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Opinion: Campus protests lead to change. It’s how we got the University of Utah to divest from South Africa.

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Opinion: Campus protests lead to change. It’s how we got the University of Utah to divest from South Africa.


These protests should make you uncomfortable. That’s the point.

(Special Collections, Marriott Library, University of Utah) University of Utah students erect a structure to advocate the university’s divestment of South Africa in 1985. The group, Students Against Apartheid, joined protests around the world to end segregation.

The unrest at the University of Utah around Gaza is a deeply disturbing sight. Not because of the students protesting, but rather the immediate and violent police reaction to forcibly shut it down.

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Whatever you think about Israel and Palestine, we can and should and indeed must debate these issues fully — and in public. That debate in the public square is the foundational bedrock on which our republic rests.

And if there’s any place in our society where strident voices should clash, it’s on our campuses. That is their very purpose — to allow ideas and identities to bump against each other, to challenge our accepted beliefs.

I should know. In early 1986, I was part of a group of students that built and occupied shanties at the U. over 18 months, protesting apartheid in South Africa and demanding divestment from companies. The shanties were ugly, annoying, in your face — which was precisely the point, to bring to life something we students were connected to half a world away.

(Special Collections, Marriott Library, University of Utah) University of Utah students erect a structure to advocate the university’s divestment of South Africa in 1985. The group, Students Against Apartheid, joined protests around the world to end segregation.

Opposition was fierce — we were firebombed by students who disagreed with our expression, and they weren’t the only ones.

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After six months, administrators moved to forcibly evict the protestors. So we sued in federal court, arguing that a structure was a form of free speech. And in a groundbreaking decision, a federal court agreed and ordered we be allowed to continue our protest.

So the protests continued and, over a year-and-a-half, the issue was debated constantly — because the protests forced the issue onto the agenda. And in the end, we won. The University finally agreed, and joined hundreds of other institutions in voting with their dollars against supporting institutional racism.

In his landmark history of the U.S. and South Africa during the apartheid years, “Loosing the Bonds,” Robert Massie notes divestment, along with trade/financial sanctions and cultural restrictions, broke the back of the racist regime’s ability to operate. It collapsed, Nelson Mandela went free and apartheid ended. We had added our grains of sand to the avalanche that overwhelmed the defenders of oppression and tyranny.

But it doesn’t and shouldn’t matter that we were right in our protests, that history ultimately vindicated our occupation of part of campus as a part of the global struggle to end the institutionalized racism in South Africa.

The value of protest isn’t in being correct, it is a thing unto itself. Democracy is a participatory sport. The fights over who gets to hold power and decide what rules we all live by are the very heart of what makes this country exceptional, in spite of all its many shortcomings.

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What really mattered was that we all got to participate, to put our shoulders to the wheel and push along on this great journey of perfecting the American experiment.

It’s been that way from the very beginning. Fights over ideas are literally written into the source code of America, a constant tension between individuality and social responsibility, between freeborn and slave, between native and immigrant. Fights in word and deed. Recall, one of our founding acts that won our freedom had nothing to do with speech at all — it was dumping tea in Boston Harbor.

(Special Collections, Marriott Library, University of Utah) University of Utah students erect a structure to advocate the university’s divestment of South Africa in 1985. The group, Students Against Apartheid, joined protests around the world to end segregation.

Protest is supposed to make us uncomfortable, and it has a rich history at the U. stretching back decades. Protests force us to stop our daily mundanities and look and reckon and reflect. It’s also a pressure valve — it allows us to fight out ideas without guns and violence. Stopping traffic, camping on the lawn, they all have their place. And they are legally protected rights that must not be infringed.

So the shutting down of protests at the U. isn’t some defense of public order, it’s an attack on the very idea of what being an American is, and it’s part of a deeply worrisome trend. The concept of “fake news,” of demonizing science and facts we don’t agree with like that vaccines work or that climate change is real, are acid on the foundation of our society.

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I grew up Mormon in Utah, and have always bragged to anyone who’ll listen about how curious Utahns are about other people and ideas. But that can’t be just trying their foods and dances at the Living Traditions festival. It has to embrace their history, culture and conflicts, too.

We should be proud of those students, regardless of opinion, standing up and shouting out for what they believe. They represent the best of us, because they still believe that voices matter, that opinion matters, that ideas matter. If we lose that, we are truly lost.

(Photo courtesy of Tom Price) Tom Price

Tom Price grew up in Provo and attended the University of Utah. He is now a climate entrepreneur in California.

The Salt Lake Tribune is committed to creating a space where Utahns can share ideas, perspectives and solutions that move our state forward. We rely on your insight to do this. Find out how to share your opinion here, and email us at voices@sltrib.com.

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Kentucky Wildcats set to host Utah transfer Terrence Brown on visit

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Kentucky Wildcats set to host Utah transfer Terrence Brown on visit


Kentucky basketball continues to stay aggressive in the transfer portal, hosting Utah transfer guard Terrence Brown for a visit, according to Matt Jones of KSR, as the Wildcats look to rebuild their backcourt heading into next season.

Brown, a 6-3, 175-pound point guard, is coming off a standout year in which he averaged 19.9 points, 3.8 assists, and 2.4 rebounds per game. He shot 45.3% from the field and 32.7% from 3-point range while starting all 32 games and playing over 31 minutes per contest.

There is already a connection between Brown and Kentucky, as he previously played alongside former Wildcat forward Ansley Almonor during the 2023-24 season before Almonor transferred to Kentucky the following year.

Kentucky’s interest in Brown comes as the program looks to reload at the guard position following multiple departures, including Jaland Lowe, Denzel Aberdeen, Jasper Johnson, and Collin Chandler. Head coach Mark Pope and his staff have made it a priority to evaluate all options, with Brown emerging as a serious candidate after a recent phone conversation between the two sides.

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The Wildcats have also hosted other guards like Zoom Diallo, and currently, Rob Wright is on campus.

Brown’s visit is part of a busy stretch for Kentucky, with several other notable transfer targets expected to make their way to Lexington, including Alex Wilkins, Donnie Freeman, Jalen Cox, and Magoon Gwath.



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Utah delays imposing fee for wildfire mitigation program

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Utah delays imposing fee for wildfire mitigation program


The Utah Legislature tried to address the unaffordability or, for some, unavailability of home insurance last year.

The state created a program to inspect “high-risk” properties statewide and charge those properties a fee.

Its start date was supposed to be Jan. 1, but now lawmakers are giving state and local officials an extra year to implement it. House Bill 41, which Gov. Spencer Cox signed in March, moves the start date to Jan. 1, 2027.

Bill sponsor Rep. Thomas Peterson, R-Brigham City, says that’s to give time for cities and counties to petition the state to add or remove properties from the fee area.

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“[The Division of] Forestry, Fire and State Lands has said they will work with the cities and counties to amend their maps, if it’s indeed justified,” the representative said during a House committee hearing.

The program targets properties with buildings in the “high-risk wildland-urban interface,” or WUI, meaning those that straddle wilderness and development. The Division of Forestry, Fire and State Lands has a map classifying certain properties as high-risk WUI.

That’s the map local governments can petition to amend this year.

Those properties will pay a fee into the new Utah Wildfire Fund, which is supposed to offset fire-related costs. The fee pays for inspections to make sure property owners are being firewise and maintaining their land.

The fee is expected to range from $20 to $100 annually, depending on the size of buildings on a given property and risk level. The state forester has more information on an online FAQ page.

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This Utah Family Retreat Takes Its Elevated Design Cues From the Alpine Surroundings

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This Utah Family Retreat Takes Its Elevated Design Cues From the Alpine Surroundings


as hard as it is to say goodbye to a special place where you’ve made countless memories, letting one good thing go can invite something even better to take its place. When one Chicago-based couple welcomed their first grandchild, they knew that it was time to part ways with their former Victory Ranch, Utah, retreat and expand into a custom-built home in nearby Kamas, which was designed to grow with their family.

With Jennelle Butera of Bloum Design Co. helming the design, every area of the expansive new homestead was tailored to suit the needs of a full, bustling household, with curated design choices that seamlessly coordinate with the majestic mountainous terrain on full display in nearly every room.

To give the space an artful signature all its own, Butera commissioned numerous custom accents. “We love working with local artisans,” she says. “We layered in pieces that feel deeply personal, from a solid walnut dining table with brass butterflies to a gunmetal kitchen hood and blackened steel fireplace surround.”

“We layered in pieces that feel deeply personal.”

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Though incredibly spacious and airy, the entire interior still has a warm and inviting feel, making it a natural home base for the entire brood to gather. From an intimate breakfast nook just off the main living area to a family room that’s ready for anything—from game night to cocktail hour—to a primary bathroom that could rival the most luxurious five-star spa, this is the ultimate entertaining home, sure to host countless reunions and gatherings in the years to come. And crucially, the space doesn’t feel cordoned off from the gorgeous natural world outdoors, but very much a part of it.

FAST FACTS

Designer: Jennelle Butera, Bloum Design Co.

Location: Kamas, Utah

The Space: A five-bedroom, six-bathroom home across 8,200 square feet

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ENTRYWAY

Guests are greeted by subtle artistic touches.

Lucy Call

Wall paint: Revere Pewter, Benjamin Moore. Console: Greg Palombo. Stool: RSCollection. Rug: Utah Rugs. Flooring: Eco Outdoor.

An entryway needs to make a memorable first impression, and the one in this home, anchored by a distinctive custom walnut console table, is so much more than a simple pass-through. “This entry vestibule serves as an artistic moment,” Butera says. There’s subtle beauty to appreciate underfoot as well, as the dappled pattern of the natural stone pavers is used both indoors and out, providing a seamless visual transition.


THE GREAT ROOM

A comfy, calming space that lives up to its name.

Living room featuring a large green couch, coffee table with decorative items, and expansive windows overlooking a mountainous landscape.
Lucy Call

Rug: Armadillo & Co. Couches: Montauk Sofas. Coffee table: The Future Perfect. Chairs: Verellen. Floor lamps: Vaughan Designs.

Walking into the great room, visitors are struck by two distinct features: expansive panorama windows that showcase sweeping mountain vistas and a sumptuous seating area that practically begs sitters to stay awhile and appreciate the view. The deep olive green Montauk sofas were hand-selected not just for their gorgeous color and plush silhouette, but because they feel like a dream. “The clients even took a special trip to the Chicago showroom to personally sit-test them,” Butera quips.


DINING AREA

Gilded accents add polish to everyday meals.

Contemporary dining area with large windows and mountain views
Lucy Call

Table: Project Sunday. Chairs: Maiden Home. Rug: Utah Rugs. Light: Apparatus. Bar shelving: Handmade Industries.

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Adjacent to the central seating zone is the dining area; at its heart is a custom-fabricated walnut table with cozy mohair-upholstered chairs that offer plenty of spots for dinner party guests to perch.

“Warm and chocolate tones were chosen to complement the natural landscape,” Butera says, and the effect is the total embodiment of—dare we say—quiet luxury. A sophisticated dry bar awaits service nearby, resplendent in its gleaming wallcovering by Alchemy Helio 3.0.


BREAKFAST NOOK

This bonus room is the go-to spot for quiet contemplation.

Modern dining area with colorful artwork and floral centerpiece.
Lucy Call

Banquette: Teerlink Cabinets. Table: Greg Palombo. Chairs: Maiden Home. Pendant: The Urban Electric Co.

For those in-between moments throughout the day, this light-filled breakfast nook, grounded by a custom ash wood table and banquette, offers a casual, quiet corner. “This intimate, everyday space allows them to enjoy the view while sitting with coffee or tea,” Butera says. It’s also the client’s preferred workspace.”


KITCHEN

Soft moodiness pervades in this hyper-efficient cooking hub.

Modern kitchen with dark cabinets and marble countertops.
Lucy Call

Countertops: Bianco Superior. Pendants: Allied Maker. Stools: Thomas Hayes Studio. Cabinet hardware: Ashley Norton. Backsplash tile: Bespoke Studio.

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“The kitchen showcases a curated interplay of dark and light,” Butera says. Subtle shifts in tone and mood are exemplified through the rich oxidized rift oak cabinetry, which contrasts against the smoky zellige tile backsplash. Crowning the range is a custom gunmetal hood, which Butera calls “the kitchen’s striking focal point.”

The space’s organizational flow was also meticulously mapped out through specialized, streamlined storage to ensure maximum efficiency while also allowing room for beauty. The client’s precious collection of pottery, handmade by her mother, holds court above the cook space in the glass-door upper cabinets.


FAMILY ROOM

A casual escape designed for off-hours enjoyment.

Modern living room featuring a sofa, chairs, and decorative elements.
Lucy Call

Rug: Antrim. Couch: American Leather. Chair: Younger + Co. Side table: Moe’s Home. Floor lamp: Visual Comfort.

On the lower level, this entertaining zone ups the casual quotient, offering ample storage space for the household to stash games, books, and other off-the-clock accoutrements. Ever ready for all hosting needs, the space includes an oxidized rift oak bar and kitchenette. “The bar was intentionally designed to be camouflaged and sleek,” Butera notes. It also alleviates the need to run upstairs for a refill.


BEDROOM

Relaxed refinement takes center stage.

bedroom with textured walls
Lucy Call

Wallcovering: Fromental. Pendant light: Visual Comfort & Co. Bed: Lawson-Fenning. Bedding: Boll and Branch. Rug: Rosemary Hallgarten.

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corner of bedroom
Lucy Call

Cabinet hardware: Colonial Bronze. Rug: Overland Sheepskin. Closet sconce: The Urban Electric Co.

Waking up is never hard to do in this primary bedroom, which Butera calls “a zen-inspired sanctuary for enjoying the mountain views from bed.” She extended the serene tonal and textural palette to this calming space, adding a watercolor-inspired wallcovering to the room’s feature wall and extending it into the nearby boutique-inspired changing area.


PRIMARY BATHROOM

An everyday sanctuary replete with spa-level luxury.

Modern bathroom with a double sink, wooden cabinetry, and decorative elements.
Lucy Call

Countertop material: Crema Marfil. Sconces: The Urban Electric Company.

corner of bathroom
Lucy Call

Shower tile: Silver Wave. Shower fixtures: Newport Brass.

“This primary bathroom is a spacious sanctuary, flooded with natural light,” Butera says. Layers of materiality—limestone floor tiles, a marble sink countertop, a white oak custom vanity—read as a naturalistic extension of the alpine atmosphere just outside.

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GUEST ROOM

This home-away-from-home practically guarantees sweet dreams.

Contemporary bedroom featuring a bed, artwork, and natural lighting.
Lucy Call

Wall paint: Card Room Green, Farrow & Ball. Pendant: Visual Comfort. Rug: Armadillo. Bed: Maiden Home. Nightstand: Maiden Home.

This entire home was designed with five-star hospitality in mind, so the guest rooms were certainly not an afterthought. “The main-level guest bedroom is a warm and welcoming space designed to make family and guests feel at home,” Butera says. The room’s biophilic-inspired sage, almond, and mauve hues cocoon the sleeper to put the mind at ease, while a lantern-like pendant from Visual Comfort & Co., aptly named “Paper Moon,” hangs overhead.


About the Designer

Jennelle Butera of Bloum Design Co. has been creating thoughtful spaces for over a decade. In each aspect of her projects, Jennelle and her team seek connection and collaboration with both their clients and their creative partners to create homes that are truly a team effort and reflect each contributing point of view.


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