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This photographer usually captures ‘old Denver.’ Now Juan Fuentes is focusing on immigrant experiences with a show at the Denver Art Museum

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This photographer usually captures ‘old Denver.’ Now Juan Fuentes is focusing on immigrant experiences with a show at the Denver Art Museum


Standing in entrance of photographer Juan Fuentes’ set up on the Denver Artwork Museum appears like being in somebody’s front room. A mantle lined in cloth shows household portraits. Ornate gold frames and a picture printed on silk — framed by lace — add to the impact that you’re standing in your grandmother’s dwelling.

“To me, that’s consolation. That’s a protected area. Illustration, and with the ability to see ourselves in these huge establishments, is essential and could be very intentional inside my determination to inform this story,” Fuentes mentioned.

The intimacy he creates with the exhibit area displays what he has captured within the pictures and artwork items on the partitions of the work,  “On the Filth, Our Knees Inform Truths,” and in Spanish, “En la Tierra, Nuestras Rodillas Dicen Verdades.” The title is borrowed from a poem by Salvadoran poet Javier Zamora. To Fuentes, the title is supposed to signify the truths of people that work the land.

“The immigrant expertise, for probably the most half, right here in the US additionally comes with very onerous labor,” Fuentes mentioned in an interview with CPR Information.

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Photographs by Fuentes, in addition to ones he has curated from his brother and a good friend, present moments in kitchens, backyards, and in locations that make up a hometown — whether or not that’s in Denver or in Mexico. Fuentes was born in Chihuahua, Mexico, however has spent a lot of his life in Denver after immigrating as a 1-year-old.

Fuentes just isn’t a widely known title within the artwork world – at the very least not but. He’s a homegrown creator whose work is a part of an exhibition of 19 Latin American artists referred to as “Who Tells a Story Provides a Tail,” which runs on the Denver Artwork Museum by way of March 5, 2023.

Hart Van Denburg/CPR Information
Work by Denver photographer Juan Fuentes on the Denver Artwork Museum inform his household’s story of separation on each side of the US-Mexico border. It’s a part of an exhibition titled, “Who tells a story provides a tail: Latin America and modern artwork.”

Domestically, he’s finest recognized for an Instagram account he created, @olddenver, which captures how a lot town is altering. For Fuentes, the DAM exhibition is a chance to get much more private than within the Instagram account. 

Fuentes spoke with Colorado Issues senior host Ryan Warner. That is an edited transcript of their dialog.

Ryan Warner: I perceive that if you have been little, you used disposable cameras to seize components of your life. 

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Juan Fuentes: Yeah, it was largely simply on household holidays, for no matter cause, I ended up with the cameras in my hand. Plenty of my recollections which might be nonetheless round come from disposable cameras. With this exhibition, I used to be undoubtedly making an attempt to faucet into that feeling I used to get from getting a disposable digicam again. So a number of the pictures that you simply see unframed are literally from a disposable digicam. This was a collaboration between my brother and me. I might ship him the cameras in Chihuahua, Mexico. I informed him to doc as if we have been again on our summer season journeys and taking the pictures of the issues that we grew up with, like the large cathedral on the middle of town, and in my grandma’s yard — my uncle’s garments are virtually all the time hanging within the again. 

Warner: What’s a picture you made on this assortment that’s notably significant for you?

Fuentes: The primary picture that it begins with is a really significant one. It is outdoors of this bus station in Denver referred to as Los Paisanos. This can be a {photograph} that I took again in 2017 whereas folks have been boarding the final bus of the day, which is the late bus. It is significant to me as a result of it is a part of my reminiscence; going again to Mexico as a child was all the time hopping onto the late bus at Los Paisanos and attending to see so many households going again dwelling to reconnect. It’s only a very particular picture that brings again numerous recollections – the scent of the bus, getting excited as a result of I might create a CD combine for the journey again to my hometown, as a result of normally it was a couple of 20 hour bus journey. So all the time getting excited to only be on the bus, get to see the surroundings, hearken to some new music. After which additionally the thrill of figuring out that the next day, I might be again dwelling.

Warner: What story do you hope to inform, or expertise do you hope to get throughout, with this present?  

Fuentes: I hope that immigrants experiencing issues much like me can see themselves and discover the little particulars that time at the truth that I’m an immigrant. And that these are numerous issues that we have all used to reconnect to our hometown, and numerous us coming from Mexico. Exterior of the pictures, I additionally created a cross made out of those Telcel or Telmex playing cards, which have been lengthy distance telephone playing cards that I used to gather in Mexico. These are the gadgets and the artifacts that we grew up on. So to me, the story I wished to inform is my very own private one, however with the hopes that lots of people can connect with it and see themselves inside that. 

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20220919-JUAN-FUENTES-TALES-TAILS-DENVER-ART-MUSEUMHart Van Denburg/CPR Information
A element of an set up of labor by photographer Juan Fuentes, of Denver, that’s a part of an exhibition titled “Who tells a story provides a tail: Latin America and modern artwork,” on the Denver Artwork Museum.

Warner: Had been you into artwork usually, past disposable cameras, if you have been a child? 

Fuentes: Oh yeah, I used to be all the time drawing, portray, did graffiti, skateboarding, made music, ever since I used to be a child. Skateboarding taught me a lot – studying fail is essential in your observe in artwork, and skateboarding taught me numerous that. 

Warner: What’s the thought behind the previous Denver Instagram account?

Fuentes: Initially it was to share pictures that resembled the issues that I grew up with in Denver that I felt like have been fading away on account of gentrification. And it type of grew into this group area the place folks have been sharing their pictures as effectively. To me, it appears like this digital archive that is type of dwelling and respiratory, but additionally appears like a puzzle that had been scattered that’s getting put again collectively. 

Warner: What would you say to somebody across the age you have been if you have been skateboarding and taking pictures with a disposable digicam – somebody who has a flame of inventive expertise and is questioning direct it?

Fuentes: Simply to experiment and belief your self. And do not be afraid to inform your story. I believe it is vital for artists to know that artwork could be a place the place we can provide ourselves a voice and a possibility to be authors of our personal tales.

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20220919-JUAN-FUENTES-TALES-TAILS-DENVER-ART-MUSEUMHart Van Denburg/CPR Information
Works on show as a part of an exhibition titled, “Who tells a story provides a tail: Latin America and modern artwork.”

Different work by Fuentes is on show on the Anythink Library in Bennett, and at Re:Imaginative and prescient Co-op in Denver. In October, he’ll open an set up contained in the Aurora Central Library.





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Denver, CO

Crews recover RV from Big Thompson River

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Crews recover RV from Big Thompson River


DENVER (KDVR) — An RV was recovered from the Big Thompson River after it went down the embankment and into the river.

Crews responded just before 2 p.m. Saturday for the incident on West Highway 34 in Big Thompson Canyon.

Loveland Fire Rescue Authority said the RV was about 75 feet down the embankment and in the water. The driver escaped and was evaluated by medics on the scene.

They requested swift-water personnel to help tow crews from Spartan Towing and Reliable Towing to fetch the RV from the water.

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Several agencies responded, including Thompson Valley EMS, the Larimer County Sheriff’s Office and Colorado State Patrol. Crews with Loveland Fire Rescue Authority were on the scene for six hours.



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NFL Draft QB Guru Puts Bo Nix Doubters on Notice With Hilarious Zinger

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NFL Draft QB Guru Puts Bo Nix Doubters on Notice With Hilarious Zinger


Denver Broncos rookie first-rounder Bo Nix has received glowing reviews from quarterback coach Jordan Palmer, who’s renowned for mentoring top signal-callers like Joe Burrow, Patrick Mahomes, and Josh Allen. Today, we’re exploring Palmer’s insight into Nix’s performance, mindset, and upbringing since his days at Auburn and even high school.

Palmer had a lot to say about Nix, not the least of which is the valid comparison to certain future-Hall-of-Famer.

Palmer’s first encounter with Nix was during his senior year in high school when he was his offensive coordinator for an Elite 11. He watched Nix battle it out with fellow 2024 first-rounder Jayden Daniels (No. 2 overall pick/Washington).

Palmer would later get a chance to see Nix head to Auburn to play for his father’s alma mater, and he noticed he had a surprise standout quality: his athleticism. Palmer would say, “He’s significantly faster than you realize.”

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Despite not having the fastest 40-yard dash, Nix had an exceptional performance in the 10-yard split, where he had one of the fastest times on the talented Auburn Tigers in the SEC.

Playing quarterback is an achievable goal but requires significant sacrifice, time, and dedication to the craft if a player genuinely wants to distinguish himself from others. In Nix’s case, his father played a crucial role in his rapid development as a signal-caller.

Patrick Nix was also Bo’s high school coach.

“From a mental perspective, this is the son of a coach. It’s actually a son of a great coach who also played. This is a trifecta in terms of growing up playing quarterback,” Palmer said of Nix.

Nix’s father helped him with his mechanics and footwork and was there to answer his questions about the game.

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While there is only one Brees, and Nix has a lot to prove and accomplish before he’s anywhere near the future Hall-of-Famer’s level, the two quarterbacks have a strikingly similar approach to the game, especially regarding preparation.

“Sean Payton clearly sees elements in Bo Nix, that he has had a lot of success with, and largely has helped him become the head coach of the Broncos, of what he saw in Drew Brees from an emotional standpoint,” Palmer said.

Nix’s approach to preparation has a lot to do with his success. At Oregon, he focused on recovering physically and preparing mentally. He even made a point to spend 12-hour days in the facility on Tuesdays and Wednesdays during his final season working with the Ducks coaching staff.

The Broncos have high hopes for Nix this season and the team should be optimistic. Palmer has been high on Nix from the jump. Even amid Nix’s struggles at Auburn, Palmer would go on to predict the future.

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“His potential is to be a top pick in the NFL draft,” Palmer said of Nix.

Palmer faced a lot of pushback for his comments, to which he was unfazed.

“I hope whoever commented on that watched the draft a month ago. Sorry, I was off by 11 picks,” Palmer said.

While the Broncos’ first-round quarterback selections in recent history had their moments, they either struggled with shortcomings, whether in arm talent or in spending too much time playing video games rather than improving their football IQ. In Nix’s case, he’s a dedicated winner focused on perfecting his craft and looks to prove the doubters wrong heading into his rookie season.


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Ask Amy: Exiting with some well-worn wisdom

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Ask Amy: Exiting with some well-worn wisdom


Dear Readers: Since announcing my departure from writing this syndicated column, I have heard from scores of people across various platforms, thanking me for more than two decades of offering advice and wishing me well in my “retirement.” I am very touched and grateful for this outpouring of support.

The thing is — I don’t think of myself as retiring.

I have led a constant, reliable life. I will read even the worst book to the last page. I have never voluntarily left a relationship, an obligation, or any employment.

(I can barely stand to leave a room!)

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But I’m leaving this seven-day-a-week commitment — because I want to, and because it’s time.

My intention is to move on and to do other meaningful work.

Writing this column has given me a glimpse into thousands of lives.

The insight I have gained has inspired and empowered me to listen to my own counsel, to be authentic in my actions, and to — basically — be in charge of my own life, as much as possible.

Showing myself the door at this moment reflects the privilege of good health, strong relationships, years of steady employment, and some prudent financial choices. I’m very aware of how lucky I am.

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My favorite way to envision this work is to picture families reading these columns together at the breakfast table and weighing in with their own points of view before reading mine.

And yes, there are still parents and grandparents out there who clip the newspaper and send pertinent columns to kids in college or summer camp, or tape it to refrigerators and bathroom mirrors.

I’ve heard from healthcare workers, police officers, firefighters and office workers who say they discuss the issues raised in the column in the break room.

I love knowing that, and I’ll miss having coffee with you.

The questions raised in this space have been used as teaching tools in middle schools, memory care units, ESL classes and prisons. These are perfect venues to discuss ethical, human-sized dilemmas.

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On my last day communicating with you in this way, I feel compelled to try to sum up my experience by offering some lasting wisdom, but I’ve got no fresh insight. Everything I know has been distilled from wisdom gathered elsewhere.

Boxer Mike Tyson famously said, “Everybody has a plan, until they get punched ….” Punches are inevitable. But I do believe I’ve learned some universal truths that might soften the blows.

They are:

Show up for people.

Be gentle with yourself — and with others.

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Lead with kindness, and recognize kindness when you receive it.

Reserve your harshest judgment. Sit on your worst thoughts about other people and consider the consequences before expressing them.

Be of service by finding something, or someone, to take care of.

Find creative ways to express your feelings.

Admit to your faults and failings, and resolve to do better.

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Ask for forgiveness.

Work hard not to be defined by the worst things that have happened to you.

Recognize even the smallest blessings and express gratitude.

Be kind to receptionists, restaurant servers, dental hygienists, and anyone who needs to physically touch or serve you in order to do their job.

Understand that there are times when it is necessary to give up.

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Spend time in nature.

Identify, develop, or explore your core ethical and/or spiritual beliefs.

Recognize and detach from your own need to control someone else.

Respect boundaries — yours and others’.

Seek the counsel of people who are wiser than you are. Ask their advice, and listen.

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I sometimes supply “scripts” for people who have asked me for the right words to say, and so I thought I would boil these down to some of the most important statements I believe anyone can make.

They are:

I need help.

I’m sorry.

I forgive you.

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I love you, just as you are.

I’m on your side.

You’re safe.

You are not alone.

Now that I’m near the end of my movie, I hope you’ll pay attention to the end credits.

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Many thanks to Chicago friends and colleagues, including Jim Warren, who found me, Ann Marie Lipinski, who hired me, Steve Mandell, who represented me, and editors Mary Elson, Bill O’Connell and Carrie Williams. Thank you to “Gentleman Jack” Barry, who softened my exit.

And especially to Tracy Clark, a talented novelist who has helped to correct my faulty thinking and grammar for many years.

Finally, much gratitude to faithful readers, who can find me on social media and through my regular newsletter.

Onward!

(You can email Amy Dickinson at askamy@amydickinson.com or send a letter to Ask Amy, P.O. Box 194, Freeville, NY 13068. You can also follow her on Twitter @askingamy or Facebook.)

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