Nevada
In razor close Nevada, Latino men shy away from Kamala Harris
In a state like Nevada, where the margins are extremely close between Kamala Harris and Donald Trump, the erosion of young Latino men could impact the election for Democrats.
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NORTH LAS VEGAS, Nev. ― It was a waiting game for Juan Garcia. Sitting in his station at North Town Barbershop, a business his family has owned for six years, the 22-year-old was hoping his late client would still stop in.
No music was playing as two other barbers sat on a red modular couch in the middle of the shop, using a gumball machine as a stand for their Nintendo Switch to play Mario Kart. It’s a “mid” day, Garcia said, as he’s noticed a slowdown in business this week.
The barbershop is nestled in a community where switching between Spanish and English is the default: “Servicios de DMV.” Notary services and money transfers to Mexico and Central America were advertised on the door of the business next to the barbero. A small restaurant selling tamales and tacos, another that sold BBQ and one more that sold cheesecake was in the next building over. And down the street is a popular flea market in the area, Broadacres Marketplace.
Garcia has worked at the barbershop for about three years. It wasn’t his dream job, but it was all he felt he could turn to after injuring his meniscus as a soccer player. It pays the bills, but not enough to move out of his parent’s house and into his own place.
“It’s a hard decision because like all the economy and all that, I feel like that has a lot to play with,” he said. “I feel like that’s something we all need to look at, like for a better future for us.”
That’s his top concern as he’s still looking into who he will vote for in the election in November. But Republican Donald Trump is the candidate he’s considering.
Garcia is part of a growing number of young Latino men who are turning to Trump in this election cycle – a growing phenomenon despite a majority of Latino voters still gravitating towards the Democratic Party. But in a state like Nevada, where the margins are razor thin between Vice President Kamala Harris and Trump, the erosion of young Latino men could impact the election for Democrats.
A USA TODAY/Suffolk University poll published Monday shows Harris is leading Trump among Latino voters in Nevada 56% to 40%. And while she holds the majority of support among Latinas, Trump is seeing a rise in support among Latino men under 50.
Slightly more than half – 53% – of Latino men ages 18-34 are supporting Trump and 40% are supporting Harris. Those numbers were almost identical for Latino men ages 35-49, 53% for Trump and 39% for Harris.
For Brian Ruiz, a 23-year-old who lives in North Las Vegas, Harris is making a lot of promises that he doesn’t think will help the economy.
While Latinos have one of the highest employment rates in the United States, issues persist with the type of jobs Latinos are working. Often hard labor and low paying, Latino men are disproportionately working construction and maintenance jobs compared to all U.S. men.
And with prices still coming down from high inflation due to the COVID-19 pandemic, the pay disparity is hurting Latino pocketbooks more than White Americans.
“I feel like we’re just gonna go more in debt than we already are,” Ruiz said.
But under Trump, Ruiz insisted, “everything was kind of cheaper” and the country wasn’t at war.
“To be honest, it wasn’t really that bad,” Ruiz said of Trump’s administration. “But ever since they kind of just got into office, like Kamala Harris and (Joe) Biden, it’s kind of gone to shit.”
Lack of outreach, lack of support
Just miles down from the Las Vegas strip, on a Tuesday night, at least a hundred people gathered for a series of intimate Mixed Martial Arts or MMA fighter’s matches at UFC’s Apex Arena.
The crowd of mostly men cheered when the fighter they were rooting for punched his opponent in the face. Some fighters didn’t make it past the first round. But for the 10 fighters that competed that evening, it was their one shot to impress the big boss, Dana White, a Republican and close ally to Trump.
It’s the type of event that Trump has used to get closer to young men, especially Latinos.
Trump over the past several months has randomly dropped into major UFC events. He’s done interviews with podcasters like Lex Friedman and Theo Von. And he’s rolled out endorsements from Reggaeton stars Anuel AA and Nicky Jam. (The two Reggaetoneros faced backlash from some Latinos for their support of GOP nominee.)
But it’s something that is resonating with some Latino men.
Yordany Gonzalez, a 34-year-old Las Vegas resident, is a registered Democrat who voted for Joe Biden in 2020. But he remembers the day Biden lost his support. On Biden’s first day in office, he signed an executive order for the protections of gay and transgender people in schools and workplaces.
“Children should be able to learn without worrying about whether they will be denied access to the restroom, the locker room, or school sports,” Biden’s executive order said.
Gonzalez, who practices martial arts and has a daughter, said he did not agree with the action.
Latinos, he said, are actually “very conservative.” A lot of times Republicans are thought of as “rich white guys,” he said. While he doesn’t fully trust the Democratic or Republican parties, Gonzalez said he believes that right now Republicans will do what they need to fix the economy.
“Maybe we got to be a little selfish in our country and say, you know, what everybody else? We can’t do nothing for you right now. We need to work ourselves out,” he said. “And I just feel like the Republicans are just, you know, they’re more greedy.”
Rafael Collazo, executive director of UnidosUS Action Fund, the political arm of the Hispanic civil rights and advocacy organization, said the shift in support towards Republicans among Latino men speaks to the “sustained lack of engagement” to the broader Latino community.
Democrats’ lack of engagement to Latino voters leads to lack of information, which turns to frustration and then leads to misinformation creeping into voters’ politics, Collazo said. Latino men, in particular, are not hearing from Democrats about the message that matters most to them: the economy.
“The perception of Trump being some business guru unfortunately creeps in,” Collazo said of Latino men trusting Trump.
With less than a month until the election, the Harris campaign has said it is working to make up ground with Latino men. The campaign launched “Hombres con Harris,” an effort to mobilize Latino men by homing in on an economic message. Top surrogates will be stopping by Latino-owned small businesses, sports bars, carnes asadas, union halls, and other community centered venues to try and reach more Latino men.
Gov. Tim Walz, the Democratic vice presidential nominee, alongside Rep. Reuben Gallego and actor Jaime Camil kicked off the push in Arizona. The campaign will host a series of events in the key battlegrounds of Arizona, Pennsylvania and Nevada to appeal to Latino men.
Harris campaign manager Julie Chavez Rodriguez, Sen. Ray Luján, D-N.M., and Rep. Adriano Espaillat, D-N.Y., attended the Mexican world champion boxer Canelo Alvarez and Edgar Berlanga boxing match last month in Las Vegas. Alvarez beat Berlanga in the match, a win celebrated by Mexicans across the U.S.
Harris also held a rally in Las Vegas in September where 7,500 people attended. Walz, held a rally in Reno on Tuesday, which came after he cancelled a previously scheduled rally in mid-September because of a wildfire in the area.
The campaign is also pointing to Harris’ Thursday town hall in Las Vegas with Univision as part of this effort. (Trump will also take part in a town hall with Univision next week, which was postponed because of Hurricane Milton.)
But it’s unclear whether Harris’ town hall will move the needle with young Latino men, especially those who are leaning right, Collazo said. The town hall is appealing to Latino voters more broadly.
“There’s Latino voters that at this point are supporting (Trump) or are potentially supporting him or undecided genuinely at this point, that are in that traditional Univision viewership,” Collazo said.
Past elections showed the growing divide in Nevada
Mario Arias is seeing a new shift among Latinos in his own community in Las Vegas.
Some Latino small business owners reminisce about how successful their businesses were under Trump, said the 31-year-old. But it’s not the only reason why some Latinos are moving away from the Democratic Party.
Some are dissatisfied with the lack of progress, especially those who remember voting for Barack Obama in 2008. For some, they are second or third generation and find themselves moving to other priorities than their parents or grandparents.
“Kamala (Harris) has to unfortunately deal with those negative effects of people leaving,” he said.
Arias, a political organizer who is not affiliated with the Democratic Party, is voting for Harris in November. But he has people in his life that can’t do the same – some who are sitting out and others who are voting for Trump.
For him, “a little bit of progress is better than nothing.”
Still, Latino’s support of the Democratic Party has been weakening since 2016, Collazo, of UnidosUS Action Fund, said.
In Nevada, former President Barack Obama in 2008 won more than ¾ of Latino voters, according to exit polls at the time. Just four years later, Obama won 70% of Latino voters in the state.
But by 2016, 60% of Latino voters supported Democrat Hillary Clinton, who eked at a win in Nevada over Trump. Biden carried Nevada by a similar percentage, 61%, according to 2020 CNN exit polls.
But Harris is currently trailing Biden’s 2020 support, according to the USA TODAY/Suffolk University poll.
Collazo attributed this erosion of support among Latinos for Democrats as a result of the party neglecting Latino voters year-round, when there should be efforts to engage fully with the community on their needs.
“We have this point of Latino men that are screaming at – are telling us very clearly– by their opinions on politics, that nobody’s talking to them, nobody’s engaging them, and they feel left out of the traditional Democratic, progressive conversations,” he said.
Back at the barber shop, Garcia’s client finally came in. But the rest of the shop was in a lull.
Mateo Guerrero, one of the barbers who was playing Mario Kart, has been working at the shop for only a couple of months. Unlike Garcia, who is going to vote, Guerrero isn’t going to. The choice was simple for the 23-year-old.
“They all say they’re gonna do this and do that, but nothing ever ends up happening,” he said.
Nevada
Local artists on Northern Nevada stages, now through Labor Day weekend
Beach Boys co-founder selling Tahoe mansion for $43 million
The Lake Tahoe mansion of one of the original members of the Beach Boys was listed for $43 million.
You love to see it: local artists on local stages. Here are 12 shows featuring local artists between now and Labor Day, including rock, metal, punk, folk, jazz, hip-hop and more.
Bark Hardly
This indie-folk group from Reno headlines an all-local bill with Glitter Bats, Sad Giants and Anabelle and the Desert Scrubs. It starts at 7 p.m. at Holland Project, 140 Vesta St.
The show is July 10. Tickets are $12. Details: 775-742-1858 or hollandreno.org.
Thrashmob
It’s an all-local hip-hop night featuring this artist as headliner. They perform at 7 p.m. at Club Underground, 555 E. 4th St.
The show is July 11. Tickets are $20-$25. Details at clubundergroundreno.com.
Shared Scars
This Reno metal band celebrates the release of its new EP with a show that also features area metal bands Emberwake, Desolist, Titvn and Everglade. It all begins at 7 p.m. at The Alpine, 324 E. 4th St.
The show is July 11. Tickets are $20-$25. Details at thealpine-reno.com.
Cruz Control featuring Bree Rose
Rock, soul and hip-hop mix with this group from Reno. They play at 7 p.m. the first night and 8 p.m. subsequent nights at Terrace Lounge, Peppermill Resort Casino, 2707 S. Virginia St.
Free shows are July 16-18. Details at peppermillreno.com.
Next Question
The popular indie-punk group from Reno kicks off its tour at this show, which also features locals Blackstallion and Ring Pop Wedding. It begins at 7 p.m. at Holland Project, 140 Vesta St.
The show is July 17. Tickets are $10-$12. Details: 775-742-1858 or hollandreno.org.
Vampirates
The longtime local progressive-punk/noise band performs with Sacramento ska punks Lesdystics and local hardcore punk band The Scattering. It all begins at 7:30 p.m. at Lost Highway, 1526 S. Wells Ave.
The show is July 17 and there is a $10 suggested donation. Details at instagram.com/corrigans_losthighway.
Fireman’s Ball Reignited
A benefit for the Silver City Volunteer Fire Department, this show features some big northern Nevada and regional names including former Tahoe resident and country-rock singer/songwriter Matt Axton. Also on the bill are Darren Senn, Charity Kiss and Next Question, among others. It all starts at 1 p.m. at Silver City Park, 385 High St., Silver City.
This free show, with donations accepted, is July 18. Details at instagram.com/silvercityvfd_nv.
Everything Sucks Fest 2026
The annual punk-band event returns, this time with locals Hired Fun, Irreplaceable Beings, Flicker And Fade and Cold Amber Medicine. It begins at 4 p.m. at Shoe Tree Brewing Co., 1496 Old Hot Springs Road, Carson City.
This free show is July 25. Details at instagram.com/shoetreebrewing.
Reno Jazz Orchestra with Matt Mauser
For their Artown show, this local group will be joined by Mauser, an “America’s Got Talent” finalist who specializes in pop and jazz standards. The show starts at 7 p.m. at Robert Z. Hawkins Amphitheater, 6000 Bartley Ranch Road.
This show is July 29. Tickets are $35. Details at artown.org.
Reno Devilles
Rockabilly meets surf-rock with this local band. They play at 8 p.m. at Pele Utu, 1275 Stardust St.
This free show is Aug. 1. Details at instagram.com/peleutureno.
Jakota Wass
A country singer/songwriter from Gardnerville, Wass plays at 7 p.m. at the Outdoor Stage, Brewery Arts Center, 449 W. King St., Carson City.
The free show is Aug. 8. Details at breweryarts.org.
The Electric
A straight-ahead alternative rock band from Reno, the Electric headline an all-local bill that also features Sad Giants and The Jackeyes. They play at 7 p.m. at Holland Project, 140 Vesta St.
The show is Aug. 15. Tickets are $8-$10. Details: 775-742-1858 or hollandreno.org.
Cape Fear Quartet
This swing-jazz quartet from Reno performs at 8 p.m. at Pele Utu, 1275 Stardust St.
This free show is Aug. 15. Details at instagram.com/peleutureno.
Jelly Bread
Soul music meets alternative rock with this Reno group. They perform at 7 p.m. at the Outdoor Stage, Brewery Arts Center, 449 W. King St., Carson City.
The free show is Aug. 15. Details at breweryarts.org.
Band Wars Music Festival
An extension of the contest at Club Underground earlier this year, the participants now get to play at Bartley Ranch. Contest winners No One Good are joined by Split Persona, Interstate, Giant Skunk and Quitter, among others. It all begins at 2 p.m. at Robert Z. Hawkins Amphitheater, 6000 Bartley Ranch Road.
The show is Sept. 5. Tickets are $25-$35. Details at clubundergroundreno.com.
Nevada
Odd and beguiling ‘Rose of Nevada’ will haunt viewers
The dilapidated fishing vessel from which “Rose of Nevada” takes its name disappeared into the sea off the coast of Cornwall, England, in 1993, bringing with it two members of a shorthanded crew. A young fisherman who had called out sick that day later died by suicide; some speculate because of survivor’s guilt. There’s a lot of speculation about that old boat. It was the kind of tragedy from which a tight-knit community never really recovers, and this quaint Cornish fishing village has since been stricken by decades of poverty and rot. Now, 33 years later, the Rose has mysteriously returned. It just showed up, ship-shape and empty, sitting there in the harbor one misty Monday morning. All she needs now is another crew.
How and why the boat returned is not for me to say, nor are such matters of much concern to writer-director Mark Jenkin. A time travel adventure with the cadence of a ghost story, “Rose of Nevada” haunts the viewer like the sound of a faint, distant horn on a foggy night. George MacKay stars as Nick, a loving husband and doting dad who has been out of work for some time now. He’s also a bit of a dummy, caving in their apartment’s roof while trying to patch a leak during a rainstorm. Nick finds himself crewing the Rose out of financial necessity — he’s literally trying to put a roof over his family’s heads — while Callum Turner’s gruff drifter Liam comes aboard seemingly because he’s got nothing better to do.
Any other movie would probably try to explain exactly how these boys return from their maiden voyage with a robust catch to find themselves transported back to 1993. They discover their little town thriving and keep running into younger, happier versions of characters we’ve met in the miserable present. Everyone seems to know who Nick and Liam are, but they’re calling them different names. It’s as if the two have somehow stepped into the shoes of those doomed crewmembers from 33 years ago, brought back here by the Rose either to fix history or repeat it.
Part of what makes the movie so mesmerizing is Jenkin’s artisanal approach. He shoots on an ancient, hand-cranked 16mm Bolex camera — a model slightly less advanced than what my film school class was using three decades ago. Jenkin leans into the grainy imperfections of the image, keeping in all the scratches and light leaks that professional labs and technicians typically scrub out. It’s impossible to capture synchronized sound with this equipment, so background noises and the necessarily sparse dialogue are added later in post-production, lending an eerie, uncanny quality to the proceedings.
The set of self-imposed limitations creates its own aesthetic. Jenkin’s hand-cranked camera won’t run for more than 28 seconds at a time, forcing him to tell the story in a series of punchy, discrete images. Instead of wide establishing shots, he favors tight closeups made even more claustrophobic by 16mm’s boxy 1.33 aspect ratio. Our brains assemble the scenes almost like a mental jigsaw puzzle, getting a full sense of the boat without ever getting a complete look at it. Same goes for the town. It’s amazing how many gaps your mind fills in for you when prompted properly.
Jenkin takes a similar approach to the screenplay, allowing rhyming images and visual cues to provide most of the exposition. I went back and watched the movie a second time to try and understand how I always felt like I knew what was happening, even though I couldn’t possibly explain what was going on. The rhythms of the picture feel almost like a dream, obeying their own strict logic that locks in perfectly at the end. Jenkin’s previous picture, the cryptic Cornish island folk tale “Enys Men,” tried similar tactics, but with annoying, off-putting results. Two of the reasons this film connects so much better are the appealing lead performances by MacKay and Turner, a couple of genuine movie stars with whom we are happy to get lost at sea.
MacKay made no impression at all in the insipid, Oscar-winning World War I gimmick film “1917,” but has since revealed himself to be one of our most adventurous young actors. He was electrifying as a bi-curious, homophobic hooligan in the 2024 Boston Underground Film Festival favorite “Femme,” and nailed multiple roles from swoon-worthy stud to psychopathic incel stalker in Bertrand Bonello’s brain-melting “The Beast.” There’s a performative aspect when most actors play dumb, a theatricality that reminds the audience they’re actually smarter than the character. As our stranded family man Nick, MacKay offers no such condescension. He’s a dim bulb with a big heart in an unfathomable situation; his eyes sometimes touchingly, hilariously blank. So much is already beyond Nick, and then all this happens.
Most readers probably know Turner as Mr. Dua Lipa. For those who have trouble keeping track of their cute British boys, he’s the jug-eared, scruffy one who isn’t Josh O’Connor. I’ve never understood the hubbub about this guy, but he won me over here. It’s tough to recall a character in a science-fiction story quite like Liam, who, when experiencing something as foundation-shattering as time travel, figures, “Sure, why not?” and rolls with it. MacKay has some hilarious reaction shots to his screen partner’s blithe acceptance of their new reality. Though I suppose it helps that in this alternate 1993 timeline, Liam winds up with a beautiful wife and daughter, while Nick just gets stuck with overbearing parents.
I’ve been turning over the movie’s ending in my mind for a couple of weeks. “Rose of Nevada” comes to a conclusion both hopeful and bittersweet, depending on how you want to read it. This is an odd, beguiling film that doesn’t look or sound like anything else you’ll see in theaters this year. The raggedly beautiful imagery is a feast of rust and decay, the film itself dinged up like it’s followed the boat here from a distant, mysterious time.
“Rose of Nevada” opens at the Coolidge Corner Theatre on Friday, July 10.
Nevada
UNR tests whether cow manure can help restore Nevada landscapes after wildfires
After decades of cheatgrass-fueled wildfires across Nevada, researchers at the University of Nevada, Reno are testing whether cattle can help restore damaged rangelands by spreading native seeds as they graze.
Cheatgrass, an invasive plant common across the Great Basin, dries out early and can fuel larger wildfires, making it harder for native vegetation to return. UNR postdoctoral scholar William Richardson said the plant helps create a self-reinforcing cycle.
“Cheatgrass grows, it creates more wildfires, that allows more cheatgrass to grow, and it becomes a bigger and bigger issue. That’s why we’re seeing all these mega fires spreading across the Great Basin,” Richardson said.
The challenge continues after flames are out. In Nevada’s arid climate, native plants can struggle to reestablish, while cheatgrass often returns quickly.
UNR tests whether cow manure can help restore Nevada landscapes after wildfires
“We struggle with getting five to eight inches of rain a year. Trying to restore a native community in those very arid conditions are extremely difficult,” Richardson said.
Ewe won’t believe it: Sheep munch away at Reno’s wildfire worries in Arrowcreek area
Ranchers already use targeted grazing to reduce cheatgrass. Now, UNR researchers are studying whether cattle can also help reseed the landscape. The approach mixes native grass seeds into protein supplements cattle already eat. Researchers then track whether the seeds can survive digestion and be spread naturally across the range after being deposited in manure.
“We’re already using cattle to combat cheatgrass through targeted grazing, and the ultimate goal is to bring native species back across the landscape, so why don’t we combine those two ideas?” Richardson said.
In lab testing, researchers evaluated special seed coatings designed to help some seeds survive a cow’s digestive system. The results showed certain species could make it through the process and still germinate after being deposited in manure, Richardson said, though some seeds need more protection than others.
UNR tests whether cow manure can help restore Nevada landscapes after wildfires
“Some species naturally have a very thin seed coat and require more protection, while others can go through the gut of a cow easy peasy lemon squeezy,” he said.
The project is expected to move into field testing this fall at Horseshoe Ranch near Eureka, where researchers will track whether seeds can not only survive digestion but also establish new plants on the landscape.
“It’s a passive way to restore the landscape. Instead of having to go in with a tractor or seed from an airplane, you can use cows that are already there,” Richardson said.
UNR tests whether cow manure can help restore Nevada landscapes after wildfires
Researchers said the method is not intended to replace traditional restoration work, but to add another tool for land managers and ranchers. If the field trials are successful, they said the approach could eventually help restore thousands — or even hundreds of thousands — of acres across the Great Basin.
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