The last time I was part of “The Rocky Horror Show,” I wore a black corset. Two decades later at Oasis and Ray of Light Theatre’s latest immersive revival of Richard O’Brien’s beloved 1973 stage musical at Oasis nightclub, I wore a white bridal veil.
San Francisco, CA
How revisiting ‘Rocky Horror’ at S.F.’s Oasis reminded me what it means to belong
San Francisco Chronicle columnist Tony Bravo at Oasis for “The Rocky Horror Show” in San Francisco on Saturday, Oct. 11, 2025.
Santiago Mejia/S.F. ChronicleHaving traded my libertine youth for a happy married life years ago, the symbolism felt fitting.
“The Rocky Horror Show”: Book, music and lyrics by Richard O’Brien. Directed by Jason Hoover. Through Nov. 1. Two hours, 20 minutes. $45-$108.58. Oasis, 298 11th St., S.F. www.rayoflighttheatre.com
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Back in college, I played the lead of provocative mad scientist Dr. Frank-N-Furter, originated by Tim Curry. On Saturday, Oct. 11, during opening weekend of the South of Market venue’s final full production before closing at the end of the year, I was pulled on stage for the part of Betty Monroe (If the character doesn’t ring a bell, it’s because she’s only in a few seconds of the show and 1975 film.) Reading my vows alongside Tim Budding, the audience member enlisted to play the groom, Ralph Hapschatt, reminded me once you’re a part of the “Rocky” family, that connection remains.
For anyone who knows the show about the Transexual Transylvanians who ensnare, seduce and morally liberate the square Brad and Janet (played here by Julio Chavez and Lisa Frankenstein), family might not be the word that comes to mind. But that’s what this production, and the entire global “Rocky” fandom can feel like.

D’arcy Drollinger stars as “Frank” in “The Rocky Horror Show” at Oasis in San Francisco on Saturday, Oct. 11, 2025.
Santiago Mejia/S.F. ChronicleWhile the original London stage show was an unexpected hit, the film adaptation — starring Curry, O’Brien, Little Nell Campbell, Patricia Quinn and Meatloaf reprising their roles, alongside Barry Bostwick and Susan Sarandon as Brad and Janet — was a mainstream flop.
By 1976, however, it found a following at Waverly Theater in New York City, where midnight screenings featured “shadow casts” recreating scenes as audiences shouted back in response to the dialogue. Long before Oasis owner — and veteran Dr. Frank-N-Furter — D’Arcy Drollinger had the idea of reimagining “Rocky” for the club, audience participation was already a key part of any viewing.
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As the film celebrates its 50th anniversary this year, its legacy is being reevaluated. When I performed in my college production, the musical wasn’t always taken seriously. It was seen as camp (it is), vulgar (ditto) and unserious (wrong!). But underneath the sexual anarchy, it’s always been about outsiders searching for belonging, and generations have found that sense of community at “Rocky” screenings and revivals around the world.
“I think people can be dismissive of it because they don’t know where it came from and they don’t know the history,” director Jason Hoover told me. “It’s like the history of Oasis; ‘Rocky’ offered a safe haven for people to be who they want to be.”

San Francisco Chronicle columnist Tony Bravo at Oasis for “The Rocky Horror Show” in San Francisco on Saturday, Oct. 11, 2025.
Santiago Mejia/S.F. ChronicleQuinn, who famously played Magenta onstage and in the film, shared the same sentiment with me in an interview last year.
“Years ago at a convention, a girl came up to me with tears in her eyes. She had an arm that was disabled, and she said, ‘This film has changed my life,’” Quinn recalled. “And that’s the first time it ever meant anything to me. It obviously meant that she was accepted in the crowd.”
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After the “Rocky” wedding scene on Saturday, the audience was ushered to the main stage. Among a crowd where many were dressed as characters from the show, it was hard to differentiate actors from audience members. Sitting on a couch near the stage, I asked actor Trixxie Carr if she was the “real” Magenta when she draped herself across me before realizing that yes, she was indeed playing the role.
Although it’s been years since I’ve been to a live production, the callbacks to the dialogue quickly returned to me. I’m generally not an audience participation person, but “Rocky” is the exception. I danced the “Time Warp” and got a (chaste) lapdance in the bathroom from a gogo girl. The only time I drew the line was eating a hot dog handed to me from a gloryhole, because I’m a vegetarian.
By the time we reached the finale, I was singing along to the show’s central anthem, “Don’t Dream It, Be It.” It was emotional revisiting those lyrics. I’ve gotten to live so many of the dreams I had as that college kid in a corset, including finding a place like Oasis where I could be part of a weird, wonderful community.

San Francisco Chronicle columnist Tony Bravo with Lisa Frankenstein, who stars as “Janet” in “The Rocky Horror Show” at Oasis in San Francisco on Saturday, Oct. 11, 2025.
Santiago Mejia/S.F. ChronicleBut with the club closing on New Year’s Eve, that dream is coming to an end.
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Clips of past Oasis and Ray of Light “Rocky” productions played as Drollinger sang the ballad “I’m Going Home.” Cheetah Biscotti as Columbia and Ryan Patrick Welsh as the Criminologist brought me to the piano beside Drollinger where I joined in on the chorus. I was grateful this place — and this show — had been a home for so many.
At the end, Drollinger and the cast surrounded me on the couch.
“It’s breaking my heart every night,” he whispered to me about the impact the show is having on him during this run through Nov. 1.
My heart was breaking too, but in a beautiful way. Some people never get to find their “Rocky” or Oasis, but I found both.
San Francisco, CA
SF scientists build robotic storm samplers to track pollutants before they reach the Bay
SAN FRANCISCO (KGO) — Environmental Scientist Kayli Paterson from the San Francisco Estuary Institute is hitting the road with colleague David Peterson and a trunk full of water sampling robots.
“Yeah, I think the max we’ve ever done was five. But the sites are very close together. Oh, there it is. Hopefully it samples well,” says Paterson as she turns the mobile sampling lab onto a private oak-lined road.
They’re closing in on a watershed creek flowing through the hillsides near the San Andreas Lake reservoir, west of Highway 280 in Millbrae, part of the larger watershed that eventually drains into San Francisco Bay.
“So, we’ve got our sampler. Look at the battery. Hook that up, red and black. This is a 12-volt lithium battery, and it powers our sampler for probably about six to seven days,” she explains, showing off a self-contained unit miniaturized into a portable case.
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The black cases are their latest innovation in stormwater science. Robotic samplers anchor in key sections of the watershed to monitor not only flow, but also the chemicals and pollutants washing downstream toward the Bay.
“And this is a front-line pollution sampler. It’s getting the stormwater before it enters the Bay. And so, we want to know what’s coming into the Bay and getting these samplers out there in more locations will give us a better idea of where we might have issues, where a hotspot is, or maybe a previously unknown contaminant,” says Paterson.
“It’s important to get out that fast,” her colleague David Peterson adds. “You know, in these storms as they’re happening, because the water is picking up pollutants in real time, and we need to be there to capture them.”
When we first met Peterson several years ago, he and another Estuary Institute team were sampling water along the Bay shoreline by hand, a technique that’s still valuable. But to cover more ground, Kayli and a group of collaborators began developing the robotic samplers over recent storm seasons.
Kayli and David start by chaining the unit itself to a tree near the creek bank. The system employs remote-controlled pumps that draw samples from the creek and store them in onboard containers. The software controlling the volume and frequency can be operated from a phone app.
MORE: New study of San Francisco Bay fish confirms concentrations of PFAS aka ‘forever chemicals’
One of the key targets in this study is a group of so-called “forever chemicals” known as PFAS, synthetic compounds that persist in the environment and have been detected in widespread areas of the Bay.
“And we capture samples and send them off to analytics labs across the country. Typically, universities or private labs will process these for us,” Peterson explains.
For these two stormwater detectives, it’s a mission that requires a combination of speed and patience**, chasing flowing water** through creeks and storm drains, sampling as they go.
“So, we’re looking for areas – the point of this is to do source control. Ultimately, we want to be able to trace this back to a possible source,” says Kayli Paterson.
And potentially prevent a source of toxic pollution from reaching San Francisco Bay and our Bay Area ecosystem.
More than a dozen of the robots were given names in a special contest, including the Big Sipper and the Tubeinator.
Copyright © 2026 KGO-TV. All Rights Reserved.
San Francisco, CA
Floats for San Francisco Chinese New Year Parade get finishing touches
SAN FRANCISCO (KGO) — ABC7 Eyewitness News got a sneak peak as crews put the finishing touches on the floats you’ll see at Saturday’s San Francisco Chinese New Year Festival and Parade.
Since it’s the year of the fire horse, you’ll see a lot of horses and fire symbolism on the floats, housed at Pier 19.
“So Year of the Horse, it’s energy, it’s passion, it’s momentum so a lot of things that we’re really hoping to embody in the new year,” said Stephanie Mufson, owner of San Francisco-based The Parade Guys, which designs and constructs the floats.
She said they’ve been building them for about three months, with the designs starting in November.
MORE: Bay Area artist brings Year of the Horse statue to life for Golden State Warriors
“We’re in the home stretch,” she said. “We’ve got a couple of days left and we’ve got a nice little team that’s cranking out all the finishing work that needs to go into it.”
Derrick Shavers was sanding some wood that will be painted and become cherry blossom trees on a float.
“It’s exciting,” Shavers said. “I look forward to coming every year and just creating and making things shine and sparkle.”
Bon was painting mountains for a float, making sure everything is perfect in time for the parade.
MORE: Meet the 2026 San Francisco Chinese New Year Parade mascot, Maverick
“It’s one of the few parades that actually happens at night still,” Bon said. “So we got to make sure all the lighting is in check, and people are safe on the float. It’s all in the details, just for it to walk by you for 10 seconds.”
Ten seconds that bring so much joy to those watching the parade.
Here’s how you can watch the parade on ABC7 Eyewitness News on Saturday, March 7.
Coverage starts at 5 p.m. wherever you stream ABC7.
SF Chinese New Year Parade 2026: How to watch ABC7 Eyewitness News live coverage
If you’re on the ABC7 News app, click here to watch live
Copyright © 2026 KGO-TV. All Rights Reserved.
San Francisco, CA
Celebrated San Francisco historic landmark, the Huntington Hotel officially reopens
SAN FRANCISCO (KGO) — First opened as apartments in 1922 and converted into a hotel two years later, the Huntington was once a playground for socialites and Hollywood stars.
It shut its doors in 2020 due to the COVID-19 pandemic and remained shuttered until this week, following new owners and a million-dollar, top-to-bottom renovation.
A ribbon-cutting ceremony was held for The Huntington Hotel in San Francisco’s Nob Hill neighborhood Monday.
The hotel officially reopened on Sunday.
Mayor Daniel Lurie attended the celebration for the hotel on California Street.
“This is another sign that San Francisco is on the rise, when you have major institutions and major hotels reopening,” Lurie said. “We’re seeing it in Union Square. We’re seeing it now up here on Nob Hill. This is an exciting moment for San Francisco.”
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The hotel, known for its iconic sign, will be restoring the landmark sign to its former glory.
Many say it’s a symbol of what’s going on in San Francisco.
MORE: Nordstrom making return to San Francisco with new concept, mixed reactions
“It came to symbolize San Francisco’s decline during COVID when it shut and it now, I think, symbolizes San Francisco’s rebirth,” said Greg Flynn, Flynn Group Founder, Chairman, and CEO. “It’s sort of the perfect symbol of it because it’s coming back better than it ever was.”
Alex Bastian, President and CEO of the Hotel Council of San Francisco, said hotel occupancy rates are up in 2024.
“Our data team crunched the numbers, and the four-week rolling hotel occupancy rate for San Francisco Bay Area hotels is 55.1 percent as of January 17 of this year. Compare that to January 17 of 2021, during the pandemi,c when it was 13.1 percent.”
Of course, the Super Bowl helped.
Here’s what Super Bowl LX visitors are saying about San Francisco
“There’s no marketing campaign better than what we achieved as San Franciscans,” Bastian said. “The mayor and his team really elevated the game. They did an incredible job. We are so fortunate, as a city, because so many came here and they left their hearts here in San Francisco.”
Eyewitness News wasn’t allowed to gather video of the hotel’s features, but the hotel provided renderings of a sample room.
Matthew de Quillien, The Huntington Hotel General Manager, said the hotel has 143 rooms, many of them suites. Also, the Nob Hill Spa, Arabella’s Cocktail Salo,n and a reopening of The Big Four Restaurant, featuring its famous chicken pot pie.
“Our owner was able to find the original recipe from the 70’s and we remastered it and we’re … serving it to our guests,” de Quillien said.
He said rates range from $600 a night to $7,000 a night for its Presidential suite.
The restaurant opens to the public on March 17.
If you’re on the ABC7 News app, click here to watch live
Copyright © 2026 KGO-TV. All Rights Reserved.
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