Sports
The Lakers and Clippers are ready to share their home for the final time
Ten seasons ago, the Clippers opened their preseason by visiting four of their Western Conference rivals. They went to Portland, Utah, Sacramento and finally to Phoenix before they opened the doors to their home arena.
Fans had a lot of reasons to be excited — the team hired Doc Rivers in the offseason to coach and was about to enter the season as bonafide contenders. The season, Rivers felt, was about to be theirs. And, their arena should reflect that.
So, the Clippers covered the banners at Staples Center celebrating the Lakers’ championships and the retired numbers of their all-time greats, and instead featured images of Chris Paul, Blake Griffin and the rest of that Clippers’ core.
“I didn’t look at it as a banner thing,” Rivers said before the preseason home opener. “I look at it as putting our guys up. … It’s our arena when we play. I thought it would be good that we saw our guys. No disrespect to them, but when we play, it’s the Clipper arena as far as I know.”
But it was absolutely a banner thing — the Clippers finally saying “Enough” to one of the NBA’s strangest real-estate partnerships with two franchises sharing an arena.
“He took a lot of heat, but it makes sense,” Clippers coach Tyronn Lue said Tuesday. “We understand what the Lakers mean to the city and what they’ve done, but for us to have a place that we can call home and be comfortable, I think that was the right thing to do.”
Chuck the Condor waves a banner midcourt during pregame festivities for a Clippers-Trail Blazers game at Staples Center in 2021.
(Robert Gauthier / Los Angeles Times)
Rivers and the Clippers’ decision in 2013 is just one chapter in this co-habitation story. Provided the teams don’t meet in the playoffs this spring, Wednesday will be the final chapter.
The Clippers will host the Lakers — the final time the Lakers will be the visitors inside the building where they play their home games with the Clippers set to move into the new Intuit Dome in Inglewood next season. The Lakers (31-28, ninth in the West) have won two of the three games this season. The Clippers (37-19, fourth in the West) will be without All-Star forward Paul George, who will sit out his second consecutive game because of a sore left knee.
“Yeah, it’s weird. That’s the word,” Lakers guard D’Angelo Russell said about road games at Crypto.com Arena. “…You go home and your place is redecorated. It just looks different.”
The two teams have played 97 times since the arena’s opening in 1999, the Clippers holding the series advantage, 50-47. One of those regular-season wins for the Lakers actually came in Orlando, Fla., in 2020, making the Clippers 50-46 in Staples Center/Crypto.com Arena ahead of Wednesday’s finale.
As far as anyone can tell, no NBA teams have ever had this kind of shared existence. As Clippers wing Norman Powell pointed out, teams all over the league, such as the Raptors, share their spaces with NHL teams. But the switch from hockey to basketball is different from the switch from one NBA team to another.
A partial to-do list for swapping between Lakers and Clippers games is as follows: change the wrapping on pillars inside the main concourse and outside the building; change the court; swap out the baskets; configure the different courtside seats and scorer’s table; update the merchandise stands; swap the TV trucks and stationary cameras; and redecorate the tunnel to the court for the home team.
The Clippers’ court is 10 feet longer and two feet wider than the Lakers’ court and has 34 more wood panels.
The end result has led to the arena successfully housing two teams without much friction.
“They had to make it home. It makes sense. They want to make it as ‘home’ as possible,” Lakers star LeBron James said. “And it feels like a road game. Their lighting is different, the court is different, the seats look different — all that type of stuff. It feels like a road game — but you just don’t have to travel. Feels like you’re driving to a road game.”
There are other subtle changes for players when the teams play each other. The parking lot underneath the arena is twice as full during Lakers-Clippers games.
“It takes like twice as long to get your car,” Austin Reaves joked. “I mean, his car (pointing at James) might get to stay down there. They probably move mine upstairs.”
Pregame routines change. The home team has access to the weight room, the “visitors” have to use a temporary weight room in a storage area. Court access times are different, particularly for players like James who arrive very early to prepare.
Russell noted one of the strangest quirks: When the Lakers are the visiting team at Crypto.com Arena, they don’t get to use the tunnel to the court that’s steps from the locker room. Instead, they have to use the visitor’s tunnel, which means they run on and off the court past the Clippers locker room, both hockey locker rooms and the normal visiting NBA locker room.
“Walking out through the tunnel is probably the weirdest thing” he said, “we’ve got to go all the way [around].”
It might only be a few hundred extra steps, but it’s different enough to make the night feel a little off.
“I mean it is definitely a different feel,” Powell said. “I think both organizations do a good job of putting their own touch on the arena when it’s a home game and it’s us playing against each other. When it’s a Laker game, it’s a little more dark and intimate with how they black out the stands and like the focus, you can see all the lights are on the court. And the Clippers have a more inclusive environment where everybody’s just trying to get everybody involved and into the game and to have different things going on.
“It’s definitely a different feel when you walk in and, like, the setups that the Lakers have for their team and what we do.”
The lighting is the biggest difference, which strangely enough began as a major similarity. Until the 2006-07 season, the teams used the same lighting inside Staples Center until the Lakers adopted the theater lighting they still use, where the focus is on the court and the few first rows of seats. In 2014, the Clippers began using a brighter LED lighting.
A view of the Intuit Dome, showing a basket stanchion and grandstands, while under construction in January. The Clippers will open the 2024-25 season there.
(Irfan Khan / Los Angeles Times)
“It feels different, for sure, when it’s a home game for them. It doesn’t feel like Staples or Crypto,” James said.
Assuming the Lakers and the Clippers don’t meet in the playoffs, all of the awkwardness soon will be obsolete, each team having their own home court.
You won’t have to trick anyone.
“It’s weird showing up and having to do that. I did it my rookie year, come back and still doing that. It is what it is,” Russell said. “You adjust. And you know what that norm is and you adapt to it.
“Obviously, there’s a change on the way and I think it’s good for Lakers and Clippers players and it’s good for the fans.”
Times staff writer Broderick Turner contributed to this report.
Sports
Lakers hope comeback win over Pelicans gives the team a timely boost
Lakers center Jaxson Hayes falls after Pelicans forward Zion Williamson commits an offensive foul as Lakers guard Austin Reaves watches at at Crypto.com Arena on Tuesday.
(Allen J. Schaben/Los Angeles Times)
Matching the physicality of Pelicans forwards Zion Williamson and Saddiq Bey was on the top of the Lakers’ scouting report. But the task is easier said than done.
Reaves admitted to being “terrified” of stepping in front of a driving Williamson to draw a charge. The 6-foot-6, 284-pound Pelicans forward is just as physical as he is athletic, creating a fearsome combination for defenders. Healthy for the first time in two seasons, Williamson led the Pelicans with 24 points on 10-for-18 shooting.
“We haven’t seen somebody like that in a long time, right?” Smart said. “[With] his ability. But [being] willing to put your body there, take a charge, take an elbow to the face, box him out, go vertical, is definitely something that you got to be willing to do, and not everybody’s willing to do it. And that’s the difference in the game.”
Center Jaxson Hayes was up to the task. He absorbed a Williamson elbow in the fourth quarter and ended up in the front row of the stands holding his jaw. But the knock was worth it for the offensive foul that helped maintain the Lakers’ 14-0 run that quickly erased the Pelicans’ eight-point lead. The scoring streak started immediately after Hayes subbed back into the game with 7:20 remaining after he scored on his first possession, cutting to the basket for a dunk off an assist from Doncic.
Hayes had eight points, six rebounds and two blocks, playing nearly 23 minutes off the bench in his biggest workload as a substitute since Jan. 20 against Denver. After playing with Hayes in New Orleans during the center’s first two years in the league, Redick lauded the seven-year pro’s improvement. Hayes is sinking touch shots around the rim now. He has improved his decision making in the pocket. After getting benched for his defensive lapses last season, Hayes has impressed coaches with his consistent ability to stay vertical while protecting the rim. And he still brings the same trademark athleticism that made him the eighth overall pick in 2019.
“He consistently injects energy into the group when he runs the floor, blocks a shot, or he gets those dunks,” Redick said.
Sports
Eileen Gu reflects on decision to leave Team USA for China: ‘A lot of people just don’t understand’
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Eileen Gu released a statement on social media Monday, reflecting on her controversial decision to compete for Team China despite being born and raised in the U.S.
Gu’s statement tied the decision back to her passion for promoting women’s sports, and encouraging young girls to pursue sports.
“I gave my first speech on women in sports and title IX when I was 11 years old. I talked about being the only girl on my ski team, and, despite attending an all-girls’ school from Monday through Friday, becoming best friends with my teammates on the weekends through the common language of sport,” Gu wrote on Instagram.
Silver medalist Eileen Gu of China poses for photos after the awarding ceremony of the freestyle skiing women’s freeski big air event at the Milan-Cortina 2026 Olympic Winter Games in Livigno, Italy, Feb. 16, 2026. (Photo by Wang Peng/Xinhua via Getty Images) (Wang Peng/Xinhua via Getty Images)
“At the same time, I was made painfully aware of the lack of representation – at age 9, I felt that I was somehow representing all women every time I stepped in the terrain park. Landing tricks was about more than progression … it was about disproving the derisive implication of what it meant to ‘ski like a girl.’”
Gu went on to express gratitude for the one season in which she did compete for the U.S.
“When I was 15, I announced my decision to compete for China. At the time, I had spent one season on the US team, and had been lucky enough to meet my heroes in person. I am forever grateful for that season, and continue to maintain a close relationship with the team. I had spent every summer in China since I was 8 setting up summer camps on trampoline and dry slope for kids and adults, ranging from 7 to 47 years old, so I knew the industry was tiny. I felt like I knew everyone,” she added.
“Skiing for Team China meant the opportunity to uplift others through the universal culture of sport, and to introduce freeskiing to hundreds of millions of people who had never heard of it, especially with the Beijing 2022 Winter Olympics around the corner.”
Gu’s statement concluded by acknowledging that certain people “don’t understand” her decision to compete for China over the U.S., while insisting the choice maximized the impact she would have.
“I can look back now, at 22, and tell 12 year old Eileen that there are now terrain parks full of little girls, who will never doubt their place in the sport. I can tell 15 year old me that there are now millions of girls who have started skiing since then, in China and worldwide,” Gu wrote.
“A lot of people won’t understand or believe that I made a decision to create the greatest amount of positive impact on the world stage that I could, at this age, given my interests and passions. Three golds and six medals later, I can confidently say was once a dream is now a reality.”
Gu has become a target for global criticism this Olympics for her decision to represent China while remaining silent on the country’s alleged human rights abuses.
In an interview with Time magazine, Gu was asked her thoughts on China’s alleged persecution of Uyghurs and other Turkic Muslim minorities in Xinjiang.
“I haven’t done the research. I don’t think it’s my business. I’m not going to make big claims on my social media,” Gu answered.
“I’m just more of a skeptic when it comes to data in general. … So, it’s not like I can read an article and be like, ‘Oh, well, this must be the truth.’ I need to have a ton of evidence. I need to maybe go to the place, maybe talk to 10 primary source people who are in a location and have experienced life there.
“Then I need to go see images. I need to listen to recordings. I need to think about how history affects it. Then I need to read books on how politics affects it. This is a lifelong search. It’s irresponsible to ask me to be the mouthpiece for any agenda.”
More controversy surrounding Gu erupted after The Wall Street Journal reported that Gu and another American-born athlete who now competes for China, were paid a combined $6.6 million by the Beijing Municipal Sports Bureau in 2025.
Gu is the highest-paid Winter Olympics athlete in the world, making an estimated $23 million in 2025 alone due to partnerships with Chinese companies, including the Bank of China and western companies.
Her alignment with China prompted criticism from many Americans this Olympics, including Vice President J.D. Vance.
“I certainly think that someone who grew up in the United States of America who benefited from our education system, from the freedoms and liberties that makes this country a great place, I would hope they want to compete with the United States of America,” Vance said in an interview on Fox News’ “The Story with Martha MacCallum.”
Later, when Gu was asked if she feels “like a bit of a punching bag for a certain strand of American politics at the moment,” she said she does.
“I do,” she said. “So many athletes compete for a different country. … People only have a problem with me doing it because they kind of lump China into this monolithic entity, and they just hate China. So, it’s not really about what they think it’s about.
“And, also, because I win. Like, if I wasn’t doing well, I think that they probably wouldn’t care as much, and that’s OK for me. People are entitled to their opinions.”
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Silver medalist Eileen Gu of China attends the awarding ceremony of the freestyle skiing women’s freeski big air event at the Milan-Cortina 2026 Olympic Winter Games in Livigno, Italy, Feb. 16, 2026. (Hongxiang/Xinhua via Getty Images)
Gu has claimed she was “physically assaulted” for the decision.
“The police were called. I’ve had death threats. I’ve had my dorm robbed,” Gu told The Athletic.
“I’ve gone through some things as a 22-year-old that I really think no one should ever have to endure, ever.”
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Sports
Arnold, Jamie Lee Curtis, Janet Evans, Carl Lewis new members of California’s Hall of Fame
From Hollywood actors to Olympic athletes and politicians, California’s newest Hall of Fame class runs the gamut in talent and achievements.
Academy Award-winning actress Jamie Lee Curtis and former governor/action star Arnold Schwarzenegger, Olympic champions Janet Evans and Carl Lewis, authors Riane Eisler and Terry McMillan, chef Nobuyuki Matsuhisa, groundbreaking ensemble Mariachi Reyne de Los Ángeles and former state Democratic leader John L. Burton all earned a spot into the assembly of distinct Californians, Gov. Gavin Newsom announced Tuesday.
This class, the 19th in state history, will be formally enshrined during a ceremony at the California Museum in Sacramento on March 19 as a “celebration of their contributions to civic life, creativity, and social progress,” according to Newsom’s office.
The inductees “have reshaped our culture and our communities. Resilient and innovative, these leaders and luminaries represent the best of the California spirit,” Newsom said in a statement.
To be inducted, candidates must have lived in California for at least five years and “have made achievements benefiting the state, nation and world,” according to the California Hall of Fame website. To date, 166 Californians have been selected by three governors since 2006.
Schwarzenegger, 78, served as the state’s 38th governor and last Republican head of state from 2003 to 2011. His renaissance man biography includes a career as a body builder, highlighted by his Mr. Universe titles, action film success, political stardom and even tabloid-fodder infidelity.
Curtis, 67, a Santa Monica native, is among Hollywood’s elite and teamed with Schwarzenegger in the action blockbuster “True Lies” in 1994. Her acting career dates to 1977, and she earned a Best Supporting Actress Academy Award in 2023 for “Everything Everywhere All at Once.”
Evans, 54, is a four-time Olympic gold medal swimmer and Fullerton native who attended Placentia El Dorado High School, Stanford University and USC. She serves as chief athletic officer for the 2028 Los Angeles Olympic Games.
Lewis, 64, is considered by many one of the greatest athletes of the 20th century. The track star won 10 medals, nine of them gold, in four Olympics.
Eisler, 88, and McMillan, 74, added multiple bestsellers to this Hall of Fame class.
Eisler’s critically acclaimed “The Chalice and the Blade: Our History, Our Future” examines roughly 20,000 years of partnership between men and women and male domination over the last 5,000 years. The futurist, cultural historian and Holocaust survivor who has degrees in sociology and law from UCLA said she was informed of the honor last year by Jennifer Siebel Newsom and recently was honored by the Austrian government with its Cross of Honour for Science and Art, First Class.
“I am very honored at this time in my life to be inducted into the California Hall of Fame,” Eisler wrote in an email. “I have worked tirelessly to help create a better world, and firmly believe that a new paradigm, a new way of looking at our world and our place in it, is crucial.”
McMillan has written a series of smash hits, including a couple that became major studio films in the ‘90s, “Waiting to Exhale” and “How Stella Got her Groove Back,” centered on Black women’s voices.
Matsuhisa, 76, know for his iconic Japanese restaurant Nobu, which has six locations in California, owns businesses across five continents.
Mariachi Reyna de Los Ángeles, founded in South El Monte, rewrote the rules of music, becoming the first all-woman mariachi ensemble that has entertained for more than three decades.
Burton, the former chair of the California Democratic Party who died last year at 92, boasted a political career that included time in the California State Assembly and Senate and the U.S. House.
“This year’s class embodies the very best of California — creativity, resilience and a spirit of community,” Siebel Newsom said in a statement. “These honorees remind us that innovation and courage flourish when people are lifted up by those around them.”
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