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San Francisco Public Library explores Black horror and its healing powers

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San Francisco Public Library explores Black horror and its healing powers


The San Francisco Public Library kicks off more than a month’s worth of Black History Month programming starting with the Martin Luther King Jr. holiday. For their premier event on Sunday, they will examine the Black horror genre and its role in healing communities. 

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This year, Dr. Martin Luther King Jr. Day coincides with Inauguration Day in the U.S. 

One day before the convergence of the holiday and Donald Trump’s inauguration, The SFPL presents, Shadows and Light: Exploring Black Horror and Black Healing.

Organizers say the timing of the event is aligned with MLK Day, and the overlap with Inauguration Day is purely coincidental.

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Shawna Sherman, manager of SFPL’s African American Center, says the event marks the launch of more than a month’s worth of Black History Month programming at the library and that they always kick off the festivities on MLK Jr. weekend. 

What they’re saying:

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“We partnered with Sistah Scifi on this event because we think it’s a great opportunity for Black horror fans to come together and celebrate their love of the genre,” Sherman says. She adds that the library as a resource provider is a venue for free exchange and deep conversation on a variety of perspectives. 

 In 2019, Isis Asare launched Sistah Scifi, the first Black-owned bookstore focused on science fiction and fantasy. 

Asare says the event will attract as many as 300 people throughout the day. It includes a keynote talk by author and film historian, Tananarive Due, as well as deep dives into the historical context of Black horror and how narratives from this genre can reflect societal fears and injustice. 

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Healing and empowerment

George Romero’s classic zombie apocalypse film, 1968’s ‘Night of the Living Dead’, is explored in a documentary film produced by Due, Horror Noire: A History of Black Horror.

In reality, the late ‘60s was a tumultuous time of societal upheaval rife with assassinations, including those of Dr. King and Malcolm X. Romero’s film is revolutionary in the sense that it’s a Black man, as Due once put it, who is the “rare Black lead” character in the film. Prior to this film, Due and other scholars observed that Black people in horror were only included as comic relief or to elevate white characters to make them appear more dignified. 

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The character, named Ben, is handsome, strong-willed, decisive and dignified whether the audience was ready for him or not. Due has lectured that this type of character may have been nightmarish for racist viewers of that era who were anti-integration. Seeing Ben ordering around the white characters may not have sat well with audience members who didn’t want to change the social structure. 

In the end, Ben, the final survivor of the zombie onslaught is tragically shot by a white mob. 

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“Exploring Black horror in particular allows us to look at those monsters and overcome,” Asare says. “You see that in ‘Night of the Living Dead’. You see that in Parable of the Sower, where the characters deal with a lot of the stuff that we’re dealing with today. A presidential candidate who wins on the [slogan] of Make America Great Again and you see a character overcome that.” 

She’s referring to Afrofuturistic sci-fi author Octavia Butler’s prophetic novel, which has been adapted into a graphic novel by John Jennings, who is featured at this event in a panel discussion on Healing Through Horror. 

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Set in California, 2025, the original book was written more than 30 years ago. 

“You see a California that is engulfed in wildfires and see how characters navigate that,” Asare says. “Black horror in particular is, we’re hoping, a space where our community can face our monsters both the real and imagined and come away with tools to feel powerful and take those tools towards a path of healing.”

Triple marginalized 

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“I really love writing about queer Black girls and horror in general is just one of my favorite genres,” Hayley Dennings said.

Dennings is an author who grew up in the Bay Area. She now lives in Oakland. Her first novel, This Ravenous Fate, is a New York Times bestseller. In her work, she looks to twist around the tropes of the past. 

“I feel like horror in general is like a great genre used to explore real human emotions and especially the tumultuous times that are happening,” says Dennings. “You see it a lot, especially in Gothic horror. Specific monsters were used to portray minorities and to scare people off from having certain connections to those minorities.”

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She explains how this is seen in stories about vampires. “Vampires are seen as these creatures of the night or our shadow selves that represent desire that a lot of people don’t like to admit to.

“I am writing about queer, Black girls who are triple marginalized. I don’t want to write a book that tells girls they can’t be queer, they should be ashamed of their Blackness,” says Dennings. “For me, it’s very empowering to get to use these classically problematic tropes and turn them around into something more powerful and to tap into the darker parts of our psyche and kind of use it as a way to explore our trauma, which a lot of times are left hidden.”

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She sees what some hold against her almost like a superpower. 

“There aren’t that many stories that are honest about this experience,” Dennings says. “I think the publishing industry likes to make things more palatable to a more straight white audience. So it’s cool to get to be really raw about my truth and to actually have people connect with that.”

History still relevant

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Dennings’ current novel is set about 100 years ago during the Harlem Renaissance. 

“There are a lot of issues that the characters are facing 100 years ago in 1926 that are still relevant today,” says Dennings. 

She lists medical racism (Tuskegee experiment) and misogyny towards Black females as examples. Looking back, she says even the intergenerational trauma from the generation that endured slavery was still relevant and had not been processed by the 1920s. 

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“It’s a way to find connections to our ancestors and our pasts. So much of the history, the Black history that I was taught was full of trauma,” says Dennings. “I have a lot of readers who tell me, ‘This feels really familiar even though it is a historical novel.’ Even though there is so much of our history that has been ignored, we still can uncover it and still feel really connected to it.”

Healing from trauma can mean reclaiming the narrative. Dennings looks to present a more nuanced version of what she calls a full human story of Blackness, one that isn’t just about the brutality and monstrosity of the past. 

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She says horror is a way to explore the various emotions. 

Sherman agrees. 

“Horror stories, whether in fiction or graphic novels or film – I think they confirm for us the horrors that we experience, you know? Yes, slavery was that brutal. And yes, science experiments have been conducted on Black people. And yes, the state has even made some of us infertile. You know, I could go on,” says Sherman. “This is not science fiction. It’s real and sometimes it might be easy for us to forget some of these things. But when we have them fictionalized in movies, in fiction, in books, it becomes, I think, easier for us to face.”

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Keeping it accessible

Attendees are encouraged to connect with each other and to check out the event’s Black marketplace. Seven vendors in the realm of health and wellness will be on hand. 

Books by the featured authors will be on sale, but since the event is at the library, guests will have a chance to pick up a library card if they don’t already have one. SFPL has a trove of material on this very topic. 

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As Asare says, this event is catered to people who are excited about the horror genre and who want to dive deeper into Black horror. Maybe you’ve only watched Jordan Peele’s Get Out. That’s fine. You don’t need a PhD in Black literature to engage in these conversations or to simply be curious. 

Andre Torrez is a digital content producer for KTVU. Email Andre at andre.torrez@fox.com or call him at 510-874-0579. 

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Trump derangement syndrome: San Francisco can’t let baseball be baseball

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Trump derangement syndrome: San Francisco can’t let baseball be baseball


San Francisco is having a civic nervous breakdown because the brother of President Donald Trump’s son-in-law is buying a minority stake in the Giants.

Not Donald Trump. Not Jared Kushner. Joshua Kushner. And not control of the team. A minority stake.

Apparently, that is enough to send parts of San Francisco’s activist and media culture into full panic mode.

One Giants employee posted a video from Oracle Park turning in their uniform and quitting because Kushner was buying into the team.

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Social media lit up with complaints about “MAGA ownership” and Trump-world influence invading one of San Francisco’s most beloved civic institutions.

San Francisco is having a civic nervous breakdown because the brother of President Donald Trump’s son-in-law is buying a minority stake in the Giants. Steven Hirsch
One Giants employee posted a video from Oracle Park turning in their uniform and quitting because Kushner was buying into the team. Getty Images

There is just one problem. Joshua Kushner is not exactly Steve Bannon in a Giants cap.

He has historically donated heavily to Democrats and has occupied a very different political lane than his brother Jared and the Trump orbit. But nuance never stood a chance here.

For some in San Francisco, the name “Kushner” was enough. That is the story.

The Giants are not some random expansion franchise nobody cares about. They are one of the oldest and most storied franchises in Major League Baseball history — with eight World Series titles and a lineage that includes Willie Mays, Barry Bonds, Buster Posey, Madison Bumgarner, and Bruce Bochy.

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There is just one problem. Joshua Kushner is not exactly Steve Bannon in a Giants cap. Getty Images

Oracle Park is one of the great settings in American sports. Giants-Dodgers is still one of baseball’s defining rivalries. Generations of Northern Californians are emotionally attached to this team.

Which is precisely why the reaction has been so revealing.

Nobody was arguing about payroll. Nobody was debating the farm system. Nobody was asking whether this helps the Giants close the gap with the Dodgers in the NL West.

The panic was political from the first pitch.

That tells you where we are now.

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Sports ownership used to be judged mostly by whether owners were competent, stable, and willing to spend money to win. Now it is an ideological background check.

So even indirect association becomes contamination. Joshua Kushner does not have to be Trump. He does not even have to be conservative. He just has to be Kushner. AFP via Getty Images

Who donated to whom? Who attended what fundraiser? Whose brother married whose daughter? Who might show up in the owner’s suite?This is what happens when politics becomes religion. Everything becomes a loyalty test. Even baseball.

The irony is almost too perfect.

San Francisco is not exactly at risk of becoming a MAGA beachhead because a Democratic donor with the wrong last name bought a small piece of the Giants. But symbolic politics runs the city now.

In Democrat circles in San Francisco, politics is not just something people believe. It is something they perform. It is identity. It is status. It is social sorting.

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So even indirect association becomes contamination. Joshua Kushner does not have to be Trump. He does not even have to be conservative. He just has to be Kushner.

That is enough.

San Francisco is not exactly at risk of becoming a MAGA beachhead because a Democratic donor with the wrong last name bought a small piece of the Giants. But symbolic politics runs the city now. Kevin Mazur/Getty Images for The Met Museum/Vogue

To be fair, Giants ownership was already politically sensitive. Current owner Charles Johnson has drawn years of criticism for conservative political donations.

So this latest development landed on dry grass.

Still, the reaction says more about San Francisco’s liberal elite than it does about the Giants. The city’s activist class cannot even let baseball remain baseball.

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A minority owner becomes a political emergency. A family connection becomes a scandal. A business transaction becomes a moral crisis.

This is not normal.

Fans used to argue about batting orders and pitching rotations. Now they investigate ownership family trees.

And the Giants are not being bought by Donald Trump. They are not being turned into a Trump campaign surrogate. They are not replacing team mascot Lou Seal with a MAGA hat.

A minority stake is changing hands. That’s it.

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Yet for the loudest voices in San Francisco, even that apparently requires public anguish.

If this is the reaction to the brother of Trump’s son-in-law buying a minority piece of the Giants, imagine what happens if Donald Trump ever throws out the first pitch at Oracle Park.

Jon Fleischman, a longtime strategist in California politics and a lifelong baseball fan, writes at SoDoesItMatter.com.



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Casting shade on shadows: S.F. supervisor seeks to bar using shadows to block new housing

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Casting shade on shadows: S.F. supervisor seeks to bar using shadows to block new housing


Shadows cast by tall and not-so-tall buildings alike have long been used to block housing in San Francisco, and Supervisor Bilal Mahmood wants it to end.

The District 5 legislator is announcing a law on Thursday that would eliminate the ability for people to say shadows cast by a building are an “environmental concern” that can be used to delay, and possibly block, new housing. 

“In San Francisco, we’ve literally paid the price of being too afraid of our own shadow,” Mahmood said, pointing to data showing that shadow-based concerns were used to delay or block 2,195 housing units in 11 projects since 2017.

Whenever a new housing project is proposed in the city, its developer must create an environmental impact report on a variety of factors, like toxic waste and seismic hazards. 

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San Francisco requires that report to include a shadow analysis noting whether the new building will cast shade on any open space in the city. Mahmood’s legislation would get rid of that requirement; it is not in state guidelines, and most California cities do not consider shadows an environmental factor. 

The environmental impact report is intended to help politicians make an informed decision about whether to approve or deny a development proposal. But any resident can file an appeal if they think environmental impacts were not fully considered, which can delay, block, or alter projects. 

Shadows ultimately led to a delay for the infamous 469 Stevenson St. project from 2021, a 495 unit building on the site of a Nordstrom parking lot in SoMa.

Some SoMa residents were concerned that the project, which contained about 100 affordable housing units, would gentrify the area. 

But gentrification alone is not a legal reason for supervisors to block a project. So residents filed an appeal alleging the project’s environmental impacts were improperly evaluated. The Board of Supervisors ended up siding with them in an 8-3 vote, citing shadows cast on nearby Mint Plaza in their decision. 

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The developer was forced back to the drawing board and had to redo his environmental report, delaying the project by several years. 

Even when projects are 100 percent affordable, shadows cast uncertainty: Residents near 16th and Mission’s “La Maravilla” housing project, a 380-unit project next door to Marshall Elementary that broke ground last month, raised concerns that the development would darken the school’s playground. That forced the nonprofit developers to hold meetings and negotiate with residents about the issue.

Mahmood said even if appeals are ultimately rejected, the length and cost of the appeals process makes it difficult to produce housing projects and leads developers to avoid building in San Francisco. 

“The housing problems we’re facing are death by a thousand cuts,” said Witt Turner of the Housing Action Coalition, a proponent of the bill. “We need to start sewing them up one by one.”

San Francisco is required by the state to plan for 36,000 more housing units by 2030, and the city’s best guess is that even under the most favorable scenarios developers will build less than half of that, and in four times as much time.

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Mahmood, a YIMBY, has made streamlining housing a focus of his 15 months in office. His new legislation eliminates certain intermediate appeals and hearings and shortens appeal timelines, mostly from 30 days to 15 days. 

The bill will be evaluated by the planning commission and the Board of Supervisors in early summer. 

The bill is no silver bullet, however. Environmental appeals often cite more than just shadows when seeking to change projects. In the case of the Nordstrom parking lot building, for example, a failure to properly consider the seismic impact of a building was also a component of the decision. 

YIMBYs have long pursued reform to CEQA, a California law outlining the environmental appeals process.

“We shouldn’t let outdated laws get in the way of building housing, which is actually important to making progress on our climate goals,” Mahmood said.

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Driver in fatal Chinatown crash charged with vehicular manslaughter

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Driver in fatal Chinatown crash charged with vehicular manslaughter


The 76-year-old man arrested for a March 27 crash in San Francisco’s Chinatown that left a man dead has been charged with vehicular manslaughter.

Zhuo Ming Lu on Tuesday pleaded not guilty to the charges against him, and denied the allegations against him, according to the San Francisco District Attorney’s Office.

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In addition to the charge of vehicular manslaughter, Lu is charged with driving a vehicle in the commission of unlawful acts and driving at unsafe speed without gross negligence.

The crash

The backstory:

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Authorities said Lu was attempting to park near Grant Avenue and Jackson Street when his vehicle jumped the sidewalk and crashed into the landmark New Lung Ting Cafe, also known as the Pork Chop House. The vehicle struck two pedestrians: Cutberto Zamora-Martinez, 49, of San Joaquin County and a second person who has not been identified.

“The victims were transported by paramedics to a local hospital. Despite the lifesaving efforts of first responders and medical staff, one of the victims was declared deceased at the hospital,” a release from the district attorney’s office states. “Another adult victim was treated for non-life-threatening injuries.”

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One fatality

Dig deeper:

Zamora-Martinez had been working in the area, according to a GoFundMe page. A San Francisco Police Department source close to the investigation told KTVU the victims were carpet installers arriving for work.

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The fundraising page described Zamora-Martinez as a husband and father who was the sole provider for his family and “a humble man who wanted the best for his family.”

Police said Lu remained at the scene of the crash and cooperated with investigators. 

Court date

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What’s next:

Lu was arrested in April, and was later released on his own recognizance. He was ordered not to drive, and to surrender his driver’s license and passport. The court also ordered the Department of Motor Vehicles to suspend Lu’s license.

He is scheduled to appear for a pre-trial hearing on Sept. 30.

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The Source: San Francisco District Attorney’s Office, previous KTVU reporting

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