Lifestyle
Photos: These bold women stand up for justice, rights … and freedom
Jean, 72, a Chinese opera performer, poses for a portrait before performing in Kuala Lumpur, Malaysia.
Annice Lyn/Everyday Asia
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Annice Lyn/Everyday Asia
March 8 is International Women’s Day — a date picked in honor of a remarkable Russian protest.
During World War I, women in Russia went on strike. They demanded “bread and peace.” Among the results of their four-day protest: the Czar abdicated and women gained the right to vote.
This bold strike began on Feb. 23, 1917, according to the Julian calendar then used in Russia. That date translated to March 8 in the Gregorian calendar that much of the world uses. So that’s the day chosen for this celebratory event.
True to the spirit of those Russian women, the world pauses on this day to celebrate the achievements of women. This year to mark International Women’s Day, the United Nations is calling for “Rights. Justice. Action. For all women and girls.”
Sometimes, the true achievements are the ones that we barely see. The photographers at The Everyday Projects, a global photography and storytelling network, have shared portraits of women who in ways large and small are determined, like those Russian women over 100 years ago, to improve the lives of women and to build a better world.
Singing with strength
Kuala Lumpur-based photographer Annice Lyn likes to highlight the strength, resilience and the stories of women who are often overlooked.
That’s the inspiration for her portrait of Jean, 72, as she prepares for a performance of Chinese opera at Kwai Chai Hong, a restored heritage alley in Kuala Lumpur’s Chinatown in August 2024.
Such performances, typically staged during festivals and temple celebrations, combine singing, acting, martial arts, elaborate costumes and symbolic makeup to tell classical stories from Chinese folklore, history, and literature.
“Performers like Jean often dedicate decades of their lives to mastering this art form, preserving techniques and stories that are centuries old,” says Lyn. They told her that they may encounter negative reactions — questions like “are you wasting your time” or simply indifference.
“Sustaining a centuries-old practice in a modern urban setting requires both resilience and passion,” says Lyn, who made this picture minutes before the performance. “I wanted to give Jean the dignity she deserves through this portrait, a strong, intimate image that acknowledges her beauty, her discipline and the life she has dedicated to Chinese opera. I hoped to make her feel seen and heard, capturing not just a performance but a living cultural legacy.”
Dreaming of a toilet
Nkgono Selina Mosima, a resident of Thaba Nchu, Free State, South Africa, has hoped for years that she could afford to dig a pit toilet in her yard.
Tshepiso Mabula/The Everyday Projects
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Tshepiso Mabula/The Everyday Projects
The subject is Nkgono Selina Mosima, a resident of Thaba Nchu, Free State, South Africa, a region where poverty is rampant, Mosima is one of many residents who lack proper sanitation, says Tshepiso Mabula, a photographer and writer based in Johannesburg. Her wish was to hire someone to dig a pit toilet in her yard – in which human waste is collected in a pit and allowed to break down naturally over time – but she couldn’t afford the cost. The alternative is open defecation – finding a secluded place despite the personal risks and the potential health consequences of untreated human excrement.
“I was drawn to Nkgono by her unrelenting faith and positive outlook; despite her difficult circumstances, she constantly reiterated her hope that things would improve,” says Mabula. “This inspired the framing of the portrait: the bright colors, her headscarf and the belt around her waist all serve to highlight her strength, optimism and faith.”
The picture was taken in 2020. Today, Mabula says, many women still lack safe and effective sanitation options. Nkgono was a powerful voice for action and change as she eventually could afford to dig a pit toilet on her property.
Russian footballers
These women from Voronezh, Russia, participated in the country’s short-lived but intense American-style football league. They’re hanging out in the locker room.
Kristina Brazhnikova/Everyday Russia
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Kristina Brazhnikova/Everyday Russia
It seems improbable — starting an American football league for women in Russia. Not soccer but football. That’s what Portugal-based photographer Kristina Brazhnikova is documenting in her project “Mighty Girls,” which she shot between 2018 and 2021.
Any Russian woman could join, regardless of age, body type or level of training, she says. Coaches from the U.S. women’s national football team participated.
In the photo, the girls from the Voronezh team “Mighty Ducks” (Gabi, Katya, and Olesia) are in the locker room of a training camp preparing for practice. Team members came up with the name, she says.
“Everything was built on enthusiasm, so the players had to study the rules and playbooks on their own. Some women were invited by friends, others were drawn to the unusual nature of the sport, and some simply wanted to improve their physical fitness,” says Brazhnikova, who is Russian herself.
After the first practice, many women decided the game wasn’t for them, she says. It requires not only strength and endurance but the ability to memorize complex plays. Players had to buy their own protective gear, pay for field rentals and cover their travel expenses to competitions in other cities.
“Those who stayed, however, found a new family,” says Brazhnikova — and a new form of expressing emotions, including aggression. The women told her that playing American football made them braver and more decisive. They allowed themselves to step outside their comfort zones and push beyond the limits of their usual lives. They changed jobs and left relationships that had run their course. And the sound of pads colliding on the field became their favorite,” she says.
The league ceased to operate in 2022.
Hunting for missing loved ones
Hilaria Arzaba Medran of Mexico stands with tools she’ll use as she searches a clandestine burial site for the grave of her son, Oscar Contreras Arzaba, who disappeared in 2011 at age 19.
James Rodríguez/Everyday Latin America
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James Rodríguez/Everyday Latin America
Hilaria Arzaba Medran, 57, is no stranger to loss. Her son Oscar Contreras Arzaba disappeared on May 22, 2011, at the age of 19. A resident of the Mexican state of Veracruz, she’s a member of Solecito, an organization whose 250 members go out and look for their missing relatives on a regular basis. Holding tools in this photograph taken in Feb. 20, 2018, she searches for her missing son and other victims in a location known to have served as a clandestine grave.
“This collective is primarily led by women, and I was awe-struck by their determination to find their loved ones despite horrific violence and real-life threat to their own well-being,” says photographer James Rodríguez.
On this occasion in 2018, Rodriguez and others in the group had received an anonymous tip of a possible clandestine cemetery on the outskirts of Cordoba. She went searching with several other collective members, digging tools in hand. “We went into an isolated rural field that felt macabre in itself and [we] had no sort of security personnel with us. I was truly astounded by their conviction and courage,” he says.
A demand for housing
Janaina Xavier, a community leader, holds her son in a building in São Paulo, Brazil, that was occupied by people without housing in 2024.
Luca Meola/Everyday Brasil
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Luca Meola/Everyday Brasil
Janaina Xavier, a community leader, holds her son while looking out the window of the building where she lives with six of her 10 children near the Cracolândia district in São Paulo, Brazil, on April 23, 2024.
She currently serves as a council member for the Coordination of Policies for the Homeless Population and advocates for the rights of people living in and around Cracolândia.
“I’ve known Janaina Xavier for many years, since I began my long-term work documenting Cracolândia in São Paulo. She has long been involved in struggles for housing rights for people living in this highly stigmatized region of the city,” says photographer Luca Meola.
This photograph was taken inside a building being illegally occupied by Xavier and dozens of other families – a way for them to secure housing in the city center.
“For many low-income families, occupying empty buildings is one of the only ways to remain in the central area and access essential services and work opportunities,” Meola says.
In 2025, the city evicted Xavier, her family and the other residents.
The mother leaders of Madagascar take charge
In the Grand South of Madagascar, women known as “reny mahomby,” or mother leaders, perform a welcoming dance before starting a session to teach women in the community how to improve their lives.
Aina Zo Raberanto/The Everyday Projects
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Aina Zo Raberanto/The Everyday Projects
In this photo from the Grand South of Madagascar, in Amboasary Sud, women known as “Reny Mahomby,” or “mother leaders” perform a welcoming dance.
The “mother leaders” inspire other mothers in the community to make changes in their lives – to improve hygiene, to educate their children, to start small businesses, says photojournalist Aina Zo Raberanto, who lives in this African island nation but had never before visited the Grand South.
The dance took place at the start of a training session, says Raberanto. In this photo from November 2021, she says. “These mother leaders welcome us with a traditional dance from the region. I was deeply moved by their commitment to their community.”
The mothers of Madagascar “are the pillars of the household while sometimes facing difficult realities such as violence or early marriage,” she says. “I took this photograph to show both their strength, their dignity, their joy for life and the warmth of their welcome despite the hardships. Behind their smiles and movements lies a great determination to continue supporting their families and to build a better future for their children.”
Marching for their rights
Members of Puta Davida, a feminist collective advocating for the labor and human rights of sex workers, take part in a march during Carnival in downtown Rio de Janeiro, Brazil, on Feb. 14, 2026.
Luca Meola
/Everyday Brasil
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Luca Meola
/Everyday Brasil
This photograph was taken during Carnival in Rio de Janeiro this February.
“I have been accompanying the collective Puta Davida for about three years. [It] works to create public debate around sex work, advocating for the recognition of sex work as legitimate labor and for the protection of sex workers’ human and labor rights,” says photographer Luca Meola.
The Puta Davida is a feminist collective from Rio de Janeiro created in the early 1990s by the sex worker and activist Gabriela Leite, a historic figure in Brazil’s movement for sex workers’ rights.
“I have been accompanying the collective for about three years. [It] works to create public debate around sex work, advocating for the recognition of sex work as legitimate labor and for the protection of sex workers’ human and labor rights,” says photographer Luca Meola.
In 2026, one of the community organizations that prepares music, dance, and large performances for Carnival parades chose to dedicate its parade to sex workers
Meola, who photographed the members of this group as they marched, says: “For me, what is powerful about this moment is how these women reclaim visibility in public space. Through political organization, performance and collective presence, they challenge stigma and assert their rights — which I believe strongly resonates with this year’s theme [for International Women’s Day] of justice and action,” says Meola.
Kamala Thiagarajan is a freelance journalist based in Madurai, Southern India. She reports on global health, science and development and has been published in The New York Times, The British Medical Journal, the BBC, The Guardian and other outlets. You can find her on X @kamal_t
The first time Vivian Tu got “financially naked” in front of her partner — a term she uses to describe “brutally honest conversations” about money — it was out of desperation.
She was just starting her career on Wall Street and living in a roach-infested apartment in New York City. She had to use her savings to break the lease and move out. So she asked her new boyfriend whether she could temporarily stay at his place.
It was an opportunity to get real with him about her financial situation. She told him: “I have no money. I am broke. I have nothing.” That openness ended up strengthening their relationship, she says. Eventually, they got married.
Tu is now an entrepreneur who runs Your Rich BFF, a media company that teaches people about their finances. She says it’s critical for couples to talk about money as soon as they can.
It’s one of the topics of her latest book, published in February, Well Endowed, which offers advice to young people about making big financial decisions, like getting married or starting a family.
“People think love is enough. It’s not. You need to actually know you can build with this person,” she says.
To do that, couples need to be vulnerable with each other about money, she says, just as they are in other aspects of their relationship. In a conversation with Life Kit, Tu share financial questions to ask your partner at every stage. This interview has been edited for length and clarity.
Financial educator Vivian Tu is the author of Well Endowed.
Left: HarperCollins. Right: Jenny Anderson
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Left: HarperCollins. Right: Jenny Anderson
What sort of money conversations can you have when you’re first dating?
You can start talking about money on the very first date.
Do it from a place of fun. Ask: “If I gave you $100,000 to plan a perfect two-week vacation, what would that look like?”
Somebody who wants to climb Mount Everest and someone who wants to go to the Maldives and lay on a beach for two weeks — these are two very different people.
Having those fun money conversations early on makes it easier to be, like, “How much do you make?” Because if we’re planning on moving in together, I need to know what the rent can be.
What might you talk about before you become exclusive with a partner?
What are your dreams for your career? Do you want to buy a home? Do you want to live here forever? Are you planning on moving back to your hometown?
These are money conversations that’ll help guide the trajectory of your relationship just to make sure that you’re on the same financial page.
How do they spend their money? If you know they are in a job where they don’t make that much money, but every weekend they’re out blowing money on designer stuff — where is that money coming from? Do they just have crazy credit card debt?
This data-collection period is really when you can be smart and learn something about this person and decide if they’re going to fit into your life. And are there changes you’re willing to make so that you can fit into theirs?
It can be awkward to talk about debt. What’s the best way to bring up the topic with your partner?
Instead of asking, “How much debt do you have?” — which feels like an interrogation — it’s easier to offer something up.
You might say: Oh, by the way, I may be on a little bit of a tighter budget next month because I’m making a large payment to my student loan or on my credit card.
At that point you can ask, because you’ve now offered something: “By the way, do you have any credit card debt? Are there any months coming up that you might be feeling tighter financially that we should keep in mind together?”
What should you talk about if you are thinking about moving in together?
If you haven’t had any money conversations yet, this is a good moment. This is now a point where you can no longer lie.
When you submit your information for a rental application, you have to show bank statements, proof of employment and proof of income. So it’s a really good time to talk about what you make, what you have, what you owe in terms of debt and then what your expenses are every month.
If you can talk about those four categories before moving in together, you should be in a good spot and, frankly, it’ll make other conversations a lot easier.
What about when getting married? What do you absolutely need to talk about before you even plan a wedding?
Avoid financial infidelity. That’s when you make purchases and deliberately hide them. We shouldn’t be hiding bank accounts. We shouldn’t be hiding credit cards. It should all be out in the open, and everybody should be OK with it. If they’re not, that’s a conversation you need to have.
A lot of couples don’t know where to begin when it comes to combining finances. What do you recommend?
I like a “yours, mine and ours” strategy and getting those numbers out in the open. You have your money, I have my money, and then we agree to put a percentage into a joint account consistently to fund our expenses together.
What ongoing questions should you have for your spouse or long-term partner?
Constantly just goal setting. How big do we want our family to be? What’s that going to cost? Where would we like to live long term?
If you want two kids but end up only having one, that changes the calculus. Or if you’re considering moving to where your aging parents live ahead of their retirement, that changes the calculus.
A money conversation is not a one and done. You don’t get to do it and just be done with it. It’s something you have to have throughout life. At the end of the day, this is just a conversation asking: Are you a good partner? Is your partner a good partner? And do you make a good pair?
Not only is Betye Saar a living legend, but the prolific L.A. artist continues to add to her impressive oeuvre day by day.
She’s been creating powerful, thought-provoking artwork since the ’60s and her pieces have been shown at the Smithsonian, the Museum of Modern Art, the Art Institute of Chicago and LACMA, as well as museums and galleries around the world.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
As her centennial birthday approaches this July, Saar shows no signs of slowing down. She still routinely creates art and continues to garner headlines and accolades. Last year, she was honored with the distinction of “Icon Artist” at the Art Basel Awards. During the upcoming Frieze Los Angeles art festival, which opens Feb. 26, she will be the subject of the photography installation “Betye Saar Altered Polaroids.” And this May, “Let’s Get It On: The Wearable Art of Betye Saar” will debut at Roberts Projects, the gallery that represents her. The exhibition will feature pieces from her early career as a costume and jewelry designer.
Though she’s skilled at painting and photography, she’s most widely known for assemblage, the art of juxtaposing miscellaneous items to form a single cohesive work. Her dioramas, sculptures and large-scale multimedia installations explore the legacy of American slavery, confront racial injustice and celebrate the strength and resiliency of African American women.
“I work with found objects that had another purpose before they came to my hands,” Saar says while seated at a patio table in her succulent-filled tiered garden. “The hardest part of it is going to a flea market, secondhand stores, an estate sale or even just going behind a store to see what people throw away.”
Over the years, she’s traveled by plane, train and automobile in search of usable materials. Meanwhile, admirers, colleagues and gallery workers have sent her curios from New Mexico, Tennessee, New England and beyond. Her daughters — artists Alison and Lezley, and writer Tracye, their mother’s studio director — also stay on the lookout for objects that might catch her eye.
“I’ve been doing this for a long time, so I have quite a collection,” she says.
Indeed, Saar’s multi-level home studio in Laurel Canyon is bursting with dozens of old empty picture frames, discarded window panes, wooden chests, antique chairs and vintage clocks. But there’s always room for more.
Her idea of a perfect Sunday includes foraging for new items (or old ones, as the case may be) to use in her daily art practice. And she’d return to her roots to do it.
“Pasadena is my hometown and I still have a few relatives that live there,” she says.
While visiting her old stomping grounds, she’d embark on a multi-stop shopping spree and wander through a longtime favorite San Gabriel Valley attraction (where her work just so happens to be on display).
This interview has been lightly edited and condensed for length and clarity.
10 a.m.: Search for hidden treasures
Pasadena Community College Flea Market is something that’s part of “the hunt.” Alison usually drives, sometimes Tracye. Some people are there early to get the deals; we’re not like that anymore. I like to look around and sometimes I find interesting fabrics, scarves to wear and strange-shaped succulents for my garden. I hardly ever find really good antiquing things there, because those are at antique stores and they’re usually pretty pricey. But I bought an old, rusty metal birdcage the seller said was from France. I like rusty stuff for my art. I also found an indigo blue kimono to wear at an art event later this year.
1 p.m.: Replenish with Thai food
I’d go down Fair Oaks Avenue — there’s some secondhand stores. Usually, it’s nothing I can use, but I still can’t say no. I have to go see for myself. Then, lunch at Saladang Garden. I always order chicken sate and the green papaya salad. Last time I went, we tried the Thai corn fritter which was really good and crispy. If food is too spicy, I can’t eat it. But somebody in my party would always have something spicy and I can have a spoonful to add to mine.
2:30 p.m.: More shopping
I am attracted to all the odd things at Gold Bug. Notepads and trinkets, curious vintage-y things with animals or interesting patterns, strange candles. Sometimes I surprise myself by buying something. They have a mixture of things that — whether it’s for the color, or the texture — I feel that I can recycle and fit into an art object that I’m making.
3:30 p.m.: Visit a childhood haunt (with a side of more shopping)
I really like the Huntington’s gardens. I remember the first time I went there was with my mother and a friend of hers, and we walked around. All the paths were dirt, you know, they hadn’t even gotten around to paving it yet. But I just fell in love with it. And I really like their gift shop.
6 p.m.: Head west for a culinary classic
If I go someplace to eat for lunch, I usually have leftovers to warm up. Nothing wrong with leftovers — if you liked it the first time, you’ll like it again! But if I had to go out to dinner, the Apple Pan. I would go there in the ’80s with my daughters. I like their sandwiches, or the hickory burger with cheese, and there’s good French fries.
8 p.m.: Tuck into some wind-down watching
Before bed, I like to watch the news because, otherwise, I don’t know what’s going on. I also like a lot of shows on PBS. “Finding Your Roots,” or dramas like “Sister Boniface Mysteries” and “Call the Midwife,” which has been going on forever!
Flames from the Palisades Fire reach the grounds of the Getty Villa Museum on the Pacific Coast Highway amid a powerful windstorm on January 8, 2025 in Los Angeles, California. The museum was forced to close for around six months, causing a major drop in annual visitorship numbers for 2025.
Apu Gomes/Getty Images
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Apu Gomes/Getty Images
U.S. museum attendance was beset by natural disasters and political instability in 2025, according to The Art Newspaper‘s annual survey of “the world’s 100 most visited art museums.”
The January 2025 wildfires in Los Angeles hit the Getty Villa particularly hard. Attendance dropped nearly 60% due to the institution being closed for around half the year in response to damage caused by The Palisades fire. (Reached by email, The Getty noted the low attendance in 2025 was the result of the fire-related closure and not reflective of a drop in overall attendance since the museum reopened last June. Villa attendance numbers remain steady.)
Meanwhile, the federal government shutdown last fall crippled D.C. museums. The National Gallery of Art lost more than a quarter of its audience compared to the previous year. The National Museum of African American History and Culture’s and the National Museum of the American Indian’s numbers both dropped by nearly 15%. The National Portrait Gallery and Smithsonian American Art Museum saw audiences reduced to close to half of their pre-COVID size.
“The two museums had a particularly volatile year—with prolonged political battles with the Trump administration over programming, artists pulling out of exhibitions amid accusations of institutional censorship and high-level resignations,” The Art Newspaper said.
Stability despite volatility
Despite unsteadiness across the museum industry, the country’s most-visited institutions remained relatively stable.
Visitorship at New York’s Metropolitan Museum of Art — the world’s fifth most-visited art museum — was up by nearly 5%. Bolstered by the reopening of the Michael C. Rockefeller Wing, it attracted nearly 6 million visitors in 2025. Despite its shutdown troubles, the National Gallery of Art still ranked second in the U.S. in terms of visitor numbers last year. The Museum of Modern Art in New York saw a modest increase compared to 2024. And the Art Institute of Chicago experienced close to a 15% rise in attendance.
The power of prestige
The report attributes some of these gains to the power of blockbuster shows and big-name artists to draw crowds.
In New York, “Superfine: Tailoring Black Style” at The Met and the Jack Whitten retrospective at the Museum of Modern Art were top draws. “The Power of Names: Van Gogh” and Impressionist shows were major successes in D.C., LA and Boston. At the Museum of Fine Arts, Boston, a single Vincent Van Gogh exhibition accounted for more than a quarter of the museum’s annual attendance, which was up overall by 7% compared with 2024.
Big regional gains
Some regional museums also saw big gains.
The San Diego Museum of Contemporary Art nearly doubled its attendance. The Cleveland Museum of Art and Toledo Museum of Art also experienced significant jumps of more than 20%. Several museums even managed to best their pre-COVID benchmarks from 2019, including the Virginia Museum of Fine Arts and Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Mich.
NPR has reached out to these museums for comment.
“In 2025, the museum welcomed more than 800,000 visitors, which was the highest attendance in the CMA’s nearly 110 year history,” said Todd Mesek, the Cleveland Museum of Art’s chief marketing officer in an email to NPR. “We believe that momentum is the result of sustained investment in exhibitions, public programs, and a commitment to free access, which ensures that our collection remains open and meaningful to all.” Mesek added that the ticketed special exhibition “Takashi Murakami: Stepping on the Tail of a Rainbow” generated the museum’s highest attendance in more than 25 years. The museum does not charge entry — and mostly never has — except for special exhibitions.
Global trends
The U.S. findings appear generally modest compared to other parts of the world covered in The Art Newspaper‘s report.
Notwithstanding a difficult year marked by a high-profile jewelry theft among other crises, the Louvre Museum in Paris — the world’s most-visited museum — still experienced a close to 5% gain in visitorship. It attracted more than 9 million people in 2025. And attendance at museums in East Asia — where, according to the report, “demand seems almost unlimited” — was particularly robust. The world’s third most-visited institution, the National Museum of Korea, Seoul, saw a whopping 72% jump on the previous year — “one of the largest rises in absolute numbers we have ever seen,” the report said.
However, political unrest derailed attendance at some institutions, especially in the Middle East. The Israel Museum lost 40% of its visitors compared with 2024, owing to Israel’s war in Gaza. The Tel Aviv Museum of Art faced cancellations of international exhibitions, and was shut for well over half the year owing to security concerns.
More than 200 million visits were made to the top 100 museums on The Art Newspaper‘s list, the report said. While this figure is still under the 230 million recorded in 2019, it is a vast improvement on the 54 million recorded in 2020.
“Our data for 2025 shows that, on the whole, art museums are as popular as they have ever been, with many of the biggest museums continuing to welcome millions every year,” the report said.
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