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Inside the White House shitposting machine

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Inside the White House shitposting machine

Hello and welcome to Regulator, a newsletter for Verge subscribers about the technology, broligarchs and brainrot rapidly transforming politics and civic society. Not subscribed to The Verge yet? You should! It can materially improve your life.

Last week was a grim reminder that no matter what sort of horror is being perpetrated or how many people end up dead, the Trump administration’s knee-jerk response is to shitpost through it. The White House’s response on X to abducting the head of a sovereign nation? “FAFO”. The response to an ICE agent shooting a woman in broad daylight? A Buzzfeed-style listicle of “57 Times Sick, Unhinged Democrats Declared War on Law Enforcement.” ICE agents arresting protesters? “Welcome to the Find Out stage.”

To the vast majority of people following current events, the Trump administration’s meme-ing is blunt and cruel. But the jaded political insider will also view Trump’s meme fusillade as an element of a media strategy known as “rapid response”: the full-time work of quickly shaping the political narrative of a breaking news event, sometimes within minutes, before the news media and your opponents can shape it for you.

“Every political office, every political campaign, has a dedicated operation that helps them respond strategically to events in the news that are out of their control.” Lis Smith, a high-profile Democratic communications strategist based in New York City, told me. It’s a profession that dates back to the beginning of the 24-hour news cycle, when cable shows could quickly assemble a panel of pundits to discuss current events, and the workload has grown exponentially in the age of social media. “You cannot control all the narratives that are going to be out there, so you need to be able to manage the chaos that’s coming into your world.”

Smith served as the director of rapid response for Barack Obama’s 2012 presidential campaign, which was one of the first to fully take advantage of social media, and worked in the comms shop for several New York City mayors and Democratic candidates. She’s widely credited for single-handedly elevating Pete Buttigieg’s profile, turning him from an obscure mayor to a serious presidential candidate as his director of communications. She views social networks through the lens of their messaging utility: X, formerly known as Twitter, is still the best for getting “text-based rapid response communications like written statements” in front of a wide range of “elites and opinion-shapers.” A Bluesky-based messaging strategy might engage a friendly left-leaning audience, but will never “penetrate” the world outside, nor will a Rumble-based campaign ever make it out of the right-wing bubble.

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More importantly: memes may be a fast way to convey a political message to a specific audience who gets the inside joke, but the humor is rarely understood by anyone outside of that group — especially people who might have been sympathetic to the concept of stopping illegal immigration, but are horrified by how the Trump administration is going about it. The memes themselves are simply a reflection of that mindset. “The administration’s use of memes really flattens the political debate,” said Smith. “It takes the humanity, the seriousness, and the nuance that’s needed out of it and replaces it just with cruelty.”

Before we get to my conversation with Smith, here’s The Verge’s latest on the political tech dystopia:

  • Snatching Maduro was all about the spectacle, Elizabeth Lopatto and Sarah Jeong: Real people are dead because Donald Trump wanted a spectacle.
  • America’s new era of energy imperialism is about more than oil, Justine Calma: Trump wants Venezuela’s oil, Greenland’s minerals, and above all — control.
  • The MAGA-approved video of an ICE killing, Mia Sato: After a federal agent shot and killed a woman in Minneapolis, the Trump administration found its preferred angle of the incident.
  • Tim Cook and Sundar Pichai are cowards, Elizabeth Lopatto: X’s deepfake porn feature clearly violates app store guidelines. Why won’t Apple and Google pull it?
  • Trump’s fundraisers asked Microsoft for its White House ballroom donation, Emma Roth: Amazon also admitted that it was in touch with fundraisers months before the White House released its list of donors in October.
  • New York wants to regulate Roblox, Lauren Feiner: Gov. Kathy Hochul made new requirements meant to protect kids online a centerpiece of her plan for state policy.
  • Former NYC Mayor Eric Adams accused of $2.5 million crypto ‘rug pull’ as his NYC Token crashes, Emma Roth: The NYC token’s value peaked at about $580 million, before dropping to $130 million.
  • I can’t find the Trump phone at America’s largest tech show, Dominic Preston: I’ve looked and looked, but Trump Mobile is nowhere to be found at CES this year

A meme that is funny or cruel will probably spread faster than anything with nuance”

This interview has been edited for clarity.

You came up during an era where Twitter, before it was X, was really the only internet media environment for politics. How has the practice of rapid response changed in an environment where there is so much narrative to control over so many types of media? 


It’s gotten a lot harder. In the ’90s, the big change was the 24-hour news cycle with cable news. In the late 2000s and early 2010s, the big development was social media, Twitter, and being able to respond in real time online to news developments. But now, there’s no question that it’s harder to get your message out, with how fractured these different social media channels are. Not everyone is on X today the same way they were 10 years ago. But also, your message is less likely to penetrate as effectively on a platform like X than it was 10 years ago, because of how verification, etc., have changed.

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So you really need to have an “all of the above” communication strategy, where you’re hitting traditional media with press releases, calls to reporters and news networks, and you’re also hitting social media in real time. That means not just hitting X, but also hitting Threads, hitting Bluesky, TikTok, Instagram, all those apps, because there has never been a time where people’s media consumption habits have been more fractured than right now. 


Do candidates view specific platforms for certain political purposes, or political leanings?

X is still pretty dominant in American politics for getting out rapid response communications, especially text-based rapid response communications like written statements, because it’s still where you’re going to find the most political insiders, political pundits, and reporters. Everything [messaging-wise] trickles out from there. Where you see more fracturing is in terms of where people do short form video: you do see some campaigns using TikTok, others using Instagram more; you do see some favoring of different platforms across partisan lines. But Bluesky on the left is just never going to be as effective of a way of reaching elites and opinion-makers as X is — just as Truth Social or Discord on the right is never going to be the way that you reach elites or opinion-makers.

Let’s go into the content of said messaging. I know that Kamala Harris and Biden tried to lean into memes during their 2024 campaigns, but clearly not as effectively as Trump, and the meme format seems to be really dominant in the Trump administration. Is there a specific way an operative views the meme format as a political messaging tool?

The meme format is more likely to spread quickly. It’s something that a specific audience is going to understand immediately, and it really simplifies a political argument. The problem with that, though, is, one, it’s very audience specific. Not everyone is going to understand a Family Guy meme, not everyone is going to understand a Patriots meme, or whatever the meme du jour is.

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Another problem with the meme format is that you lose a lot of context and you lose a lot of humanity in it. So when you see the administration posting sort-of-funny memes about deportations or ICE, you lose a lot of the empathy and compassion that most people have when it comes to the immigration debate. Most people think that illegal immigration is bad and that we should do something about it. But most people also understand that there are real people who are involved in all of these situations and don’t think it’s funny to make light of, say, school pickups getting raided, or families getting separated, or parents crying as they’re being dragged away from their kids.

I was listening to Joe Rogan interviewing Shane Gillis, and they actually touched on this. I would say both Rogan and Shane Gillis are people who were favorable to Trump in the election — Rogan more so than Shane Gillis — but Gillis said, I want our government to take the issue of illegal immigration seriously. I don’t want it to be funny to them. And I think that’s something that really taps into how most people feel about these issues.

If you reduce these very serious issues to cruel, funny memes, you’re going to alienate a lot of people who might be there with you on an issue if you’d approached it with a little bit more maturity and humanity. But the administration is saying, cut out the humanity, cut out the maturity. Those things don’t matter. Because a viral meme — a meme that is funny or cruel — will probably spread faster than anything with nuance. They’re prioritizing speed and virality over nuance and seriousness.

I think you just refined what we’ve been thinking about at The Verge: the way that my coworkers saw Trump’s abduction of Maduro and their response to the ICE shooting was that this government’s policy is a meme mentality — their speed, virality and the need to get their spin out first before anyone feels any sort of way about it.

There’s a short window when people — everyone from reporters to voters to anyone online — are trying to figure out what the hell’s going on and what they think about breaking news. Rapid response is about stepping into that void and shaping it, but there are real problems with how the Trump administration is doing it. Ultimately, yes, they may win some sort of short-term viral meme war. But in the long term, the way that they’re communicating about these issues — whether it’s the fatal shooting of Renee Good in Minneapolis, or deportations in general — they’re gonna lose the political debate. People want action on these issues, but they don’t want wanton cruelty.

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Also, if you [the administration[ step in very quickly and put out bad facts, what you do is just compound mistrust in government and mistrust in the administration. And it’s possible that the Trump administration benefits from that because the less people trust official sources, the more it’s good for them. But I think overall, it’s pretty bad that they’re putting out false information that goes mega-viral the way they do it, because ultimately, no one’s going to take anything they say at face value anymore. It’s especially damaging for their relationships with the news media and elites who, in the past, would have clearly taken what any presidential administration said at face value.

Is it too early to think about meme warfare in the midterm election — changing people’s opinions who could be swayed to vote one way or another, getting that messaging to them as quickly as possible, driving them out to the polls?

I don’t think that the meme strategy from this administration is gonna help Republicans in the midterms. And I think if you talk to a lot of Republicans who are up in swing areas or swing states or certain districts, and you presented them with the memes this administration is putting out, I don’t think they would agree with them, and I don’t think that they would say that this is good political strategy. Because to the point I made earlier: the administration’s use of memes really flattens the political debate. It takes the humanity, the seriousness, the nuance that’s needed out of it, and replaces it just with cruelty. The voters who are going to turn out in 2026 — yeah, some of them are going to be part of that MAGA base that it embraces the cruelty, but the people that you need to win over are going to be people who have nuanced views on issues like illegal immigration and people who say, Yeah, we need secure borders; yes, we need more enforcement of our immigration laws; but maybe we don’t need to be putting out memes about, you know, a father being taken off in handcuffs.

That’s where I think the administration’s focus on speed and virality comes at a political cost. Someone’s’s going to have to pay for the tone that they’re taking online, and it’s likely going to be the Republicans who are up in 2026, unless, I don’t know, Democrats somehow overplay their hand on immigration issues.

And a lot of the voters who will determine the midterm elections are older voters. They’re not going to consume the memes firsthand, nor are they going to understand the memes. That’s something being lost in this debate too: even though more people than ever are getting their news through social media, a lot of the people who decide elections, and a lot of the people that Republicans need to win, are not meme consumers. It’s questionable whether it will pay off electorally for them. 


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Speaking of memes distilling political arguments:

Image via @afraidofwasps/X.
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Apple is going high-end with new ‘Ultra’ products next

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Apple is going high-end with new ‘Ultra’ products next

Fresh off launching the low-cost MacBook Neo, Apple is reportedly preparing at least three new products that will fit into its highest-end “ultra” lineup. According to Bloomberg’s Mark Gruman, the next batch of releases may not bear the “ultra” name, like its Watch, but will all command price premiums over their mainline counterparts.

There’s the oft-rumored foldable iPhone, which is expected to cost around $2,000, and a touchscreen MacBook Pro is supposedly slated for the fall. Those are pretty straightforward plays for the higher end of the market. More interesting are the next-gen AirPods, which are rumored to include cameras to feed visual context to Siri. Since AirPods already use the Pro and Max branding, similar to Apple Silicon, a set of AirPods Ultra could very well be on the docket.

Between the Neo and multiple foldables in the works, it seems that Apple is simultaneously trying to go further up- and down-market.

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Meta smart glasses privacy concerns grow

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Meta smart glasses privacy concerns grow

NEWYou can now listen to Fox News articles!

Smart glasses promise a future where technology blends into everyday life. You can ask a question, snap a quick video or identify what you are looking at in seconds. It sounds convenient. However, a new investigation suggests the experience may come with a privacy tradeoff many users never expected.

According to an investigation by Swedish newspapers Svenska Dagbladet and Göteborgs-Posten, contractors reviewing AI data in Nairobi, Kenya, may have seen highly personal footage captured by Meta’s AI-powered smart glasses. In some cases, the videos reportedly showed bathroom visits, sexual activity and other intimate moments.

The allegations have already sparked legal action and renewed debate about how AI systems are trained.

CEO Mark Zuckerberg sported a pair of Meta Ray-Ban Display AI glasses while speaking at an event in Menlo Park, California, on Sept. 17, 2025. (David Paul Morris/Bloomberg via Getty Images)

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Report claims Meta smart glasses captured private moments

The investigation focused on people who work as AI annotators. These workers review images, video or audio so artificial intelligence systems can better understand what they are processing. In simple terms, they help train the AI. Workers interviewed for the report said they sometimes review video captured by Meta’s smart glasses. According to the investigation, the footage can include extremely personal scenes recorded in everyday environments. One annotator told reporters they see everything from living rooms to naked bodies. Another worker said faces are supposed to be blurred automatically in the footage. However, the blurring reportedly fails at times, leaving some identities visible. In some clips, workers also said they could see credit cards or other sensitive details.

Why human reviewers analyze Meta smart glasses data

Many people assume AI systems learn entirely on their own. In reality, human reviewers often play a major role in training them. AI annotators help label what appears in images, identify spoken words and verify whether an AI response is correct. Without that human input, the system struggles to improve. Meta’s smart glasses include an AI assistant that answers questions about what a user is seeing. For example, a wearer might ask the glasses to identify a landmark or explain what an object is. To make those answers accurate, the system sometimes relies on training data reviewed by humans.

Meta responds to smart glasses privacy concerns

Meta says media captured by its smart glasses remains on the user’s device unless the user chooses to share it.

A Meta spokesperson provided the following statement to CyberGuy:

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Ray-Ban Meta glasses help you use AI, hands free, to answer questions about the world around you. Unless users choose to share media they’ve captured with Meta or others, that media stays on the user’s device. When people share content with Meta AI, we sometimes use contractors to review this data for the purpose of improving people’s experience, as many other companies do. We take steps to filter this data to protect people’s privacy and to help prevent identifying information from being reviewed.”

Ray-Ban Meta glasses include an LED indicator light that activates whenever photos or videos are recorded, helping signal to people nearby that content is being captured. The company’s terms of service also state that users are responsible for following applicable laws and using the glasses in a safe and respectful manner. That includes avoiding activities such as harassment, infringing on privacy rights or recording sensitive information.

Meta has also been in contact with Sama, a company that provides AI data annotation services. According to information shared by Meta, Sama said it is not aware of workflows where sexual or objectionable content is reviewed or where faces or sensitive details remain consistently unblurred. Meta is continuing to investigate the matter.

Meta CEO Mark Zuckerberg appears at the Dirksen Senate Office Building in Washington, D.C., on Jan. 31, 2024, to testify before the Senate Judiciary Committee alongside other social media executives. (Matt McClain/The Washington Post via Getty Images)

Privacy policy changes added to the concern

The controversy arises as Meta has expanded the capabilities of its AI glasses. The glasses, created with eyewear giant EssilorLuxottica, include a camera and an AI assistant that responds to voice questions. Sales have surged. The company reportedly sold more than 7 million pairs in 2025, a dramatic increase compared with earlier years. At the same time, Meta updated its privacy policies. One change keeps the AI camera features active unless users turn off the Hey Meta voice command. Another removes the ability to opt out of storing voice recordings in the cloud. For privacy advocates, those changes make the investigation more troubling.

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FACIAL RECOGNITION GLASSES TURN EVERYDAY LIFE INTO CREEPY PRIVACY NIGHTMARE

What this means to you

If you use smart glasses or similar wearable technology, the report highlights an important reality. AI devices often collect more information than people realize. When people share content with AI systems, human reviewers may analyze that material to help improve the technology. That means the footage captured by your device may be seen by someone else during the training process. Wearable cameras also record everyday life, which makes it easy for private or sensitive moments to be captured unintentionally. Even when companies use tools to blur faces or hide identifying details, those systems do not always work perfectly. As a result, personal information can sometimes still appear in the footage. Privacy policies also evolve as companies roll out new AI features. Staying aware of those updates can help you decide how comfortable you are with the technology you are using.

Take my quiz: How safe is your online security?

Think your devices and data are truly protected? Take this quick quiz to see where your digital habits stand. From passwords to Wi-Fi settings, you’ll get a personalized breakdown of what you’re doing right and what needs improvement. Take my Quiz here: Cyberguy.com       

Mark Zuckerberg wears the Meta Ray-Ban Display glasses while speaking at the company’s headquarters in Menlo Park, California, on Sept. 17, 2025. (Reuters/Carlos Barria)

Kurt’s key takeaways

Smart glasses are quickly moving from novelty to everyday gadget. The idea of having AI help you understand the world around you is undeniably appealing. However, the same technology that makes these devices powerful also raises complicated privacy questions. Cameras that are always within reach, AI systems that learn from real-world footage and human reviewers who help train those systems create a chain of data that many users rarely think about. As smart wearables become more common, transparency about how that data is used will matter more than ever.

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So here is the bigger question. Would you feel comfortable wearing AI glasses if someone halfway around the world might review the footage your device captures? Let us know by writing to us at Cyberguy.com

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Listen to this: Mabe Fratti’s experimental cello pop

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Listen to this: Mabe Fratti’s experimental cello pop

The opening notes of “Kravitz”, which kicks off Mabe Fratti’s 2024 record Sentir Que No Sabes, are lodged in my brain permanently. It’s not a showy album, by any means. But there’s something about the buzzing of her cello, plucked as you might an upright bass. The way they ring out before coming to an abrupt stop, fuzz still hanging in the air, set against a simple kick and snare sat firmly in the pocket. There’s something industrial about the way it all comes together, like a jazzy “Closer.”

Then come Fratti’s paranoid lyrics in Spanish about ears in the ceiling and someone listening through the walls, and the slightly atonal horn blasts. In the back half, the arrangement blooms with big piano chords, and the drums pick up steam. It’s the perfect opening to a record that sees Fratti taking her experimental impulses and working them into something that more closely resembles pop music, straying further from her avant-garde roots.

Fratti was born in Guatemala, but operates out of Mexico. She’s told Pitchfork that, as a child, her parents mostly played Christian and classical music around the house. But as a teen, she discovered Limewire and the works of experimental composers like György Ligeti. This more expansive, internet-fed musical diet is on display in tracks like “Pantalla Azul.” It flits about, toying with various styles from goth rock to new age, but always coming back to the strength of Fratti’s melodic instincts. Meanwhile, “Oidos” leans fully into chamber pop, with echoed cello stabs, plaintive trumpet, and what sounds like an autoharp.

Even when the arrangements are stripped down, Sentir Que No Sabes sounds lush and enveloping. It would feel equally at home in a coffee shop or on an arena stage. The production from I. La Católica (Héctor Tosta) is the glue holding together Fratti’s frantic stylistic shifts and jagged cello manipulations. It would be easy for the delicate horns, atonal pizzicato strings, and icy digital synths to sound like several different albums stitched together haphazardly. Instead, the undercurrent of unease and lightly crushed drums form a thread tying all the disparate pieces together.

That’s not to say there aren’t moments of full-on experimental freakouts. Fratti indulges her more abstract musical inclinations on interludes like “Elástica” I and II, but the brilliance of Sentir Que No Sabes is in how it repackages her experimental instincts into something more approachable and downright catchy at times.

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A comparison often thrown around when discussing Fratti’s music is Arthur Russell, and it makes sense. Russel was also an avant-garde cellist with surprising pop instincts. But he rarely married those two sides of his music as directly as Fratti does. For the most part, he had pop songs, and he had experimental compositions. Over her last few albums, both as a solo artist and as one half of the duo Titanic, Mabe Fratti has sought to break down those walls.

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