Connect with us

Technology

Superman is a box office hit, but the hard part comes next

Published

on

Superman is a box office hit, but the hard part comes next

Over the weekend, DC Studios’ new Superman feature became this year’s third-biggest box-office debut in the US. The movie’s success is a sign that theatergoers might actually not be quite as tired of superheroes as people tend to think, and that’s particularly notable for Warner Bros., given the studio’s plan to build a new cinematic universe of DC Comics adaptations for the big screen. But making interconnected film franchises work is easier said than done. And even though Superman is putting up numbers, DC might have a much harder time doing the same with its next couple of cape movies.

Though it fell short of A Minecraft Movie’s and Lilo & Stitch’s domestic opening weekends, Superman raked in $125 million stateside and another $95 million internationally, making it WB’s strongest superhero debut since Matt Reeves’ The Batman in 2022. You can see those numbers reflected in the sheer amount of Superman hype (some of which has been weird and gross) that has overtaken social media since the movie first premiered. Because of Superman’s success, DC Studios co-CEO James Gunn is reportedly thinking about a couple of spinoff series revolving around Edi Gathegi‘s Mister Terrific and Skyler Gisondo‘s Jimmy Olsen. But before any of that comes to fruition, the studio first has to sell the public on its next two big tentpole features due out next year: Craig Gillespie’s Supergirl and James Watkins’ Clayface.

Following the disaster that became known as the DCEU, WB was in desperate need of a fresh start and a vision for how it could use DC characters in ways that audiences would actually like. That need led to the creation of DC Studios with Gunn and co-CEO Peter Safran guiding the whole endeavor. Though Gunn had worked on previous DC projects, his DC Studios’ appointment felt like a power move on WB’s part that spoke to its desire to push back against Marvel’s box-office dominance. And while it seemed a little odd that Gunn wanted to launch his new DC Universe with an animated Creature Commandos streaming series for (HBO) Max, it was easy to understand the logic behind his plan to make a new Superman the franchise’s centerpiece.

Superman has always been a pillar of the DC Comics brand and embodied much of what makes the company’s characters compelling across different mediums. In a universe full of gods, alien monsters, and supervillains, Superman represents hope and humanity at its best. He’s a near-indestructible powerhouse, but he’s also just a dork from Kansas who loves his family and believes in the importance of journalism. He’s got a bunch of superfriends, but he also has major beef with deranged billionaires who can’t wrap their minds around the concept of immigrants being people who make valuable contributions to society.

Those basic beats have defined Superman stories ever since the character first appeared back in 1938. And part of what makes Gunn’s new film so excellent is the way it weaves all of those ideas together into a colorful, optimistic joyride that feels nothing like WB’s other recent takes on the Man of Steel.

Advertisement

Some of Superman’s success can also be attributed to the basic fact that he’s a character whose lore most people are familiar with — something the movie acknowledges by glossing over Clark Kent’s tragic backstory and dropping you right into his life as an established superhero. But the same can’t exactly be said for Superman’s cousin, Kara / Supergirl, and B-tier Batman villain Clayface.

Thanks to CBS’s Supergirl and HBO Max’s Harley Quinn animated series, Kara and Clayface have had pretty big presences on the small screen in recent years. But the characters have always had somewhat lower profiles compared to DC’s other heroes and villains. Viewed through one lens, DC Studios following Superman up with Supergirl and Clayface reads as a calculated move to avoid following in the examples of the MCU and DCEU, which were both fleshed out with a series of features focused on the kinds of A-list characters you see on lunchboxes and bookbags. But the upcoming features also feel, at least on paper, informed by the way that studios like Marvel and Disney have gotten into the habit of expanding their genre franchises with ill-conceived spinoffs.

That’s kind of the general vibe you get from the full slate of DC Studio’s projects that are currently in development, which includes a stop-motion movie about two of Batman’s Robins, a True Detective-style Green Lantern show for HBO Max, and a feature about Bane and Deathstroke. A sequel to The Batman — which predates the DCU and exists in its own continuity — is also due out in 2027. And at some point down the line, the studio intends to introduce a new Bruce Wayne who will presumably link up with Superman and Wonder Woman (whose reboot is also in the pipeline) to form some sort of Justice League.

A man with a black face mask shaped like the letter T. The man is also a black, red, and white motorcycle jacket with matching pants and standing in front of a pherical space ship.

DC Studios

Most of DC Studios’ far-off films and series feel like the kinds of projects you would expect a studio to lead with — ones with instantly recognizable characters whose stories are well known enough to get audiences curious and excited about how they could be done differently. Milly Alcock’s Supergirl, who gets a brief and fantastic Superman cameo, seems a bit better suited to keep the franchise’s current momentum going. But given that we’re so early in this DCU’s existence, a body horror like Clayface, about an actor who becomes a murderous mud monster, feels like a tougher sell (even if Mike Flanagan is writing the script).

It’s easy to imagine Supergirl and Clayface revealing that what audiences have grown weary of isn’t comics-inspired narratives, but sprawling, interconnected franchises more concerned with growth than being made up of good movies. That energy is what dragged the MCU into its flop era and made most of Disney Plus’ Star Wars series slogs to get through, and DC Studios clearly doesn’t want to wind up in a similar position. Turning Clark’s cousin and a lesser-known DC villain into box-office juggernauts might be an even bigger challenge — but Superman at least shows that Gunn and Safran know where to start. And if the studio plays its cards right, this really might be the start of a new golden age for DC.

Advertisement

Technology

The future of local TV news has taken a Trumpian turn

Published

on

The future of local TV news has taken a Trumpian turn

This is The Stepback, a weekly newsletter breaking down one essential story from the tech world. For more stories on Big Tech versus politics in Washington, DC, follow Tina Nguyen and read Regulator. The Stepback arrives in our subscribers’ inboxes at 8AM ET. Opt in for The Stepback here.

A long time ago, in 2004, the Federal Communications Commission laid down a rule designed to prevent a monopoly: No one company could broadcast to more than 39 percent of all the TV households in the United States. But then Donald Trump returned to the White House in 2025. Brendan Carr became FCC chairman and immediately kicked off a deregulatory initiative called “Delete, Delete, Delete,” in which Carr vowed to get rid of “every rule, regulation, or guidance document” that placed “unnecessary regulatory burdens” on companies. And within months, Nexstar, which already owned over 200 stations nationwide and had hit its ownership cap, announced that it had entered an agreement to purchase its rival, Tegna, for an estimated $6.2 billion — something that could only happen, however, if Carr agreed to change the FCC’s rules.

If you ask Nexstar why it’s pursuing a merger that would give it control of over 80 percent of the market, it’d point to Big Tech as the culprit. As advertisers take their money to Netflix, YouTube, and other digital streamers, linear television — the local television news, the broadcast affiliates, the basic cable networks — has suffered, forcing them to consolidate and shut down newsrooms. In that sense, Nexstar argued, the merger would help it compete for ad revenue with the streaming services, thereby building more robust local journalism. However, the merger’s opponents believe that this is a basic violation of antitrust laws and principles — not to mention the danger of letting one company have editorial control over the vast majority of America’s local television newsrooms.

But the second Trump administration handles regulatory hurdles a little differently than others, and companies have found that it’s faster to get what they want if they bypass the agencies and talk (read: suck up) to Trump directly. And when Nexstar did so publicly, it confirmed its opponents’ fears about political influence. Last September, in the fraught weeks after the fatal shooting of Charlie Kirk, Nexstar announced it would no longer broadcast Jimmy Kimmel Live! — a response to Carr’s claim that the FCC could revoke the broadcast licenses of TV stations that aired the comedian’s comments related to Kirk. It briefly led to ABC suspending Kimmel’s show, though ABC and Nexstar soon reversed their decision after a massive nationwide backlash and an ABC boycott.

However, Nexstar’s loyalty to Trump himself was not enough to win over his most powerful MAGA supporters. Newsmax, a cable news network with a deeply pro-Trump bent, and its CEO, longtime Trump donor and outside adviser Chris Ruddy, filed a lawsuit objecting to the merger, claiming that Nexstar’s anticompetitive behavior would force channels like his off the air with steeper carriage fees. He specifically accused Nexstar of jacking up the fees for stations to carry Newsmax, while offering its similar network, NewsNation, for much cheaper.

Advertisement

The Nexstar-Tegna MAGA makeover then took a more subtle turn. NewsNation hired the pro-Trump Fox News commentator Katie Pavlich and gave her her own primetime show. (The network had already hired a slew of former Fox journalists as well.) Around this time, a political group called Keep News Local began airing ads in DC that seemed to directly address Trump, praising him for having “defeated the fake news monopolies before through independent voices and local news” and claiming that the Nexstar-Tegna merger was “crucial for MAGA to survive.” (A little self-contradictory and mildly illogical, but it’s the kind of stuff that Trump likes to hear.) When I last spoke to Ruddy in February, I asked if he’d worried that the dark money going into Keep News Local would sway Trump, and he chose his words carefully: “I think at the end of the day, Trump makes up his own mind. I’m not sure he’s going to be influenced by an ad campaign.”

For months, no one could accurately predict if Trump would override Carr’s wishes and bless the deal, as he’s often done for other companies facing regulatory scrutiny. Trump’s Truth Social posts about the merger have been a good indicator of how precarious the merger has been and who’s been able to influence him at any given moment: Last November, he blasted the deal as an “EXPANSION OF THE FAKE NEWS NETWORKS,” but by February, he posted that the deal would “help knock out the Fake News because there will be more competition.”

Several current and former NewsNation employees told Status at the time that they feared that the parent company was steering NewsNation away from the centrist, “unbiased” reputation they’d long cultivated. “A lot of people within the network believe that the network has gone hard right to appeal to Trump and Brendan Carr,” one former employee told Status. Coincidentally, days before the deal was finalized, NewsNation began ramping up its explicitly pro-Trump content, tweeting a clip of CNN’s Kaitlan Collins being berated by White House press secretary Karoline Leavitt, along with the comment “Just going to leave this here.”

When Trump greenlit the merger in mid-March, but before the FCC’s three commissioners could vote on whether to waive the ownership cap, Nexstar and Tegna immediately announced a new complication: Tegna and Nexstar had already started merging. Tegna was no more and CEO Mike Steib had already sold $22.6 million of his company stock.

In response, eight state attorneys general and satellite TV operator DirectTV, which had already been planning to file separate federal antitrust suits against the merger, asked US District Judge Troy Nunley in Sacramento for an emergency restraining order that would prevent Nexstar from taking over Tegna’s assets. The order was granted on March 27th and on April 17, Nunley issued a formal injunction, ruling that Tegna must be operated as an independent financial entity, and Nexstar must take steps to ensure it remains separate from Tegna before further legal proceedings.

Advertisement

For now, Nunley has allowed the states and DirecTV to combine their cases, in which both argue that the merger was a clear violation of antitrust laws and would crush news competition.

Meanwhile, Republicans and Democrats in Congress are furious at Carr. On March 30th, Sens. Ted Cruz (R-TX) and Maria Cantwell (D-WA) sent the chairman a joint letter admonishing him for allowing his staff to waive the regulations to let the merger pass, instead of having the full commission of political appointees — one from the Biden administration — vote on it. “Under these circumstances,” they wrote, “any subsequent vote risks being largely procedural rather than a genuine exercise of commission responsibility.” They also pointed out that their hasty approval without the commission’s approval would now complicate the merger financially: “In a transaction of this scale, where integration proceeds quickly and unwinding becomes impractical, delay in judicial review can insulate the decision from meaningful challenge.” Notably, though they share similar ideological views on the media and deregulation, Cruz and Carr have frequently clashed over how to achieve their objectives. Cruz previously slammed Carr as a “mafioso,” for instance, for the way he’d used the FCC to silence Kimmel.

But even if it’s legally paused, the journalistic merger’s fallout has started to hit local news. NPR’s David Folkenfirk reported on Tuesday that Tegna journalists had already started receiving orders to stop broadcasting content from major broadcasters like ABC, CBS, and NBC — media outlets being targeted by Carr — and instead begin airing content from Nexstar’s NewsNation.

  • Brendan Carr’s views on using the FCC to punish major broadcasters was outlined pretty extensively in the chapter he authored in Project 2025, an initiative led by the conservative Heritage Foundation on how to reform the federal bureaucracy to be more favorable to the American right.
  • Exactly how much is local television losing to digital? According to industry publication NewscastStudio, in an investor call defending the purchase, Nexstar chairman Perry Sook cited a market research study from Borrell Associates, which found that “digital advertising in local markets exceeds $100 billion, compared to just $25 billion for local linear television advertising, with nearly two-thirds of digital ad dollars flowing to five major technology companies.”
  • If you want to see exactly how much Keep Local News was trying to suck up to Trump, the ads are archived here.
  • The Vergecast has a long-running segment called “Brendan Carr is a dummy.”
  • The LA Times reported on last week’s preliminary hearings in front of Nunley, and how lawyers for Nexstar, the states, and DirecTV plan to argue their case.
  • The Desk has insights from Kirk Varner, a former TV newsroom director, on how the case could go.
  • Andrew Liptak covered Nexstar’s previous acquisition sprees for The Verge in 2018.
  • Adi Robertson walks through exactly how the Kimmel suspension was an attack on free speech.
  • Brendan Carr keeps trying to convince people that he’s not threatening to suspend broadcast licenses for reporting on unfavorable things like the Iran war, reports Lauren Feiner.
  • The Vergecast has a long-running segment called “Brendan Carr is a dummy.”
Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.

Continue Reading

Technology

Chinese robot breaks human world record in Beijing half-marathon

Published

on

Chinese robot breaks human world record in Beijing half-marathon

NEWYou can now listen to Fox News articles!

A Chinese-built humanoid robot beat the human half-marathon world record in Beijing on Sunday, marking a breakthrough moment in a high-stakes global race for technological dominance.

A robot developed by Chinese smartphone maker Honor completed the 21-kilometer (13-mile) race in 50 minutes and 26 seconds, beating the human record of about 57 minutes set by Uganda’s Jacob Kiplimo last month.

The performance marked a dramatic improvement from last year’s inaugural event, when the top robot finished in more than 2 hours and 40 minutes.

Dozens of humanoid robots competed alongside about 12,000 human runners, navigating a parallel course to avoid collisions.

Advertisement

CHINA’S COMPACT HUMANOID ROBOT SHOWS OFF BALANCE AND FLIPS

A robot crosses the finish line in the Beijing E-Town Half Marathon and Humanoid Robot Half-Marathon held in the outskirts of Beijing on April 19, 2026. (Andy Wong/AP)

Nearly half of the robots ran using autonomous navigation, while others relied on remote control, organizers said.

Despite the breakthrough, the race still saw glitches, with some robots stumbling at the start or veering into barriers.

Engineers said the winning robot was designed to mimic elite athletes, featuring long legs of about 37 inches and advanced cooling systems to sustain performance.

Advertisement

US TARGETS CHINESE ROBOTS OVER SECURITY FEARS

“Looking ahead, some of these technologies might be transferred to other areas,” said Du Xiaodi, an engineer with the Honor team. “For example, structural reliability and liquid-cooling technology could be applied in future industrial scenarios.”

Team members celebrate next to the winning Honor Lightning humanoid robot during a medal ceremony after the second Beijing E-Town Half Marathon and Humanoid Robot Half Marathon in Beijing, China, on April 19, 2026. (Maxim Shemetov/Reuters)

Spectators reacted with a mix of amazement and unease at the machines’ rapid progress.

“It’s the first time robots have surpassed humans, and that’s something I never imagined,” Sun Zhigang, who attended the event with his son, told The Associated Press.

Advertisement

HUMANOID ROBOTS HIT MASS PRODUCTION IN CHINA

“The robots’ speed far exceeds that of humans,” spectator Wang Wen told the outlet. “This may signal the arrival of sort of a new era.”

A robot starts alongside human runners at the Beijing E-Town Half Marathon and Humanoid Half Marathon on the outskirts of Beijing on April 19, 2026. (Ng Han Guan/AP)

Experts say the race highlights China’s accelerating push to dominate robotics and artificial intelligence, even as widespread commercial use of humanoid robots remains limited, according to Reuters. The experts said Chinese robotics firms are still working to develop the AI software needed for humanoids to match the efficiency of human factory workers.

Runners take pictures of a humanoid robot during the second Beijing E-Town Half Marathon and Humanoid Robot Half Marathon in Beijing on April 19, 2026. (Haruna Furuhashi/Pool Photo via AP)

Advertisement

“The future will definitely be an AI era,” engineering student Chu Tianqi told Reuters. “If people don’t know how to use AI now … they will definitely become obsolete.”

CLICK HERE TO DOWNLOAD THE FOX NEWS APP

The competition underscores a broader technological race between China and the United States, as Beijing invests heavily in advanced robotics as part of its long-term economic strategy.

The Associated Press and Reuters contributed to this report.

Advertisement
Continue Reading

Technology

The RAM shortage could last years

Published

on

The RAM shortage could last years

According to Nikkei Asia, even as suppliers ramp up DRAM production, manufacturers are only expected to meet 60 percent of demand by the end of 2027. SK Group chairman has even said that shortages could last until 2030.

The world’s largest memory makers — Samsung, SK Hynix, and Micron — are all working to add new fabrication capacity, but almost none of it will be online until at least 2027, if not 2028. SK opened a fab in Cheongju in February, but that is the only increase in production among the three for 2026.

Nikkei says that production would need to increase by 12 percent a year in 2026 and 2027 to meet demand. But according to Counterpoint Research, an increase of only 7.5 percent is planned.

The new facilities will primarily focus on producing high-bandwidth memory (HBM), which is used in AI data centers. With the companies already prioritizing HBM over general-purpose DRAM used in computers and phones, it’s not clear how much these new fabs will help alleviate the price crunch facing consumer electronics. Everything from phones and laptops, to VR headsets and gaming handhelds have seen price increases due to the RAM shortage.

Continue Reading
Advertisement

Trending