Todd Black
Washington
Denzel Washington on Watching Son Malcolm Direct ‘The Piano Lesson,’ Which August Wilson Adaptation Is Next and Why ‘Gladiator’ Is a ‘Hard Act to Follow’
Denzel Washington is proud of his children. Why wouldn’t he be? His youngest son, Malcolm Washington, just premiered his directorial debut with an adaptation of August Wilson’s play, “The Piano Lesson,” which he co-wrote with Virgil Williams. In addition, the film stars his Denzel’s eldest son, John David Washington, with his sister Katia serving as executive producer and Malcolm’s twin sister Olivia, also having a role in the movie.
Washington has been designated the custodian of Wilson’s legacy by Constanza Romero, and with it, he has an overall deal with Netflix to produce all of Wilson’s 10-play Pittsburgh Cycle, also known as “The Century Cycle.” Set across several decades of the 20th century, it chronicles the experience and heritage of the African American community.
His longtime producing partner, Todd Black, has collaborated with him for years on various projects, including the first three Wilson adaptations: “Fences” (2016), “Ma Rainey’s Black Bottom” (2020), and now “The Piano Lesson.”
“Fences” earned Black his first Oscar nom for best picture, alongside Washington, who became the first Black person in history to be nominated for producing and acting in the same year.
“The Piano Lesson,” which also stars Samuel L. Jackson, Danielle Deadwyler, Ray Fisher, Corey Hawkins and Michael Potts, is the most cinematic of three Wilson adaptations to date. Denzel Washington wants all of the Wilson films to feel unique. “Each one is different, will be different,” he says.
Black and Washington tell Variety exclusively that the next adaptation from the Wilson catalog will be “Joe Turner’s Come and Gone.”
“We haven’t talked about anybody involved in that yet, though,” Washington says before chuckling, “Well…we haven’t talked to you guys about it.”
Does that mean they are close to casting the main roles? The film is set in the second decade of the 20th century and tells the story of a few freed former enslaved African Americans in the North, dealing with migration and discrimination.
“Joe Turner” opened on Broadway in 1988, directed by Lloyd Richards with a cast including Delroy Lindo and Angela Bassett. A Broadway revival, directed by Bartlett Sher, opened at the Belasco Theatre in 2009 with Chad L. Coleman and Danai Gurira.
Variety sat down with Black and Washington to discuss their longstanding partnership, their families growing up together, and what to expect from Washington’s upcoming role in Ridley Scott’s highly anticipated “Gladiator 2.”
Ray Fisher, left, writer/director Malcolm Washington and John David Washington on the set of “The Piano Lesson”
Katia Washington/Netflix
How did the partnership with Todd Black and Denzel Washington begin?
Todd Black: It all started in the Valley back in July 1989. I was a baby producer, and I really wanted to meet Denzel. At that time, I had never seen an actor like him — someone who didn’t just act but lived the role. So, I kept bugging his agent, Ed Limato, to arrange a meeting. Finally, Ed gave me an hour with Denzel.
And how did that first meeting go?
Black: I was nervous but more excited than anything else. We sat down for lunch, and Denzel asked me, “Why am I here?” I told him, “Because I want to work with you.” He was kind, and he said something that’s always stuck with me: “When you read a script that makes your heart race and keeps you up all night, call me.” That advice stuck with me through all my movies.
Denzel, can you talk about your son Malcolm and his journey as a filmmaker?
Washington: I’m extremely proud of Malcolm. He went to AFI, one of the top film schools, and graduated number one in his class. I think he did anyway, and that’s what I’ve been telling everybody. From early on, I knew he had a vision. I’ve learned through my son the difference between making a film and being a filmmaker. I’ve directed four films. I had Todd to lean on, but I didn’t know what to do necessarily. Malcolm has studied filmmaking. He’s an academic. When he was younger, he would read my scripts and ask insightful questions. His mother is a huge film buff, so he — like all my kids — grew up watching movies. He always had a desire to make films, and now he’s doing it.
Todd, you’ve known Malcolm since he was young. What’s it like seeing him follow in his father’s footsteps?
Black: I’ve known Malcolm since he was in Pauletta’s stomach. I remember when Malcolm and his siblings came to my office when they were younger, maybe not even teenagers yet; Malcolm was the one asking all the questions about movies. He’s always had a love for film. Seeing him grow into the visionary filmmaker he is today is amazing. He’s worked hard, studied filmmaking at the highest level, and now he’s creating incredible work.
Cinephiles say you have a “signature” acting move, the single tear drop, like the one you showed in 1989’s “Glory.”
Washington: That’s not a “signature move.” Signature move sounds like a go-to. In fact, I teared because the whip was wet and it actually hurt. It was a real tear. That’s a true story. It was felt, and if you go back and look, they kept wetting everything down, and the felt was wet. And it was hitting me in the back, and it hurt.
Black: How many takes did you do?
Washington: I don’t even know, or how he cut it to be honest with you. He cut back and forth so many times, there’s no telling what takes it is. All I know It hurt — I wasn’t crying but it was a real tear.
How did you land on Danielle Deadwyler and Ray Fisher?
Washington: Bernice is such a complex character, and Danielle is just an extraordinary actress and person.
Black: With Ray, If you saw the stage play, he was great there. We had the advantage of seeing him on stage. We had trouble getting him because he had other commitments. We just thank God for his agents. They were really helpful. We just stayed on it, because every time we talked about other actors that we weren’t going to get, they didn’t come close. I remember this conversation with Denzel and Malcolm. We were like, “That’s a good actor, but they’re not Ray.” It comes with time when an actor meets a role, or a role meets an actor, whatever they call it, and that’s what that is for Ray.
You must feel immense pride seeing your children thrive in filmmaking and acting.
Washington: Of course, as a parent, the dream is to see your children doing what they love and succeeding at it. And they’re doing fantastic. My daughter is working in the West End in London, and my sons and daughter Katia are making waves in film. I’m proud of them, not just for their success but for the fact that they’re doing it as a close-knit family, supporting each other. So, this is the greatest gift. That they’re healthy, still humble. And working hard. And love each other, a tight unit. I’ll smack them upside the head if they’re not.
Denzel, I’ve got to ask you about your involvement in “Gladiator 2.” Fans were nervous when they first heard the announcement, but knowing you’re a part of it has brought hope. What can you tell us?
Washington: Huge! Ridiculously big! [Long pause with a smile]
And… Paul Mescal and Pedro Pascal? Are they good?
Washington: Not good. Great. Both of them. It’s a hard act to follow, and Paul pulled it off. He’s his own gladiator. I didn’t have to do anything but this [sips water with pinky up]. That was my job. Just twirl the glass, twirl the goblet, and hold whatever I had in my other hand. And make sure I don’t step on my gown. A new trailer [for “Gladiator 2”] comes out on the 23rd. It’s epic.
Denzel, I observed the love your children have for Pauletta, your wife, and we can only hope that our kids can love us that much, even well into adulthood. Can you speak to that?
Washington: [Laughing] Listen, I know if there’s a choice between their mother and I… “Dad, thanks… see ya!” You can’t win that one, and you never will. And I get it.
Black: He’s just not as good a cook as she is.
Washington: But seriously… That’s the foundation for all of my children. The actors, the directors, the producers, and the other one in London. Their mother has laid a foundation for them. She’s reliable in every syllable and letter of that word. She’s consistent. She’s done everything that a woman or a man could do. She’s been amazing.
What are some of the key lessons you’ve learned from each other?
Black: I mean…Denzel is always generous with his knowledge, and his loyalty in this business is rare. We know what each other likes, and we have similar tastes when it comes to films. It’s more than just business — it’s fun. We laugh, we argue sometimes, but it’s always about making the best movie possible. Denzel has made me a better producer by pushing me to focus on detail and simplicity. We develop scripts together, reading them out loud and going through every line. That process has shaped how I work with other filmmakers too.
Washington: We are pros, and we are friends. And that’s saying a lot in this business. He is the best at what he does, and he’s my friend. Can’t ask for more.
Washington
Washington State University Vancouver faculty, staff anxiously await details of 15% budget cuts
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Washington State University Vancouver will feel the brunt of the university system’s budget cuts. In this undated, provided photo a student sits on the grounds of the Southwest Washington campus.
Courtesy Washington State University Vancouver Faculty and staff at Washington State University’s Vancouver campus say they are on pins and needles, as they wait to hear who will be impacted by the university system’s budget cuts.
In May, WSU’s Board of Regents announced the university would need to trim nearly $12 million from its core operating funds to run a balanced budget next fiscal year. Washington’s public universities are required to operate a balanced budget by state law.
The institution’s Vancouver campus will feel the brunt of the reductions soon. It was given a mandate to slash 15% from its budget. At just over $6 million in cuts, that’s close to half of the targeted cuts for the entire university system, which includes five campuses across Washington.
Amid Portland State budget cuts, a new plan for growth emerges
University leaders approved cuts to Vancouver’s budget on Wednesday. WSU spokesperson Brenda Alling said the university will not be releasing details of the plan. “What seems really problematic is this exceptional requirement that Vancouver get a significantly higher cut than any other campus in the whole state,” said WSUV Liberal Arts and History professor Sue Peabody.
Peabody is a tenured professor who has been teaching at the satellite campus since 1996. She said WSUV has weathered cuts in the past, including a 10% budget reduction just last year, but it has so far avoided layoffs.
“This time [WSU] is asking for very, very deep cuts that can only be met with personnel,” Peabody said. “There’s no other way to meet the 15% than eliminating employees.”
WSU is Washington’s land-grant university and it’s the second largest public university system in the state, with more than 25,000 students enrolled in 2025. The Vancouver campus is the institution’s second largest physical campus, enrolling close to 2,700 students.
Amid warnings of future cuts, University of Oregon trustees approve next year’s budget WSU is facing a multitude of financial headwinds, as are colleges and universities in Oregon and across the nation.
Washington State’s budget woes are primarily driven by decreasing state funds, anticipated losses in federal research grants, declining student enrollment and increasing personnel costs.
At a packed town hall-style meeting on Monday, university administrators acknowledged that the impending cuts are causing stress among the campus community.
“This is a time of incredibly high anxiety for us all,” Sandra Haynes, WSU executive vice president for statewide campuses, said at the June 15 meeting. “It’s hard not knowing what our futures will be. It’s hard not knowing how we’re going to take these cuts.”
In this provided photo Washington State University Vancouver faculty and staff filled a budget town hall hosted by university administrators on Monday, June 15, 2026.
Susan Lavender Administrators also attempted to clear up why the Vancouver campus is taking a disproportionate cut compared to the university’s other campuses and colleges.
According to Damien Sinnott, WSU senior vice president for finance and operations, Vancouver’s 15% cut reflects an effort to align per-student state funding across the WSU system.
“When you look at the Vancouver, Tri-Cities and Everett campuses, Vancouver receives substantially more state funding per student — about $2,500 more per student,” Sinnott explained to faculty last week. “So I think the board used that metric as a sign that Vancouver could withstand a larger budget reduction.”
Linfield University considers controversial program cuts to close budget deficit
Both Sinnott and Haynes said the approved budget cuts seek to minimize impacts to students, jobs and research at the campus. They said they would not be adopting a “do more with less” attitude in the coming fiscal year. But those statements are doing little to calm the frustration and fears that some faculty and staff are feeling over the mandated reductions.
“Those cuts will be felt by the students. Those cuts will diminish the quality of instruction at WSU Vancouver,” said WSU English professor Desiree Hellegers. “What we’re really seeing is a divestment from Southwest Washington.”
Hellegers has taught at the Vancouver campus for 33 years. She plans to retire this fall, partly to help shield some of her colleagues from layoffs.
“I know there’s a lot of young professors who may be on the chopping block,” Hellegers said. “To me, it’s kind of a question of, ‘What are administrators willing to sacrifice, themselves, in order to avert the worst of the damage?’”
Workers at the university’s Vancouver campus fear mass layoffs after the approval of a $6 million budget reduction this week.
Washington
Harold Washington fought for voting rights. Here we go again
My grandmother met Harold Washington once. I was young when she told me the story, so I don’t remember every detail. What I remember is what she kept: a mug he gave her, which she held onto until the day she died.
I grew up on South Shore Drive, sold the Sun-Times for a quarter at a paper stand at 75th and Stony Island, right in front of the KFC, and graduated from Hyde Park Academy. I did not know then that I would spend my career studying the civil rights terrain Washington had walked. But I understood, even as a child, what it meant that he was there.
I am thinking about him now.
Harold Washington served barely two terms in Congress before becoming Chicago’s first Black mayor in 1983. In that brief time on Capitol Hill, he did something that does not get remembered often enough. From the House Judiciary Committee in 1982, he helped lead the extension of key sections of the 1965 Voting Rights Act, including protections requiring jurisdictions with documented histories of racial discrimination to obtain federal approval before changing their voting rules.
The Congressional Black Caucus chose Washington to manage that bill on the House floor, where he spent seven weeks in hearings fighting to keep the enforcement mechanisms that protected Black voters from states that would prefer to be rid of them.
He won that fight.
Now, more than four decades later, we are fighting it again.
I am recalling Mayor Washington because of the efforts by President Donald Trump and many Republicans to pass the SAVE America Act, a proposed federal election law that would make it much tougher for many citizens to vote and is currently stalled in the U.S. Senate.
States curtail voting rights
Republican governors in Florida, Mississippi, Utah and South Dakota have already signed bills requiring documentary proof of citizenship for voter registration or citizenship checks, with similar legislation passed in Tennessee. Five states, Arizona, New Hampshire, South Dakota, Utah and Wyoming, will have show-your-papers requirements in place for the 2026 midterms.
In New Hampshire, the law has already produced its intended effect: In 2025 town elections, married women who did not have their marriage license on hand could not register, with at least one woman required to come back three times.
The infrastructure of exclusion does not require a federal law to take effect. It requires the threat of one, and the states that were waiting have already moved.
Washington would have recognized this immediately. The Voting Rights Act extension he managed in 1982 was not a symbolic gesture. It was a structural intervention, closing the door on states that wanted to escape accountability for their documented histories of discrimination.
The SAVE Act opens that door again, not with a return to literacy tests or poll taxes as such, but with a documentary requirement that functions identically: neutral on its face, devastating in its application and concentrated in its harm on the communities Washington spent his life trying to bring into the democratic process.
Washington’s 1983 mayoral campaign brought together Black voters on the South and West sides, Latino voters long excluded from the machine’s benefits and progressive white voters who believed Chicago could be something other than what it had always been.
His campaign was powered by a voter registration drive that added nearly 100,000 new voters to the rolls before the primary. He understood, instinctively and strategically, that expanding access to the ballot was not a prelude to political power. It was political power.
The SAVE Act would dismantle the registration infrastructure Black and Brown turnout campaigns depend on. Only 6% of voters register in person at an elections office. Washington’s coalition was built on the other 94%.
What Washington’s record demands of us
Washington deserves a reckoning, not a commemoration. He knew that formal equality was not enough, that the machinery of democratic participation had to be actively maintained against those who would narrow the circle.
His mug sat on my grandmother’s shelf for decades. She was not a politician. She was a Black woman on the South Side of Chicago who met a man running for mayor and felt, maybe for the first time, that he was talking to her. He gave her a mug. She kept it her whole life.
That is what is at stake. Not abstractions. People. The kind of people who keep a mug for decades because a politician made them feel like they mattered.
Harold Washington fought this battle once, from the Judiciary Committee floor, in seven weeks of hearings most people have forgotten. We are fighting it again, this time against a bill that would quietly push millions back out of the process, with six states already implementing versions of it before Congress even acts. The least we can do is remember who showed us how.
Donathan L. Brown, Ph.D., is an associate professor at Northeastern University, a former U.S. Fulbright professor, and the author of five books on civil rights and voting rights. A native of the South Side, he graduated from Hyde Park Academy.
Washington
Upriver Fire Near Spokane Triggers Evacuations For 12,000 Residents Amid Critical Fire Conditions
Washington state is currently experiencing an early-season flare-up of wildfire activity, particularly in the southeastern and central parts of the state, as well as the Upriver Fire, a fast-moving incident East of Spokane.
A combination of an ongoing statewide drought emergency and critical fire weather—including a strong, dry cold front with high wind gusts—has caused several fires to grow rapidly over the last few days.
The most significant other current active blazes include:
Omak Lake Road Fire: Things are moving fast up there right now. As of this afternoon (Wednesday, June 17), the Omak Lake Road Fire has officially merged with the nearby Kartar Fire, creating a massive blaze that has already burned roughly 6,500 acres on Colville Reservation land.
Tule Fire (Yakima Region): Ignited on June 14 south of Toppenish, this is currently the largest wildfire in the state, having ballooned to approximately 20,665 acres with 0% containment. It is burning primarily in dry grass and brush and has been producing a massive smoke plume that is impacting air quality throughout the Columbia River Gorge.
Juniper Dunes Fire (Franklin County): This fire has burned over 10,577 acres and is 10% contained. It has pushed into the challenging, roadless terrain of the Juniper Dunes Wilderness area, making ground access difficult for crews.
A Red Flag Warning remains in effect across much of Eastern Washington due to sustained high winds and low relative humidity, meaning any ongoing fires face an extreme risk of rapid spread, and new starts can ignite easily.
Is smoke from around the state forecasted to arrive in NCW?
Right now, North Central Washington is in the clear. The active wildfire smoke is staying well away from the Wenatchee Valley and surrounding areas, and local air quality remains firmly in the “Good” category.
The main reason for this breaks down to wind direction and fire locations:
Westerly Winds are Our Friend: Strong winds blowing from the west across the Cascades are actively dispersing air over NCW and pushing regional smoke eastward.
Where the Smoke is Heading Instead:
South: Earlier this week, massive plumes from the Tule Fire down in Yakima drifted west/southwest into the Columbia River Gorge and Portland-Vancouver metro.
East: With the current wind shift, smoke from the large fires in the Columbia Basin (like Tule and Juniper Dunes) is now being carried east toward the Tri-Cities, Walla Walla, and the Palouse.
North/Northeast: Up north, the Kartar and Omak Lake fires east of Omak are causing localized downwind smoke impacts, but the smoke is drifting east toward Nespelem and the Coulee Dam rather than dropping south into Chelan or Douglas counties.
Because these breezy, dry conditions are expected to persist through the rest of the week, weather and air quality officials note that intermittent smoke impacts will mostly be a concern for communities situated directly downwind (east) of the active blazes.
Where can I look online to see where wildfire smoke is coming from?
A few years ago, I discovered a Canadian website that not only shows you where wildfire smoke is coming from, but also how the smoke forecast will affect you in the coming days. It comes from the BC Wildfire Service.
Click on this helpful wildfire smoke map and bookmark it.
A couple of things to know about this BC Wildfire Service website.
1) When you first find the smoke map, select the Smoke Forecast button.
The map will come to life, showing where current wind conditions are directing wildfire smoke and where it is forecast to travel in the coming days.
2) Since it’s a service of the BC Wildfire Service, it doesn’t provide any information on fires here in the US, but it does show where smoke is forecast to come from any wildfires north and south of the border.
Where can I find updated information about wildfires in Washington?
The Watch Duty app for any device.
The Washington DNR fire dashboard is active throughout the fire season and shows up-to-date information on wildfires affecting Washington state.
View a full-screen version of the DNR fire dashboard with this link.
Oregon Coast Getaway Photos
Oregon Coast Getaway Photos
Gallery Credit: KEVIN MILLER
LOOK: These Photos Show Why ’70s Cars Were Something Special (and Obviously Better)
Big, bold, and built different — these ’70s cars looked and felt like nothing on the road today. Take a ride back and see them in their prime. [And we did our best to identify the models and dates, so if we got it wrong, gearheads, don’t come after us!]
Gallery Credit: Stephen Lenz
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