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Eleanor Coppola, Emmy-winning documentary filmmaker, dead at 87

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Eleanor Coppola, Emmy-winning documentary filmmaker, dead at 87

Eleanor Coppola, an Emmy-winning documentary filmmaker and artist, has died at 87.

Coppola’s death was confirmed to Fox News Digital by a representative for her husband of 61 years, Francis Ford Coppola. She died at her home in Rutherford, California, on Friday, her family said in a statement to the Associated Press. No cause of death was given.

Coppola was best known for directing the Emmy Award-winning 1991 documentary “Hearts of Darkness: A Filmmaker’s Apocalypse,” which followed the notoriously turbulent production of her husband’s 1979 war drama “Apocalypse Now.”

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Eleanor Coppola, who documented the making of some of her husband Francis Ford Coppola’s iconic films, including the infamously tortured production of “Apocalypse Now,” and raised a family of filmmakers, has died. (Chad Keig/Courtesy of the Coppola family via AP)

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Raised in Orange County, California, Coppola graduated from the University of California, Los Angeles with a degree in applied design. She met Francis, 85, in 1962 while working as an assistant art director on his directorial debut, the Roger Corman-produced 1963 horror film “Dementia 13.”

FRANCIS FORD COPPOLA THOUGHT ‘GODFATHER’ WAS GOING TO BE ‘A SPECIAL FAILURE,’ RECEIVES WALK OF FAME STAR

The two, who married in February 1963, shared son Gian-Carlo, who tragically died at age 22 in a 1986 boating accident, son Roman, 58, and daughter Sofia, 55. An obituary for Coppola stated that her marriage to Francis was “utterly infused with art and film and family, and their work overlapped in profound ways.”

Coppola took up documentary filmmaking while living in the Philippines with Francis during the production of “Apocalypse Now.” Though filming was scheduled to be completed in five months, the shoot was plagued with problems and took over a year to finish.

Coppola began documenting the chaotic making of “Apocalypse Now” as shooting was delayed by a number of setbacks including a typhoon that destroyed sets, the hospitalization of star Martin Sheen due to a near-fatal heart attack and the death of a construction crew member.

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Francis and Coppola are pictured on the set of “The Godfather Part II.” (Gerald Israel/Hulton Archive/Getty Images)

After “Apocalypse Now” was released in August 1979, the film was nominated for eight Academy Awards, winning two. Coppola’s behind-the-scenes footage, which was compiled to create “Hearts of Darkness,” became one of the most famous films about movie making.  It premiered at the 1991 Cannes Film Festival and was released on Showtime.

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The documentary earned four Emmy Award nominations, with Coppola and co-directors George Hickenlooper and Fax Bahr taking home the trophy for informational programming directing. 

“The beginning of the film idea for me was certainly documenting ‘Apocalypse Now,’” Coppola recalled in a 2017 interview with Deadline. “I had no idea.”

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She continued, “I’d made some little art films in the early ’70s, but when I got this camera in the Philippines I was just mesmerized, looking through the viewfinder. I really responded to that, so I made different documentaries, because I always loved to shoot.”

Coppola and Francis (middle) are pictured with their children Roman (left) and Sofia (right) in 2007. (Ernesto Ruscio/FilmMagic)

After “Hearts of Darkness,” Coppola continued to make behind-the-scenes documentaries about movies directed by Francis and her children Roman and Sofia, who followed in their parents’ footsteps and became filmmakers.

Roman has directed several movies of his own and regularly collaborates with filmmaker Wes Anderson. He is president of his father’s San Francisco-based film company, American Zoetrope.

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Sofia became one of the most acclaimed filmmakers of her generation as the writer-director of films including “Lost in Translation” and 2023’s “Priscilla,” which she dedicated to Coppola. 

In addition to several of her husband’s films, Coppola documented Roman’s 2001 movie “CQ” and Sofia’s 2006 film “Marie Antoinette.” Her obituary stated that she was most recently editing a documentary about “Marie Antoinette.”

Francis and Eleanor Coppola were married for 61 years at her time of death. (Axelle/Bauer-Griffin/FilmMagic)

In 2016, at the age of 80, Coppola wrote and directed her first narrative feature film, “Paris Can Wait.” The romantic comedy starred Diane Lane, Alec Baldwin and Arnaud Viard. She followed that up with “Love Is Love Is Love” in 2020. 

Coppola had initially set out only to write the screenplay to “Paris Can Wait.” 

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“One morning at the breakfast table my husband said, ‘Well you should direct it.’ I was totally startled,” Eleanor told the Associated Press. “But I said ‘Well, I never wrote a script before and I’ve never directed, why not?’ I was kind of saying ‘why not’ to everything.”

Coppola also published the 1979 book “Notes: On the Making of ‘Apocalypse Now’” and her 2008 memoir “Notes on a Life.” Per her obituary, Coppola completed writing her third book, a memoir about her recent life, at the age of 87.

“I appreciate how my unexpected life has stretched and pulled me in so many extraordinary ways and taken me in a multitude of directions beyond my wildest imaginings,” Coppola wrote in the manuscript.

Coppola is survived by Francis, Sofia and Roman and three grandchildren.

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The Associated Press contributed to this report.



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Alaska

Miss Manners: When a host cares more about their dogs than their guests

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Miss Manners: When a host cares more about their dogs than their guests


DEAR MISS MANNERS: My husband is the president of a local college alumni chapter, and I am the secretary. The chapter recently held an alumni meeting at the residence of the headmaster of a local private high school. Though the setting was a private home, the event was a formal gathering attended by the university president and various dignitaries.

Upon our arrival, five dogs began jumping on us and the other guests. We did not know that the headmaster and his wife had dogs. As I am severely allergic, I quietly asked the hostess if the dogs could be kept upstairs during the meeting.

She took great offense, loudly declaring that the dogs were her “children” and refusing to move them. I spent the evening wheezing and sneezing through my presentation to the university president.

Was I wrong to make this request? Should I have suffered in silence to avoid offending the hosts?

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GENTLE READER: As unpleasant as this situation was for you, Miss Manners can’t help being relieved that it wasn’t even more dangerous.

You and your husband are not employees of the college, but its beneficiaries. Therefore any estrangement would have been a loss to the school, and not to your own status.

And evidently, the headmaster and his wife do not have human children, if they believe youngsters of any kind should be jumping on their guests — especially ones suffering physical distress. (One wonders at the standard of behavior in the headmaster’s school, if this is what prevails at home.)

Of course you should not have stayed and suffered. You could have apologized to the guests that you had to leave because of your allergy, or you could have stuck the university president with that task. He would have had a strong interest in not alienating the leaders of the alumni group.

• • •

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DEAR MISS MANNERS: We’ve hosted an annual Kentucky Derby party in our home for years. We invite most of the same people every year, with a few new folks now and then.

We send out the invitations and let them know that we are providing all the food, and also tell them what drinks we will be serving. We ask that they RSVP so we will know how many to prepare for.

We have had as few as 25 people show up, and as many as 60 — the majority of whom had not responded to our invitation. I feel compelled to let the non-responders know how rude it is to ignore an invitation and how hard it makes it for us to prepare, but I fear that would be rude as well.

How do I handle non-responders? My first inclination is to ask them if they understand what “RSVP” means, or just to drop them from the list next year. Help.

GENTLE READER: The non-rude way to let them know how rude they are is to ask whether they plan to attend, and then to drop them from next year’s list.

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But Miss Manners wonders why your invitations don’t plainly state “please respond” instead of using a silly French form that some people really might not understand.





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Arizona

Arizona Lottery Pick 3, Fantasy 5 results for April 26, 2026

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Arizona Lottery Pick 3, Fantasy 5 results for April 26, 2026


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The Arizona Lottery offers multiple draw games for those aiming to win big.

Here’s a look at Sunday, April 26, 2026 results for each game:

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Winning Pick 3 numbers

8-2-6

Check Pick 3 payouts and previous drawings here.

Winning Fantasy 5 numbers

03-14-33-38-41

Check Fantasy 5 payouts and previous drawings here.

Winning Triple Twist numbers

04-08-20-22-33-41

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Check Triple Twist payouts and previous drawings here.

Feeling lucky? Explore the latest lottery news and results

What time is the Powerball drawing?

Powerball drawings are at 7:59 p.m. Arizona time on Mondays, Wednesdays and Saturdays.

How much is a Powerball lottery ticket today?

In Arizona, Powerball tickets cost $2 per game, according to the Arizona Lottery.

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How to play the Powerball

To play, select five numbers from 1 to 69 for the white balls, then select one number from 1 to 26 for the red Powerball.

You can choose your lucky numbers on a play slip or let the lottery terminal randomly pick your numbers.

To win, match one of the 9 Ways to Win:

  • 5 white balls + 1 red Powerball = Grand prize.
  • 5 white balls = $1 million.
  • 4 white balls + 1 red Powerball = $50,000.
  • 4 white balls = $100.
  • 3 white balls + 1 red Powerball = $100.
  • 3 white balls = $7.
  • 2 white balls + 1 red Powerball = $7.
  • 1 white ball + 1 red Powerball = $4.
  • 1 red Powerball = $4.

There’s a chance to have your winnings increased two, three, four, five and 10 times through the Power Play for an additional $1 per play. Players can multiply non-jackpot wins up to 10 times when the jackpot is $150 million or less.

Are you a winner? Here’s how to claim your lottery prize

All Arizona Lottery retailers will redeem prizes up to $100 and may redeem winnings up to $599. For prizes over $599, winners can submit winning tickets through the mail or in person at Arizona Lottery offices. By mail, send a winner claim form, winning lottery ticket and a copy of a government-issued ID to P.O. Box 2913, Phoenix, AZ 85062.

To submit in person, sign the back of your ticket, fill out a winner claim form and deliver the form, along with the ticket and government-issued ID to any of these locations:

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Phoenix Arizona Lottery Office: 4740 E. University Drive, Phoenix, AZ 85034, 480-921-4400. Hours: 7:30 a.m. to 5 p.m. Monday through Friday, closed holidays. This office can cash prizes of any amount.

Tucson Arizona Lottery Office: 2955 E. Grant Road, Tucson, AZ 85716, 520-628-5107. Hours: 7:30 a.m. to 5 p.m. Monday through Friday, closed holidays. This office can cash prizes of any amount.

Phoenix Sky Harbor Lottery Office: Terminal 4 Baggage Claim, 3400 E. Sky Harbor Blvd., Phoenix, AZ 85034, 480-921-4424. Hours: 8:30 a.m. to 5 p.m. Monday through Sunday, closed holidays. This office can cash prizes up to $49,999.

Kingman Arizona Lottery Office: Inside Walmart, 3396 Stockton Hill Road, Kingman, AZ 86409, 928-753-8808. Hours: 8 a.m. to 8 p.m. Monday through Friday, 8:30 a.m. to 5 p.m. Saturday and Sunday, closed holidays. This office can cash prizes up to $49,999.

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Check previous winning numbers and payouts at https://www.arizonalottery.com/.

This results page was generated automatically using information from TinBu and a template written and reviewed by an Arizona Republic editor. You can send feedback using this form.



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California

Cases of student press censorship attempts on the rise in California schools

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Cases of student press censorship attempts on the rise in California schools


Credit: Marcus Queiroga Silva / Pexels

Student journalists at the Redwood Bark at Redwood High School in Marin County aren’t alone in facing recent attempts to control student journalism.

Despite protections in a 1977 landmark state law, the Student Free Expression Act, which prohibits administrators from interfering with the gathering and publication of news, student reporters and their journalism advisers have encountered censorship attempts in recent years, including efforts to punish advisers for students’ stories and to remove content. In one case, a principal told them that their job was to paint the high school in a good light.

Examples include: 

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San Francisco Unified School District

A Superior Court judge in January ordered the district to reinstate the journalism adviser at Lowell High School, Eric Gustafson, to his job after he was removed last year. San Francisco Unified School District officials argued they transferred Gustafson because they wanted someone in his post with more experience and more education. 

Gustafson claimed it was because of his students’ aggressive reporting and stories on topics such as student drug use and teachers’ use of AI in grading, and because he refused to let school officials see stories before they were published, court records show.

Judge Christine Van Aken called the district’s claims “not credible.” The court concluded that the “motivation for the district’s reassignment decision was to impact the editorial content of The Lowell in a way that they could not accomplish directly,” she wrote in her decision.

Mountain View Los Altos High School District 

In Silicon Valley, a trial is scheduled for November over a lawsuit brought in 2024 by a journalism adviser and former students against the Mountain View Los Altos High School District. It alleges a principal, Kip Glazer, “improperly pressured and intimidated” student reporters working on a story about student-on-student sexual harassment.

Glazer sought to “avoid embarrassment rather than uphold the constitutional and statutory right of her students and faculty,” the suit charges. Glazer allegedly told student journalists on Mountain View High School’s Oracle newspaper staff that their purpose was to be “uplifting” for the school and to portray it “in a positive light,” records show. 

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“The power dynamic was pretty clear,” one of the students’ lawyers, Jordyn Ostroff, told EdSource. “I think anyone would understand that a student, generally speaking, would probably feel obligated to do what a principal is demanding they do.”

The suit also alleges that Glazer illegally removed Oracle’s adviser, Carla Gomez, from her post, replacing her with the school’s drama teacher. Gomez is suing to get her job back.

The former students are seeking an order from a judge that would “prevent future censorship of the paper. They also want to ensure journalism is still taught at Mountain View High, where the district has cut an introduction to journalism class.

The lawyer defending the district, Eric Bengston, declined to comment. 

Sacramento City Unified School District

In 2024, the district placed Samantha Archuleta, the journalism adviser to The Prospector newspaper at C.K. McClatchy High School, named for the long-time editor of the Sacramento Bee, on administrative leave after a reporter quoted a fellow student saying that Adolph “Hitler had some good ideas.”  

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The comment was reportedly made in a government class and printed in a column entitled “What did you say?” about remarks overheard at school.

Student journalists at The Prospector — where the writer Joan Didion was once on staff — wrote on Instagram that the quote had not reflected their beliefs but “was included to spark a conversation on how students here choose to use their words.” 

In a June 2024 guest piece in The Sacramento Bee, Archuleta wrote that “students have rights that give them the first and last say in what is written, how it is edited and what gets published without prior restraint, censorship or punishment from me or any other adult so long as it is protected speech.” 

Numerous free press and student press groups pushed for her reinstatement. However, she left her position at McClatchy High.

Los Angeles Unified School District

In 2021, Los Angeles Unified brought a disciplinary case against Adriana Chavira, the journalism adviser at Daniel Pearl Magnet High School, after she refused to censor students reporting on the Covid-19 pandemic’s effect on the school. The school is named for the late Wall Street Journal reporter Daniel Pearl, who was murdered by jihadist militants in Pakistan in 2002.  

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The school newspaper, The Pearl Post, had reported that the school librarian had refused to receive the Covid vaccine, and the library had been closed as a result. The librarian, citing privacy, demanded that The Post remove her name from a story published online. Student journalists refused. The school principal gave Chavira a day to remove the name. It stayed up. The district then suspended her.

In an essay published on the website of her union, the United Teachers Los Angeles, Chavira wrote: “Removing the information would mean that I was censoring my journalism students. And that is something I would never do since that goes against everything I’ve taught my student journalists.” 

The disciplinary case was withdrawn in 2022. Chavira continues to advise the Pearl Post, and is on the board of the Student Press Law Center.





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