Tomodachi Life: Living the Dream is hard to explain. The best way to understand is to see it in action; a screenshot of Handsome Squidward and Bob Belcher falling in love over their shared appreciation of cannibalism makes it clear that, while it’s a life sim, the game is really a joke-generating machine. Living the Dream on the Nintendo Switch gives you more tools and fewer restrictions to make those jokes stranger and funnier. But while Living the Dream provides more freedom for creativity, it also has big restrictions on sharing those creations, and the game seems content with inside jokes staying within its virtual walls.
Technology
Donny Osmond uses AI to sing with his 14-year-old self
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Some stars spend their careers protecting the version of themselves that first made them famous. Donny Osmond took the opposite path. He built a career by evolving with the times and then kept going. Today, in his Las Vegas residency at Harrah’s, the legendary entertainer performs a duet with a digital version of his 14-year-old self, the same teenage Donny who captured hearts decades ago with hits like “Puppy Love.”
The moment feels almost surreal on stage. Yet it also reflects something deeper about Osmond’s career. Instead of resisting technology or relying only on nostalgia, he has embraced new tools that allow him to reinterpret his own history in front of a live audience. That willingness to experiment with technology has helped him remain relevant for more than six decades in entertainment.
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Why Donny Osmond still connects with audiences
There is a reason Donny Osmond still matters to multiple generations. Older fans know the teen idol who broke out with songs like “Puppy Love.” Others know him from Donny & Marie. Theater fans remember “Joseph and the Amazing Technicolor Dreamcoat.” Younger audiences may know him as the singing voice of Captain Shang in Disney’s “Mulan.” Then there are reality TV fans who saw him win Dancing With the Stars or meet him again on The Masked Singer.
That range gives him something rare in entertainment. He does not belong to just one era. He belongs to several. And instead of resisting that, he leans into it. Technology now plays a role in that connection as well.
How Donny Osmond brought his younger self back to the stage
Osmond explained the idea when he sat down with me for my “Beyond Connected” podcast. The concept actually began decades ago when he started imagining what future technology might make possible. “Even when I was a teenager, I thought someday there’s going to be technology where John Wayne could be Obi-Wan Kenobi. And I was right!” Osmond said.
That long-held fascination eventually led him to a simple question. “Why can’t I sing ‘Puppy Love’ with my 14-year-old self on stage?” Osmond said. The answer involved combining several forms of digital production, AI modeling and stage design.
“The face is actually my 14-year-old face taken from pictures, the voice is my voice from interviews when I was 14, and the body is my 14-year-old grandson,” Osmond said. The result is a performance where two versions of Donny Osmond appear to share the stage at the same time.
It is not a hologram, it is something called a hollow box
Many people assume the younger Donny is a hologram. Osmond said that is not the case. “It’s not a projection, like a laser projection. It’s not like a hologram. It’s a totally different technology,” Osmond explained.
Instead, the illusion relies on a piece of stage technology known as a hollow box. The structure is built into the set and designed to look like a vintage recording booth on stage. Inside that space, advanced visual systems combine CGI, AI modeling and stage lighting to create the digital image of the younger Donny so it appears full-size and three-dimensional.
The effect blends archived photos, computer-generated animation and voice samples from Osmond’s early interviews to recreate his teenage likeness. His grandson provides the physical body movement used to animate the performance. Standing just inches away from the illusion, Osmond can look directly at his younger self while singing. From the audience’s perspective, it appears as if the two performers are sharing the stage face-to-face in real time.
Even after performing the sequence night after night, Osmond said the experience still surprises him. “I do it every night, and it never gets old. It’s like looking in the mirror 54 years ago,” Osmond said. For longtime fans, the moment connects the teenage star they remember with the seasoned performer he is today. The visual contrast tells the story of a career that has spanned generations.
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Behind the scenes, Osmond’s grandson performs the body movements used to animate the digital version of the teenage Donny seen in the Las Vegas show. (Donny Osmond)
Donny Osmond has always been fascinated with technology
One of the most surprising parts of my conversation with Donny is that he does not sound like a celebrity who was dragged into modern tech. He sounds like the kid who would have loved being dropped into a maker lab. “Ever since I was a teenager, I’ve always been kind of a geek or nerd about technical things,” Osmond said.
That curiosity still drives him today. He studies the tools behind his stage production and experiments with new ways to keep the show fresh. In many ways, technology has become another creative instrument.
Donny Osmond’s favorite app might surprise you
When I asked Donny which apps he uses the most, the answer revealed a different side of the performer. “I’d have to say, uh, Google Sheets because, uh, I’ve created algorithms,” Osmond said.
He enjoys building detailed spreadsheets and analyzing data. His phone of choice is a foldable device that allows him to view larger spreadsheets easily. Osmond also embraces connected security technology. He said he uses cameras and smart alarm systems to monitor his homes, dressing room and other properties so he always knows what is happening around him.
For someone known around the world as a singer and performer, it is an unexpectedly technical hobby.
Donny Osmond sees both the promise and risks of AI
Artificial intelligence has sparked debate across music, film and media. Some artists worry about misuse or losing control of their voice and likeness. Osmond takes a balanced view. “Any technology put in the wrong hands can turn into nefarious things, but look at the good it can do,” Osmond said.
From medicine to entertainment, he believes AI has the potential to drive major advances. “What a great time to be alive with today’s technology. It’s amazing to watch it all happen in real time,” Osmond said. At the same time, he believes society must stay engaged with technological progress rather than fear it. “If we run away from technology, other countries and other people are going to be way ahead of us,” Osmond said.
Speaking of technology, Osmond says his music may already have made it into space. During our conversation, he said one of his songs was reportedly used to test the sound system on a spacecraft capsule. “They actually used my song ‘Start Again’ from my latest album to test the sound system on one of the capsules,” Osmond said.
He then mentioned another story he has heard many times over the years. “When they went to the moon in the Apollo missions, and we did go to the moon, by the way, they took a tape of music with them. And on that music is Andy Williams singing ‘Aquarius.’ I’m singing background vocals on that song. They left the tape on the moon. My voice is sitting on the moon.”
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Donny Osmond headlines his long-running residency at Harrah’s Las Vegas, where the show now features an AI-powered duet with his teenage self. (Donny Osmond)
Social media would have changed the early Donny Osmond years
Osmond also reflected on how today’s digital platforms might have changed his early career. “Can you imagine what I could have done during the ‘Puppy Love’ years with social media?” Osmond said.
At the height of his teen idol fame, fans lined up outside television studios and concerts hoping to catch a glimpse of him. Today, that kind of connection often happens through social platforms and digital communities. It is one more example of how technology has reshaped the entertainment industry.
A career that continues to evolve
Donny Osmond first rose to fame performing with his brothers as part of the Osmonds. The family group became a television sensation in the late 1960s and early 1970s with appearances on shows like “The Andy Williams Show.” Soon after, his sister Marie stepped into the spotlight, and the two became household names with their hit variety series “Donny & Marie.” Decades later, the siblings reunited for a highly successful Las Vegas residency that ran for more than a decade.
Over the years, Osmond has released dozens of albums, starred in television shows, performed on Broadway and built a long-running Las Vegas career. Today, he headlines his own residency at Harrah’s Las Vegas, where he performs several nights a week. The show has been extended through May 2026, a testament to its continued popularity with audiences. Many younger fans now discover Osmond through social media clips, streaming platforms and live performances in Las Vegas.
Technology now plays a role in how he connects with fans as well. Osmond keeps fans connected through the Donny app (donnyosmondapp.com), which brings together news, videos, tour updates and a timeline of his career in one place. Fans can also find tickets, show information and updates at Donny.com, the official website he referenced during our interview. By blending nostalgia with modern technology, Osmond continues to reach fans across generations while pushing his show into new territory.
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Kurt’s key takeaways
Donny Osmond’s career is proof that curiosity can keep an artist moving forward. Instead of resisting change, he continues exploring the technology that’s shaping our world today. From AI stage performances to data-driven apps and smart home systems, Osmond approaches technology with the same enthusiasm he brings to performing. Be sure to listen to or watch the “Beyond Connected” conversation with Donny Osmond to hear more about how he blends entertainment and technology.
If you could use AI to meet a younger version of yourself, what would you ask them? Let us know by writing to us at Cyberguy.com.
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Living the Dream is the sequel to a 3DS game that, a decade ago, I called “the weirdest thing Nintendo has ever made.” It’s sort of like The Sims or Animal Crossing, and it’s also a little like a Tamagotchi. You play as an omniscient overseer of a small island that’s populated with Miis, Nintendo’s delightfully lo-fi avatar characters, and you have to feed them and make them happy by fostering relationships and playing games. As you do that, the island will expand with more residents and more things to interact with, so that eventually you’ll have a Ferris wheel, a restaurant, and a TV news station.
What makes the sequel interesting is that it really opens up what you’re able to do. The creation tools in particular are much more robust. There are lots of options for designing Miis such that, even though I am decidedly not artistically inclined, I was able to make very recognizable cartoon characters without too much effort. Notably, unlike its predecessor, Living the Dream has options for things like same-sex relationships and nonbinary characters, making it much more inclusive and open. The island itself similarly has a lot of customization options, though these slowly unlock over time.
The real meat of the experience is setting up situations and watching how things unfold. You can make characters become friends or romantic partners by literally picking them up and putting them next to each other. The game will even frequently ask you for topics that they might want to talk about, Mad Libs style. It’s an acquired taste, but for the right kind of person it can also be hilarious.
Perhaps the most remarkable thing about Living the Dream is that, at least as far as I can tell, there are no restrictions for what you can name characters or what you can make them say. To really test this, I let my 13-year-old kid run wild, tasking her with creating the most messed-up island her teenage brain could think of. Now my Switch is home to the cast of The Owl House, who love to chat to each other about Hitler, summoning Satan, and human trafficking. Nothing that she threw at the game was off-limits. (Also, I’m a little worried about her.)
That’s all very surprising for a Nintendo game, particularly given the company’s squeaky-clean image and family-friendly fare. And it’s almost certainly the reason why Nintendo has made it so that you can’t share screenshots and videos using the Switch’s built-in sharing features. Without getting into specifics, Nintendo wrote on a support page that the Living the Dream’s freedom can “sometimes lead to humorous, surprising, or unpredictable moments during gameplay,” but also said that “we recognize that out-of-context scenes may be misunderstood or may not reflect the spirit in which the game is intended to be enjoyed.”
Given the problems Nintendo has run into with online sharing in the past, it’s an understandable position to take. It’s also not impossible to share things; you can get around the limitation with a capture card or by simply taking photos of the Switch’s screen. Players already started doing that when Living the Dream’s demo came out.
Since much of the fun of Tomodachi Life is pushing the game to its limits to see what you can make your little Miis do, maybe Nintendo understood that there probably wasn’t any kind of filter it could put in the game that inventive players wouldn’t be able to bypass. Perhaps a full-scale sharing ban was the only option. But that decision also runs counter to the spirit of Living the Dream. Whenever I land on a really good joke, I immediately take a screenshot because I want to show it to people. My kid and I have been comparing stupid images all week trying to one-up each other.
Nintendo’s restrictions aren’t going to stop the really dedicated players. TikTok will almost certainly be flooded with even more phone camera videos of cute little Miis talking about sex and violence. Because those kinds of players are exactly who this game is for.
Tomodachi Life: Living the Dream launches on the Nintendo Switch on April 16th.
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You sit down for dinner. The menus arrive. And instead of everyone reaching for their phones, something different happens. People actually start talking. That is the whole point. Across the U.S., a growing number of bars and restaurants are asking customers to put their phones away. Some offer incentives. Others go further and lock devices in pouches. The goal stays the same. Create a space where people actually connect. This is not happening by accident. It reflects a broader shift in how people think about screens, attention and time together.
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More restaurants are asking diners to put phones away to encourage real conversation and reduce distractions at the table. (David Silverman/Getty Images)
Why phone-free restaurants are gaining popularity
The push toward phone-free spaces reflects a bigger change in how people think about technology. Research continues to link heavy smartphone use with lower attention spans, weaker memory and reduced social connection. As a result, schools, governments and businesses are rethinking when phones belong in the room. At the same time, daily habits show just how attached people have become. Recent data from Consumer Affairs shows Americans check their phones about 144 times a day and spend roughly 4.5 hours on them. That kind of constant interruption adds up. It changes how we experience meals, conversations and even live events. So people are starting to push back.
Who is driving the shift to phone-free dining
You might expect older generations to lead this shift. The opposite is happening. Gen Z is driving much of the change. A December 2025 survey from Talker Research found 63% of Gen Z say they intentionally disconnect from devices. Millennials follow at 57%. Generation X comes in at 42%, while baby boomers trail at 29%. That matters because Gen Z shapes culture, especially when it comes to social habits. When they decide something feels better offline, businesses notice. And businesses are adapting quickly.
Where phone-free restaurants are popping up
Phone-free policies are no longer rare. At least 11 states now have restaurants or bars experimenting with restrictions or incentives. Washington, D.C., leads with several venues, while others appear in Arizona, California, Illinois, Massachusetts, Tennessee, North Carolina, New York and Texas. Some places keep it simple. Put your phone away and enjoy the meal. Others take a stronger approach.
At a Charlotte cocktail bar called Antagonist, guests place their phones in locked pouches for about two hours. The idea is to remove the option entirely so people can focus on each other.
Meanwhile, upscale chain Delilah enforces a strict no phones, no posting policy across locations in cities like Dallas, Las Vegas, Los Angeles and Miami. The goal is privacy and atmosphere.
Even fast food is testing the concept. A Chick-fil-A location in Towson Place, Maryland, offers free ice cream to families who keep their phones off the table. Different approaches, same idea. Less screen time, more presence.
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A growing number of bars and restaurants are limiting phone use as Americans rethink screen time and social connection. (Mike Kemp/In Pictures via Getty Images)
What happens in phone-free restaurants
Something subtle shifts when phones are out of reach. People stay in conversations longer. Meals feel more intentional. Even simple activities like playing a game or sharing a story take on more weight. One diner described the experience as rare. No notifications, no pressure to document the moment, no distraction. Just time with another person. Food experts say phones can pull attention away from the dining experience itself. When that distraction disappears, people often leave feeling like something meaningful actually happened. That feeling is what keeps customers coming back.
What this means to you
You do not need to visit a phone-free bar to feel what this shift is about. It is already showing up in our everyday lives. Think about the last time you sat down for dinner. You check your phone for a second. Then a message pops up. Before you know it, the conversation pauses and the moment slips away. That is exactly what many people are starting to notice and question. Try putting your phone away for a meal, even at home. You may find the conversation lasts longer. Things feel a little slower in a good way. You walk away feeling like you were actually there, not half distracted. This is likely just the beginning. More places may start limiting phone use, especially where the experience matters most.
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Phone-free dining is on the rise, with some venues locking devices to create a more focused, social experience. (Photographer: Luke Sharrett/Bloomberg via Getty Images)
Kurt’s key takeaways
For years, phones have quietly taken over shared spaces. Restaurants, concerts and even small gatherings started to revolve around screens. Now the pendulum is swinging back. People are realizing that putting the phone down can change how a moment feels. It does not require a full digital detox. Sometimes it is just one meal, one conversation, one evening without distractions. That small shift can feel bigger than expected.
So here is the real question. When was the last time you had a meal where no one reached for their phone? Let us know by writing to us at Cyberguy.com.
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*insert Godzilla screeching sound* Here’s the very first look at the next big kaiju feature. Godzilla Minus Zero will continue the story of 2023’s Godzilla Minus One, which returned the franchise to the more grounded tone established in the original film, and while the new teaser trailer doesn’t show a whole lot, it suggests some big things for the series.
Minus Zero is set in 1949, two years after the first movie, “and continues the story of the Shikishima family as they face an all-new calamity,” according to the official logline. Apparently that includes shifting the setting from Tokyo to New York, as we see Godzilla right next to the Statue of Liberty. Stars Ryunosuke Kamiki and Minami Hamabe will be reprising their roles, while director Takashi Yamazaki — who is also making a giant robot movie called Grandgear — will once again be helming the film. Toho also says that Minus Zero will be the first Japanese movie filmed for IMAX.
It’s a busy time for the world’s most famous kaiju, who will also be appearing in the next entry in Legendary’s monsterverse with Godzilla x Kong: Supernova, and is currently featured in the Apple TV series Monarch: Legacy of Monsters. Godzilla Minus Zero, meanwhile, hits theaters on November 6th.
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