Culture
U.S. women's basketball Olympic roster breakdown: Experience leads hunt for another gold
The U.S. women’s basketball roster was officially announced Tuesday, and in six weeks, the 12 players will go after a record eighth consecutive Olympic gold medal. With seven players who’ve already appeared on Team USA (and an additional two who were on the three-on-three team, known as 3×3, the last time around), this is an experienced group that enters the Games as the favorite.
Experience and maturity are only heightened considering the roster skews toward players in their late 20s; the youngest players are 26 and Diana Taurasi at 42 is the oldest. Unlike previous iterations of Olympic rosters, no recent college grads were included. Indiana Fever rookie Caitlin Clark’s exclusion from the roster has been the subject of much debate, and reigning WNBA Rookie of the Year Aliyah Boston also wasn’t selected.
The next chapter in The Greatest Dynasty Ever.
The 2024 USA Women’s National Team is here.
🇺🇸 #USABWNT x #ParisOlympics pic.twitter.com/BdDki5De5O
— USA Basketball (@usabasketball) June 11, 2024
With 12 versatile, slightly older players, coach Cheryl Reeve has plenty of flexibility with lineups and rotations, similar to how the defensive-oriented coach operates with her Minnesota Lynx squad. She is known for getting the most out of her players, orchestrating the Lynx’s run in the 2010s to four WNBA titles in seven seasons. This will be Reeve’s first time at the helm of the national team at the Olympics. She was named the head coach for this cycle in 2021 after being an assistant for both Geno Auriemma (2016) and Dawn Staley (2020).
GO DEEPER
Team USA chair explains Olympic roster decisions, Caitlin Clark’s absence
Get to know the players who will represent Team USA in France this summer.
Collier, 27, was the 11th or 12th player on the Tokyo roster, but for this Olympics, she’s a probable starter alongside Chelsea Gray, A’ja Wilson and Breanna Stewart. Her game has continued to evolve (which is no surprise considering Reeve is her coach with the Lynx) — she’s shooting 40 percent on 3-pointers this WNBA season. Collier showed in an Olympic qualifier game earlier this year that she potentially can become a statistical leader, after tallying 23 points, 7 rebounds and 3 steals in a tightly-contested game against Belgium.
Copper, 29, is playing the best basketball of her career in her first season with the Phoenix Mercury, averaging 24 points a game while shooting 39 percent from long range as a high-volume 3-point shooter. Unlike many other players on this Olympic roster who came up through the youth system, Copper’s first time in the Team USA pool was in 2021, and her game has only gone up. Her versatility is accentuated on defense, where she can guard multiple positions, both matching up with larger, more physical players and keeping step with perimeter guards.
We’re turning up the heat with this trio.
From the Valley to Paris @kahleahcopper @brittneygriner @DianaTaurasi 🔥
🇺🇸 #USABWNT pic.twitter.com/pZc6ZhatAh
— USA Basketball (@usabasketball) June 11, 2024
Gray, 31, has yet to play this WNBA season after suffering a leg injury during the 2023 WNBA Finals. However, Team USA said it had been in regular communication with Gray and her medical team and feel confident she’ll be able to compete in France. Assuming that holds true, Gray will be the team’s best passer and its engine. For the Las Vegas Aces, she has been a dynamic scorer-facilitator, but if her role from the 2022 World Cup repeats, expect Gray to settle in more as a primary facilitator, especially because there’s not another pure point guard on the roster. Reeve will need a high-assist, low-risk floor general, and that’s Gray.
When Griner, 33, returned to the U.S. from her 10-month detainment in Russia, she said she’d only go overseas again to play for her country in the Olympics. Now, that’s happening as Griner makes her third Olympic roster. She recently returned to the floor in the WNBA after recovering from a toe fracture, but even in two games, she looks great, averaging 17.5 points, 6.5 rebounds, 3 assists and 1.5 blocks a game (in 30 minutes of play). She started all six games in Team USA’s 2021 run in Tokyo (averaging 16.5 points and over 7 rebounds a game while shooting nearly 70 percent). At 6-foot-9, she’s the tallest player on the roster, providing Team USA an instant mismatch against any opponent.
A young role player the last Olympic cycle, Napheesa Collier now steps into a more prominent position for Paris. (Dirk Waem / BELGA MAG / AFP via Getty Images)
Ionescu, 26, is another potential backup ballhandler who likely will split responsibilities with other guards, but her versatility as a scorer and rebounder will come in handy. Like Alyssa Thomas, Ionescu can go off for a triple-double. With her long range and quick release, she could be used off the bench to help build a lead, or in close games, she could be inserted for her reliable free-throw shooting (over 90 percent for her WNBA career).
With no true backup point guard on the roster, Loyd, 30, likely will be called into some backup ballhandling responsibilities — a task Team USA probably will take on by committee. Loyd could be considered for the final starter, a spot that remains a bit of a question mark and might be determined by game-specific matchups. She’s a tried-and-true scorer and an excellent rebounder who can get Team USA out on the break and either distribute or score. One of the many perks of this roster is the number of players who have shown they can catch fire even after a slump, and Loyd is one of those.
A member of the inaugural 3×3 squad, Plum, 29, could find herself in that starting two-guard spot, or she could be a burst of energy and instant scorer off the bench. She’s a high-volume 3-point shooter for the Aces, but she can also get downhill and finish through contact. With Gray out, the Aces have shared facilitating duties, and Plum is averaging nearly 5 assists a game. Her familiarity with Wilson, Gray and Jackie Young is an important benefit for potential playing time, and that unit could be used as a “reset” at times, especially early in pool play, when Team USA needs to get on the same page.
A chance at history 🥇🥇@JackieYoung3 & @Kelseyplum10 look to become the first athletes to win Olympic gold in both 3×3 & 5×5 basketball! pic.twitter.com/WesRhIXVcj
— USA Basketball 3×3 (@usab3x3) June 11, 2024
Breanna Stewart, F
At 29, Stewart will play in her third Olympics. In tandem with Wilson, Stewart provides versatility and steadiness on both ends of the floor. Her 3-point shooting has been down this WNBA season, but Stewart is a three-level scorer with a knack for making defensive plays. Expect Stewart and Wilson to start regardless of the matchup as Reeve uses them as centerpieces and builds out from there.
Diana Taurasi, G
This will be Taurasi’s sixth Olympics. Her first came in 2004 in Athens, where at 22 she was the youngest player on the team. Her eldest teammate that year? Then-34-year-old Dawn Staley, who — 16 years later — would coach Taurasi at the Tokyo Olympics. Taurasi’s deft passing and sharp shooting will be helpful, but her experience is irreplaceable compared to any other player in the Team USA pool. “We knew Diana’s basketball ability would be clutch for us in so many moments, but we also knew that her leadership was something this team didn’t have,” U.S. women’s national team committee chair Jen Rizzotti said.
Diana Taurasi, a staple of the U.S. national team for two decades, will go for her sixth Olympic gold medal. (Gregory Shamus / Getty Images)
Alyssa Thomas, F
Known as “The Engine” in the WNBA, Thomas, 32, is a triple-double threat every night in the league. She’s not the tallest on any court, but she might be the strongest 6-2 player in the league. The common storyline for commentators about the 10-year vet is that Thomas has two torn labrums (cartilage in her shoulders) so she uses an unconventional shooting form. However, that hasn’t stopped Thomas from being so effective that Reeve actually asked her to return to the Team USA player pool before the 2022 World Cup after Thomas spent several years on the outside looking in.
A’ja Wilson, F
The two-time WNBA MVP has been successful in Olympic and international play. As an Olympic rookie in Tokyo, Wilson was a standout, averaging over 16 points and 7 rebounds a game while playing for Staley, her former coach at South Carolina. She’ll again have a comfort level in France from being surrounded by three of her Aces teammates. She also has added a 3-point shot to her offensive arsenal. Wilson — and Stewart — are the new faces of Team USA in a changing-of-the-guard era, a new challenge for both. Wilson, 27, has handled that same responsibility on and off the court for the Aces, and she appears primed for the occasion.
Jackie Young, G
Young, 26, was a member of the Tokyo 3×3 squad. She was called into preparation at the last minute after initial 3×3 team member Katie Lou Samuelson tested positive for COVID-19 before the team’s departure. Young has been one of the most improved players through the most recent Olympic cycle, becoming a more prolific scorer and passer. She’s a tough perimeter defender and reliable scorer who, like the other guards on this roster, could find herself filling Gray’s shoes when she’s not on the floor.
(Photo of Breanna Stewart, Kelsey Plum, A’Ja Wilson and Sabrina Ionescu celebrating their gold-medal win at the 2022 FIBA World Cup: Kelly Defina / Getty Images)
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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