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Is There Treasure At the Bottom Of San Francisco Bay? | KQED

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Is There Treasure At the Bottom Of San Francisco Bay? | KQED


Episode Transcript


Olivia Allen-Price:
Every winter, Brian Teaff takes a chartered fishing trip from the Berkeley Marina to go fishing for Dungeness crab. They leave before dawn and motor out through the Bay, under the Golden Gate Bridge.

Music starts

Brian Teaff: There’s crazy stuff going on. I mean, there’s all kinds of water and it’s moving in all directions, and you can just tell the bay is just deep there.

Olivia Allen-Price: This winter, Brian stood on the boat and looked into the swirling abyss below.

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Brian Teaff: Riding on the Bay going, there’s a lot of water that moves through here. And what’s underneath? I know there’s fish, what else is there? So it was just what’s underneath the water?

Olivia Allen-Price: Are there maybe … shipwrecks down there?

Brian Teaff: And then of course, you know, the next question is, oh, boy, I wonder if there’s any treasure down there.

Olivia Allen-Price: Treasure like precious metals, gems, valuable keepsakes. If you ask Brian to answer his own question, he says:

Brian Teaff: I think that it’s probably just full of mud down there. But boy, I’d like to know.

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[Bay Curious theme song starts playing]

Olivia Allen-Price: Brian wrote to Bay Curious, to learn more about what’s at the bottom of the Bay. Today on the show, we’ll hear about two shipwrecks that haunt Bay Area lore. Plus, we’ll go searching for treasure and find it in something … unexpected. I’m Olivia Allen-Price. We’ll be right back.

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Olivia Allen-Price: Like many of us, KQED Reporter Anna Marie Yanny lives a short walk from the Bay. Like our question asker Brian, she was eager to find out what’s down there.

Anna Marie Yanny: The first thing that came to my mind was the beginning of the Little Mermaid movie. Mermaid Ariel and her fish friend, Flounder, are diving in a shipwreck looking for treasures. Could there be any wrecks at the bottom of the bay?

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[The Little Mermaid move clip starts]

Flounder: Ariel, wait for me!

Ariel: Wow, have you seen anything so incredible in your entire life?

Anna Marie Yanny: I had to talk to James Delgado. He’s a renowned maritime archeologist and has worn many hats in the field. And back in the 70s, he was the first historian for the Golden Gate National Recreation Area.

James Delgado: Those early years at the park were magic because we were literally just new as a national park, and everything needed to be done. So we conducted wide sweeping inventories and explorations.

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Anna Marie Yanny: He dove in the muddy waters of the bay in search of shipwrecks. And decades later, he mapped them with federal researchers, using sonar. I asked him just how many wrecks are in the Bay.

James Delgado: There’s probably several dozen that sit in and around the entrance to the Bay and in the Bay itself.

Anna Marie Yanny: A few wrecks stand out to him and other historians. He tells me about one of the deadliest, a steamship called the SS City of Rio de Janeiro. Named for the city in Brazil.

James and a team of researchers and underwater robots used sonar to relocate this wreck in 2014. It’s around five semi-trucks long and lies at the bottom of a deep channel west of Golden Gate Bridge.

James Delgado: The SS City of Rio de Janeiro was literally the Titanic of San Francisco Bay.

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[Music starts playing]

Anna Marie Yanny: It was February 1901. The Rio was sailing to San Francisco from Asia [sounds of waves and wind] after an over two month voyage to China, Japan, Hawaii. It was a big iron-hulled ship and had three masts, with sails billowing off them. Around 5am, shrouded in fog, it headed towards Fort Point carrying more than 200 people — many of them Chinese and Japanese immigrants.

[Sounds of a collision]

James Delgado: It hit the rocks and backed off and sank so rapidly that many people who were still asleep in their cabins never had a chance to get out.

Anna Marie Yanny: Less than half the passengers survived. Many who did were saved by early morning fishermen. There’s photos of them gathered at Baker Beach.

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James Delgado: The wreck itself disappeared. Though it remained intact enough that months later, the pilot house tore free and in it was the skeleton of the captain who was identified by his gold watch which its chain had tangled in his ribcage.

Anna Marie Yanny: But no, he says there’s no more gold down there – maybe tin, but nothing salvageable.

In fact, I was told, many of those few dozen shipwrecks in and around the Bay are hard to reach. They’re covered in mud that ran down from the Sierras during the Gold Rush or near currents rushing in and out of the Bay.

I wanted to know what other shipwrecks sat in the fathoms below. So I went to the San Francisco Maritime National Historical Park.

[Sounds of waves, seagulls]

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Anna Marie Yanny: The Park sits on the water across from Ghirardelli square. It has a ship-shaped museum and a visitor and research center dedicated to West Coast maritime history.

I’m here on a foggy morning. It’s cold. Brave open-water swimmers glide past these pirate-ship-looking boats docked at Hyde Street Pier. Each of the ships have narrowly avoided becoming wrecks themselves, and are instead retired in the Park, and open to visitors on the weekend.

Anna Marie Yanny in tape: Wow, this is awesome. I can’t believe I haven’t been yet.

Christopher Edwards: We can certainly sort of get a feel for the place, take a walk through. We could also…

Anna Marie Yanny: Park Ranger Christopher Edwards lets me into the Visitor Center.

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There, he tells me about another wreck. An oil tanker called the Frank H. Buck. He brings me back to the day of the wreck.

Christopher Edwards: It was like a worse version of today. You know, today we’ve got sort of the classic morning San Francisco fog.

[Sounds of foghorns, water lapping, creaking boat]

Anna Marie Yanny: It was March 6, 1937. The Frank H Buck tanker was coming into San Francisco Bay with oil from just down the coast, in Ventura.

Christopher says it was a working ship, and the 30 to 40 person crew were probably dressed in modest work clothes. And nearby, the SS President Coolige, was a luxury liner carrying about 700 passengers headed outbound…west towards Hawaii, then Japan.

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There, Christopher says the few hundred person-crew were dressed in uniform, and the ship was organized by class — with the low ranking crew traveling through below deck passages to avoid disturbing the passengers. On that foggy day, both ship’s crews were using foghorns.

Christopher Edwards: But the Golden Gate, which is the entrance into the bay, you know, it’s steep sided. And so those foghorns help, but the sound bounces around off the terrain. And it just makes it really difficult to know precisely where you are.

Anna Marie Yanny: They both reached the Western side of the Golden Gate Bridge.

Christopher Edwards: And until the last minute, they didn’t realize they were going directly at each other. And everything happens in slow motion with a ship. You can tell that a disaster is about to happen. But as soon as you realize that that disaster is happening, it might be too late to do anything about it.

Anna Marie Yanny: The ships collided. Nose to nose. The lookout at Lands End said it sounded like a booming Presidio gun through the fog. The luxury Coolidge punctured the Buck. And it’s Captain thought fast.

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Christopher Edwards: He didn’t want to pull his ship back immediately and realized deliberately that if he did that, the Buck could sink very quickly. 

Anna Marie Yanny: The Coolidge captain shouted to the Buck captain. They were that close. They got everyone off the Buck. The crew was loaded into lifeboats and paddled away from the ship before the Coolidge backed away.

Christopher Edwards: The photographs, what they seem to capture is just the crew knowing what they needed to do and ensuring that nobody got hurt, nobody was left behind.

Anna Marie Yanny: What was left behind was the massive body of the Frank H Buck, which began sinking, nose down. It was carried by currents to the rocks off Lands End. Oil pooled out of it, like blood, from the once hearty vessel.

The body of an oil tanker likely didn’t have any treasure. And honestly, Christopher says, the bottom of the bay probably doesn’t have the type of treasure our question asker Brian was asking about.

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Christopher Edwards: What’s underneath? Is there gold? Is there other precious valuables down there? To the best of my knowledge. The short answer is no. But there’s a treasure down there. I’d say absolutely.

Anna Marie Yanny: Christopher says, despite there being no gold, we have a lot to learn from wrecks like these.

Christopher Edwards: There’s archeological treasures down there. There’s stuff that tells you that somebody just like you existed there, that was their home, that was their community.

Anna Marie Yanny: I thought back to Ariel in The Little Mermaid. To her, treasures were relics of the human world. Candlesticks, wine stoppers…a fork. Hints of a world that wasn’t hers, but could have been.

To Ariel – and to Christopher – and maybe to many of us – history is its own kind of treasure. Not the type our question asker hoped for, but something of value nonetheless.

On our way out, Christopher shows me a model of the entrance to San Francisco Bay, complete with a hand-sized Golden Gate bridge. Along the entrance to the bay, the names of about 50 wrecks are written in red. All their graveyards. All little ghost towns. All ships that needed to move between the big, open ocean and the thin ship channel that enters San Francisco Bay. All ships that didn’t quite make it. But still have a story to tell.

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[Music playing]

Olivia Allen-Price: Wow! I had no idea about those shipwrecks. But I do wish there had been some gold, though.

Anna Marie Yanny: Yeah, I asked around and seriously, no. Maybe flecks of gold mixed in with the sediment.. leftover from the Gold Rush, but nothing worth trying to collect.

And it could be dangerous trying to reach some of these shipwrecks – James says the first team that tried to reach the Rio wreck lost their robot because of the strong currents down there.

Olivia Allen-Price: That also sounds super costly!

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Anna Marie Yanny: But to James and Christoper, it sounds like the treasure really is the history, and how it can help you picture the life that someone else had. Also….there’s another treasure learned about that I wanted to tell you about.

Olivia Allen-Price: What’s that?

Anna Marie Yanny: The other treasure is….Mud

Olivia Allen-Price: Mud?

Anna Marie Yanny: Mud. Go with me here.

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Until about 15 years ago, environmentalists thought of mud as a nuisance in the bay. It flowed in from urban development, watersheds and mining through the mid 18 and 1900’s.

Julie Beagle: Macro invertebrates couldn’t live and there wasn’t enough food for the fish and really clogged important spawning habitat.

Anna Marie Yanny: That’s Julie Beagle. She’s an estuarine geomorphologist. Meaning she studies how water and sediment move to shape estuaries like the Bay.

Julie Beagle: The idea of keeping sediment, keeping development out of the Bay was really the guiding principle for a long time.

Anna Marie Yanny: But around 2011 Julie and her colleagues began to change how they think about mud. They’d been successful at keeping it out. But, between that and some natural fluctuations, there was a new problem. With less sediment being deposited onto the bay’s marshes, sea level rise was threatening to erode them away. Suddenly, mud didn’t seem so bad.

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Julie Beagle: Sediment is this treasure that we need to keep. We need to maintain it in the system.

Anna Marie Yanny: Not pirate treasure like our question asker wanted, but certainly treasure to scientists. The bay’s marshes don’t just provide good views and habitat for endangered species, they also protect bay neighborhoods and highways from flooding by blocking storm surges and absorbing floodwaters.

Julie Beagle: As we adapt to sea level rise, I think the world has this choice. Are we going to adapt with walls, with rock, with riprap.

Anna Marie Yanny: Or do we adapt with natural infrastructure, like marshes? To rebuild marshes that are at risk of drowning from sea level rise, Julie and her colleagues would need a lot of this — now treasured mud — from the bottom of the Bay.

They turned to the local district of the U.S. Army Corps of Engineers, who regularly dredge the mud in ports so ships can navigate the Bay. Julie applied to work for them.

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Julie Beagle: Part of the reason I switched to the Army Corps is I said, who has the sediment, and how can we get that sediment to the places that it needs to be.

Anna Marie Yanny: Now, she helps lead their “Engineering with Nature” team. Along with the Corps and collaborators at the USGS and other local and government partners, Julie is using mud in pilot studies. They’re hoping bay marshlands can be built back up with routine doses of mud from the bottom of the bay. They tried this method for the first time in December.

Julie Beagle: We placed 90,000 cubic yards in 169 trips. So the boats were going back and forth 24 hours a day.

Anna Marie Yanny: Down at the Port of Redwood City, a dredge with a clamshell mouth loaded a flat bottom boat over and over until it was full.

[Sound of a crane dumping mud into a boat]

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Anna Marie Yanny: Then a tugboat pushed that boat just across the Bay

[Sound of boat motor]

Anna Marie Yanny: To the shores of Eden Landing, near Hayward. There, Julie says, the marshes have been eroding. Ponds behind it have been breached.

[Sound of boat moving]

Anna Marie Yanny: The boats reached about a mile offshore. It was a spot strategically chosen so the sediment will be carried towards the marshes by waves and tides naturally.

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Julie Beagle: And then the bottom just opens up and the sediment just comes down. And it happened so fast. It’s like 13 seconds. It was just like a “juh–zoupp!”

Anna Marie Yanny in tape: So. the bottom of the boat just opens?

Julie Beagle: The bottom of the boat just opens

Anna Marie Yanny in tape: No way

Julie Beagle: It places the material, and then the boat would go back and get another scow and come do it over and over again.

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Anna Marie Yanny in tape: One hundred and…?

Julie Beagle: 169 times. 24 hours a day. They took Christmas off.

Anna Marie Yanny in tape: Wow, that’s incredible.

Julie Beagle: And I’ve never been so excited to move dirt from one place to another in the Bay, you know?… 

Anna Marie Yanny: The boats went back and forth nearly the whole month of December. Julie says if the pilot achieves its goal, and the marshes stay healthy and fortified against sea level rise, she hopes to someday give them regular boosts of mud every few years.

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So, there you have it. There is treasure at the bottom of the Bay, just maybe not the type you expected.

But if the history down there ties us to our past, and the mud helps us ensure our future, maybe that’s more valuable than gold. Although, some gold would have been nice.

Olivia Allen-Price: That was KQED’s Anna Marie Yanny.

Thanks to Brian Teaff for asking this week’s question. And thanks to Peter Pearsall from the USGS for the boat sounds from Julie’s mud pilot project.

If you’ve got a question you’d like to hear answered on Bay Curious, head to BayCurious.org and ask! While you’re there, sign up for our monthly newsletter, where we often answer even more listener questions than we can get to on the podcast. Again, it’s all at BayCurious.org.

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We are off next week for the July 4 holiday — back in your podcast feeds on July 11.

Brian Teaff: Bay Curious is made in San Francisco at member-supported KQED.

Olivia Allen-Price: This episode was edited by Kevin Stark and me, Olivia Allen-Price.

Katrina Schwartz: Produced by Katrina Schwartz.

Christopher Beale: And me, Christopher Beale.

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Olivia Allen-Price: Special shout out this week to Chris Egusa.

Paul Lancour: Additional support from Paul Lancour.

Everyone saying their own name: Jen Chien, Katie Sprenger, Cesar Saldana, Maha Sanad, Holly Kernan.





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Where to Find Free Street Parking for Shows in San Francisco | KQED

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Where to Find Free Street Parking for Shows in San Francisco | KQED


Cross that big street
Major arteries like Market Street and Van Ness constitute mental borders for many drivers. If your destination is near a popular street, aim for the other side of it, where there’ll typically be more vacancies.

Stray uphill
Hills, too, create mental obstacles for people looking for parking. If you’re willing to walk up one of San Francisco’s many hills either before or after the show, you’ll find more spots.

Always check signs
Pay attention to posted time restrictions to avoid tickets. Some meters in San Francisco mercilessly run until 10pm. Also, street cleaning hours can start at 12am, before some shows get out.

Know when you’re beaten
Some neighborhoods are hopeless. North Beach, Nob Hill, Divisadero — forget about it. The sooner you accept this, the more inner peace you will find.

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Trust your gut
I acknowledge that I am a 6’1” man, and not everyone feels as comfortable as I do walking alone at night. If you’re not a local, and you’re feeling unsure, read up on the neighborhood beforehand.

Realize the ‘right’ way can be painful too
If you’re tempted to suck it up and pay for a parking lot or garage, remember: after the show, you may be stuck for a long time in a parking-lot traffic jam as cars try to get out all at once.

Okay! On with my list, with suggested free parking areas marked red.

Where to find parking for Davies Symphony Hall, War Memorial Opera House, Herbst Theater or Bill Graham Civic Auditorium

East side of Gough Street, between Golden Gate and McAllister
Pro tip: Park on the left side of the street. Quick eats to go are almost nonexistent in the area, so pick up any pre-show provisions you may need at the Super Sam corner store.

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Where to find parking for SFJAZZ, Rickshaw Stop or Mr. Tipple’s Jazz Club

North side of Oak Street between Buchanan and Octavia
Pro tip: The right lanes are almost always congested due to the upcoming freeway onramp. Watch for cars speeding down the hill behind you in the left lanes, and nose in rather than backing into the spot, if possible.

Where to find parking for the Castro Theater

Castro Street, between 14th and 16th
Pro tip: Separated from the Castro by Market Street, and up the hill a little, most people don’t think of parking here. I found a cool old metal dustpan on the street here once. Still use it.

Where to find parking for the Chapel

South Van Ness Avenue between 17th and 21st
Pro tip: Parking in the Mission District can be maddening; find solace on either the east or west side of the main artery on the edge of the neighborhood. Say hi to Whiz Burger for me.

Where to find parking for the Great American Music Hall

Franklin Street between Ellis and Geary
Pro tip: I’ve also found Geary Boulevard, between Van Ness and Franklin, to usually have open spots. (Plus, you’re right next to Tommy’s Joynt for post-show eats.)

Where to find parking for the Regency Ballroom

Franklin Street between Post and Bush
Pro tip: Separated from the venue by Van Ness, and up the hill a little, most people don’t think of parking here. Aim for the left side of this one-way thoroughfare, where parking is usually more open. Pour one out for the closed Walgreens.

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Where to find parking for Mabuhay Gardens or On Broadway

Leavenworth Street between Francisco and Chestnut
Pro tip: Trying to find parking in North Beach is like repeatedly hitting yourself in the face with a hammer for a half hour. I park an entire mile away, and enjoy the walk along Columbus, which is teeming with action on weekends.

Where to find parking for the Midway

Illinois Street between 23rd and 25th
Pro tip: Do not be seduced by the road leading toward Pier 80; it looks wide open, but is full of private parking, and Pier 80 itself will be closed off.

Where to find parking for Chase Center

16th Street between Carolina and Connecticut
Pro tip: For concert parking, the Chase Center garage currently charges $75. Ahem. I think you’ll agree that a nice 10-minute stroll down 16th Street is a better alternative.

Where to find parking for the Bottom of the Hill

16th Street between Carolina and Connecticut
Pro tip: Parking’s not nearly as plentiful as it used to be here; be aware of the new-ish protected bike lanes on 17th and the many time restrictions. (Also, bring presents for the excellent staff at one of the city’s best clubs before it closes at the end of the year.)

Where to find parking for the Fillmore

Geary Boulevard between Divisadero and Scott
Pro tip: I agonized for years driving in circles on neighborhood streets until finding this wonderful stretch of Geary, down the road and on a slight curve, where no one thinks to park.

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Where to find parking for the Warfield

Folsom Street between 7th and 6th
Pro tip: This one’s tough, being close to both Union Square and the Tenderloin. I shoot for the less-populated area south of Market and walk up 6th Street, home of harm-reduction services, pizza-by-the-slice joints, SROs and Tú Lan.

Where to find parking for the Brick and Mortar Music Hall or Public Works

Gough Street between Market and McCoppin
Pro tip: This is on an odd little diagonal block that’s off of most people’s radar, on the other side of a freeway overpass. It’s never let me down.

Where to find parking for Oracle Park

Harrison Street between 3rd and 4th
Pro tip: Optimal ballpark spots used to change each year. In a coincidence that I won’t overanalyze, I’ve had luck parking on this block ever since Buster Posey left the Giants in 2021.

Where to find parking for the Masonic

Van Ness Avenue or Franklin Street between Sacramento and Pine
Pro tip: Sorry, man. You will not find parking on Nob Hill. You can try driving up California while looking for a spot, but likely, you’ll have to head back and make the five-block walk.

Where to find parking for August Hall

Mission or Howard Streets, between 5th and 6th
Pro tip: The “park up the hill” trick doesn’t work here, since the nearby hill is Nob Hill. If you strike out on Mission or Howard, Folsom is often open.

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Where to find parking for the DNA Lounge

Treat Street between Florida and Alameda
Pro tip: Luckily the DNA is surrounded by a pretzel of strange, short, wiggly streets, good for finding parking; head south of the freeway overpass to this hidden curve. (It’s where I parked when I saw Prince at the tiny club in 2013; yes of course I am bragging.)

Where to find parking for Golden Gate Park, Outside Lands or Hardly Strictly

Clement Street between 34th and 38th
Pro tip: The best way to get to these festivals is to throw a bike in the trunk, park near Ocean Beach, and ride in past the bison to the free bicycle parking area. Barring that, your other best bet is to park up the (very) steep hill, near the VA hospital.

Where to find parking for the Cow Palace

Geneva Avenue between Stoneridge and Carter
Pro tip: I don’t really have a pro tip for this one. I just want to say that there should be more concerts at the Cow Palace, which is cool as hell.

Where to find parking for Stern Grove

Portola Drive between San Fernando and Santa Clara
Pro tip: Park across the major artery of 19th, and up the hill a little bit. And, since Stern Grove concerts always take place on Sundays, there are no two-hour parking restrictions to contend with.

Where to find parking for the Independent

Divisadero Street between O’Farrell and Turk
Pro tip: You’ll have to go back in time to when you could park at the DMV lot, because this neighborhood is impossible now. I go down the hill a ways, and usually find a spot north of Primo Pizza.

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Where to find parking for the Black Cat

East side of Van Ness Avenue, between Turk and Ellis
Pro tip: Aim for Van Ness, the west boundary of the Tenderloin. For a major thoroughfare, Van Ness often surprises me with open spots, especially on the east side heading north.

Where to find parking for Cafe du Nord or Swedish American Hall

16th Street between Guerrero and Sanchez
Pro tip: Once the daycare that’s just east of Dolores on 16th closes for the day, the white curb — which tends to scare off many drivers — is free for you to park at. Bonus points for the view of the Mission Dolores basilica, just a beautiful building.

The SF venues you don’t need my help parking at





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Trump derangement syndrome: San Francisco can’t let baseball be baseball

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Trump derangement syndrome: San Francisco can’t let baseball be baseball


San Francisco is having a civic nervous breakdown because the brother of President Donald Trump’s son-in-law is buying a minority stake in the Giants.

Not Donald Trump. Not Jared Kushner. Joshua Kushner. And not control of the team. A minority stake.

Apparently, that is enough to send parts of San Francisco’s activist and media culture into full panic mode.

One Giants employee posted a video from Oracle Park turning in their uniform and quitting because Kushner was buying into the team.

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Social media lit up with complaints about “MAGA ownership” and Trump-world influence invading one of San Francisco’s most beloved civic institutions.

San Francisco is having a civic nervous breakdown because the brother of President Donald Trump’s son-in-law is buying a minority stake in the Giants. Steven Hirsch
One Giants employee posted a video from Oracle Park turning in their uniform and quitting because Kushner was buying into the team. Getty Images

There is just one problem. Joshua Kushner is not exactly Steve Bannon in a Giants cap.

He has historically donated heavily to Democrats and has occupied a very different political lane than his brother Jared and the Trump orbit. But nuance never stood a chance here.

For some in San Francisco, the name “Kushner” was enough. That is the story.

The Giants are not some random expansion franchise nobody cares about. They are one of the oldest and most storied franchises in Major League Baseball history — with eight World Series titles and a lineage that includes Willie Mays, Barry Bonds, Buster Posey, Madison Bumgarner, and Bruce Bochy.

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There is just one problem. Joshua Kushner is not exactly Steve Bannon in a Giants cap. Getty Images

Oracle Park is one of the great settings in American sports. Giants-Dodgers is still one of baseball’s defining rivalries. Generations of Northern Californians are emotionally attached to this team.

Which is precisely why the reaction has been so revealing.

Nobody was arguing about payroll. Nobody was debating the farm system. Nobody was asking whether this helps the Giants close the gap with the Dodgers in the NL West.

The panic was political from the first pitch.

That tells you where we are now.

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Sports ownership used to be judged mostly by whether owners were competent, stable, and willing to spend money to win. Now it is an ideological background check.

So even indirect association becomes contamination. Joshua Kushner does not have to be Trump. He does not even have to be conservative. He just has to be Kushner. AFP via Getty Images

Who donated to whom? Who attended what fundraiser? Whose brother married whose daughter? Who might show up in the owner’s suite?This is what happens when politics becomes religion. Everything becomes a loyalty test. Even baseball.

The irony is almost too perfect.

San Francisco is not exactly at risk of becoming a MAGA beachhead because a Democratic donor with the wrong last name bought a small piece of the Giants. But symbolic politics runs the city now.

In Democrat circles in San Francisco, politics is not just something people believe. It is something they perform. It is identity. It is status. It is social sorting.

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So even indirect association becomes contamination. Joshua Kushner does not have to be Trump. He does not even have to be conservative. He just has to be Kushner.

That is enough.

San Francisco is not exactly at risk of becoming a MAGA beachhead because a Democratic donor with the wrong last name bought a small piece of the Giants. But symbolic politics runs the city now. Kevin Mazur/Getty Images for The Met Museum/Vogue

To be fair, Giants ownership was already politically sensitive. Current owner Charles Johnson has drawn years of criticism for conservative political donations.

So this latest development landed on dry grass.

Still, the reaction says more about San Francisco’s liberal elite than it does about the Giants. The city’s activist class cannot even let baseball remain baseball.

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A minority owner becomes a political emergency. A family connection becomes a scandal. A business transaction becomes a moral crisis.

This is not normal.

Fans used to argue about batting orders and pitching rotations. Now they investigate ownership family trees.

And the Giants are not being bought by Donald Trump. They are not being turned into a Trump campaign surrogate. They are not replacing team mascot Lou Seal with a MAGA hat.

A minority stake is changing hands. That’s it.

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Yet for the loudest voices in San Francisco, even that apparently requires public anguish.

If this is the reaction to the brother of Trump’s son-in-law buying a minority piece of the Giants, imagine what happens if Donald Trump ever throws out the first pitch at Oracle Park.

Jon Fleischman, a longtime strategist in California politics and a lifelong baseball fan, writes at SoDoesItMatter.com.



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Casting shade on shadows: S.F. supervisor seeks to bar using shadows to block new housing

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Casting shade on shadows: S.F. supervisor seeks to bar using shadows to block new housing


Shadows cast by tall and not-so-tall buildings alike have long been used to block housing in San Francisco, and Supervisor Bilal Mahmood wants it to end.

The District 5 legislator is announcing a law on Thursday that would eliminate the ability for people to say shadows cast by a building are an “environmental concern” that can be used to delay, and possibly block, new housing. 

“In San Francisco, we’ve literally paid the price of being too afraid of our own shadow,” Mahmood said, pointing to data showing that shadow-based concerns were used to delay or block 2,195 housing units in 11 projects since 2017.

Whenever a new housing project is proposed in the city, its developer must create an environmental impact report on a variety of factors, like toxic waste and seismic hazards. 

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San Francisco requires that report to include a shadow analysis noting whether the new building will cast shade on any open space in the city. Mahmood’s legislation would get rid of that requirement; it is not in state guidelines, and most California cities do not consider shadows an environmental factor. 

The environmental impact report is intended to help politicians make an informed decision about whether to approve or deny a development proposal. But any resident can file an appeal if they think environmental impacts were not fully considered, which can delay, block, or alter projects. 

Shadows ultimately led to a delay for the infamous 469 Stevenson St. project from 2021, a 495 unit building on the site of a Nordstrom parking lot in SoMa.

Some SoMa residents were concerned that the project, which contained about 100 affordable housing units, would gentrify the area. 

But gentrification alone is not a legal reason for supervisors to block a project. So residents filed an appeal alleging the project’s environmental impacts were improperly evaluated. The Board of Supervisors ended up siding with them in an 8-3 vote, citing shadows cast on nearby Mint Plaza in their decision. 

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The developer was forced back to the drawing board and had to redo his environmental report, delaying the project by several years. 

Even when projects are 100 percent affordable, shadows cast uncertainty: Residents near 16th and Mission’s “La Maravilla” housing project, a 380-unit project next door to Marshall Elementary that broke ground last month, raised concerns that the development would darken the school’s playground. That forced the nonprofit developers to hold meetings and negotiate with residents about the issue.

Mahmood said even if appeals are ultimately rejected, the length and cost of the appeals process makes it difficult to produce housing projects and leads developers to avoid building in San Francisco. 

“The housing problems we’re facing are death by a thousand cuts,” said Witt Turner of the Housing Action Coalition, a proponent of the bill. “We need to start sewing them up one by one.”

San Francisco is required by the state to plan for 36,000 more housing units by 2030, and the city’s best guess is that even under the most favorable scenarios developers will build less than half of that, and in four times as much time.

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Mahmood, a YIMBY, has made streamlining housing a focus of his 15 months in office. His new legislation eliminates certain intermediate appeals and hearings and shortens appeal timelines, mostly from 30 days to 15 days. 

The bill will be evaluated by the planning commission and the Board of Supervisors in early summer. 

The bill is no silver bullet, however. Environmental appeals often cite more than just shadows when seeking to change projects. In the case of the Nordstrom parking lot building, for example, a failure to properly consider the seismic impact of a building was also a component of the decision. 

YIMBYs have long pursued reform to CEQA, a California law outlining the environmental appeals process.

“We shouldn’t let outdated laws get in the way of building housing, which is actually important to making progress on our climate goals,” Mahmood said.

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