Hi, friends! Welcome to Installer No. 109, your guide to the best and Verge-iest stuff in the world. (If you’re new here, welcome, hope you’re staying warm, and also you can read all the old editions at the Installer homepage.)
Technology
A new old idea about video stores
This week, I’ve been reading about Google Maps and shopaganda and life as a pop star, finally getting to watch F1 now that it’s streaming, rewatching the first two Avatars ahead of the next one’s release, pretending the new Taylor Swift tour doc is a reasonable replacement for actually seeing the tour, buying a bunch of Ikea smart buttons now that they’re on sale in the US, playing with the excellent new Obsidian update for mobile devices, and spending altogether too much time trying to figure out why my house is so cold.
I also have for you a fun new source of movies to watch, a game to play this holiday season, a new speaker worth a listen, and much more.
And I have a question, looking ahead to the last Installer of the year: What’s your favorite new thing from this year? It doesn’t have to be new this year, just new to you. (And you don’t have to pick your one favorite forever, just hit me with something new you loved this year.) I want to hear about books you discovered, podcasts you’re into, decade-old games you’re loving, things that made your house or office or whatever better, anything and everything is fair game. I’ll share mine if you share yours — email me at installer@theverge.com, find me on Threads at @imdavidpierce, or message me on Signal at @davidpierce.11.
All right, lots of stuff this week! Let’s go.
(As always, the best part of Installer is your ideas and tips. What are you playing / reading / watching / listening to / cuddling up with by the fire this week? Tell me everything: installer@theverge.com. And if you know someone else who might enjoy Installer, forward it to them and tell them to subscribe here.)
- The Letterboxd Video Store. A tightly curated set of movies to rent, filled with stuff Letterboxd knows people want to see but that you almost certainly won’t find anywhere else. Like all things Letterboxd, it’s all a bit high-minded, but I love this idea and suspect I will check it often. Perfect amount of stuff in there, too.
- Skate Story. A late-breaking contender for the best game of 2025! You’re a demon, you skate. And skate. And skate. A lot of reviews say the controls take a little getting used to, but that they give way to something that feels great and looks spectacular.
- The iFixit app. I can’t say I’m shocked that iFixit’s AI bot, FixBot, isn’t quite up to the task of automatically sussing out how to fix all your gadgets. But that’s fine; I’ll just be using this new iOS and Android app as a library of manuals and repair guides. Plus, the built-in battery monitor for your phone is extremely clever.
- Darkroom 7.0. I totally forgot about Darkroom! It has long been one of the best photo editors for Apple devices, and the new version cleans up the user experience a bunch while also adding some retro-film effects and some high-end video features. Also: Being able to zoom all the way down to the individual pixel is pretty wild.
- Google Photos. On the other end of the professional spectrum, the Google Photos app just got a bunch of CapCut-style video editing features along with some better tools for making highlight reels and slideshows. I’m suddenly tempted to make a lot of stupid year-in-review stuff to send to my friends.
- Kill Bill: The Whole Bloody Affair. I’m a sucker for a weird re-edit of a movie, so this is extremely my jam: two Kill Bill movies turned into the single, 4.5-hour bloodfest they were apparently always supposed to be. Apparently it’s a totally different story now! This feels like the best possible use of a weekend afternoon in a movie theater.
- The Wiim Sound Lite. From one of the Installerverse’s favorite audio brands comes a new $229 portable speaker that looks like a strong competitor to Sonos’ new gear. (Or a HomePod, I guess.) If I were starting a home audio system right now, I’d probably start with Wiim.
- Google Disco. An experimental new browser based on a weird and novel idea: turning collections of tabs into AI-generated, one-off web apps. I don’t expect Disco itself to ever leave Google Labs, but there’s something awfully futuristic in here.
Raffi Chilingaryan’s Spotted in Prod has long been one of my favorite sites for finding cool design and product touches from around the web. (I feel like, if you’re an app developer, your goal should be to make something weird and cool enough to catch Raffi’s eye.) Raffi’s also a designer and developer. He says right now he’s working on two iOS apps, a Strava competitor called Runbuds and a super clever alarm app called Shift that is designed to help you wake up earlier.
That’s all well and good, but my personal favorite Raffi thing is his new personal website, which includes an actual interactive version of his phone, so you can click around his homescreen and see into his apps. Dude took the whole “show us your homescreen” and just put me to shame on it. (Also, it’s a .zip domain, which I kind of love for a personal site?)
Anyway, all I have for you is a humble screenshot, but here’s Raffi’s homescreen, plus some info on the apps he uses and why:
The phone: iPhone 15 Pro.
The wallpaper: Solid gray background.
The apps: Retro, (Not Boring) Camera, Google Maps, Photos, Claude, Safari, Apple Notes.
I have my apps organized into 4 folders (money, work, social, vibes), but that’s a bit boring so I’ll break it out like this:
- TestFlights you should keep an eye on: Arena is a community of curious internet folks that I’ve long wanted to immerse myself into but only once the iOS build got to its current level did I find that easy to do. Net is a promising email startup that uses an AI card stack to make flipping through your emails a breeze with impeccable UX.
- Apps that I will shill till I die: Retro is a weekly photo journal that inspires me to take more photos and lets you send POSTCARDS to your friends & family. (Not Boring) Camera is a gorgeous skeuomorphic camera with really nice presets. Bump is Find My Friends for Gen Z. Radio Garden lets you explore the world through local radio streams. Particle is an amazing AI native news app with super fluid UX. Mercury is the most lovely fintech product for both businesses and now personal banking — I hope they take over the world.
I also asked Raffi to share a few things he’s into right now. Here’s what he sent back:
- TBPN & Stratechery podcasts.
- Discovering creative developers and design engineers who showcase their work on tech Twitter.
- Using Claude Code to ship iOS apps as someone without a formal background in software engineering.
- The resurgence of Pokémon and the Trading Card Game app.
Here’s what the Installer community is into this week. I want to know what you’re into right now as well! Email installer@theverge.com or message me on Signal — @davidpierce.11 — with your recommendations for anything and everything, and we’ll feature some of our favorites here every week. For even more great recommendations, check out the replies to this post on Threads and this post on Bluesky.
“Now that finals are over I have been diving into Ghost of Yotei. Crazy beautiful game.” — Jeremy
“Finally reading “The Anthropocene Reviewed by John Green. Despite John living an entirely different life than me, his experiences and understanding of the world possess so many similarities to mine. I give it five stars.” — Christopher
“I feel like everyone is sleeping on Amazon Luna, the cloud stream gaming platform that Amazon includes with its yearly subscription. It consistently has A+ games on it. I’m currently addicted to the newest Bethesda Indiana Jones game… I hooked up my PS4 controller and am playing one of the greatest games of the past few years at no extra cost.” — Alex
“Audible had an insane three months for $1 deal, so I’ve been getting back into audiobooks while I do chores and commute. Currently listening to / reading Alchemised by SenLinYu and it’s fantastic.” — Colin
“Got myself a Teenage Engineering PO-12 drum machine on a rare sale. What a glorious little device. Lovely design, and hours of music fun, even for a complete amateur like myself. Plus – it even has a headphone jack! That said – I kind of wish that I’d gotten the PO-20 instead.” —
“StoneBlock 4, an amazing Minecraft modpack, is ruining all my productivity this week.” — Anne
“Yesterday I watched a badass Polish dude ski down Mt. Everest without oxygen. The feat is unbelievable, but I still think about the incredible footage.” — Denim
“I’m OBSESSED with the Xbloom robotic barista machine I’ve owned for a few weeks now. It’s basically like having a barista on demand 24/7 – if you love drip coffee this is an endgame coffee machine.” — Andrew
“+1 for Skate Story. Also, the OST… 👌” — Andy
I spent a bunch of time this week learning about Model Context Protocol, which is one of those things that most people will never think about but might be crucial to how technology works going forward. The MCP story is fascinating, but if you just want to quickly understand how the protocol works, and why it’s so important to the whole supposed AI-based future of everything, you should watch this 20-minute video. Greg Isenberg and Ras Mic walk through the whole stack at the perfect level of complexity, and with visuals that actually help (unlike so many videos I watched this week). If every educational video on YouTube were like this one, I’d be a much smarter person.
One more Installer to come this year. See you next week!
Technology
Inside the White House shitposting machine
Hello and welcome to Regulator, a newsletter for Verge subscribers about the technology, broligarchs and brainrot rapidly transforming politics and civic society. Not subscribed to The Verge yet? You should! It can materially improve your life.
Last week was a grim reminder that no matter what sort of horror is being perpetrated or how many people end up dead, the Trump administration’s knee-jerk response is to shitpost through it. The White House’s response on X to abducting the head of a sovereign nation? “FAFO”. The response to an ICE agent shooting a woman in broad daylight? A Buzzfeed-style listicle of “57 Times Sick, Unhinged Democrats Declared War on Law Enforcement.” ICE agents arresting protesters? “Welcome to the Find Out stage.”
To the vast majority of people following current events, the Trump administration’s meme-ing is blunt and cruel. But the jaded political insider will also view Trump’s meme fusillade as an element of a media strategy known as “rapid response”: the full-time work of quickly shaping the political narrative of a breaking news event, sometimes within minutes, before the news media and your opponents can shape it for you.
“Every political office, every political campaign, has a dedicated operation that helps them respond strategically to events in the news that are out of their control.” Lis Smith, a high-profile Democratic communications strategist based in New York City, told me. It’s a profession that dates back to the beginning of the 24-hour news cycle, when cable shows could quickly assemble a panel of pundits to discuss current events, and the workload has grown exponentially in the age of social media. “You cannot control all the narratives that are going to be out there, so you need to be able to manage the chaos that’s coming into your world.”
Smith served as the director of rapid response for Barack Obama’s 2012 presidential campaign, which was one of the first to fully take advantage of social media, and worked in the comms shop for several New York City mayors and Democratic candidates. She’s widely credited for single-handedly elevating Pete Buttigieg’s profile, turning him from an obscure mayor to a serious presidential candidate as his director of communications. She views social networks through the lens of their messaging utility: X, formerly known as Twitter, is still the best for getting “text-based rapid response communications like written statements” in front of a wide range of “elites and opinion-shapers.” A Bluesky-based messaging strategy might engage a friendly left-leaning audience, but will never “penetrate” the world outside, nor will a Rumble-based campaign ever make it out of the right-wing bubble.
More importantly: memes may be a fast way to convey a political message to a specific audience who gets the inside joke, but the humor is rarely understood by anyone outside of that group — especially people who might have been sympathetic to the concept of stopping illegal immigration, but are horrified by how the Trump administration is going about it. The memes themselves are simply a reflection of that mindset. “The administration’s use of memes really flattens the political debate,” said Smith. “It takes the humanity, the seriousness, and the nuance that’s needed out of it and replaces it just with cruelty.”
Before we get to my conversation with Smith, here’s The Verge’s latest on the political tech dystopia:
- “Snatching Maduro was all about the spectacle”, Elizabeth Lopatto and Sarah Jeong: Real people are dead because Donald Trump wanted a spectacle.
- “America’s new era of energy imperialism is about more than oil”, Justine Calma: Trump wants Venezuela’s oil, Greenland’s minerals, and above all — control.
- “The MAGA-approved video of an ICE killing”, Mia Sato: After a federal agent shot and killed a woman in Minneapolis, the Trump administration found its preferred angle of the incident.
- “Tim Cook and Sundar Pichai are cowards”, Elizabeth Lopatto: X’s deepfake porn feature clearly violates app store guidelines. Why won’t Apple and Google pull it?
- “Trump’s fundraisers asked Microsoft for its White House ballroom donation”, Emma Roth: Amazon also admitted that it was in touch with fundraisers months before the White House released its list of donors in October.
- “New York wants to regulate Roblox”, Lauren Feiner: Gov. Kathy Hochul made new requirements meant to protect kids online a centerpiece of her plan for state policy.
- “Former NYC Mayor Eric Adams accused of $2.5 million crypto ‘rug pull’ as his NYC Token crashes”, Emma Roth: The NYC token’s value peaked at about $580 million, before dropping to $130 million.
- “I can’t find the Trump phone at America’s largest tech show”, Dominic Preston: I’ve looked and looked, but Trump Mobile is nowhere to be found at CES this year
“A meme that is funny or cruel will probably spread faster than anything with nuance”
This interview has been edited for clarity.
You came up during an era where Twitter, before it was X, was really the only internet media environment for politics. How has the practice of rapid response changed in an environment where there is so much narrative to control over so many types of media?
It’s gotten a lot harder. In the ’90s, the big change was the 24-hour news cycle with cable news. In the late 2000s and early 2010s, the big development was social media, Twitter, and being able to respond in real time online to news developments. But now, there’s no question that it’s harder to get your message out, with how fractured these different social media channels are. Not everyone is on X today the same way they were 10 years ago. But also, your message is less likely to penetrate as effectively on a platform like X than it was 10 years ago, because of how verification, etc., have changed.
So you really need to have an “all of the above” communication strategy, where you’re hitting traditional media with press releases, calls to reporters and news networks, and you’re also hitting social media in real time. That means not just hitting X, but also hitting Threads, hitting Bluesky, TikTok, Instagram, all those apps, because there has never been a time where people’s media consumption habits have been more fractured than right now.
Do candidates view specific platforms for certain political purposes, or political leanings?
X is still pretty dominant in American politics for getting out rapid response communications, especially text-based rapid response communications like written statements, because it’s still where you’re going to find the most political insiders, political pundits, and reporters. Everything [messaging-wise] trickles out from there. Where you see more fracturing is in terms of where people do short form video: you do see some campaigns using TikTok, others using Instagram more; you do see some favoring of different platforms across partisan lines. But Bluesky on the left is just never going to be as effective of a way of reaching elites and opinion-makers as X is — just as Truth Social or Discord on the right is never going to be the way that you reach elites or opinion-makers.
Let’s go into the content of said messaging. I know that Kamala Harris and Biden tried to lean into memes during their 2024 campaigns, but clearly not as effectively as Trump, and the meme format seems to be really dominant in the Trump administration. Is there a specific way an operative views the meme format as a political messaging tool?
The meme format is more likely to spread quickly. It’s something that a specific audience is going to understand immediately, and it really simplifies a political argument. The problem with that, though, is, one, it’s very audience specific. Not everyone is going to understand a Family Guy meme, not everyone is going to understand a Patriots meme, or whatever the meme du jour is.
Another problem with the meme format is that you lose a lot of context and you lose a lot of humanity in it. So when you see the administration posting sort-of-funny memes about deportations or ICE, you lose a lot of the empathy and compassion that most people have when it comes to the immigration debate. Most people think that illegal immigration is bad and that we should do something about it. But most people also understand that there are real people who are involved in all of these situations and don’t think it’s funny to make light of, say, school pickups getting raided, or families getting separated, or parents crying as they’re being dragged away from their kids.
I was listening to Joe Rogan interviewing Shane Gillis, and they actually touched on this. I would say both Rogan and Shane Gillis are people who were favorable to Trump in the election — Rogan more so than Shane Gillis — but Gillis said, I want our government to take the issue of illegal immigration seriously. I don’t want it to be funny to them. And I think that’s something that really taps into how most people feel about these issues.
If you reduce these very serious issues to cruel, funny memes, you’re going to alienate a lot of people who might be there with you on an issue if you’d approached it with a little bit more maturity and humanity. But the administration is saying, cut out the humanity, cut out the maturity. Those things don’t matter. Because a viral meme — a meme that is funny or cruel — will probably spread faster than anything with nuance. They’re prioritizing speed and virality over nuance and seriousness.
I think you just refined what we’ve been thinking about at The Verge: the way that my coworkers saw Trump’s abduction of Maduro and their response to the ICE shooting was that this government’s policy is a meme mentality — their speed, virality and the need to get their spin out first before anyone feels any sort of way about it.
There’s a short window when people — everyone from reporters to voters to anyone online — are trying to figure out what the hell’s going on and what they think about breaking news. Rapid response is about stepping into that void and shaping it, but there are real problems with how the Trump administration is doing it. Ultimately, yes, they may win some sort of short-term viral meme war. But in the long term, the way that they’re communicating about these issues — whether it’s the fatal shooting of Renee Good in Minneapolis, or deportations in general — they’re gonna lose the political debate. People want action on these issues, but they don’t want wanton cruelty.
Also, if you [the administration[ step in very quickly and put out bad facts, what you do is just compound mistrust in government and mistrust in the administration. And it’s possible that the Trump administration benefits from that because the less people trust official sources, the more it’s good for them. But I think overall, it’s pretty bad that they’re putting out false information that goes mega-viral the way they do it, because ultimately, no one’s going to take anything they say at face value anymore. It’s especially damaging for their relationships with the news media and elites who, in the past, would have clearly taken what any presidential administration said at face value.
Is it too early to think about meme warfare in the midterm election — changing people’s opinions who could be swayed to vote one way or another, getting that messaging to them as quickly as possible, driving them out to the polls?
I don’t think that the meme strategy from this administration is gonna help Republicans in the midterms. And I think if you talk to a lot of Republicans who are up in swing areas or swing states or certain districts, and you presented them with the memes this administration is putting out, I don’t think they would agree with them, and I don’t think that they would say that this is good political strategy. Because to the point I made earlier: the administration’s use of memes really flattens the political debate. It takes the humanity, the seriousness, the nuance that’s needed out of it, and replaces it just with cruelty. The voters who are going to turn out in 2026 — yeah, some of them are going to be part of that MAGA base that it embraces the cruelty, but the people that you need to win over are going to be people who have nuanced views on issues like illegal immigration and people who say, Yeah, we need secure borders; yes, we need more enforcement of our immigration laws; but maybe we don’t need to be putting out memes about, you know, a father being taken off in handcuffs.
That’s where I think the administration’s focus on speed and virality comes at a political cost. Someone’s’s going to have to pay for the tone that they’re taking online, and it’s likely going to be the Republicans who are up in 2026, unless, I don’t know, Democrats somehow overplay their hand on immigration issues.
And a lot of the voters who will determine the midterm elections are older voters. They’re not going to consume the memes firsthand, nor are they going to understand the memes. That’s something being lost in this debate too: even though more people than ever are getting their news through social media, a lot of the people who decide elections, and a lot of the people that Republicans need to win, are not meme consumers. It’s questionable whether it will pay off electorally for them.
Speaking of memes distilling political arguments:
Technology
NASA returns humans to deep space after over 50 years with February Artemis II Moon mission
NEWYou can now listen to Fox News articles!
NASA plans to return humans to deep space next month, targeting a Feb. 6 launch for Artemis II, a 10-day crewed mission that will carry astronauts around the Moon for the first time in more than 50 years.
“We are going — again,” NASA said Tuesday in a post on X, saying the mission is set to depart no earlier than Feb. 6.
The first available launch period will run from Jan. 31 to Feb. 14, with launch opportunities on Feb. 6, 7, 8, 10 and 11.
If the launch is scrubbed, additional launch periods will open from Feb. 28 to March 13 and from March 27 to April 10. For the former, launch opportunities will be available on March 6, 7, 8, 9 and 11, and for the latter on April 1, 3, 4, 5 and 6.
NASA SAYS AMERICA WILL WIN ‘THE SECOND SPACE RACE’ AGAINST CHINA
NASA’s new moon rocket lifts off from Launch Pad 39B at the Kennedy Space Center in Cape Canaveral, Fla., Wednesday, Nov. 16, 2022. This launch is the first flight test of the Artemis program. (John Raoux/AP Photo)
The mission is scheduled to lift off from Launch Complex 39B at NASA’s Kennedy Space Center in Florida aboard the Space Launch System, the most powerful rocket the agency has ever built.
Preparations are underway to begin moving the rocket to the launch pad no earlier than Jan. 17. The move involves a four-mile journey from the Vehicle Assembly Building to Launch Pad 39B aboard the crawler-transporter 2, a process expected to take up to 12 hours.
“We are moving closer to Artemis II, with rollout just around the corner,” Lori Glaze, acting associate administrator for NASA’s Exploration Systems Development Mission Directorate, said. “We have important steps remaining on our path to launch and crew safety will remain our top priority at every turn, as we near humanity’s return to the Moon.”
TRANSPORTATION SECRETARY DUFFY TO ANNOUNCE NUCLEAR REACTOR DEVELOPMENT PLAN FOR THE MOON
The crew of NASA’s Artemis II mission (left to right): NASA astronauts Christina Hammock Koch, Reid Wiseman (seated), Victor Glover, and Canadian Space Agency astronaut Jeremy Hansen. (NASA)
The 322-foot rocket will send four astronauts beyond Earth orbit to test the Orion spacecraft in deep space for the first time with a crew aboard, marking a major milestone following the Apollo era, which last sent humans to the Moon in 1972.
The crew includes NASA astronauts Reid Wiseman, Victor Glover and Christina Koch, along with Canadian Space Agency astronaut Jeremy Hansen, making Artemis II the first lunar mission to include a Canadian astronaut and the first to carry a woman beyond low Earth orbit.
After launch, the astronauts are expected to spend about two days near Earth checking Orion’s systems before firing the spacecraft’s European-built service module to begin the journey toward the Moon.
BLUE ORIGIN LAUNCHES NEW GLENN ROCKET TO MARS AFTER DELAYS
A full moon was visible behind the Artemis I SLS (Space Launch System) rocket and Orion spacecraft at Launch Complex 39B at NASA’s Kennedy Space Center in Florida on June 14, 2022. The first in an increasingly complex series of missions, Artemis I tested SLS and Orion as an integrated system prior to crewed flights to the Moon. (NASA/Ben Smegelsky)
That maneuver will send the spacecraft on a four-day trip around the far side of the Moon, tracing a figure-eight path that carries the crew more than 230,000 miles from Earth and thousands of miles beyond the lunar surface at its farthest point.
Instead of firing engines to return home, Orion will follow a fuel-efficient free-return path that uses Earth and Moon gravity to guide the spacecraft back toward Earth during the roughly four-day return trip.
The mission will end with a high-speed reentry and splashdown in the Pacific Ocean off the coast of San Diego, where NASA and Department of War teams will recover the crew.
CLICK HERE TO DOWNLOAD THE FOX NEWS APP
Artemis II follows the uncrewed Artemis I mission and will serve as a critical test of NASA’s deep-space systems before astronauts attempt a lunar landing on a future flight.
NASA says the mission is a key step toward long-term lunar exploration and eventual crewed missions to Mars.
Technology
Meta is closing down three VR studios as part of its metaverse cuts
Meta is laying off about 10 percent of its Reality Labs metaverse division, and the cuts include closing down some of its VR gaming studios.
Twisted Pixel Games, the developer of Marvel’s Deadpool VR, Sanzaru Games, the developer of the Asgard’s Wrath franchise, and Armature Studio, which worked on the Resident Evil 4 VR port, are all being closed down, according to an internal memo viewed by Bloomberg. The team behind the VR fitness app Supernatural will no longer develop new content or features for it, though the “existing product” will still be supported, Bloomberg says. Meta spokesperson Tracy Clayton confirmed to The Verge that Bloomberg’s reporting is accurate.
Laid off staffers have posted about the closures online.
Meta acquired Supernatural developer Within in 2023 (after a fight with the FTC), Twisted Pixel and Armature in 2022, and Sanzaru in 2020. The company closed Echo VR developer Ready at Dawn, which it also acquired in 2020, in 2024.
In a statement about the broader Reality Labs layoffs, Clayton said that “We said last month that we were shifting some of our investment from Metaverse toward Wearables. This is part of that effort, and we plan to reinvest the savings to support the growth of wearables this year.”
Update, January 13th: Added details from Bloomberg about the studio closures.
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