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One Washington City's Innovative Approach to Transparency and Civic Engagement

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One Washington City's Innovative Approach to Transparency and Civic Engagement


  • Citizen engagement is essential to building trust in local government.
  • The city of Liberty Lake, Wash., has developed innovative strategies for educating residents about its workings and eliciting their input.
  • The city administrator, Mark McAvoy, spoke with Governing about key elements of this work.

Mark McAvoy was serving in the Air Force, stationed at McChord Air Force Base in Western Washington, when he got in a tangle with a local planning department over a retaining wall on his property. The encounter was frustrating, but also made him want to understand more about the internal workings of cities.

McAvoy’s curiosity was strong enough to motivate him to earn a Master of Public Administration degree, an “MBA for the public sector,” as he describes it. After working for the city of Houston for nearly two decades he became city administrator for Liberty Lake, a rapidly growing city of 12,000 near the Washington-Idaho border.


Since taking the job, he’s made it a priority to ensure residents are well informed about the way Liberty Lake works, from its budget priorities to its service delivery. The city was one of the first in the nation to implement a “Rethinking Budgeting” tool developed by the Government Finance Officers Association (GFOA), an assessment of budgeting processes designed to improve their speed and flexibility.

He’s been city administrator for three years now, the job he’s wanted ever since graduate school. He talked to Governing about what he’s doing to make sure citizens of Liberty Lake have a say in government decisions. The interview has been edited for length and clarity.

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Governing: What are some of the things you’ve done to help residents feel they have a voice in government?

McAvoy: We’ve established a community engagement commission made up of volunteer members. Their sole purpose is to derive methods to get more of a cross section of the city’s residents to engage regularly with the city government.

We started a community satisfaction survey, tied to our strategic plan, and it allows us to gauge how we are delivering what we said we’d prioritize in our strategic plan. We ask questions to see what the level of satisfaction generally is, and we use those results to inform our budget-making process and capital facilities plan.

Every spring we have a Citizen Academy, a class where people can come in each week for eight weeks and learn about a different department within the city. We go to the fire station, to the water and sewer district, to the police department. They have an opportunity to see the inner workings of those departments, how they make decisions and allocate resources, how they deliver services.

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All of our capital projects are on the city website, and there’s a widget that allows visitors to access a discussion forum about them.

We have a farmers market, and each week between May and October we have a booth there with an elected official and a member from one of our boards or commissions to answer questions about development projects, or why potholes aren’t being fixed. Kind of a living city hall.

What kinds of outcomes have you seen from this work?

At least two people who came through the academy decided that they wanted to run for City Council and were elected. We have several board and commission members who went through the academy and then decided to volunteer and become board and commission members.

We’re always looking for new techniques to be able to get more voices into the mix.

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You were one of the first to use the GFOA “Rethinking Budgeting” assessment. What did you learn from that?

The budget is the policy document of the city; all things are driven from the budget. I knew that there was a better way to do it, I just wasn’t quite sure how to get there.

The assessment is designed to ask people that are touching different parts of the budget process an array of questions that are diagnostic and informative. What are we doing well? What do we think we’re doing well, but we’re not doing so well based on these opinions?

That’s eye opening. One of the things we’ve taken from it is that our staff members can help us identify areas where if we just did things a little bit differently, we could either earn more revenue or save more expense.

How does the assessment relate to ensuring your budget aligns with community needs, what some call “priority-based” budgeting?

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Our priority-based budgeting implementation was not connected to the assessment. The priority system allows us to connect our budget with our strategic plan. In my opinion, it’s a better way to budget, a better way to communicate about the budget and a better way to demonstrate the return on investment.

Mark McAvoy: “You have to tailor things to your local conditions, but if you’re willing to work at it and engage the community and empower staff, you can make a real difference in local government.”

(Glen E.Ellman)

That’s the importance of getting feedback from the survey I mentioned earlier. The survey is written in the context of the strategic plan and the strategic plan is tied explicitly to the budget. When we’re getting feedback on an annual basis, we’re able to see that people want to see more investment in, say, crime prevention, or more investment in street maintenance.

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The survey is looking backward at how we performed, and the budget is looking forward at how we plan to perform.

Lately there’s been a lot of rhetoric suggesting government is wasteful and inefficient. Are your engagement efforts making it less likely that residents see you in this way?

There’s definitely an impact from what’s happening in the federal government, whether it’s on social media posts or people coming to council during citizen comment.

Assuming they still live in town, people who have gone through the City Academy are able to say to anyone they talk with, for example, “Here’s how the city really allocates tax revenue, and all of this information is on their website.” I hesitate to call them ambassadors, but they talk for us in the trenches.

We try to build trust, to have transparency in our communications, to never appear as though we’re behind closed doors. At no other level of government can you show up on a Tuesday night and get up to the lectern and tell your elected officials what you think. That gives us a tremendous advantage.

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Any last thoughts?

There’s no copy-and-paste function in this. Every government is different. You have to tailor things to your local conditions, but if you’re willing to work at it and engage the community and empower staff, you can make a real difference in local government.

There’s nothing like it.





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Iran warns Washington it will retaliate against any attack

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Iran warns Washington it will retaliate against any attack


DUBAI, Jan 11 (Reuters) – Iran warned President Donald Trump on Sunday that any U.S. attack would lead to Tehran striking back against Israel and regional U.S. military bases as “legitimate targets”, Parliament Speaker Mohammad Baqer Qalibaf told parliament.

Israel is on high alert for the possibility of a U.S. intervention to support a nationwide protest movement in Iran, sources said.

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Reporting by Dubai Newsroom; Editing by William Mallard

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Washington National Opera cuts ties with the Kennedy Center after longstanding partnership | CNN Politics

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Washington National Opera cuts ties with the Kennedy Center after longstanding partnership | CNN Politics


The Washington National Opera on Friday announced it is parting ways with the Kennedy Center after more than a decade with the arts institution.

“Today, the Washington National Opera announced its decision to seek an amicable early termination of its affiliation agreement with the Kennedy Center and resume operations as a fully independent nonprofit entity,” the opera said in a statement.

The decoupling marks another high-profile withdrawal since President Donald Trump and his newly installed board of trustees instituted broad thematic and cosmetic changes to the building, including renaming the facility “The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts.”

The opera said it plans to “reduce its spring season and relocate performances to new venues.”

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A source familiar with the dynamic told CNN the decision to part ways was made by the opera’s board and its leadership, and that the decision was not mutual.

A spokesperson for the Kennedy Center said in a statement, “After careful consideration, we have made the difficult decision to part ways with the WNO due to a financially challenging relationship. We believe this represents the best path forward for both organizations and enables us to make responsible choices that support the financial stability and long-term future of the Trump Kennedy Center.”

Kennedy Center president Richard Grenell, who was appointed by Trump’s hand-picked board, said on X, “Having an exclusive relationship has been extremely expensive and limiting in choice and variety.”

Grenell added, “Having an exclusive Opera was just not financially smart. And our patrons clearly wanted a refresh.”

Since taking the reins at the center, Grenell has cut existing staff, hired political allies and mandated a “break-even policy” for every performance.

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The opera said the new policy was a factor in its decision to leave the center.

“The Center’s new business model requires productions to be fully funded in advance—a requirement incompatible with opera operations,” the opera said.

Francesca Zambello, the opera’s artistic director, said she is “deeply saddened to leave The Kennedy Center.”

“In the coming years, as we explore new venues and new ways of performing, WNO remains committed to its mission and artistic vision,” she said.

The New York Times first reported the opera’s departure.

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Founded in 1956 as the “Opera Society of Washington,” the group has performed across the district, taking permanent residency in the Kennedy Center in 2011.

The performing arts center has been hit with a string of abrupt cancellations from artists in recent weeks including the jazz group The Cookers and New York City-based dance company Doug Varone and Dancers who canceled their performances after Trump’s name was added to the center – a living memorial for assassinated President John F. Kennedy.

The American College Theater Festival voted to suspend its relationship with the Kennedy Center, calling the affiliation “no longer viable” and citing concerns over a misalignment of the group’s values.

American banjo player Béla Fleck withdrew his upcoming performance with the National Symphony Orchestra, saying that performing at the center has become “charged and political.”

The Brentano String Quartet, who canceled their February 1 performance at the Kennedy Center, said they will “regretfully forego performing there.”

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CNN has reached out to the Kennedy Center on the additional cancellations.

The opera said, “The Board and management of the company wish the Center well in its own future endeavors.”

CNN’s Betsy Klein and Nicky Robertson contributed to this report.



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Andre Washington’s 20 points help Eastern Illinois take down Tennessee Tech 71-61

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Andre Washington’s 20 points help Eastern Illinois take down Tennessee Tech 71-61


CHARLESTON, Ill. (AP) — Andre Washington had 20 points in Eastern Illinois’ 71-61 victory over Tennessee Tech on Thursday.

Washington shot 8 for 13, including 4 for 6 from beyond the arc for the Panthers (5-10, 2-3 Ohio Valley Conference). Meechie White added 13 points and four steals. Kooper Jacobi finished with 11 points and added seven rebounds.

The Golden Eagles (6-10, 1-4) were led in scoring by Jah’Kim Payne, who finished with 11 points. Tennessee Tech also got 10 points from Mekhi Turner.

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The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.



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