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How to live your life in text files

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How to live your life in text files

Hi, friends! Welcome to Installer No. 26, your guide to the best and Verge-iest stuff in the world. (If you’re new here, welcome. So psyched you found us, and also you can read all the old editions at the Installer homepage.) 

This week, I’ve been playing with the redesigned You.com for AI research, trying out the Phanpy Mastodon client, getting back into Zombies, Run after reading Vee Song’s great story about Fantasy Hike, and reading the new “lost chapter” of The Martian before probably just rereading The Martian again.

I also have for you some non-earbud earbuds, a nerdy video about nerdy stuff, a new to-do list app, a new thing in ChatGPT, and much more. Let’s do it.

(As always, the best part of Installer is your ideas and tips. What are you doing, reading, watching, playing, testing, cooking, lifting, soldering, or charging right now? What cool stuff are you into that everyone else should also be into? Tell me everything: installer@theverge.com or +1 203-570-8663. And if you know someone else who might enjoy Installer, forward it to them and tell them to subscribe here.)

The Drop

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  • Bose’s Ultra Open Earbuds. For some reason, over the last year or so, almost all in-ear headphones suddenly leave my ears sore and scratchy. So I’m very curious to try these — even though at $299 they’re too expensive for my tastes, the clip-on style seems like it could work.
  • Bulletin. The Verge’s Parker Ortolani turned me onto this: a new (Apple-only) news- and RSS-reading app with a lot of AI features for summarization and stuff, but also just a really lovely UI for reading news feeds. You can add premade lists, dump in any site or feed, even save stuff to read later.
  • The Space Race. A really cool documentary about early Black astronauts, with tons of archival footage and a really wild Cold War subplot. As with all good space docs, make sure you watch this one on the biggest screen you can find.
  • Mark Zuckerberg’s Vision Pro review. The review itself is, like, fine — I think Zuck is right about a lot of the things people actually want headsets for, and about the price-to-quality balance being a tricky one. But shooting a review of a competitor’s product, with your own product, in such a casual way, is just fascinating to me.
  • The ONE thing keeping this iconic vintage laptop from working… Recently, for reasons I hope to someday be able to tell you about, I’ve been deep down the rabbit hole of awesome old gadgets. And the This Does Not Compute channel has become one of my favorite new resources — the host is perpetually trying to restore or resurrect some old PC, and even this random Toshiba laptop left me desperately wanting one. 
  • Superlist. This week’s “to-do list app that’s so close to being everything I wanted and maybe I’ll just spend the whole weekend trying it out.” It’s a teams-first product, which, meh, but this is the best-looking productivity app I’ve seen in years.
  • Mario vs. Donkey Kong. More updated spins on old-school Mario games for the Switch! How did we get so lucky! This one’s a platformer with a really fun puzzle-y twist, which is exactly the kind of game I like to spend too many hours playing on the couch.
  • How AI Tech Can Give Dead People a Voice. This week’s winner of the “Is this powerful and awesome, or is this horrifying” award is The Shotline, which is using AI to recreate the voices of kids who were victims of gun violence. Joanna Stern’s video is great, and The Shotline’s voices will make you feel… a lot of things.
  • DuckDuckGo. DDG just rolled out a cool new tool that lets you sync passwords and bookmarks across platforms without needing an account; you just scan a QR code to add a new device. At this point, I’m wary of saying any company is actually a good privacy option, but DuckDuckGo is certainly doing the work. 

Spotlight

A while back, I got really close to moving all my personal docs, email, calendar, and files into Skiff, which was basically a privacy-focused Google Drive competitor. Stuff got busy, and moving all that stuff is a big project, but it’s been on my list for a while. Super glad I didn’t get to it, though, because Skiff was just acquired by Notion and is now shutting down.

If I’ve learned one thing in my years of covering tech, it’s that nothing is guaranteed to stick around, no matter how much you love it or how popular it is. Things change, mistakes happen, stuff disappears. And every time it happens, I get a little more religious about something that Steph Ango, the CEO of Obsidian, likes to say: file over app.

The idea of “file over app” is to care a lot more about your data itself than the app or platform it’s in. Like, the app you’re using now? Probably not going to be around in 50 years. Text files and JPGs and PDFs? Way more likely to still be here! So invest in formats that last, not apps that don’t.

What that means for me, personally, is that I try to turn my life into text files and their equivalents as often as possible.

  • I use an iOS and Mac app called NotePlan for daily notes and task management — the app is built on top of a folder of Markdown files I can easily use anywhere else. Obsidian and Logseq are both the same way and are both excellent (if very different) apps.
  • I use the bookmarking service Raindrop to store all the links I care about, for Installer and everything else, and once a week I export all my links as a CSV file and again as a text file.
  • Day One is where I keep my actual journal, and every month or so I export the whole thing to a PDF.
  • Once a year or so, when I’m feeling both bored and ambitious, I’ll back up my entire camera roll and Google Photos library to an external hard drive. All the other stuff goes into Google Drive, and onto that same hard drive.

I try to find apps that are made with text files in mind. When I can’t, I try to find apps with good, durable export systems, and make sure I’m backing things up often. I’m done getting stuck inside an app I can’t trust to be around for long.

There’s a lot more for me to do here, and frankly still a lot of stuff in my life that will disappear if some big-name services delete my account or go offline altogether. (I’m still trying to figure out whether my email and calendar are things I should be archiving…) But I now have years of journal entries, daily tasks, project archives, and more in a format I’m confident I’ll be able to at least open and look at on my neural face-puter in 2096. And it makes me feel better, so I figured I’d share.

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Oh, and by the way, there are so many great text editors out there. Typora is probably the best writing app I’ve ever used. If you write code, you already know BBEdit and VS Code and Sublime Text. Nota, Ulysses, iA Writer, and a bunch of others all do a good job of helping you both write and organize. Living in text files doesn’t mean living in Notepad or TextEdit; you really can have the best of both worlds. Text files forever!

Screen share

Zoë Schiffer, the managing editor at the excellent Platformer newsletter (and a Verge alum!), just published one of the best tech books I’ve read in a while. It’s called Extremely Hardcore: Inside Elon Musk’s Twitter, and trust me, however wild you think the last couple of years have been at X / Twitter, the actual truth is much wilder. Zoë’s been reporting on this saga throughout, and the book’s a total winner.

I asked Zoë to share her homescreen with us on the eve of her book launch, because one thing I’ve always liked about Zoë is that she is forever deeply conflicted about technology. She reports on it, understands it deeply, uses it constantly, but is also perpetually trying to get her Screen Time numbers down. Since I’m deeply embarrassed by my Screen Time report basically every week, I wanted to see how she does it.

Here’s Zoë’s homescreen, plus some info on the apps she uses and why:

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The phone: This is an iPhone 14, I believe. The screen is cracked and I use it exclusively for work. I have an iPhone mini with no apps except Spotify and Google Maps that I use as my personal phone. The process of having a separate work phone (with apps) and a personal phone (with almost nothing interesting) has dropped my screentime to about 2.5 hours a day, not to brag.

The wallpaper: My wallpaper is a photo of my hot a** husband, and my two-year-old daughter. 

The apps: Apple Calendar, Google Maps, Apple Notes, Signal, Apple Mail, Threads, ChatGPT, Spotify, Phone, Messages.

My main homescreen has Signal, which I use constantly to communicate with sources, and Threads, which is my primary Twitter replacement. I also have ChatGPT, which I love. I ask it about various health symptoms and also to create recipes for, like, a single chocolate chip cookie.

One screen over I have TikTok, which is my guilty pleasure, and Bluesky, which I’m trying to use more but feels a little chaotic. I also have a pregnancy tracker because (duh) I’m pregnant. Right now the baby is the size of a lime, so that’s nice. 

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I also asked Zoë to share a few things she’s into right now. Here’s what she said:

  • Right now, I’m rereading Harry Potter and listening to a lot of Caroline Shaw.
  • Oh you meant on the internet??? Huh. Huuuuuh. I like the fashion newsletter Blackbird Spyplane. I’m a big fan of the Moderated Content podcast.
  • I’ve seen the comedian Jacqueline Novak twice IRL (the first time, I dragged Casey Newton along, not realizing the entire set is about blow jobs, and I seriously worried I was going to get fired), and she has a new comedy special on Netflix that really gets me. 

Crowdsourced

Here’s what the Installer community is into this week. I want to know what you’re into right now as well! Email installer@theverge.com or message +1 203-570-8663 with your recommendations for anything and everything, and we’ll feature some of our favorites here every week. 

“I’ve been playing the new Dominion card game app! Dominion is a deckbuilding game from back in the day, and it’s got several (I believe 15) expansions so far. Previous iterations of the game online and in app form never fully realized their potential. This is the best implementation of the game to date. There is offline play against AI, matchmaking, and you can also do private matches with friends via a Nintendo-esque friend code system.” — Matt

“I’ve been listening to and immensely enjoying Worlds Beyond Number, an actual play narrative podcast from the best folks to ever do it.” — Caleb

“I received my Retroid Pocket 4 Pro in the mail this week after about a month of waiting from China. It exceeded expectations, and I’m having a great time emulating N64, GameCube, and PlayStation 2 games. On Saturday I had a friend over, and we played couch co-op games just like the good old days using a USB-C hub and a couple controllers. Highly recommended for a huge nostalgia kick.” — Nicholas

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“Having fun playing old Nintendo titles on the Miyoo Plus. Such a great device. Feels like a time machine.” — Jamie

“I’m playing, and overwhelmingly impressed with, Prince of Persia: The Lost Crown. It feels like a love letter to Castlevania and Metroid, and heavily inspired by Hollow Knight… but also innovates in some really clever ways. It also runs incredibly well on the Switch.” — Steve

“Probably one of the most used apps on my phone is Mela, by Silvio Rizzi. It’s a thoughtfully designed recipe app designed to share with your family. It has a shared family recipe library and integrations with Reminders and Calendar to ensure my fiancé and I are always on the same page. Oh, and it also has a built-in RSS reader for finding new recipes!” — Liam

“It’s called What Happened Last Week, and it’s a great way to keep up with news from countries that are not often reported on in places like Africa, Asia, and Latin America. It contains clear explanations and contexts on developments so it is easy to read even if you have never heard of the names in the story. I find it really useful and complementary to the big Western news sources.” — Richard

Windows95Man is Finland’s entry to Eurovision this year, and it’s amazing on so many layers. Watching the video on YouTube is mandatory for full appreciation.” — Sighjinks

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“The new season of Game Changer on Dropout started this week, and it’s a treat as always!” — Noah

Signing off

The biggest, weirdest tech story of this weekend is coming from a slightly surprising place: the floor of the NBA All-Star Game. Have you seen the videos of the all-LED full-court screen? Here’s an example of what this kind of thing looks like during a game, too. It looks like a total nightmare to play on, and I’d bet $10 we’ll never see this in a real game with any stakes. But boy is it going to be something to watch. This is my kind of augmented reality.

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You need to listen to Billy Woods’ horrorcore masterpiece for the A24 crowd

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You need to listen to Billy Woods’ horrorcore masterpiece for the A24 crowd

Billy Woods has one of the highest batting averages in the game. Between his solo records like Hiding Places and Maps, and his collaborative albums with Elucid as Armand Hammer, the man has multiple stone-cold classics under his belt. And, while no one would ever claim that Woods’ albums were light-hearted fare (these are not party records), Golliwog represents his darkest to date.

This is not your typical horrorcore record. Others, like Geto Boys, Gravediggaz, and Insane Clown Posse, reach for slasher aesthetics and shock tactics. But what Billy Woods has crafted is more A24 than Blumhouse.

Sure, the first track is called “Jumpscare,” and it opens with the sound of a film reel spinning up, followed by a creepy music box and the line: “Ragdoll playing dead. Rabid dog in the yard, car won’t start, it’s bees in your head.” It’s setting you up for the typical horror flick gimmickry. But by the end, it’s psychological torture. A cacophony of voices forms a bed for unidentifiable screeching noises, and Woods drops what feels like a mission statement:

“The English language is violence, I hotwired it. I got a hold of the master’s tools and got dialed in.”

Throughout the record, Woods turns to his producers to craft not cheap scares, but tension, to make the listener feel uneasy. “Waterproof Mascara” turns a woman’s sobs into a rhythmic motif. On “Pitchforks & Halos” Kenny Segal conjures the aural equivalent of a POV shot of a serial killer. And “All These Worlds are Yours” produced by DJ Haram has more in common with the early industrial of Throbbing Gristle than it does even some of the other tracks on the record, like “Golgotha” which pairs boombap drums with New Orleans funeral horns.

That dense, at times scattered production is paired with lines that juxtapose the real-world horrors of oppression and colonialism, with scenes that feel taken straight from Bring Her Back: “Trapped a housefly in an upside-down pint glass and waited for it to die.” And later, Woods seamlessly transitions from boasting to warning people about turning their backs on the genocide in Gaza on “Corinthians”:

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If you never came back from the dead you can’t tell me shit
Twelve billion USD hovering over the Gaza Strip
You don’t wanna know what it cost to live
What it cost to hide behind eyelids
When your back turnt, secret cannibals lick they lips

The record features some of Woods’ deftest lyricism, balancing confrontation with philosophy, horror with emotion. Billy Woods’ Golliwog is available on Bandcamp and on most major streaming services, including Apple Music, Qobuz, Deezer, YouTube Music, and Spotify.

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Grok AI scandal sparks global alarm over child safety

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Grok AI scandal sparks global alarm over child safety

NEWYou can now listen to Fox News articles!

Grok, the built-in chatbot on X, is facing intense scrutiny after acknowledging it generated and shared an AI image depicting two young girls in sexualized attire.

In a public post on X, Grok admitted the content “violated ethical standards” and “potentially U.S. laws on child sexual abuse material (CSAM).” The chatbot added, “It was a failure in safeguards, and I’m sorry for any harm caused. xAI is reviewing to prevent future issues.”

That admission alone is alarming. What followed revealed a far broader pattern.

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OPENAI TIGHTENS AI RULES FOR TEENS BUT CONCERNS REMAIN

The fallout from this incident has triggered global scrutiny, with governments and safety groups questioning whether AI platforms are doing enough to protect children.  (Silas Stein/picture alliance via Getty Images)

Grok quietly restricts image tools to paying users after backlash

As criticism mounted, Grok confirmed it has begun limiting image generation and editing features to paying subscribers only. In a late-night reply on X, the chatbot stated that image tools are now locked behind a premium subscription, directing users to sign up to regain access.

The apology that raised more questions

Grok’s apology appeared only after a user prompted the chatbot to write a heartfelt explanation for people lacking context. In other words, the system did not proactively address the issue. It responded because someone asked it to.

Around the same time, researchers and journalists uncovered widespread misuse of Grok’s image tools. According to monitoring firm Copyleaks, users were generating nonconsensual, sexually manipulated images of real women, including minors and well-known figures.

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After reviewing Grok’s publicly accessible photo feed, Copyleaks identified a conservative rate of roughly one nonconsensual sexualized image per minute, based on images involving real people with no clear indication of consent. The firm says the misuse escalated quickly, shifting from consensual self-promotion to large-scale harassment enabled by AI.

Copyleaks CEO and co-founder Alon Yamin said, “When AI systems allow the manipulation of real people’s images without clear consent, the impact can be immediate and deeply personal.”

PROTECTING KIDS FROM AI CHATBOTS: WHAT THE GUARD ACT MEANS

Grok admitted it generated and shared an AI image that violated ethical standards and may have broken U.S. child protection laws. (Kurt “CyberGuy” Knutsson)

Sexualized images of minors are illegal

This is not a gray area. Generating or distributing sexualized images of minors is a serious criminal offense in the United States and many other countries. Under U.S. federal law, such content is classified as child sexual abuse material. Penalties can include five to 20 years in prison, fines up to $250,000 and mandatory sex offender registration. Similar laws apply in the U.K. and France.

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In 2024, a Pennsylvania man received nearly eight years in prison for creating and possessing deepfake CSAM involving child celebrities. That case set a clear precedent. Grok itself acknowledged this legal reality in its post, stating that AI images depicting minors in sexualized contexts are illegal.

The scale of the problem is growing fast

A July report from the Internet Watch Foundation, a nonprofit that tracks and removes child sexual abuse material online, shows how quickly this threat is accelerating. Reports of AI-generated child sexual abuse imagery jumped by 400% in the first half of 2025 alone. Experts warn that AI tools lower the barrier to potential abuse. What once required technical skill or access to hidden forums can now happen through a simple prompt on a mainstream platform.

Real people are being targeted

The harm is not abstract. Reuters documented cases where users asked Grok to digitally undress real women whose photos were posted on X. In multiple documented cases, Grok fully complied. Even more disturbing, users targeted images of a 14-year-old actress Nell Fisher from the Netflix series “Stranger Things.” Grok later admitted there were isolated cases in which users received images depicting minors in minimal clothing. In another Reuters investigation, a Brazilian musician described watching AI-generated bikini images of herself spread across X after users prompted Grok to alter a harmless photo. Her experience mirrors what many women and girls are now facing.

Governments respond worldwide

The backlash has gone global. In France, multiple ministers referred X to an investigative agency over possible violations of the EU’s Digital Services Act, which requires platforms to prevent and mitigate the spread of illegal content. Violations can trigger heavy fines. In India, the country’s IT ministry gave xAI 72 hours to submit a report detailing how it plans to stop the spread of obscene and sexually explicit material generated by Grok. Grok has also warned publicly that xAI could face potential probes from the Department of Justice or lawsuits tied to these failures.

LEAKED META DOCUMENTS SHOW HOW AI CHATBOTS HANDLE CHILD EXPLOITATION

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Researchers later found Grok was widely used to create nonconsensual, sexually altered images of real women, including minors. (Nikolas Kokovlis/NurPhoto via Getty Images)

Concerns grow over Grok’s safety and government use

The incident raises serious concerns about online privacy, platform security and the safeguards designed to protect minors.

Elon Musk, the owner of X and founder of xAI, had not offered a public response at the time of publication. That silence comes at a sensitive time. Grok has been authorized for official government use under an 18-month federal contract. This approval was granted despite objections from more than 30 consumer advocacy groups that warned the system lacked proper safety testing.

Over the past year, Grok has been accused by critics of spreading misinformation about major news events, promoting antisemitic rhetoric and sharing misleading health information. It also competed directly with tools like ChatGPT and Gemini while operating with fewer visible safety restrictions. Each controversy raises the same question. Can a powerful AI tool be deployed responsibly without strong oversight and enforcement?

What parents and users should know

If you encounter sexualized images of minors or other abusive material online, report it immediately. In the United States, you can contact the FBI tip line or seek help from the National Center for Missing & Exploited Children.

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Do not download, share, screenshot or interact with the content in any way. Even viewing or forwarding illegal material can expose you to serious legal risk.

Parents should also talk with children and teens about AI image tools and social media prompts. Many of these images are created through casual requests that do not feel dangerous at first. Teaching kids to report content, close the app and tell a trusted adult can stop harm from spreading further.

Platforms may fail. Safeguards may lag. But early reporting and clear conversations at home remain one of the most effective ways to protect children online.

Take my quiz: How safe is your online security?

Think your devices and data are truly protected? Take this quick quiz to see where your digital habits stand. From passwords to Wi-Fi settings, you’ll get a personalized breakdown of what you’re doing right and what needs improvement. Take my Quiz here: Cyberguy.com       

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Kurt’s key takeaways

The Grok scandal highlights a dangerous reality. As AI spreads faster, these systems amplify harm at an unprecedented scale. When safeguards fail, real people suffer, and children face serious risk. At the same time, trust cannot depend on apologies issued after harm occurs. Instead, companies must earn trust through strong safety design, constant monitoring and real accountability when problems emerge.

Should any AI system be approved for government or mass public use before it proves it can reliably protect children and prevent abuse? Let us know by writing to us at Cyberguy.com.

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Google pulls AI overviews for some medical searches

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Google pulls AI overviews for some medical searches

In one case that experts described as “really dangerous”, Google wrongly advised people with pancreatic cancer to avoid high-fat foods. Experts said this was the exact opposite of what should be recommended, and may increase the risk of patients dying from the disease.

In another “alarming” example, the company provided bogus information about crucial liver function tests, which could leave people with serious liver disease wrongly thinking they are healthy.

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