Washington
Denzel Washington on Watching Son Malcolm Direct ‘The Piano Lesson,’ Which August Wilson Adaptation Is Next and Why ‘Gladiator’ Is a ‘Hard Act to Follow’
Denzel Washington is proud of his children. Why wouldn’t he be? His youngest son, Malcolm Washington, just premiered his directorial debut with an adaptation of August Wilson’s play, “The Piano Lesson,” which he co-wrote with Virgil Williams. In addition, the film stars his Denzel’s eldest son, John David Washington, with his sister Katia serving as executive producer and Malcolm’s twin sister Olivia, also having a role in the movie.
Washington has been designated the custodian of Wilson’s legacy by Constanza Romero, and with it, he has an overall deal with Netflix to produce all of Wilson’s 10-play Pittsburgh Cycle, also known as “The Century Cycle.” Set across several decades of the 20th century, it chronicles the experience and heritage of the African American community.
His longtime producing partner, Todd Black, has collaborated with him for years on various projects, including the first three Wilson adaptations: “Fences” (2016), “Ma Rainey’s Black Bottom” (2020), and now “The Piano Lesson.”
“Fences” earned Black his first Oscar nom for best picture, alongside Washington, who became the first Black person in history to be nominated for producing and acting in the same year.
“The Piano Lesson,” which also stars Samuel L. Jackson, Danielle Deadwyler, Ray Fisher, Corey Hawkins and Michael Potts, is the most cinematic of three Wilson adaptations to date. Denzel Washington wants all of the Wilson films to feel unique. “Each one is different, will be different,” he says.
Black and Washington tell Variety exclusively that the next adaptation from the Wilson catalog will be “Joe Turner’s Come and Gone.”
“We haven’t talked about anybody involved in that yet, though,” Washington says before chuckling, “Well…we haven’t talked to you guys about it.”
Does that mean they are close to casting the main roles? The film is set in the second decade of the 20th century and tells the story of a few freed former enslaved African Americans in the North, dealing with migration and discrimination.
“Joe Turner” opened on Broadway in 1988, directed by Lloyd Richards with a cast including Delroy Lindo and Angela Bassett. A Broadway revival, directed by Bartlett Sher, opened at the Belasco Theatre in 2009 with Chad L. Coleman and Danai Gurira.
Variety sat down with Black and Washington to discuss their longstanding partnership, their families growing up together, and what to expect from Washington’s upcoming role in Ridley Scott’s highly anticipated “Gladiator 2.”
How did the partnership with Todd Black and Denzel Washington begin?
Todd Black: It all started in the Valley back in July 1989. I was a baby producer, and I really wanted to meet Denzel. At that time, I had never seen an actor like him — someone who didn’t just act but lived the role. So, I kept bugging his agent, Ed Limato, to arrange a meeting. Finally, Ed gave me an hour with Denzel.
And how did that first meeting go?
Black: I was nervous but more excited than anything else. We sat down for lunch, and Denzel asked me, “Why am I here?” I told him, “Because I want to work with you.” He was kind, and he said something that’s always stuck with me: “When you read a script that makes your heart race and keeps you up all night, call me.” That advice stuck with me through all my movies.
Denzel, can you talk about your son Malcolm and his journey as a filmmaker?
Washington: I’m extremely proud of Malcolm. He went to AFI, one of the top film schools, and graduated number one in his class. I think he did anyway, and that’s what I’ve been telling everybody. From early on, I knew he had a vision. I’ve learned through my son the difference between making a film and being a filmmaker. I’ve directed four films. I had Todd to lean on, but I didn’t know what to do necessarily. Malcolm has studied filmmaking. He’s an academic. When he was younger, he would read my scripts and ask insightful questions. His mother is a huge film buff, so he — like all my kids — grew up watching movies. He always had a desire to make films, and now he’s doing it.
Todd, you’ve known Malcolm since he was young. What’s it like seeing him follow in his father’s footsteps?
Black: I’ve known Malcolm since he was in Pauletta’s stomach. I remember when Malcolm and his siblings came to my office when they were younger, maybe not even teenagers yet; Malcolm was the one asking all the questions about movies. He’s always had a love for film. Seeing him grow into the visionary filmmaker he is today is amazing. He’s worked hard, studied filmmaking at the highest level, and now he’s creating incredible work.
Cinephiles say you have a “signature” acting move, the single tear drop, like the one you showed in 1989’s “Glory.”
Washington: That’s not a “signature move.” Signature move sounds like a go-to. In fact, I teared because the whip was wet and it actually hurt. It was a real tear. That’s a true story. It was felt, and if you go back and look, they kept wetting everything down, and the felt was wet. And it was hitting me in the back, and it hurt.
Black: How many takes did you do?
Washington: I don’t even know, or how he cut it to be honest with you. He cut back and forth so many times, there’s no telling what takes it is. All I know It hurt — I wasn’t crying but it was a real tear.
How did you land on Danielle Deadwyler and Ray Fisher?
Washington: Bernice is such a complex character, and Danielle is just an extraordinary actress and person.
Black: With Ray, If you saw the stage play, he was great there. We had the advantage of seeing him on stage. We had trouble getting him because he had other commitments. We just thank God for his agents. They were really helpful. We just stayed on it, because every time we talked about other actors that we weren’t going to get, they didn’t come close. I remember this conversation with Denzel and Malcolm. We were like, “That’s a good actor, but they’re not Ray.” It comes with time when an actor meets a role, or a role meets an actor, whatever they call it, and that’s what that is for Ray.
You must feel immense pride seeing your children thrive in filmmaking and acting.
Washington: Of course, as a parent, the dream is to see your children doing what they love and succeeding at it. And they’re doing fantastic. My daughter is working in the West End in London, and my sons and daughter Katia are making waves in film. I’m proud of them, not just for their success but for the fact that they’re doing it as a close-knit family, supporting each other. So, this is the greatest gift. That they’re healthy, still humble. And working hard. And love each other, a tight unit. I’ll smack them upside the head if they’re not.
Denzel, I’ve got to ask you about your involvement in “Gladiator 2.” Fans were nervous when they first heard the announcement, but knowing you’re a part of it has brought hope. What can you tell us?
Washington: Huge! Ridiculously big! [Long pause with a smile]
And… Paul Mescal and Pedro Pascal? Are they good?
Washington: Not good. Great. Both of them. It’s a hard act to follow, and Paul pulled it off. He’s his own gladiator. I didn’t have to do anything but this [sips water with pinky up]. That was my job. Just twirl the glass, twirl the goblet, and hold whatever I had in my other hand. And make sure I don’t step on my gown. A new trailer [for “Gladiator 2”] comes out on the 23rd. It’s epic.
Denzel, I observed the love your children have for Pauletta, your wife, and we can only hope that our kids can love us that much, even well into adulthood. Can you speak to that?
Washington: [Laughing] Listen, I know if there’s a choice between their mother and I… “Dad, thanks… see ya!” You can’t win that one, and you never will. And I get it.
Black: He’s just not as good a cook as she is.
Washington: But seriously… That’s the foundation for all of my children. The actors, the directors, the producers, and the other one in London. Their mother has laid a foundation for them. She’s reliable in every syllable and letter of that word. She’s consistent. She’s done everything that a woman or a man could do. She’s been amazing.
What are some of the key lessons you’ve learned from each other?
Black: I mean…Denzel is always generous with his knowledge, and his loyalty in this business is rare. We know what each other likes, and we have similar tastes when it comes to films. It’s more than just business — it’s fun. We laugh, we argue sometimes, but it’s always about making the best movie possible. Denzel has made me a better producer by pushing me to focus on detail and simplicity. We develop scripts together, reading them out loud and going through every line. That process has shaped how I work with other filmmakers too.
Washington: We are pros, and we are friends. And that’s saying a lot in this business. He is the best at what he does, and he’s my friend. Can’t ask for more.
Washington
Suspect arrested in $400K gold bar scam
Police arrested a man suspected of taking a Bethesda, Maryland, couple for $400,000 in a gold bar scam.
A text message reading “Contact us about an unauthorized charge on your Apple account” led the couple down a scam rabbit hole, police said. They were led to believe they were talking by phone to real Apple employees and eventually, according to police, they spoke with 23-year-old Yongxian Huang, who allegedly pretended to be an employee of the Federal Trade Commission.
The couple was told their money had been compromised by criminals and needed to be converted to gold and put into government safekeeping to keep it from being used to make child pornography and purchase missiles for Russia, police said.
They were convinced to give two purchases of gold bars worth more than $367,000, as well as a wire transfer of more than $41,000, investigators said.
“If you get these messages, you are not required to answer the phone,” Montgomery County Police Detective Sean Petty said. “You aren’t required to click that message and give your information away.”
With the victims’ help, detectives coordinated a final drop of $81,000 in gold bars on Nov. 14. Huang accepted the package from a detective pretending to be the female victim, police said.
Investigators followed him up Interstate 95 to his home in Brooklyn, New York, where New York Police Department detectives arrested him.
He awaits extradition to Maryland, as does 26-year-old Yash Shah, arrested this week in Baldwin, New York.
Shah’s accused of scamming an 88-year-old Montgomery County woman and her 61-year-old daughter out of $2.3 million in a similar scheme in 2023.
Recovery is almost impossible.
The fact this keeps happening despite extensive news coverage means families should consider it a table topic when they get together for the holidays, Petty said.
“This can easily be a 5, 10-minute conversation just checking in with your loved ones, your aging individuals, making sure that they’re not getting these phone calls, these text messages, and responding positively to them,” he said.
Montgomery County police worked with the Baltimore Field Office of the FBI on this case.
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Washington
“Sunset Road:” New rom-com feature focuses the lens on Washington’s Red Mountain wine country – Northwest Public Broadcasting
Sunset Road is the name of a slice of pavement that cuts up the flank of Red Mountain, in southeast Washington wine country. It’s also where a new queer rom-com, also called “Sunset Road,” was shot.
In the first scene, Etta Campbell, played by the film’s director, Janet Krupin, is found on the roadside talking to a friend working in New York.
Sam Work Bestie: “Remind me where are you now?”
Etta Campbell: “Washington.”
Sam Work Bestie: “D.C.?”
Etta Campbell: “State.”
Sam Work Bestie: “Oh, Seattle?”
Etta Campbell: “Nope. Three and half hours southeast. It’s Washington wine country I guess?”
The film is based on the plot of “Romeo and Juliet.”
Instead of the Capulets and Montagues, the warring families are upset with wine and what to top it with – corks or screw tops. They have it out at a popular Richland restaurant, called Fiction.
Papa Campbell: “Maybe one of you could tell me why you prefer screw tops over natural cork? I’ve always wondered what in the world you’d …”
Oryn Montgomery: “How about them Mariners?”
Mama Montgomery: “Screwtops are wonderful; they’re the wave of the future.”
Spoiler alert: No one dies in this rom-com.
Director Krupin was raised in the Tri-Cities, and moved to New York City.
She was on Broadway, and side-hustled hosting gigs.
“Like, I was loving it,” Krupin said. “Doing the acting thing.”
But, then came the pandemic.
“I think it was Friday the 13th, I will never forget it,” Krupin said. “They shut down Broadway and then they shut down the restaurants, and those were my two forms of income.”
She moved back home to the Tri-Cities. She worked at Hightower Cellars during the pandemic.
And her comedy was born.
Krupin plays the Juliet-inspired character who falls in love with the warring family’s daughter. Under the string lights of her real-life parents’ house, the pair sip a rosé called “Any Other Name.”
Oryn Montgomery: “Great body.”
Etta Campbell: “Why, thank you.”
Oryn Montgomery: “[laugh] The wine.”
Etta Campbell: “Well, maybe you can tell me what a wine having body even means?”
Oryn Montgomery: “Body is how heavy or thin it feels in the mouth. Uh, this has a silky but substantial mouth feel.”
This “queer romp” is set amid conservative agriculture, east of the Cascades.
Traci Gillig is an assistant professor at Washington State University. She studies gender and media. She said this film doesn’t spotlight hardships for queer people – a rarity.
“And I think also that a lot of what was seen in the past was sort of struggles,” Gillig said, “not that we need necessarily more media representations of those, that sort of space people are living in now.”
The film cast many local actors and business people. Kelly Hightower co-owns a winery featured in the film. She said unlike the warring families in the new film, they use both cork and screw tops.
“When I first saw the movie it made me laugh out loud … It was just so funny,” Hightower said. “I mean actual quotes that actually happened here at the winery.”
The music from the film is recorded by Krupin’s sister, Halley Greg. “Sunset Road” is now on Amazon Prime Video.
* Kyle Norris contributed to this report.
Washington
Washington State Football: Keys to Victory at Oregon State
The Cougars suffered just their second loss of the year last weekend against New Mexico and, by many accounts, it was a shocker. Ranked well within the Top 25 and playing a team with a losing record, albeit on the road, WSU was expected to win. Now at 8-2 Jake Dickert’s squad is tasked with bouncing back and they might have the perfect opportunity to do just that against an Oregon State unit that has been in a tailspin as of late.
Here’s what Washington State needs to do on Saturday to avoid a second straight defeat and get back on the right track.
Move Past Last Week
First and foremost, the Cougs need to forget the loss last weekend. The New Mexico debacle is over and done with, and it ought to be treated as such. Dwelling on the misfortunes that plagued them a week ago will only spell bad news against an Oregon State squad that is desperately looking to salvage whatever it can from a season. If WSU comes into this one and lets that loss give them a disadvantage in any aspect, that might be all OSU needs to get a leg up. Essentially, they can’t let the Lobos beat them twice.
In order to mentally rebound from the toll of their second loss the best thing for WSU might be to get back to the basics in all phases of the game. The offense needs to rediscover and reaffirm what has made it so competitive all year. The defense has to wash their collective minds of the poor showing in Albuquerque. If Dickert can get the team back to what they were before last week… and there’s no reason to believer he can’t… they’ll be just fine.
Tackle, Tackle, Tackle
It’s no secret that one of the main issues last weekend for the Cougars was an inability to bring ball carriers down. Some of that can be blamed on the dynamic play of Deveon Dampier but a lot of it can be attributed to not wrapping up and failing to be sound in their tackles across the board. A repeat of that showing against Beavers playmakers such as Anthony Hankerson or Trent Walker could again yield some ugly results.
Fortunately for Washington State, they have the right guys to fix those errors. Senior linebacker Kyle Thornton is one of the best out there when it comes to making stops. He has 53 tackles this season (36 solo) and has been the enforcer for the team in the middle of the field for several seasons. Redshirt Sophomore “Buddah” Al-Qudah is also excellent in this department with a team-leading 58 stops. If these two can do what they are best at and get everyone else to follow suit, the Cougs will find a lot more success this Saturday.
Keep the Chains Moving
A surefire way to keep OSU on its toes is to keep its defense tired and to do that, Washington State needs some long, sustained drives. Moving the sticks, especially on third down, will help that happen. The Beavers allow their opponents to convert 45% of the third downs they attempt and, while that rate is somewhat high, the Cougars should aim for much more than that. Getting the Oregon State defense fatigued will go a long way.
John Mateer and company need to make sure, when they do get into third down scenarios, that they are manageable. Positive pushes on early downs is a must. Whether it be Mateer running himself, completing short and high-percentage throws to his pass catchers or strong rushes from running back Wayshawn Parker, the offense needs to stay on schedule. Little things like this will make all the difference against a foe that is struggling.
More Reading Material From Oregon State Beavers On SI
Week 13 – Oregon State vs Washington State: How To Watch, Preview, Time/Date, Storylines
State of the Beavs: Huge Beaver Basketball Matchups This Week + Hosting Wazzu at Reser
WATCH: Trent Bray Talks Oregon State’s “Disappointing” Performance At Air Force
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