nuclear or risk reduction channels.

US EMBASSY IN KYIV CLOSED AS ‘POTENTIAL SIGNIFICANT AIR ATTACK’ LOOMS

irbm-4

Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024. (AP Photo/Evgeniy Maloletka)

Putin also said last week that the missile attacked targets at a speed of Mach 10.

Advertisement

Despite Ukraine’s and Putin’s claim that the rocket reached speeds greater than Mach 10, two U.S. defense officials told Fox News on Thursday the missile was not hypersonic, which, according to NASA, is a speed greater than 3,000 mph and faster than Mach 5.

Along with launching the IRBM for the first time on the battlefield, Putin signed a law to grant debt forgiveness to those who enlist in Russia’s army to fight in Ukraine.

US BRIEFED UKRAINE AHEAD OF PUTIN’S ‘EXPERIMENTAL INTERMEDIATE-RANGE BALLISTIC’ ATTACK

irbm-3

Fragments of a rocket which struck Dnipro on November 21 are seen at a center for forensic analysis in undisclosed location, Ukraine, Sunday Nov. 24, 2024. (AP Photo/Evgeniy Maloletka)

The AP reported that the measure highlights the country’s need for military personnel as it continues its war against Ukraine.

Russian state news agency Interfax said the new legislation allows new recruits enlisting for a one-year contract, to write off debts up to 10 million rubles, or about $96,000.

Advertisement

CLICK TO GET THE FOX NEWS APP

The law reportedly applies to debts in which a court order for collection was issued, and enforcement proceedings had commenced before Dec. 1, 2024. The legislation also applies to spouses of new recruits.

The Associated Press contributed to this report.

Continue Reading

World

Voters in Switzerland say no to bigger motorways

Published

on

Voters in Switzerland say no to bigger motorways

The federal government argues that the volume of traffic on the motorway network has increased more than five times over the past sixty years.

ADVERTISEMENT

Swiss voters took to the polls on Sunday to vote no to bigger motorways, no to easier evictions and tighter subletting rules and yes to a new healthcare financing model.

The Swiss government’s proposal to allocate €5.3 million for expanding motorways and constructing new roads at six key locations, including near Bern and between Geneva and Lausanne, was rejected by 52.7% of voters.

The plan, approved by parliament last year, faced opposition from those concerned about its environmental impact and effectiveness.

The federal government, argues that the volume of traffic on the motorway network has increased more than five times over the past 60 years.

The result was celebrated by the Green Party which called the proposal “an out-of-date transport policy”.

Advertisement

Together with left-wing and environmental groups, the Greens campaigned against the project, highlighting its environmental impact and the concern that wider roads would only lead to more traffic. They now advocate for the funds to be used for public transport, active mobility, and the renovation of existing motorways.

Mattea Meyer from the no camp expressed her satisfaction with the referendum result.

“I am incredibly pleased that a majority of the population does not want a highway expansion, and instead wants more climate protection, a transport transition that is climate-compatible, which the highway expansion is not,” she said.

According to local media to counter this decision the yes campaign, plans on moving forward with expansion projects separately through agglomeration programs, reducing the chance for cantonal referendums.

No to easier evictions

On Sunday, Swiss voters decided on multiple housing issues, such as subletting and lease termination.

Advertisement

53.8% of them rejected the proposal which would make it easier for landlords to terminate leases early in order to use properties for their own purposes.

Additionally, 51.6% voted against a plan for stricter regulations on subletting residential and commercial properties. According to local media, these issues attracted significant attention because tenancy laws affect the majority of Swiss citizens, with about 60% of the population renting their homes, the highest rate in Europe.

The proposal to ease eviction rules faced strong opposition, especially in French-speaking cantons, with Geneva seeing 67.8% of its voters against the plan due to the city’s ongoing housing shortage.

Continue Reading

Trending